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  1. Culture, adaptation, and innateness.Robert Boyd & Peter Richerson - 2005 - In Peter Carruthers, Stephen Laurence & Stephen P. Stich (eds.), The Innate Mind: Structure and Contents. New York, US: Oxford University Press USA.
    It is almost 30 years since the sociobiology controversy burst into full bloom. The modern theory of the evolution of animal behavior was born in the mid 1960’s with Bill Hamilton’s seminal papers on inclusive fitness and George William’s book Adaptation and Natural Selection. The following decade saw an avalanche of important ideas on the evolution of sex ratio, animal conflicts, parental investment, and reciprocity, setting off a revolution our understanding of animal societies, a revolution that is still going on (...)
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  • Not by Genes Alone: How Culture Transformed Human Evolution.Peter J. Richerson & Robert Boyd - 2005 - Chicago University Press.
    Acknowledgments 1. Culture Is Essential 2. Culture Exists 3. Culture Evolves 4. Culture Is an Adaptation 5. Culture Is Maladaptive 6. Culture and Genes Coevolve 7. Nothing about Culture Makes Sense except in the Light of Evolution.
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  • Archaeology and cognitive evolution.Thomas Wynn - 2002 - Behavioral and Brain Sciences 25 (3):389-402.
    Archaeology can provide two bodies of information relevant to the understanding of the evolution of human cognition – the timing of developments, and the evolutionary context of these developments. The challenge is methodological. Archaeology must document attributes that have direct implications for underlying cognitive mechanisms. One example of such a cognitive archaeology is found in spatial cognition. The archaeological record documents an evolutionary sequence that begins with ape-equivalent spatial abilities 2.5 million years ago and ends with the appearance of modern (...)
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  • Thinking and doing in cognitive archaeology: Giving skill its due.Dietrich Stout - 2002 - Behavioral and Brain Sciences 25 (3):421-422.
    Wynn shows that intentionally standardized artifacts (handaxes) provide evidence of the ability to conceptualize form (symmetry). However, such conceptual ability is not sufficient for the actual production of these forms. Stone knapping is a concrete skill that is acquired in the real world. Appreciation of its perceptual-motor foundations and the broader issues surrounding skill acquisition may lead to further important insights into human cognitive evolution.
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  • Ecological constraints on internal representation: Resonant kinematics of perceiving, imagining, thinking, and dreaming.Roger N. Shepard - 1984 - Psychological Review 91 (4):417-447.
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  • Four routes of cognitive evolution.Cecilia Heyes - 2003 - Psychological Review 110 (4):713-727.
  • Separate visual representations in the planning and control of action.Scott Glover - 2004 - Behavioral and Brain Sciences 27 (1):3-24.
    Evidence for a dichotomy between the planning of an action and its on-line control in humans is reviewed. This evidence suggests that planning and control each serve a specialized purpose utilizing distinct visual representations. Evidence from behavioral studies suggests that planning is influenced by a large array of visual and cognitive information, whereas control is influenced solely by the spatial characteristics of the target, including such things as its size, shape, orientation, and so forth. Evidence from brain imaging and neuropsychology (...)
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  • The social brain meets neuroimaging.Robin Im Dunbar - 2012 - Trends in Cognitive Sciences 16 (2):101-102.
  • Paleolithic public goods games: Why human culture and cooperation did not evolve in one step.Benoît Dubreuil - 2010 - Biology and Philosophy 25 (1):53-73.
    It is widely agreed that humans have specific abilities for cooperation and culture that evolved since their split with their last common ancestor with chimpanzees. Many uncertainties remain, however, about the exact moment in the human lineage when these abilities evolved. This article argues that cooperation and culture did not evolve in one step in the human lineage and that the capacity to stick to long-term and risky cooperative arrangements evolved before properly modern culture. I present evidence that Homo heidelbergensis (...)
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  • Beginning the history of art.Whitney Davis - 1993 - Journal of Aesthetics and Art Criticism 51 (3):327-350.
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  • Imaging the developing brain: what have we learned about cognitive development?B. J. Casey, N. Tottenham, C. Liston & S. Durston - 2005 - Trends in Cognitive Sciences 9 (3):104-110.
  • Aesthetics and Psychobiology.D. E. Berlyne - 1973 - Journal of Aesthetics and Art Criticism 31 (4):553-553.
  • Visual thinking.Rudolf Arnheim - 1969 - London,: Faber.
    "Groundbreaking when first published in 1969, this book is now of even greater relevance to make the reader aware of the need to educate the visual sense, a ...
  • Art and Visual Perception: The New Version.Rudolf Arnheim - 1969 - Journal of Aesthetics and Art Criticism 34 (3):361-364.
  • The Cultural Origins of Human Cognition.Michael Tomasello - 1999 - Harvard University Press.
    Ambitious and elegant, this book builds a bridge between evolutionary theory and cultural psychology. Michael Tomasello is one of the very few people to have done systematic research on the cognitive capacities of both nonhuman primates and human children. The Cultural Origins of Human Cognition identifies what the differences are, and suggests where they might have come from. -/- Tomasello argues that the roots of the human capacity for symbol-based culture, and the kind of psychological development that takes place within (...)
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  • How the Mind Works.Steven Pinker - 1997 - Norton.
    A provocative assessment of human thought and behavior, reissued with a new afterword, explores a range of conundrums from the ability of the mind to perceive three dimensions to the nature of consciousness, in an account that draws on ...
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  • The science of art: A neurological theory of aesthetic experience.Vilayanur Ramachandran & William Hirstein - 1999 - Journal of Consciousness Studies 6 (6-7):15-41.
    We present a theory of human artistic experience and the neural mechanisms that mediate it. Any theory of art has to ideally have three components. The logic of art: whether there are universal rules or principles; The evolutionary rationale: why did these rules evolve and why do they have the form that they do; What is the brain circuitry involved? Our paper begins with a quest for artistic universals and proposes a list of ‘Eight laws of artistic experience’ -- a (...)
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  • Core Knowledge of Geometry in an Amazonian Indigene Group.Stanislas Dehaene, Véronique Izard, Pierre Pica & Elizabeth Spelke - 2006 - Science 311 (5759)::381-4.
    Does geometry constitues a core set of intuitions present in all humans, regarless of their language or schooling ? We used two non verbal tests to probe the conceptual primitives of geometry in the Munduruku, an isolated Amazonian indigene group. Our results provide evidence for geometrical intuitions in the absence of schooling, experience with graphic symbols or maps, or a rich language of geometrical terms.
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  • Imitation, mirror neurons and autism.Justin H. G. Williams, Andrew Whiten, Thomas Suddendorf & David I. Perrett - unknown
    Various deficits in the cognitive functioning of people with autism have been documented in recent years but these provide only partial explanations for the condition. We focus instead on an imitative disturbance involving difficulties both in copying actions and in inhibiting more stereotyped mimicking, such as echolalia. A candidate for the neural basis of this disturbance may be found in a recently discovered class of neurons in frontal cortex, 'mirror neurons' (MNs). These neurons show activity in relation both to specific (...)
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  • Affective discrimination of stimuli that cannot be recognized.W. R. Kunst-Wilson & R. B. Zajonc - 1980 - Science 207:557-58.
  • Before and below 'theory of mind': embodied simulation and the neural correlates of social cognition.Vittorio Gallese - 2007 - In Nathan Emery, Nicola Clayton & Chris Frith (eds.), Social Intelligence: From Brain to Culture. Oxford University Press.
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  • Before and below 'theory of mind': Embodied simulation and the neural correlates of social cognition.Vittorio Gallese - 2007 - Philosophical Transactions of the Royal Society B-Biological Sciences 362 (1480):659-669.
  • Where do mirror neurons come from.Cecilia Heyes - forthcoming - Neuroscience and Biobehavioral Reviews.
    1. Properties of mirror neurons in monkeys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (...)
     
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  • Inner Vision.S. Zeki - unknown
    The work of the artist and the science of vision may seem distantly related as subjects.
     
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  • Population size predicts technological complexity in Oceania.Michelle A. Kline & Robert Boyd - unknown
    Much human adaptation depends on the gradual accumulation of culturally transmitted knowledge and technology. Recent models of this process predict that large, well-connected populations will have more diverse and complex tool kits than small, isolated populations. While several examples of the loss of technology in small populations are consistent with this prediction, it found no support in two systematic quantitative tests. Both studies were based on data from continental populations in which contact rates were not available, and therefore these studies (...)
     
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  • Imitation as an inheritance system.Nicholas Shea - 2009 - Philosophical Transactions of the Royal Society B 364:2429-2443.
    What is the evolutionary significance of the various mechanisms of imitation, emulation and social learning found in humans and other animals? This paper presents an advance in the theoretical resources for addressing that question, in the light of which standard approaches from the cultural evolution literature should be refocused. The central question is whether humans have an imitationbased inheritance system—a mechanism that has the evolutionary function of transmitting behavioural phenotypes reliably down the generations. To have the evolutionary power of an (...)
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  • Mind the gap: or why humans aren't just great apes.R. I. M. Dunbar - 2008 - In Proceedings of the British Academy, Volume 154, 2007 Lectures. pp. 403-423.