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Ästhetik: Psychologie des schönen und der Kunst.Theodor Lipps - 2018 - Wentworth Press.details
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Phenomenology of Perception.Maurice Merleau-Ponty - 1945/1962 - New York: Routledge. Edited by Donald A. Landes.details
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Phenomenology of Perception.Maurice Merleau-Ponty - 1945 - New York: Routledge. Edited by Donald A. Landes.details
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Change blindness: Past, present, and future. [REVIEW]Daniel J. Simons & Ronald A. Rensink - 2005 - Trends in Cognitive Sciences 9 (1):16-20.details
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Differentiating phenomenology and dance.Philipa Rothfield - 2004 - Topoi 24 (1):43-53.details
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Change Blindness.Ronald A. Rensink - 2005 - In Laurent Itti, Geraint Rees & John K. Tsotsos (eds.), Neurobiology of Attention. Academic Press. pp. 76--81.details
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Introduction to the Dance.John Martin - 1968 - Journal of Aesthetics and Art Criticism 26 (3):399-400.details
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Æsthetik, Psychologie des Schönen und der Kunst. [REVIEW]James H. Tufts - 1904 - Philosophical Review 13 (6):677-681.details
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Perceiving subjectivity in bodily movement: The case of dancers. [REVIEW]Dorothée Legrand & Susanne Ravn - 2009 - Phenomenology and the Cognitive Sciences 8 (3):389-408.details
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The Performer-Audience Connection: Emotion to Metaphor in Dance and Society.Judith Lynne Hanna - 1985 - Journal of Aesthetics and Art Criticism 44 (1):87-87.details
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Phenomenology of Perception.Aron Gurwitsch, M. Merleau-Ponty & Colin Smith - 1964 - Philosophical Review 73 (3):417.details
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Perceiving Dance.Joanna Friesen - 1975 - The Journal of Aesthetic Education 9 (4):97.details
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Towards a sensorimotor aesthetics of performing art.B. Calvo-Merino, C. Jola, D. E. Glaser & P. Haggard - 2008 - Consciousness and Cognition 17 (3):911-922.details
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Dance and the Lived Body: A Descriptive Aesthetics.Sondra Horton Fraleigh - 1987details
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The Concept of Mind: 60th Anniversary Edition.Gilbert Ryle - 1949 - New York: Hutchinson & Co.details
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Gorillas in our midst: Sustained inattentional blindness for dynamic events.Daniel J. Simons & Christopher F. Chabris - 1999 - Perception 28 (9):1059-1074.details
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The Concept of Mind.Gilbert Ryle - 1950 - British Journal for the Philosophy of Science 1 (4):328-332.details
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Neural Concept Formation & Art Dante, Michelangelo, Wagner Something, and indeed the ultimate thing, must be left over for the mind to do.Semir Zeki - 2002 - Journal of Consciousness Studies 9 (3):53-76.details
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Some speculative hypotheses about the nature and perception of dance and choreography.Ivar Hagendoorn - 2004 - Journal of Consciousness Studies 11 (3-4):3-4.details
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A feature integration theory of attention.Anne Treisman - 1980 - Cognitive Psychology 12:97-136.details
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Observer response to contemporary dance.Renee Glass - 2005 - In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: Creativity and Cognition in Contemporary Dance. Melbourne Up. pp. 107--121.details
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