В современной аналитической философии большую популярность получил вопрос о природе пропозиций. Пропозиции – абстрактные сущности, которые используются в теории значения, в теории действия, в философии сознания. В данной статье рассматриваются основные определения пропозиций и их основные сложности. Автор выдвигает тезис о том, что нам не нужны пропозиции.

Изучение космологических представлений в древнерусской книжности заставляет по-новому посмотреть на становление теоретического мышления в античности. Разработанная автором классификация когнитивных психотипов используется для прояснения истоков космологических представлений как в богословских трудах, так и в картине мира Аристотеля–Птолемея. Показывается, что небесная механика Стагирита представляет собой модель, основанную на наблюдении, логической аргументации, а также на теоретическом прочтении сакральных символов.

Die 'Beiträge zur Philosophie. Vom Ereignis' dürfen mit Fug und Recht nach 'Sein und Zeit' als das zweite Hauptwerk Heideggers bezeichnet werden. Denn sie enthalten nach der fundamentalontologischen Ausarbeitung der Seinsfrage in 'Sein und Zeit' die erste Durchgestaltung des seinsgeschichtlichen Weges derselben Frage. Das seinsgeschichtliche Denken entfaltet das Wesen des Seins nicht mehr im Überstieg (Transzendenz) über das Seiende auf dessen Wahrheit hin (Horizont), sondern im Vollzug des ereigneten Entwurfs aus dem ereignenden Zuwurf der Wahrheit des Seins. 'Ereignis' ist der (...) Name für die Zusammengehörigkeit der ereignend sich zuwerfenden Wahrheit und des ereigneten Seinsentwurfes das Da-seins. Die 'Beiträge zur Philosophie' sind das Werk, in dem sich das Denken der im 'Brief über den Humanismus' genannten 'Kehre' vollzieht. (shrink)

'This book is a model of philosophical and Heideggerian scholarship.

The Beauty of the Infinite is a splendid extended essay in "theological aesthetics." David Bentley Hart here meditates on the power of a Christian understanding of beauty and sublimity to rise above the violence -- both philosophical and literal -- characteristic of the postmodern world. The book begins by tracing the shifting use and nature of metaphysics in the thought of Kant, Hegel, Nietzsche, Heidegger, Lyotard, Derrida, Deleuze, Nancy, Levinas, and others. Hart pays special attention to Nietzsche's famous narrative of (...) the "will to power" -- a narrative largely adopted by the world today -- and he offers an engaging revision (though not rejection) of the genealogy of nihilism, thereby highlighting the significant "interruption" that Christian thought introduced into the history of metaphysics. This discussion sets the stage for a retrieval of the classic Christian account of beauty and sublimity, and of the relation of both to the question of being. Written in the form of a dogmatica minora, this main section of the book offers a pointed reading of the Christian story in four moments, or parts: Trinity, creation, salvation, and eschaton. Through a combination of narrative and argument throughout, Hart ends up demonstrating the power of Christian metaphysics not only to withstand the critiques of modern and postmodern thought but also to move well beyond them. Strikingly original and deeply rewarding, The Beauty of the Infinite is both a constructively critical account of the history of metaphysics and a compelling contribution to it. (shrink)

While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted (...) gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology. (shrink)

"... a major contribution to Heidegger scholarship..." —Journal of the History of Behavioral Sciences "Van Buren’s portrayal of these formative years is striking and vital to all future Heidegger scholarship." —Christian Century "Van Buren presents a clear and cogent argument for the theory that Martin Heidegger’s mature thought, epitomized in Being and Time, actually was a return to his youthful theory and concerns.... Van Buren’s ability to present a rounded discussion while using Heidegger’s own technical vocabulary is highly commendable." —Library (...) Journal "... here at last is a work on the philosopher that is of fundamental philosophical-historical import. Van Buren’s book is both interesting and well written... " —Choice "... a readable, interesting, and first-rate book." —John D. Caputo A startling new reading of Martin Heidegger’s early thought leading up to Being and Time and its subsequent development in his later writings. (shrink)