The article takes Giorgio Agamben’s declaration of his optimism with regard to the possibilities of global political transformation as a point of departure for the inquiry into the affirmative aspects of Agamben’s political thought, frequently overshadowed by his more famous critical claims. We reconstitute three principles grounding Agamben’s optimism that pertain respectively to the total crisis of the contemporary biopolitical apparatuses, the possibility of a radically different form-of-life on the basis of their residue and the minimalist character of this transformation (...) that consists entirely in the subtraction of existence from these apparatuses. While the first two principles are unproblematic in the wider context of Agamben’s work, the third principle introduces the problematic of will that remains highly ambiguous in his philosophy. In the remainder of the article we address this ambiguity in an analysis of Agamben’s reading of Melville’s ‘Bartleby the Scrivener’ and conclude that Agamben’s optimism ultimately consists in the affirmation of absolute contingency, beyond both will and necessity. (shrink)

The paper studies the relationship between political violence and biological life in the thought of Hannah Arendt, Giorgio Agamben and Michel Foucault. I follow Foucault in arguing that understanding political violence in modernity means rethinking the ontological boundary between biological and political life that has fundamentally ordered the Western tradition of political thought. I show that while Arendt, Agamben and Foucault all see the merging of the categories of life and politics as the key problem of Modernity, they understand this (...) problem in crucially different terms and suggest different solutions to it. This results in different understandings of the relationship between violence and the political. It is my contention that the violence of modern biopolitical societies is not due to originary ties between sovereign power and biopower, as Agamben claims. Sovereign states use biopolitical methods of violence, but this violence is not an originary or necessary aspect of political power. In order to criticise the forms of violence specific to modern biopolitical societies we must expose the points of tension, as well as of overlap between two types of power – biopower and sovereign power. Understanding their distinctive rationalities is crucial for developing effective strategies against current forms of political violence. (shrink)

This article explores the category of biopolitics through the use Roberto Esposito and Giorgio Agamben make of two Greek words, bios and ōē. In particular, I argue that the separation of bios and ōē as introduced in Homo Sacer has no "natural" nor "lingual" relevance. The exposition of such a fabulous antinomy simply ruins the historical matter of Agamben's discourse on biopolitics. Here, Esposito's research could be read as an attempt to found the category of biopolitics anew without repeating the (...) fiction of a bifurcation between ōē and bios. However, Esposito, in his own celebration of biopower, undermines the very power of language and, thus, ignores the variation of the invariant that is history. Esposito's and Agamben's difficulties lead us back to the possible ambition of all politics to absorb all life, as it was already expressed by Aristotle. In this sense, "modern biopolitics" becomes a case study for the totalitarian temptation of political order. (shrink)

Giorgio Agamben is a philosopher well known for his brilliance and erudition, as well as for the difficulty and diversity of his seventeen books. The interest which his _Homo Sacer_ sparked in America is likely to continue to grow for a great many years to come. _Giorgio Agamben: A Critical Introduction_ presents the complexity and continuity of Agamben's philosophy—and does so for two separate and distinct audiences. It attempts to provide readers possessing little or no familiarity with Agamben's writings with (...) points of entry for exploring them. For those already well acquainted with Agamben's thought, it offers a critical analysis of the achievements that have marked it. (shrink)