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John O'Dea (2018). Art and Ambiguity: A Gestalt-Shift Approach to Elusive Appearances.

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  1. Three Dialogues Between Hylas and Philonous.George Berkeley - 1713 - Oxford University Press.
    First published in 1713, this work was designed as a vivid and persuasive presentation of the remarkable picture of reality that Berkeley had first presented two years earlier in his Principles of Human Knowledge. His central claim there, as here, was that physical things consist of nothing but ideas in minds--that the world is not material but mental. Berkeley uses this thesis as the ground for a new argument for the existence of God, and the dialogue form enables him to (...)
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  2. Perceptual Objectivity.Tyler Burge - 2009 - Philosophical Review 118 (3):285-324.
    A central preoccupation of philosophy in the twentieth century was to determine constitutive conditions under which accurate (objective) empirical representation of the macrophysical environment is possible. A view that dominated attitudes on this project maintained that an individual cannot empirically represent a physical subject matter as having specific physical characteristics unless the individual can represent some constitutive conditions under which such representation is possible. The version of this view that dominated the century's second half maintained that objective empirical representation of (...)
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  3. Perception and the Fall From Eden.David J. Chalmers - 2006 - In Tamar S. Gendler & John Hawthorne (eds.), Perceptual Experience. Oxford University Press. pp. 49--125.
    In the Garden of Eden, we had unmediated contact with the world. We were directly acquainted with objects in the world and with their properties. Objects were simply presented to us without causal mediation, and properties were revealed to us in their true intrinsic glory.
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  4. Colour Constancy as Counterfactual.Jonathan Cohen - 2008 - Australasian Journal of Philosophy 86 (1):61 – 92.
    There is nothing in this World constant but Inconstancy. [Swift 1711: 258] In this paper I argue that two standard characterizations of colour constancy are inadequate to the phenomenon. This inadequacy matters, since, I contend, philosophical appeals to colour constancy as a way of motivating illumination-independent conceptions of colour turn crucially on the shortcomings of these characterizations. After critically reviewing the standard characterizations, I provide a novel counterfactualist understanding of colour constancy, argue that it avoids difficulties of its traditional rivals, (...)
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  5.  72
    Color Constancy, Complexity, and Counterfactual.Joshua Gert - 2010 - Noûs 44 (4):669-690.
  6. The Ecological Approach to Visual Perception.James J. Gibson - 1979 - Houghton Mifflin.
    This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...)
  7.  5
    The Visual Field and the Visual World: A Reply to Professor Boring.James J. Gibson - 1952 - Psychological Review 59 (2):149-151.
  8.  53
    The Perception Of The Visual World.James J. Gibson - 1950 - Boston: Houghton Mifflin.
  9.  10
    Art and Illusion.E. H. Gombrich - 1960 - Phaidon.
  10.  97
    The Perception of Size and Shape.Christopher S. Hill & David J. Bennett - 2008 - Philosophical Issues 18 (1):294-315.
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  11. Predictive Coding Explains Binocular Rivalry: An Epistemological Review.Jakob Hohwy, Andreas Roepstorff & Karl Friston - 2008 - Cognition 108 (3):687-701.
  12. A Treatise of Human Nature.David Hume - 1738 - Oxford University Press.
    A Treatise of Human Nature (1739-40), David Hume's comprehensive attempt to base philosophy on a new, observationally grounded study of human nature, is one of the most important texts in Western philosophy. It is also the focal point of current attempts to understand 18th-century philosophy. -/- The Treatise first explains how we form such concepts as cause and effect, external existence, and personal identity, and to form compelling but unconfirmable beliefs in the entities represented by these concepts. It then offers (...)
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    Shadow‐Experiences and the Phenomenal Structure of Colors.René Jagnow - 2010 - Dialectica 64 (2):187-212.
    It is a common assumption among philosophers of perception that phenomenal colors are exhaustively characterized by the three phenomenal dimensions of the color solid: hue, saturation and lightness. The hue of a color is its redness, blueness or yellowness, etc. The saturation of a color refers to the strength of its hue in relation to gray. The lightness of a color determines its relation to black and white. In this paper, I argue that the phenomenology of shadows forces us to (...)
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    How Representationalism Can Account for the Phenomenal Significance of Illumination.Ren’E. Jagnow - 2009 - Phenomenology and the Cognitive Sciences 8 (4):551-572.
    In this paper, I defend a representationalist account of the phenomenal character of color experiences. Representationalism, the thesis that phenomenal character supervenes on a certain kind of representational content, so-called phenomenal content, has been developed primarily in two different ways, as Russellian and Fregean representationalism. While the proponents of Russellian and Fregean representationalism differ with respect to what they take the contents of color experiences to be, they typically agree that colors are exhaustively characterized by the three dimensions of the (...)
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  15. Content and Constancy: Phenomenology, Psychology, and the Content of Perception. [REVIEW]Sean Dorrance Kelly - 2008 - Philosophy and Phenomenological Research 76 (3):682–690.
  16. Visual Awareness of Properties.Matthew Kennedy - 2007 - Philosophy and Phenomenological Research 75 (2):298–325.
    I defend a view of the structure of visual property-awareness by considering the phenomenon of perceptual constancy. I argue that visual property-awareness is a three-place relation between a subject, a property, and a manner of presentation. Manners of presentation mediate our visual awareness of properties without being objects of visual awareness themselves. I provide criteria of identity for manners ofpresentation, and I argue that our ignorance of their intrinsic nature does not compromise the viability of a theory that employs them. (...)
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  17. Multistable Phenomena: Changing Views in Perception.David A. Leopold & Nikos K. Logothetis - 1999 - Trends in Cognitive Sciences 3 (7):254-264.
    Traditional explanations of multistable visual phenomena (e.g. ambiguous figures, perceptual rivalry) suggest that the basis for spontaneous reversals in perception lies in antagonistic connectivity within the visual system. In this review, we suggest an alternative, albeit speculative, explanation for visual multistability – that spontaneous alternations reflect responses to active, programmed events initiated by brain areas that integrate sensory and non-sensory information to coordinate a diversity of behaviors. Much evidence suggests that perceptual reversals are themselves more closely related to the expression (...)
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  18. How Things Look (And What Things Look That Way).Mohan Matthen - 2010 - In Bence Nanay (ed.), Perceiving the World. Oxford University Press. pp. 226.
    What colour does a white wall look in the pinkish light of the late afternoon? Philosophers disagree: they hold variously that it looks pink, white, both, and no colour at all. A new approach is offered. After reviewing the dispute, a reinterpretation of perceptual constancy is offered. In accordance with this reinterpretation, it is argued that perceptual features such as color must always be predicated of perceptual objects. Thus, it might be that in pinkish light, the wall looks white and (...)
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  19. The Dual Coding of Colour.Rainer Mausfeld - 2003 - In Rainer Mausfeld & Dieter Heyer (eds.), Colour Perception: Mind and the Physical World. Oxford University Press. pp. 381--430.
    The chapter argues from an ethology-inspired internalist perspective that ‘colour’ is not a homogeneous and autonomous attribute, but rather plays different roles in different conceptual forms underlying perception. It discusses empirical and theoretical evidence that indicates that core assumptions underlying orthodox conceptions are grossly inadequate. The assumptions pertain to the idea that colour is a kind of autonomous and unitary attribute. It is regarded as unitary or homogeneous by assuming that its core properties do not depend on the type of (...)
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  20. Action in Perception.Alva Noë - 2005 - MIT Press.
    "Perception is not something that happens to us, or in us," writes Alva Noe. "It is something we do." In Action in Perception, Noe argues that perception and perceptual consciousness depend on capacities for action and thought — that ...
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    On the Looks of Things.Søren Overgaard - 2010 - Pacific Philosophical Quarterly 91 (2):260-284.
    In recent publications, Michael Tye and Alva Noë have claimed that there is a sense in which a tilted plate looks round and another sense in which it looks elliptical. This paper argues that their proposal faces decisive objections. On Tye and Noë's account of ordinary, veridical perception, appearances are in constant conflict. As a characterization of ordinary visual experience, this cannot be correct. I examine various responses to this criticism, and conclude that they all fail. I then argue that (...)
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    Perplexities of Consciousness.Eric Schwitzgebel - 2011 - Bradford.
    Do you dream in color? If you answer Yes, how can you be sure? Before you recount your vivid memory of a dream featuring all the colors of the rainbow, consider that in the 1950s researchers found that most people reported dreaming in black and white. In the 1960s, when most movies were in color and more people had color television sets, the vast majority of reported dreams contained color. The most likely explanation for this, according to the philosopher Eric (...)
  23. Is the Appearance of Shape Protean?Charles Siewert - 2006 - PSYCHE: An Interdisciplinary Journal of Research On Consciousness 12:1-16.
    </b>This commentary focuses on shape constancy in vision and its relation to sensorimotor knowledge. I contrast “Protean” and “Constancian” views about how to describe perspectival changes in the appearance of an object’s shape. For the Protean, these amount to changes in apparent shape; for Constance, things are not merely judged, but literally appear constant in shape. I give reasons in favor of the latter view, and argue that Noë’s attempt to combine aspects of both views in a “dual aspect” account (...)
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  24. The Problem of Perception.A. D. Smith - 2002 - Harvard University Press.
    The Problem of Perception offers two arguments against direct realism--one concerning illusion, and one concerning hallucination--that no current theory of ...
  25. Austrian Philosophy. The Legacy of Franz Brentano.Barry Smith - 1994 - Open Court.
    This book is a survey of the most important developments in Austrian philosophy in its classical period from the 1870s to the Anschluss in 1938. Thus it is intended as a contribution to the history of philosophy. But I hope that it will be seen also as a contribution to philosophy in its own right as an attempt to philosophize in the spirit of those, above all Roderick Chisholm, Rudolf Haller, Kevin Mulligan and Peter Simons, who have done so much (...)
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    Neural Bases of Binocular Rivalry.Frank Tong, Ming Meng & Randolph Blake - 2006 - Trends in Cognitive Sciences 10 (11):502-511.