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  1. Book Review: Old Mistresses: Women, Art and Ideology. [REVIEW]Caroline Osborne - 1982 - Feminist Review 12 (1):108-110.
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  • The Painting of Modern Life: Paris in the Art of Manet and His Followers.T. J. Clark - 1985 - Journal of Aesthetics and Art Criticism 44 (2):203-205.
  • Differencing the Canon: Feminist Desire and the Writing of Art's Histories.Griselda Pollock - 1999 - Psychology Press.
    In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender (...)
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  • La Traversée des signes.Julia Kristeva - 1975 - Éditions du Seuil, C1975.
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  • Liquid Modernity.Zygmunt Bauman - 2000 - Polity Press ; Blackwell.
     
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  • Le musée imaginaire.André Malraux - 1996 - Gallimard Education.
    Texte d'esthétique, d'histoire de l'art mais également de réflexion sur la finitude humaine.
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  • The End of Art.Donald Kuspit - 2005 - Journal of Aesthetics and Art Criticism 63 (1):85-86.
     
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  • The Alternative in Eastern Europe.Rudolf Bahro - 1980 - Science and Society 44 (3):372-374.
     
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  • La pensée sauvage.Claude Lévi-Strauss - 1964 - Revue Philosophique de la France Et de l'Etranger 154:508-511.
     
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  • Postmodernism, or the Cultural Logic of Late Capitalism.Fredric Jameson - 1993 - Utopian Studies 4 (2):216-217.
  • Canvases and Careers: Institutional Changes in the French Painting World.Harrison C. White & Cynthia A. White - 1966 - Science and Society 30 (2):238-241.
     
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  • La pensée sauvage.Claude Levi-Strauss - 1963 - Les Etudes Philosophiques 18 (1):104-105.
     
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