Our understanding of the world is not static; it can both expand and contract, and it can also stagnate. In history the expansion of the known universe has come about from various causes, from scientific advance, the slow processes of trade and exploration, from, colonization, and especially from conquest. Periods of expansion produce often a re-evaluation of the external world, both that which was already known and that which was previously unknown, or on the fringes of the known. But no (...) one is wholly capable of a direct response toreality: reality as soon as it is experienced is perceived, organized: ‘Die Welt ist die Gesamtheit der Tatsachen nicht der Dinge’. (shrink)

Our understanding of the world is not static; it can both expand and contract, and it can also stagnate. In history the expansion of the known universe has come about from various causes, from scientific advance, the slow processes of trade and exploration, from, colonization, and especially from conquest. Periods of expansion produce often a re-evaluation of the external world, both that which was already known and that which was previously unknown, or on the fringes of the known. But no (...) one is wholly capable of a direct response toreality: reality as soon as it is experienced is perceived, organized: ‘Die Welt ist die Gesamtheit der Tatsachen nicht der Dinge’. (shrink)

If the Iliadic Aeneas has a fault, it is that he fails to die: 20.302 . In Homer, he is not memorable, but closer inspection reveals a warrior of authentic distinction.

If the Iliadic Aeneas has a fault, it is that he fails to die: 20.302. In Homer, he is not memorable, but closer inspection reveals a warrior of authentic distinction.

The termTabulae Iliacaeis conventionally applied to twenty low reliefs scattered through museums from Warsaw to New York. The common name conceals a bewildering artistic farrago: the earliestTabula, theTabula Iliaca Capitolina, is mid-Augustan, the latest late Antonine. Five of theTabulaebear the name Theodorus and I shall argue that he is the craftsman responsible for their execution. Where provenance is known, it is always Rome or the Roman Campagna. The materials of theTabulaevary widely: most, but not all, are of some sort of (...) marble, white, yellow, and Giallo Antico. Little can be said of their size, for not one survives complete. It would appear, however, that the largest rectangularTabula, the calcite 1 A, was originallyc.25 cm by 42 cm. Two, portraying the Shield of Achilles, were circular and 5O may have had a radius of 20 cm. The nameIliacaeis appropriate only in as much as eleven out of twentyTabulaeportray episodes from theIliad and six the Sack of Ilium; others, however, represent Alexander's victory at Arbela and the apotheosis of Hercules. What theTabulaedo display in common is a combination of low reliefs in miniature and inscriptions, often extensive and not always on the same topic as the reliefs. In ancient art, only the Megarian bowls stand comparison, and their ratio of text to illustration is substantially lower. (shrink)