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  1. Coming to Terms: The Rhetoric of Narrative in Fiction and Film.Seymour Chatman - 1992 - Journal of Aesthetics and Art Criticism 50 (3):253-254.
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  • Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
     
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  • Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Harvard University Press.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
  • Le Grand Imagier Steps Out: The Primitive Basis of Film Narration.George M. Wilson - 1997 - Philosophical Topics 25 (1):295-318.
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  • Transparency and Twist in Narrative Fiction Film.George Wilson - 2006 - Journal of Aesthetics and Art Criticism 64 (1):81–95.
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  • Against the Ubiquity of Fictional Narrators.Andrew Kania - 2005 - Journal of Aesthetics and Art Criticism 63 (1):47–54.
    In this paper I argue against the theory--popular among theorists of narrative artworks--that we must posit a fictional narrative agent in every narrative artwork in order to explain our imaginative engagement with such works. I accept that every narrative must have a narrator, but I argue that in some central literary cases the narrator is not a fictional agent, but rather the actual author of the work. My criticisms focus on the strongest argument for the ubiquity of fictional narrators, Jerrold (...)
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  • The Philosophy of the Movies : Cinematic Narration.Berys Gaut - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell. pp. 230--253.
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