Results for 'Aesthetics, German'

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  1.  33
    Classic and Romantic German Aesthetics.J. M. Bernstein (ed.) - 2002 - Cambridge University Press.
    This 2002 volume brings together major works by German thinkers, writing just prior to and after Kant, who were enormously influential in this crucial period of aesthetics. These texts include the first translation into English of Schiller's Kallias Letters and Moritz's On the Artistic Imitation of the Beautiful, together with translations of some of Hölderlin's most important theoretical writings and works by Hamann, Lessing, Novalis and Schlegel. In a philosophical introduction J. M. Bernstein traces the development of aesthetics from (...)
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  2.  31
    Analytical Psychology and German Classical Aesthetics: Goethe, Schiller & Jung.Paul Bishop - 2007 - Routledge.
    Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung , volume 1, The Development of the Personality investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. This volume argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical (...)
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  3.  28
    The Dialectics of Aesthetic Agency: Revaluating German Aesthetics From Kant to Adorno.Ayon Maharaj - 2013 - Bloomsbury Academic.
    This study examines how key figures in the German aesthetic tradition—Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno—attempted to think through the powers and limits of art in post-Enlightenment modernity. The aesthetic speculations of these thinkers, Maharaj argues, provide the conceptual resources for a timely dialectical defense of “aesthetic agency”— art’s capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. The book has two interrelated aims. First, it provides new interpretations of the (...)
  4.  14
    Essays on Kant, Schelling, and German Aesthetics.Henry Crabb Robinson - 2010 - Modern Humanities Research Association.
    It is usually assumed that the only British Romantic writer who engaged meaningfully with German philosophy was S. T. Coleridge. This edition disproves that assumption.
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  5.  17
    Aesthetics and Politics in Modern German Culture: Festschrift in Honour of Rhys W. Williams.Brigid Haines, Stephen Parker, Colin Riordan & Rhys W. Williams (eds.) - 2010 - Peter Lang.
    Cywydd Ffarwelio Rhys MERERID HOPWOOD Mae awr i fwynhau miri, y mae awr mi wn am hwyl cwmni, ond nawr, yn ein dathliad ni, mae un na fynnaf mo'ni. ...
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  6. The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art.Stefanie Buchenau - 2013 - Cambridge University Press.
    When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian (...)
     
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  7. Classic and Romantic German Aesthetics.J. M. Bernstein (ed.) - 2002 - Cambridge University Press.
    This 2002 volume brings together major works by German thinkers, writing just prior to and after Kant, who were enormously influential in this crucial period of aesthetics. These texts include the first translation into English of Schiller's Kallias Letters and Moritz's On the Artistic Imitation of the Beautiful, together with translations of some of Hölderlin's most important theoretical writings and works by Hamann, Lessing, Novalis and Schlegel. In a philosophical introduction J. M. Bernstein traces the development of aesthetics from (...)
     
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  8.  26
    The Career of Aesthetics in German Thinking.Martin Seel - 1999 - Royal Institute of Philosophy Supplement 44:399-412.
    In German philosophy of the last 250 years, aesthetics has played a leading part. Any arbitrary list of great names contains mainly authors who either have written classical texts on aesthetics or are strongly influenced by aesthetic reflection, for instance, Kant, Hegel, Schelling, Schopenhauer, Marx, Nietzsche, Dilthey, Heidegger, Wittgenstein, Gadamer, and Adorno – the few exceptions being Husserl and Frege. It is not by chance that Frege is one of the founding fathers of modern Anglo-Saxon philosophy, where, generally speaking, (...)
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  9. Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung Volume 2: The Constellation of the Self.Paul Bishop - 2008 - Routledge.
    The second volume of _Analytical Psychology and German Classical Aesthetics_ builds on the previous volume to show how German classicism, specifically the classical aesthetics associated with Goethe and Schiller known as Weimar classicism, was a major influence on psychoanalysis and analytical psychology alike. This volume examines such significant parallels between analytical psychology and Weimar classicism as the methodological similarities between Goethe’s morphological and Jung’s archetypal approaches, which both seek to use synthesis as well as analysis in their attempt (...)
     
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  10. Kant and His German Contemporaries: Volume 2, Aesthetics, History, Politics, and Religion.Daniel Dahlstrom (ed.) - 2018 - Cambridge University Press.
    Kant's philosophical achievements have long overshadowed those of his German contemporaries, often to the point of concealing his contemporaries' influence upon him. This volume of new essays draws on recent research into the rich complexity of eighteenth-century German thought, examining key figures in the development of aesthetics and art history, the philosophy of history and education, political philosophy, and the philosophy of religion. The essays range over numerous thinkers including Baumgarten, Mendelssohn, Meyer, Winckelmann, Herder, Schiller, Hamann and Fichte, (...)
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  11. The Impact of Idealism: Volume 3, Aesthetics and Literature: The Legacy of Post-Kantian German Thought.Christoph Jamme & Ian Cooper (eds.) - 2013 - Cambridge University Press.
    The first study of its kind, The Impact of Idealism assesses the impact of classical German philosophy on science, religion and culture. This third volume explores German Idealism's impact on the literature, art and aesthetics of the last two centuries. Each essay focuses on the legacy of an idea or concept from the high point of German philosophy around 1800, tracing out its influence on the intervening period and its importance for contemporary discussions. As well as a (...)
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  12. The Aesthetics of Fear in German Romanticism.Paola Mayer - 2020 - Mcgill-Queen's University Press.
    Enlightenment - both the phenomenon specific to the eighteenth century and the continuing trend in Western thought - is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers (...)
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  13.  4
    Kant and His German Contemporaries, Volume II: Aesthetics, History, Politics, and Religion Ed. By Daniel O. Dahlstrom.Gualtiero Lorini - 2020 - Journal of the History of Philosophy 58 (1):179-180.
    In continuity with the first volume of the series, edited by Corey W. Dyck and Falk Wunderlich, whose focus was on "Logic, Mind, Epistemology, Science and Ethics," this collection of essays carries on an impressive project in the history of thought and ideas that, due to its breadth and depth of analysis, can be compared to Dieter Henrich's monumental Konstellationen. Probleme und Debatten am Ursprung der idealistischen Philosophie. Yet, while the latter's program aimed at tracing the personal and intellectual relations (...)
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  14.  10
    Mininger, J. D. And Jason Michael Peck, Eds. German Aesthetics: Fundamental Concepts From Baumgarten to Adorno. New York: Bloomsbury Academic, 2016, XI + 269 Pp., $120.00 Cloth. [REVIEW]Guy Elgat - 2018 - Journal of Aesthetics and Art Criticism 76 (2):254-258.
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  15.  14
    BUCHENAU, STEFANIE. The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art. Cambridge University Press, 2013, Viii + 272 Pp., $84.00 Cloth, $32.99 Paper. [REVIEW]C. Richard Booher - 2016 - Journal of Aesthetics and Art Criticism 74 (3):311-314.
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  16.  9
    Beauty and Judgement in German Aesthetics.Axia Marinescu - 2014 - Human and Social Studies 3 (1):124-138.
    The birth of aesthetics in the 18th century marks the passage from beauty to fine taste and the emergence of art as a separate sphere of culture. Indeed, before the Renaissance, art is not viewed separately from handcraft and the craftsman does not receive the distinctive status of a specialist of beautiful, an artist. This is due to two sets of reasons: first, the transformation of beauty, which becomes little by little a matter of taste and is subjective, and second, (...)
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  17.  8
    Introduction. Aesthetics and Philosophy of Art in German Idealism.Jürgen Stolzenberg & Karl P. Ameriks - 2007 - In Jürgen Stolzenberg & Karl P. Ameriks (eds.), Internationales Jahrbuch des Deutschen Idealismus : Ästhetik Und Philosophie der Kunst / Aesthetics and Philosophy of Art. Walter de Gruyter.
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  18.  11
    Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity.John E. Toews - 2016 - British Journal of Aesthetics 56 (1):110-112.
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  19.  8
    A Critique of the Aesthetics of German Idealism: Reflections on Nietzsche’s Rupture with Wagner.Danielle Cohen-Levinas - 2015 - In Leonel R. dos Santos & Katia Dawn Hay (eds.), Nietzsche, German Idealism and its Critics. De Gruyter. pp. 271-281.
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  20.  4
    The Contemporary Significance of Classical German Aesthetics. A Discussion with Arthur Danto and Dieter Henrich.Jürgen Stolzenberg & Karl P. Ameriks - 2007 - In Jürgen Stolzenberg & Karl P. Ameriks (eds.), Internationales Jahrbuch des Deutschen Idealismus : Ästhetik Und Philosophie der Kunst / Aesthetics and Philosophy of Art. Walter de Gruyter.
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  21. Wonder and Sublimity: Revisions of a Classical Topos in the Philosophy and Aesthetics of the German Enlightenment.John Gerard Moore - 1998 - Dissertation, Emory University
    The dissertation considers what is at stake when theoretical wonder ceases to be an originating affect for speculative thought and becomes, instead, a limiting concept for critical philosophy. It attempts to show that: wonder functions for its classical proponents in an entirely different context than that presupposed by the aesthetics of the sublime . This difference can be ascribed to the way in which the feeling of the sublime is operative in the overcoming of modern theodicy , whereas wonder is (...)
     
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  22.  64
    18th Century German Aesthetics.Paul Guyer - 2008 - Stanford Encyclopedia of Philosophy.
  23.  3
    Kant and His German Contemporaries, Volume II: Aesthetics, History, Politics, Religion.Michael Lee Gregory - forthcoming - British Journal for the History of Philosophy:1-3.
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  24. Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893.Robert Vischer, Conrad Fiedler, Heinrich Wolfflin & Adolf Goller - 1993 - The Getty Center for the History of Art.
     
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  25.  2
    Aesthetics and Life-World in German-Chinese Dialogue: Preface.Hans Feger - 2019 - Yearbook for Eastern and Western Philosophy 2018 (3):1-6.
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  26.  14
    The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art by Stefanie Buchenau.Timothy M. Costelloe - 2014 - Journal of the History of Philosophy 52 (3):615-616.
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  27.  17
    The Dialectics of Aesthetic Agency: Revaluating German Aesthetics From Kant to Adorno. [REVIEW]Owen Hulatt - 2013 - British Journal for the History of Philosophy 21 (6):1240-1243.
  28.  10
    Stefanie Buchenau: The Founding of Aesthetics in the German Enlightenment. The Art of Invention and the Invention of Art. Cambridge: Cambridge University Press, 2013 , 272 Seiten. ISBN 978-1-107-02713-8. [REVIEW]Clemens Schwaiger - 2016 - Kant-Studien 107 (3):574-577.
    Name der Zeitschrift: Kant-Studien Jahrgang: 107 Heft: 3 Seiten: 574-577.
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  29.  22
    Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung. Volume 1. The Development of the Personality. By Paul Bishop. [REVIEW]Kevin Lu - 2010 - Heythrop Journal 51 (3):496-497.
  30.  19
    Review of Kai Hammermeister, The German Tradition in Aesthetics[REVIEW]Paul Guyer - 2003 - Notre Dame Philosophical Reviews 2003 (8).
  31.  20
    Directions in Contemporary German Aesthetics.Matthew Pritchard - 2009 - Journal of Aesthetic Education 43 (3):pp. 117-127.
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  32.  11
    Review of J. M. Bernstein (Ed.), Classical and Romantic German Aesthetics[REVIEW]Richard Eldridge - 2003 - Notre Dame Philosophical Reviews 2003 (8).
  33.  4
    Book Review: Analytical Psychology and German Classical Aesthetics: Goethe, Schiller and Jung by Paul Bishop London: Routledge, 2008, Vol. 1: The Development of the Personality, Pp. Xiv, 233, ISBN 978—1-583—91809—8; Vol. 2: The Constellation of the Self, Pp. Viii, 248, ISBN 978—0-415—43029—6. [REVIEW]Juljan Krause - 2009 - Body and Society 15 (4):145-149.
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  34.  3
    Rezension Zu: James Vigus Ed., Henry Crabb Robinson: Essays on Kant, Schelling, and German Aesthetics.Vilem Mudroch - 2011 - .
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  35. Dictionary of Philosophy and Psychology, Including Many of the Principal Conceptions of Ethics, Logic, Aesthetics, Philosophy of Religion, Mental Pathology, Anthropology, Biology, Neurology, Physiology, Economics, Political and Social Philosophy, Philology, Physical Science, and Education, and Giving a Terminology in English, French, German, and Italian.James Mark Baldwin - 1901 - New York: P. Smith.
  36. Dictionary of Philosophy and Psychology Including Many of the Principal Conceptions of Ethics, Logic, Aesthetics, Philosophy of Religion, Mental Pathology, Anthropology, Biology, Neurology, Physiology, Economics, Political and Social Philosophy, Philology, Physical Science, and Education; and Giving a Terminology in English, French, German, and Italian. Written by Many Hands and Edited by James Mark Baldwin, with the Co-Operation and Assistance of an International Board of Consulting Editors.James Mark Baldwin - 1960 - P. Smith.
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  37. Her Latest Book is Titled, Daughters of The Goddess, Daughters of Imperialism: African Women, Culture, Power and Democracy (London: Zed Books, 2000). Sibylle Benninghojf-Liihl, Visiting Professor at the Institute of German Literature at Humboldt-University of Berlin. Research and Teaching in Nigeria and Brazil. DFG-Scholarship on" The Aesthetics of the Wild. People-Shows in Germany. [REVIEW]Ulrike Bergermann - 2002 - In Insa Härtel & Sigrid Schade (eds.), Body and Representation. Leske + Budrich. pp. 6--223.
     
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  38. JM Bernstein, Ed., Classic and Romantic German Aesthetics Reviewed By.Ewan Porter - 2005 - Philosophy in Review 25 (3):161-167.
  39. Meier, Georg Friedrich. About logic, Aesthetics and Rhetoric in German Enlightenment Philosophy.Riccardo Pozzo - 2003 - Agora 22 (2):131-141.
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  40. Johann Elias Schlegel a German Pioneer in Aesthetics.Elizabeth M. Wilkinson - 1945 - Blackwell.
     
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  41. Aesthetics and Subjectivity: From Kant to Nietzsche.Andrew Bowie - 2003 - Manchester University Press.
    This new, completely revised and re-written edition of Aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities.
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  42.  35
    The German Aesthetic Tradition.Kai Hammermeister - 2002 - Cambridge University Press.
    This book, first published in 2002, is a systematic critical overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Such is the importance of German aesthetics that the market for this (...)
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  43.  67
    Diotima's Children: German Aesthetic Rationalism From Leibniz to Lessing.Frederick C. Beiser - 2009 - Oxford University Press.
    Diotima's Children is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late seventeenth and eighteenth century.
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  44.  24
    The Aesthetic State: A Quest in Modern German Thought.Lydia Goehr - 1992 - Journal of Aesthetics and Art Criticism 50 (3):260-262.
  45. German Aesthetic and Literary Criticism.Hugh Barr Nisbet (ed.) - 1985 - Cambridge University Press.
    This anthology, part of a three-volume series of which the other two volumes are already available, charts the emergence of aesthetics in Germany in the latter half of the eighteenth century as a distinct discipline emancipated from French domination. The unifying theme of the volume is classicism: Winckelmann's neo-classicism was based on a profound knowledge of the visual art of Greece and Rome; Lessing's Laocoon extended Winckelmann's principles to literature; Herder and Schiller, by contrast, went on to define and defend (...)
     
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  46.  33
    The Origins of Modern Critical Thought: German Aesthetic and Literary Criticism From Lessing to Hegel.David Simpson (ed.) - 1988 - Cambridge University Press.
    Originally published in 1988, this book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing ...
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  47.  4
    The Psychological Basis of Herder's Aesthetics.Joe K. Fugate - 1966 - The Hague: Mouton.
  48.  36
    Nietzsche and Schiller: Untimely Aesthetics.Nicholas Martin - 1996 - Oxford University Press.
    This is the first comparative study of Nietzsche's Birth of Tragedy and Schiller's Aesthetic Letters, two crucial texts in aesthetic and cultural theory. Martin's scrupulous examination and comparison reveals the common ground shared by the two writers, who are usually regarded as being poles apart. In addition, Martin shows how this common ground mutually illuminates both texts.
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  49.  28
    The Harmony of Reason: A Study in Kant's Aesthetics.Francis X. J. Coleman - 1974 - University of Pittsburgh Press.
    Introduction The General Bearings of Kant's Third Critique The Critique of Judgment may be broadly viewed as a work of philosophical diplomacy in which Kant ...
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  50. Immanuel Kant: Aesthetics.Douglas Burnham - 2001 - Internet Encyclopedia of Philosophy.
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