What does it mean to talk of the power of God in relation to the human self? The discourses generated by the Jewish and Christian tradition about the capacity for divinity have been mainly promulgated by men, and have more often than not served to exclude women cognitively, practically, and spiritually. As a result they have been made powerless in the face of God’s presence. It is possible to look to ideas developed in Hindu Tantra for comparative notions of power (...) (shakti) which can redeem the place of God for women. The path of divine consciousness is effectively illustrated by an imaginary and somatic awareness, by a devout attention to the play of light in the soul. In this paper I propose to read the assignment of energy and force within conceptions of divinity through the lens of a poststructuralist realization, using the work of Michel Foucault, Gilles Deleuze and Félix Guattari, and Luce Irigaray. This working paper is basically an exercise in metaphorical writing, and one reader has called it 'creative theology'. (shrink)

ABSTRACT This essay is concerned with the relationship between femininity and divinity in feminist speculative fiction. It equates becoming divine with becoming plant, and studies the transformations that attend women in this process in modernity, postmodernity and transmodernity. Taking as its point of departure Mark Taylor’s evolution of the concept of God through immanence, transcendence and immanent transcendence, and Rosa María Rodríguez Magda’s definition of transmodernity, it examines “The Sleep of Plants” by Anne Richter, “The Neglected Garden” by Kathe (...) Koja, and “The Bad Graft” by Karen Russell. It argues that by becoming plants these women locate themselves in opposition to the norms of divinity created by men, and proposes to delineate the contours of a new feminist paradigm in the present transmodern age through the study of botany. (shrink)

This paper explores the way in which God as the infinite ground of existence is discerned by the imagination and understanding. The representation of the apophatic divine is facilitated by the working of the human mind, which means that the manifold nature of thinking establishes the presence of God. In the metaphysical speculations of kabbalah and tantra the singular light of Ein Sof and Paramashiva intersects with the human imagination, and is refracted into a multiple display of understanding. So the (...) mind acts as a prism through which God is conceptualized and delineated. It constitutes a mediated envisaging of the Absolute, and the corollary of this perception is the engendering of the divine presence, notably as the feminine Shekhinah and Shakti. In short, in these two apparently different traditions—of kabbalistic and tantric thought—there is a detectably common theme of the notions of activity and force in creation as betokening a feminine representation of God’s being. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 35.1 (2005) 71-98MuseSearchJournalsThis JournalContents[Access article in PDF]Hospitality after the Death of GodTracy McNultyPierre Klossowski's fiction has been only sporadically published in English, and largely dismissed as perverse erotica or soft-core porn. When his 1965 trilogy Les lois de l'hospitalité was partially translated in English (under the title Roberte, ce soir & The Revocation of the Edict of Nantes), its Library of Congress classification characterized it simply as "erotic (...) fiction—French." Even in France, Klossowski has become the very signifier of perversion. His artwork graces the cover of Serge André's L'imposture perverse and of numerous erotic novels, he has been "diagnosed" as a pervert by writers on both sides of the Atlantic, and unironic readers of his Sade mon prochain hail him as Sade's disciple and heir.1Admittedly, the larger stakes of Klossowski's work are easily obscured by its free adaptation of the stock themes of libertine literature. His fictional works, like his visual compositions (essentially representations of rape scenes, often on historical themes—Diana and Actaeon, the Rape of Lucretia), explore the conflict between a woman's chaste moral attitude and her gradual surrender to an assailant's advances. The Laws of Hospitality concerns the erotic awakening of "hospitality" in a woman, which exposes a contradiction within her moral character and reveals her symbolic identity to be without foundation. Its protagonist Octave, who bears more than a passing resemblance to his creator, is a collector of artworks that eroticize the moment of moral hesitation experienced by women submitting to the sexual advances of a chance stranger—or even a "spiritual" apparition. His "laws of hospitality" are the fruit of his desire to experience this operation firsthand; they name a practice wherein the master of the house "offers" his wife to fortuitous guests, in order to savor the moment of her surrender.However, the stakes of Klossowski's "perverse" meditations are very different from the Sadeian project of uprooting religious morality. Sade challenges the patriarchal and religious authorities of his day by demonstrating that the paternal signifier on which their laws are based is without foundation. In proving that the law cannot hold [End Page 71] up against the repeated assaults of libertinage, he mounts a systematic deconstruction of the symbolic order of language by the real of jouissance. But although Klossowski may share Sade's perverse drive to "humiliate the law with the object,"2 his target is not the signifier as such, but rather the imaginary consistency afforded by what he calls the "grammatical fiction of the 'I,'" the illusion of autonomous personhood. The "object" he confronts it with is not the natural "truth" of jouissance, but rather the feminine object who disrupts the identity of the "master" who offers her.Klossowski's reflections on the special status of femininity in Enlightenment culture—at once marginal and singularly "extimate"—have never been fully appreciated, despite their enormous interest for the study of culture. In a way unique among contemporary authors, Klossowski sheds light on Jacques Lacan's enigmatic insight that the cultural importance of the feminine object consists in its sublimated status as an "object raised to the dignity of the Thing" [Lacan 112]. His fiction underscores the close ties between the feminine and what Freud called das Ding, the Thing uncannily internal to subjectivity that Lacan later identified with the function of the Nebenmensch, as the apotheosis of the Christian idea of the prochain, or neighbor [Lacan 151–52].Although Klossowski's erotic scenario invites comparisons with Sade's and Fourier's utopian calls to dissolve the privative boundaries between subjects, what he understands by "hospitality" is not the abolition of personal identity, but rather the staging of its internal contradiction.Hospitality, at the Limits of the LawThe act of hospitality—whose theological and philosophical origins this former Dominican novice and Latin scholar was intimately acquainted with—concerns a very particular tension. Etymologically, the host is the "master," the one who "eminently personifies" identity: not only his own identity, but also that of the group in whose... (shrink)

The first of my works about a New Copernican Revolution, the shift from matter, and matter/energy to consciousness, and I go on to spell out a new Heaven, a new Universe, a new Earth, and a new Humanity.

"The spiritual needs and interests of both men and women have changed enough to merit a new edition of this superbly crafted, scholarly study of Sophia." -- Janet Forsythe Fishburn.

The gender order is subject to challenge and change, particularly when situations arise in which existing inequalities become apparent and therefore must be managed. This study examines one such situation by analyzing how conservative Christian women, who were married to gay men, negotiated feminine identities in marital situations that challenged the legitimacy of traditional gender ideologies and practices. To investigate how these women coped, in-depth interviews were conducted with 15 participants of Christian support groups for wives of homosexual men. Through (...) support group participation, these wives learned two key strategies, redefining homosexuality and submitting to God, to transform the meanings and emotional experiences associated with their marital situations. An analysis of the use and the consequences of these strategies shows how they empowered the wives to positively redefine their marriages and themselves while justifying the existing pattern of gender relations. (shrink)

Mother God introduces readers to a dozen images of God inspired by feminine descriptions from Scripture.

This paper deals with the possibility of an incarnation in the feminine in our age. In the first part, we discuss sexual genealogies in ancient Israel and address the problem of the extreme vulnerability of feminine life in the midst of an ancient sacrificial crisis. The second part opens with an analysis of Feuerbach’s interpretation of the Trinity. The triadic logic, as found within various religious contexts, is also affirmed. Based on our analyses from the first and the second part, (...) in the third part, we address the problems of feminine vulnerability and fragility on one hand, and triadic thinking on the other hand, and relate them to an original proposal for the future matrixial theology of incarnation. (shrink)

The paper reconstructs the trip to Rome of the first Bollandist Fathers, providing numerous historical, documentary and cultural details, while offering a generous cross-section of the academic life of the period.

In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. Furthermore, the term sound object was used to denote our perceptual images (...) of such fragments. Sound objects and their features became the focus of an extensive research effort on the perception and cognition of music in general, remarkably anticipating topics of more recent music psychology research. This sound object theory makes extensive use of metaphors, often related to motion shapes, something that can provide holistic representations of perceptually salient, but temporally distributed, features in different kinds of music. (shrink)

Background. Attending to goal-relevant information can leave us metaphorically ‘blind’ or ‘deaf’ to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on the human selective attention has been long explored using the attentional blink paradigm. Although there is evidence that certain visual stimuli relating to one’s area of expertise can be less susceptible to attentional blink effects, it remains unexplored whether the dynamics of temporal selective attention vary with expertise and (...) objects types in the auditory modality. Methods. Using the auditory version of the attentional blink paradigm, the present study investigates whether certain auditory objects relating to musical and perceptual expertise could have an impact on the transient costs of selective attention. In this study, expert cellists and novice participants were asked to first identify a target sound, and then to detect instrumental timbres of cello or organ, or human voice as a second target in a rapid auditory stream. Results. The results showed moderate evidence against the attentional blink effect for voices independent of participants’ musical expertise. Experts outperformed novices in their overall accuracy levels of target identification and detection, reflecting a clear benefit of musical expertise. Importanly, the musicianship advantage disappeared when the human voices served as the second target in the stream. Discussion. The results are discussed in terms of stimulus salience, the advantage of voice processing, as well as perceptual and musical expertise in relation to attention and working memory performances. (shrink)

The title of this congress begins with the word “identity”. It also includes the word “reciprocity,” which indicates a form of relationship and finally, “gift of self”. This would lead us to conclude that the identity of the human person has something to do with reciprocity and that reciprocity involves giving of oneself to others. This talk will attempt to shed light on how the concept of gender might in some way be incorporated into these three concepts. Defining what constitutes (...) the identity of the human person has been explored, and attempts to define it have been made by every major theorist in the field of psychology. At a previous Psychology and Communion congress one of the talks spoke of loving and being loved in return as the basic foundation of human identity. In that presentation we find the following observation: “The identity of the human person can be compared to the identity of a book: we know where and when it was printed; but the author is certainly not the publishing house, nor is the typesetter who prepared the text…The same is true for us human beings: we know the time and date of birth. But who is author?”. We ask ourselves, therefore: what lies at the core of the identity of this being who is born at a certain time on a certain date? Before proceeding, I think it is important to note that the basic idea regarding the identity of the human person, as we have defined and understood it from the inception of psychology and communion and explored in previous encounters, remains unchanged. I will use a quote of Chiara Lubich here that perhaps many of you know but which can serve the purpose of laying the foundation for what follows: Human beings are “ all equal but distinct. To each person [God] gave his own beauty so that they would be desirable and lovable by others; and so that in love they would be recomposed into the One who had created them with his Light, which is Himself.” Now we ask ourselves: What exactly is this “beauty” that Chiara is speaking of? What are the components, if you will, of our identity that makes us “… desirable and lovable by others…”? (shrink)

Maurice Merleau-Ponty claims that we as body-subjects have an immediate sensational understanding of the world. A body that perceives and experience the world before any thought and word can render it. The words we use describing sensations are interpretations of sense-experiences, and will never render the total bodily understanding of the world. This article gives a brief insight of what an understanding of Merleau-Ponty’s body-subject implies for the researcher in body-phenomenological studies of toddlers.

Shekhinah, the ‘cloud of Yahweh’ in the Bible, a synonym for God’s presence in the rabbinic tradition, and a feminine hypostasis in the Kabbalah, is a popular theological image in contemporary Jewish feminist circles. Shekhinah currently exists in many forms: she is another name for God, feminine, relational, experiential; she is a Goddess and the singular image that is sufficiently adaptable for a diverse range of postmodern feminist interpreters. However, the processes by which Shekhinah became the God/dess of Jewish feminism (...) have not been researched. Therefore, this article tracks the evolution of Shekhinah iconography in the Jewish tradition to gain an understanding of the appeal of these images within the context of Jewish feminism’s quest for an alternative to the androcentric Holy One, blessed be He. The article then traces the extent of Shekhinah theologies engendered by Second, Third-Wave and recent Jewish feminisms concluding that the plurality of contemporary spirituality and the general rejection of ‘systematic’ models of theology are not necessarily problematic. Rather, Shekhinah is argued to be a binding agent for diverse religionists, and one which has become normative to Jewish feminist theology. (shrink)

As the dialogue between science and religion has grown more robust, Christians have been led to more nuanced ways of thinking about the connections between these two modes of inquiry. This essay focuses on exploring various deficiencies in naturalistic conceptions of the cosmos, and further exploring how Eastern Orthodox theology provides a more encompassing picture of human beings and their place in the cosmos.

Examines Dante’s character of Beatrice and contends that, more than simply leading Dante to God, Beatrice allows him to see a feminine side in God, humanity, and himself.

Patriarchal theologies which obstruct women’s leadership in the Anglican Church and impede ‘collaborative’ ministry prompt this exploration of the reluctance to relinquish male metaphors for God, even when intimate relationship rather than gender is stressed as the crucial concept of Trinitarian theology. Despite the ambiguities of using female terms for the divine and of establishing the oft-neglected Holy Spirit as female imaginary in the Godhead, Father-idolatry and sub-ordinationism in the Trinity need to be challenged. ‘Midwife’ is suggested as a feminine (...) term for the 3rd Person, signifying non-gendered action but retaining personhood. This would creatively renew Trinitarian doctrine, the Church and its leadership as reflections of the perichoretic Godhead. (shrink)

Cross-cultural encounters often happen through cross-border journeys. Neela Bhattacharya Saxena, an English professor, takes the reader through such travel in Absent Mother God of the West. This is a work that stands at the intersection of many disciplines, such as women's and gender studies, anthropology, religious studies, cultural history, and environmental studies. Best of all, it is an engaging read. In the author's words, in "this book a personal journey takes the shape of a public discourse". This volume is a (...) reflection of the understanding of the echoes of personal devotion to the Divine Feminine in some of the world's major religions.Saxena brings to mind the multi-layered deeply philosophical... (shrink)

In Hesiod’s legendary account of how humans came to be, two extrahuman characters, Prometheus and Pandora, play decisive roles. Both figures intercede and intervene in man’s world and indeed inaugurate the series of events that culminates in the becoming human of man.1 Although neither Prometheus nor Pandora is human, they both participate actively in human life, and through their respective actions the race of men becomes not only alienated from the realm of gods and animals but also from its own (...) prior, prelapsarian existence. The irrevocable and irreducibly self- alienated and internally contradictory status of the human emerges as a direct consequence of the actions of these two “extrahuman” figures. These two .. (shrink)

Virtuosity in music performance is often associated with fast, precise, and efficient sound-producing movements. The generation of such highly skilled movements involves complex joint and muscle control by the central nervous system, and depends on the ability to anticipate, segment, and coarticulate motor elements, all within the biomechanical constraints of the human body. When successful, such motor skill should lead to what we characterize as fluency in musical performance. Detecting typical features of fluency could be very useful for technology-enhanced learning (...) systems, assisting and supporting students during their individual practice sessions by giving feedback and helping them to adopt sustainable movement patterns. In this study, we propose to assess fluency in musical performance as the ability to smoothly and efficiently coordinate while accurately performing slow, transitionary, and rapid movements. To this end, the movements of three cello players and three drummers at different levels of skill were recorded with an optical motion capture system, while a wireless electromyogrphy (EMG) system recorded the corresponding muscle activity from relevant landmarks. We analyze the kinematic and coarticulation characteristics of these recordings separately and then propose a combined model of fluency in musical performance predicting music sophistication. Results suggest movements from expert performers' are characterized by consistently smooth strokes and scaling of muscle phasic coactivation. The explored model of fluency as function of movement smoothness and coarticulation patterns was shown to be limited by the sample size but serves as a proof of concept. Results from this study show the potential of a technology-enhanced objective measure of fluency in musical performance, which could lead to improved practices for aspiring musicians, instructors, and researchers. (shrink)

William Harper presents five reasons for concluding that God should be referred to exclusively in male terms. To the contrary, I argue that: (1) by devaluating the feminine gender, Harper is guilty of the same reductionist and dichotomous thinking as his protagonists, (2) Harper’s view of God is contrary to “the Biblical example,” and (3) Harper’s position rests on a number of logical confusions. I conclude that Harper’s view should be rejected by both men and women of Christian convictions.

The disciplines of western philosophy and theology are linked by their development of concepts of the ‘other’, figured as what lies outside the ‘discourses of man. The relations between the two discourses of the other deserves the attention of feminists, given their ongoing debate of Simone de Beauvoir s claim that woman is the ‘absolute other in these discourses. While the theology of God s otherness responds to the particularity which is God, the logic that underlies this theology is of (...) general application, and so may be borrowed to theorize the anomalous status of other figures of the other. French philosopher Luce Irigaray, for example, exploits the relations between philosophy and theology in claiming that the other may be represented as at once feminine and divine. (shrink)

Abstract:This essay is composed of three parts, corresponding to three theses: (1) dualism is at once universal and particular (cultural); (2) the opposition between God the Father and Dao the Mother is the most apt rendering of the differences between Western and Chinese dualisms; (3) History may be understood as an ongoing patriarchal rationalization whose contours are determined by the particular "bent" of a given culture. By contrast with the temporal preconceptions of Western thought (Plato's Ideas and the Hebrew God (...) are both "eternal"), China's spatial bias—and both "bents" are at least partly determined by the respective writing systems—led it to conceive the body/soul duality as soul in the body, and so to give religious priority to "body technology" (as opposed to the salvation of souls), to ritual (as opposed to discourse), and to the feminine. Because of Platonic negativity with regard to the body and the feminine, in contrast with male/female complementarity in Judaism, our attempt to understand Chinese culture in terms that are familiar to us must begin with Biblical, and not Platonic, categories—whence comes the necessity of comparing God the Father and Dao the Mother. (shrink)

One of the central themes of contemporary feminist literature is the exclusion of the female subject from the Western tradition. Luce Irigaray has made significant contributions to this literature. In this article I examine one aspect of Irigaray’s work on the feminine subject, her discussion of divine women. She argues that in order to achieve full subjectivity women must worship a female god that will give them the divinity that they lack, the divinity that the patriarchal god provides for men. (...) I argue that this thesis is both counterproductive and incoherent. It perpetuates the male/female binarism that is at the root of patriarchy. It also fails to define the concept of a female god which is at the centre of Irigaray’s argument. I conclude that the approach of process theology is much more successful in removing the maleness of God and providing women with a deity compatible with feminist beliefs. (shrink)

Historical representations of God are deeply masculinist within the Christian tradition. In spite of the theoretical recognition that God transcends gender, Christian tradition failed to produce fully autonomous female images of God. While representations of the Virgin Mary were the only expressions of the divine as feminine, the figure of Mary was shrouded in ambivalence since she was often shown as both authoritative and submissive. In spite of these limitations, she can serve as an inspiration to feminist artists and theologians. (...) Contemporary renditions of Mary, inspired by the images of Our Lady of Guadalupe, show her as triumphant, and actively involved in women’s struggle. Other artistic works from Native American and Goddess traditions display the sacred women as selfdetermined and capable of creativity at various stages in life. This article proposes that within a visual culture like ours, figures of God as feminine are crucial in challenging the reigning masculine symbols for God. (shrink)

This paper explores the writings of Jose Rizal as a source of insight into the predominant role of Mary, as the Mother of God, in Christian devotion and salvation during the Spanish Colonial period in the Philippines. It demonstrates the implication of the contradiction of the feminine spiritual authority of Mary—as the mediatrix of salvation, on the one hand, and the symbol of religious oppression, on the other hand—to the construction of the Filipina identity in Philippine Colonial Catholicism. It proposes (...) a feminist reimagining of the feminine spiritual authority of Mary that is empowering for Filipino women. (shrink)

The thirteen essays collected in this volume investigate the possibility that the word "God" can be understood now, at the end of the twentieth century, in a meaningful way. Nine of the essays appear in English translation for the first time. Among Levinas's writings, this volume distinguishes itself, both for students of his thought and for a wider audience, by the range of issues it addresses. Levinas not only rehearses the ethical themes that have led him to be regarded as (...) one of the most original thinkers working out of the phenomenological tradition, but he also takes up philosophical questions concerning politics, language, and religion. The volume situates his thought in a broader intellectual context than have his previous works. In these essays, alongside the detailed investigations of Husserl, Heidegger, Rosenzweig, and Buber that characterize all his writings, Levinas also addresses the thought of Kierkegaard, Marx, Bloch, and Derrida. Some essays provide lucid expositions not available elsewhere to key areas of Levinas's thought. "God and Philosophy" is perhaps the single most important text for understanding Levinas and is in many respects the best introduction to his works. "From Consciousness to Wakefulness" illuminates Levinas's relation to Husserl and thus to phenomenology, which is always his starting point, even if he never abides by the limits it imposes. In "The Thinking of Being and the Question of the Other," Levinas not only addresses Derrida's Speech and Phenomenon but also develops an answer to the later Heidegger's account of the history of Being by suggesting another way of reading that history. Among the other topics examined in the essays are the Marxist concept of ideology, death, hermeneutics, the concept of evil, the philosophy of dialogue, the relation of language to the Other, and the acts of communication and mutual understanding. (shrink)

Though academic debate over gender-inclusive God-talk seems to have fizzled, the issue is a pressing one within many Christiandenominations today—both within and outside the Church—and for that reason deserves to be briefly revisited. Accordingly, althoughin this essay we approach the issue as professional philosophers, our focus is on the life of the Church—more specifically, those no doubt sizable segments of the Church for which a personal God and Satan exist and evangelism matters. Running an elimination argument, we contend that if (...) a certain sort of feminist concern about traditional God-talk is well-directed, the best response is to speak of not only God but also Satan in both masculine and feminine terms. And in closing, we address the possible worry that this response to the God-talk problem would not be Christian enough. (shrink)

At the turn of the century an intimate alliance of philosophers, poets and theologians discovered the incarnation of their aspirations for a spiritually transformed world in the symbol of Sophia, the Divine Wisdom of God. Under her various aliases as the Divine Feminine, the Wisdom Clothed in the Sun and the Beautiful Lady, this feminine archetype usurped the traditional role of Christ as the mediator between heaven and earth. She was, however, primarily the inspiration of the Russian philosopher-poet, Vladimir Solov’ev (...) (1853–1900), who created of her the cornerstone for both his metaphysical and aesthetic systems. This spiritual courtship of the Divine Sophia deeply patterned the literary works and interrelationships not only of such prominent symbolist writers as Aleksandr Blok and Andrej Belyj, but brought to light religious eccentrics like Anna Schmidt in a scandalous fashion. Sophia’s influence ranged far beyond the narrower confines of literature and eventually provoked one of the most fascinating debates within the modern émigré Russian Orthodox Church through the offices of Sergej Bulakov, an apparent student of Solovev’s Sophiology. (shrink)

Freud's 1911 case study based on Schreber's Memoirs of My Nervous Illness provides the investigator with the opportunity to reexamine Freud's interpretation through a return to the original data Freud used. This study reveals both the insights and limitations of Freud's theory of paranoia. An alternative interpretation of the case is overed from an existential-phenomenological perspective which aims both to expand upon and transform Freud's study without negating its value. Freud draws on the mythologies of the sun to argue for (...) his hypothesis that the "father-complex" lies behind Schreber's God. By following some of the many other mythological themes in Schreber's memoirs, Freud's interpretation is opened to a larger, socially and historically situated context. An examination of cross-cultural and historical studies of mystical experience shows how Schreber's psychosis is simultaneously a form of madness and spiritual breakthrough. Schreber's is viewed as a narcissistic experience of the infant-child in which the imaginal has been exiled from rational, modern adulthood and is inaccessible to Cartesian language. Instead of recognizing the soul-full world of "miracles," Schreber envisions the absorption of the entire world into himself and he thus becomes an inflated caricature of the "heroic ego" at its extreme. (shrink)