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Vladimir J. Konečni [14] Konečni [2]V. J. Konecni [1]
  1.  21
    Aesthetic Trinity Theory and the Sublime.Vladimir J. Konečni - 2011 - Philosophy Today 55 (1):64-73.
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  2.  8
    A Skeptical Position on “Musical Emotions” and an Alternative Proposal.Vladimir J. Konečni - 2008 - Behavioral and Brain Sciences 31 (5):582-584.
    Key premises of the target article by Juslin & Vll (J&V) are challenged. It is also shown that most of the six proposed by the authors as underlying the induction of emotion by music involve nonmusical proximal causes. As a replacement for the state of being-moved is proposed.
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  3.  16
    Responsible Behavioral Science Generalizations and Applications Require Much More Than Non-WEIRD Samples.Vladimir J. Konečni - 2010 - Behavioral and Brain Sciences 33 (2-3):98-99.
    There are many methodological considerations that adversely affect external validity as much as, or even more than, unrepresentative sampling does. Among suspect applications, especially worrisome is the incorporation of WEIRD-based findings regarding moral reasoning and retribution into normative expectations, such as might be held by international criminal tribunals in war-torn areas.
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  4.  24
    Empirical Psycho-Aesthetics and Her Sisters: Substantive and Methodological Issues—Part I. Konečni - 2012 - Journal of Aesthetic Education 46 (4):1-12.
    This article is in two parts, with part II to appear in the next issue of JAE (Spring 2013). Part I (with six sections), in this issue, has two related objectives. The first objective is to examine a number of key substantive, methodological, and science-practice issues related to the field designated here as empirical psycho-aesthetics. The second objective is to present an outline of its origin and discuss certain important features of several related fields—experimental philosophy, cognitive-science-and-art, (cognitive) neuroscience of art, (...)
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  5.  22
    Empirical Psycho-Aesthetics and Her Sisters: Substantive and Methodological Issues—Part II. Konečni - 2013 - Journal of Aesthetic Education 47 (1):1-21.
    Several key substantive, methodological, and science-practice issues that concern the field designated as empirical psycho-aesthetics were examined in part I (in the Winter 2012 issue of JAE) of this two-part article. Also presented was an outline of the discipline's origin and its relationship with elder and younger "sisters"—philosophical aesthetics, experimental philosophy, cognitive-science-and-art, (cognitive) neuroscience of art, and neuroaesthetics. The comparative goal was in part approached through the analysis of several recent significant controversies and debates.Here, in the six sections of part (...)
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  6.  14
    Constraints on Manipulations of Emotions by Music.Vladimir J. Konečni - 2012 - Philosophy Today 56 (3):327-332.
  7.  1
    Annoyance, Type and Duration of Postannoyance Activity, and Aggression: The "Cathartic Effect.".Vladimir J. Konecni - 1975 - Journal of Experimental Psychology: General 104 (1):76-102.
  8.  9
    Revenge: Behavioral and Emotional Consequences.Vladimir J. Konečni - 2013 - Behavioral and Brain Sciences 36 (1):25-26.
    This commentary discusses dozens of ecologically powerful social-psychological experiments from the1960s and 1970s, which are highly relevant especially for predicting the consequences of revenge. McCullough et al. omitted this work catharsisni's anger-aggression bidirectional-causation (AABC) model and can be usefully incorporated in an adaptationist view of revenge.
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  9.  3
    Constraints on Manipulations of Emotions by Music: A Critique of Tom Cochrane’s Assumptions.Vladimir J. Konečni - 2012 - Philosophy Today 56 (3):327-332.
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  10.  6
    A Critique of Emotivism in Aesthetic Accounts of Visual Art.Vladimir J. Konečni - 2013 - Philosophy Today 57 (4):388-400.
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  11.  10
    The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture.V. J. Konecni - 2008 - British Journal of Aesthetics 48 (4):463-465.
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  12.  2
    Awareness in Verbal Nonoperant Conditioning: An Approach Through Dichotic Listening.Vladimir J. Konecni & Norman J. Slamecka - 1972 - Journal of Experimental Psychology 94 (3):248.
  13.  1
    Cochrane, Tom, Bernardino Fantini, and Klaus R. Scherer, Eds. The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press, 2013, X + 381 Pp., 22 B&W Illustrations, $99.00 Cloth. [REVIEW]Vladimir J. Konečni - 2015 - Journal of Aesthetics and Art Criticism 73 (2):214-218.
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  14. A Positive Illusion About “Positive Illusions”?Vladimir J. Konečni - 2009 - Behavioral and Brain Sciences 32 (6):524 - 525.
    Rather than being a genuine adaptation, are examples of doxastically uncommitted policies implemented at both the individual and societal levels. Even when they are genuine misbeliefs, most positive illusions are not evolved but ephemeral – a phenomenon limited to a particular social and economic moment. They are essentially a consumer response to messages from the pop-psychology industry in the recently terminated era of easy credit.
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  15. 1. Front Matter Front Matter (Pp. I-Iii).Vladimir J. Konečni, Aaron Stoller, Damien Freeman, S. K. Wertz, Pascal Gielen, Jannie Ph Pretorius, D. Stephan du Toit, Colwyn Martin, Glynnis Daries & Alzo David-West - 2013 - Journal of Aesthetic Education 47 (1).
     
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  16. “Negative Emotions” Live in Stories, Not in the Hearts of Readers Who Enjoy Them.Vladimir J. Konečni - 2017 - Behavioral and Brain Sciences 40.
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  17. The Influence of Affect on Music Choice.Vladimir J. Konecni - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
     
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