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Hélène Michon [2]P. Michon [2]Pierre-Emmanuel Michon [2] Michon [1]

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  1. Aquinas on Free Will and Intellectual Determinism.Tobias Hoffmann & Cyrille Michon - 2017 - Philosophers' Imprint 17.
    From the early reception of Thomas Aquinas up to the present, many have interpreted his theory of liberum arbitrium to imply intellectual determinism: we do not control our choices, because we do not control the practical judgments that cause our choices. In this paper we argue instead that he rejects determinism in general and intellectual determinism in particular, which would effectively destroy liberum arbitrium as he conceives of it. We clarify that for Aquinas moral responsibility presupposes liberum arbitrium and thus (...)
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  2.  21
    How Embodied is Action Language? Neurological Evidence From Motor Diseases.Juan F. Cardona, Lucila Kargieman, Vladimiro Sinay, Oscar Gershanik, Carlos Gelormini, Lucia Amoruso, María Roca, David Pineda, Natalia Trujillo, Maëva Michon, Adolfo M. García, Daniela Szenkman, Tristán Bekinschtein, Facundo Manes & Agustín Ibáñez - 2014 - Cognition 131 (2):311-322.
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  3.  7
    Marcel Mauss retrouvé. Origines de l'anthropologie du rythme.Pascal Michon - forthcoming - Rhuthmos.
    P. Michon, Marcel Mauss retrouvé. Origines de l'anthropologie du rythme, Paris, Rhuthmos, coll. « Rythmologies », 2015, 130 p. Si vous désirez le livre SOUS SA FORME IMPRIMÉE, envoyez-nous un mail à rhuthmos@rhuthmos.eu. Vous pouvez également le commander sur Amazon.fr ou sur tout autre site plus accessible pour vous. Marcel Mauss est l'un de ceux qui ont le plus fait pour la théorie du rythme au XXe siècle. Pourtant, parmi ses héritiers directs, seul Gurvitch a prolongé sa - Anthropologie – (...)
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  4.  33
    Believing God: An Account of Faith as Personal Trust.Cyrille Michon - 2017 - Religious Studies 53 (3):387-401.
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  5. Ancient and Medieval Theories of Intentionality.Myles Burnyeat, Richard Gaskin, Joël Biard, Peter Simons, Victor Caston, Richard Sorabji, Christof Rapp, Hermann Weidemann, Dorothea Frede, Claude Panaccio, Elizabeth Karger, Robert Pasnau & Cyrille Michon - 2001 - Brill.
    This volume, including sixteen contributions, analyses ancient and medieval theories of intentionality in various contexts: perception, imagination, and intellectual thinking. It sheds new light on classical theories and examines neglected sources, both Greek and Latin.
     
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  6.  12
    The Modulation of Somatosensory Resonance by Psychopathic Traits and Empathy.Louis-Alexandre Marcoux, Pierre-Emmanuel Michon, Julien I. A. Voisin, Sophie Lemelin, Etienne Vachon-Presseau & Philip L. Jackson - 2013 - Frontiers in Human Neuroscience 7.
  7. Fragments D'Inconnu: Pour Une Histoire du Sujet.Pascal Michon - 2010 - Les Éditions du Cerf.
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  8.  4
    4. Birth of a Rhythmological Conflict.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Janina Wellmann's analyses are extremely valuable because they provide us with new historical evidence that can only improve our understanding of a very obscure past. But the general interpretations she proposes are quite questionable. The idea that after 1800 a “Rhythm Episteme” has dominated the field of knowledge erases the very acute conflict that broke out in the early years of the 19th century between poetic and artistic rhythmologies, inspired by a common - Sur le concept de rythme (...)
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  9.  2
    Henri Lefebvre's Rhythmanalysis of Everyday Life and Space – Part 1.Pascal Michon - forthcoming - Rhuthmos.
    When he reached his late fifties, Henri Lefebvre's life took a remarkable turn: in 1958, he was expelled from the French Communist Party, after thirty years having been a committed member. He then became close to the Situationists, and finally was chosen as a mentor by the French students who launched the rebellion movement in 1968 at the University of Nanterre, where he had been appointed in 1965. Naturally, his thought followed a similar pattern. His kind of Marxism became more (...)
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  10.  2
    Henri Lefebvre's Rhythmanalysis of Everyday Life and Space – Part 2.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter The Recent Transformation of Rhythmanalysis into an Observation Technique As we can see, a significant number of elements of rhythmanalysis had already been outlined in the 1970s. This should be emphasized because it provides a better understanding of its strengths but also of its weaknesses. But before looking into Lefebvre's last book published posthumously in 1992, we need to consider its transformation into a sheer empirical method that has accompanied its recent - Sociologie – Nouvel article.
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  11.  2
    Roland Barthes and the Idiorrhythms – Part 1.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Roland Barthes is as famous as Lefebvre and Foucault and does not need much of a biographical introduction either. Let us begin with his election in 1976—on a proposal from Foucault—to the chair of Sémiologie Littéraire at the Collège de France. The very next year, on January 12, he remarkably initiated his teaching with a lecture course on “idiorrhythm” from the Roman Empire to the 20th century, entitled Comment vivre ensemble? Simulation romanesque de quelques - Pour une éthique (...)
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  12.  60
    Is Atheism Good Evidence for Atheism ? On John Schellenberg’s Argument From Ignorance.Cyrille Michon - 2015 - European Journal for Philosophy of Religion 7 (1):71--88.
    The argument from ignorance mounted by John Schellenberg argues from the existence of non-faulty unbelief to the non-existence of God, from the fact of atheism or agnosticism to the truth of atheism. It relies on two putative conceptual relations: between the idea of love and that of personal relationship, and between personal relationship and existential belief on each side of the relation concerning the other relatum. I argue that each is debatable, and so the argument cannot proceed.
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  13. Prescience Et Libert'e Essai de Th'eologie Philosophique Sur la Providence.Cyrille Michon - 2004
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  14.  4
    Rythmologie baroque.Pascal Michon - forthcoming - Rhuthmos.
    Exposé présenté lors de la journée d'études CRAL-EHESS par Christophe Corbier, Marielle Macé et Esteban Buch, « Histoire du rythme, histoire des rythmes » – Paris – 12 décembre 2014. - Philosophie – Nouvel article.
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  15.  14
    Philosophie de haut en bas.Cyrille Michon - 2003 - Revue Internationale de Philosophie 3 (225):229-249.
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  16. Qu’Est-Ce Que le Libre Arbitre?Cyrille Michon - 2011 - Vrin.
    Cet ouvrage présente les éléments du débat contemporain sur la possibilité et la réalité du libre arbitre. Le débat traditionnel sur l’existence du libre arbitre, menacée par diverses formes de nécessité, est repoussé après le débat qu’ont inspiré les philosophes qui ont défendu la compatibilité du libre arbitre et de la nécessité. La partie principale du livre envisage le rapport du libre arbitre et du déterminisme causal, et soutient la thèse de leur incompatibilité, puis celle de l’existence du libre arbitre, (...)
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  17. Rhythm as Form of Physiopsychological Process.Pascal Michon - forthcoming - Rhuthmos.
    From Physiology to Psychology After 1860 psychology began to emancipate itself from philosophy and to bond with natural science, especially physiology. But there was no direct translation of the rhythm concept from the latter to the former. This can be exemplified by looking at the contributions of the physiologist and psychologist Karl von Vierordt. Vierordt was educated as a medical doctor and began studying breath in the 1840s. Then his interest - Psychologie – Nouvel article.
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  18.  12
    Sobre el Concepto de Episteme del Ritmo.Pascal Michon - forthcoming - Rhuthmos.
    Agradezco sinceramente a Aníbal Zorrilla quien tradujo este texto del inglés al español y también para su presentación durante las Jornadas Internacionales El Ritmo En Las Artes – « Ritmo, poética y espacio » – Buenos Aires – 6-7-8 de Septiembre de 2018.: En su libro Die Form des Werdens: Eine Kulturgeschichte der Embryologie, 1760-1830 publicado en 2010, Janina Wellmann afirma que alrededor de 1800 el concepto de - Vers un nouveau paradigme scientifique?
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  19.  1
    Michel Foucault and the Disciplinary Rhythms – Part 1.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter In 1970, Michel Foucault was admitted to the Collège de France. Five years later, he published his most famous book, Surveiller et Punir – Discipline and Punish. Although the latter has been read for decades as an essay on supervision and control of space, centered on the figure of the Benthamian Panopticon, it proposed one of the most beautiful temporal study on social and body rhythms. In fact, as in Lefebvre's work, space and - Philosophie – Nouvel article.
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  20.  1
    Michel Foucault and the Disciplinary Rhythms – Part 2.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Rhythmic Techniques and State Power Foucault's work shed a bright light on the transformation of the rhythmic life forms that took place between the 17th and 19th centuries. His contribution made it possible to greatly improve Lefebvre's elementary reflection and critical approach of the rhythms of our democratic societies. First, his work on the forms of judgment and penal punishment allowed to understand the rhythmic consequences—but also surely the conditions—of the - Philosophie – Nouvel article.
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  21.  1
    Michel Serres and the Rhythms of the Flow – Part 2.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Rhuthmic ontology Having set up the larger scientific frame, Serres introduced Lucretius' ontology. He did not pay attention to the atoms themselves but it is worth noticing that Lucretius described them as endowed with various size, weight, and “shape” which was an accurate translation of the Democritean rhuthmós. Serres started from Book 2 where the concept of clinamen – declination was introduced as “depellere paulum, tantum quod - Physique – Nouvel article.
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  22.  1
    Michel Serres and the Rhythms of the Flow – Part 3.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Rhuthmic Perception Theory At the juncture point between ontology and knowledge was the soul. According to Lucretius, the soul consisted of two parts: the animus, located in the chest, which commanded intellectual operations and will, and the anima which was spread throughout the body, received perceptions and transmitted in turn the impulses of the command center. The soul in both aspects could be shown to be corporeal. To make it short, anthropology could be - Physique – Nouvel article.
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  23.  1
    Roland Barthes and the Idiorrhythms – Part 2.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Idiorrhythmic Forms of Life Remarkably, especially if we think of Lefebvre and Foucault, Barthes paid a lot of attention to the “everyday life” in the idiorrhythmic communities. As a matter of fact, if politics was not to be confused with vertical power, it had to be grasped from the horizontal interactions of the members as well as from the personal life of each one of them. Barthes' description of the idiorrhythmic life crossed through successive layers. In a manner (...)
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  24.  5
    Una breve historia de la teoría del ritmo desde los años 70.Pascal Michon - forthcoming - Rhuthmos.
    Agradezco sinceramente a Melisa Galarce y a Aníbal Zorrilla por la traducción de este texto al español. Melisa Galarce es Docente en el Departamento de Artes del Movimiento de la UNA de Buenos Aires. Aníbal Zorrilla es pianista y compositor, Docente Investigador en el Departamento de Artes del Movimiento de la UNA de Buenos Aires. Una primera versión de este texto se presentó en inglés en la Universidad de Roskilde el 6 de diciembre de 2011 — P. M. El sitio (...)
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  25.  16
    Could Rhythm Become a New Scientific Paradigm for the Humanities?Pascal Michon - forthcoming - Rhuthmos.
    This text was presented in the Conference “Rhythm as Pattern and Variation : Political, Social and Artistic Inflections, Goldsmiths College — University of London, on April 23, 2016. Recent Development of Rhythmic Studies The first thing that becomes obvious when you document, as I have been doing for the last five years, the studies dedicated in human and soc­ial science to rhythmic phenomena or using rhythm as operating concept—whatever its definition—is the rapid increase in their number. - Vers un nouveau (...)
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  26.  4
    Rhythm as Form of Working Process.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter In 1896, Bücher published Arbeit und Rhythmus – Labor and Rhythm, a 130-page long essay. He expanded it in 1899 into a 411-page version which was reprinted four more times until 1924. The latter was translated into Russian in 1899 but not into English and French—due most probably to the opposition of the Anglo-French school of economics which, as we shall see, rejected evolutionist and anthropological views and developed its own rhythm concept. This time Bücher wanted to - (...)
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  27.  5
    Rhythm as Spatial Aesthetic Form.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter During the 1900s and the 1910s, the rhythm became the subject of a fierce debate between the Swiss-German and Austrian schools of art history. Rhythm which had been considered by the former as a form of process was now redefined by the latter as a spatial form. To better assess this controversy, I will first expose the position of the main opponent to Wölfflin and Schmarsow: the Austrian art historian Alois Riegl - Esthétique – Nouvel article.
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  28. Opium's Virtus Dormitiva.Cyrille Michon - 2007 - In Gnassounou Bruno & Kistler Max (eds.), Dispositions and Causal Powers. Ashgate. pp. 133--150.
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  29.  4
    Ritmo, Ritmanálisis, Ritmología: un Ensayo del Estado de la Cuestión.Pascal Michon - forthcoming - Rhuthmos.
    Agradezco sinceramente a Melisa Galarce por la traducción de este texto en español y a Aníbal Zorrilla por sus cuidadosas revisiones. Melisa Galarce es Docente en el Departamento de Artes del Movimiento de la UNA de Buenos Aires. Aníbal Zorrilla es pianista y compositor, Docente Investigador en el Departamento de Artes del Movimiento de la UNA de Buenos Aires — P. M. Entre las razones que motivaron la creación de RHUTHMOS – dejo aquí de lado las razones éticas y políticas (...)
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  30.  11
    Intentionality and Proto Thoughts.Cyrille Michon - 2001 - In Dominik Perler (ed.), Ancient and Medieval Theories of Intentionality. Brill. pp. 76--325.
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  31.  1
    Sciences Sociales Et Biodiversité : Des Problématiques Nouvelles Pour Un Contexte nouveauSocial Sciences and Biodiversity: New Problematics for a New Context.G. Michon - 2003 - Nature Sciences Sociétés 11 (4):421-431.
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  32.  7
    Le Fiacre des Propositions.Cyrille Michon - 2012 - ThéoRèmes 2 (1).
    Après avoir identifié quelques arguments pour illustrer ce dont traite la philosophie analytique de la religion, je défends que celle-ci a la pertinence de la spéculation classique sur le contenu de la foi. L’une et l’autre reposent sur la contrainte logique qui suit de l’acceptation d’une proposition — refus de ce qui la contredit, acceptation de ses conséquences — et sur le fait que la Révélation chrétienne contient des propositions, certaines paradoxales. J’illustre cette pertinence par trois exemples pris dans la (...)
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  33.  17
    Implicit and Explicit Representations of Time.John A. Michon - 1990 - In Richard A. Block (ed.), Cognitive Models of Psychological Time. Lawrence Erlbaum. pp. 37--58.
  34.  12
    Les femmes et le commerce maritime à Nantes : un rôle largement méconnu.Nicole Dufournaud & Bernard Michon - 2006 - Clio 23:311-330.
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  35.  21
    La Sociologie Peut-Elle Sortir Seule de Son Dualisme?Pascal Michon - 2001 - Cahiers Internationaux de Sociologie 110 (1):143.
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  36.  10
    Rhythm as Form of Individuation Process.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter In the 1900s emerged a new way to address the fluidization of the world which was based on a quite different rhythmological ground. Unlike the economists, who were—at least most of them—using a naturalistic paradigm of rhythm partly derived from life science and medicine and greatly indebted to Plato, the sociologists and anthropologists rejected any continuity between nature and society and therefore developed a concept of rhythm that was and still is of a much greater - Anthropologie – (...)
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  37. Nominalisme: La Théorie de la Signification de Guillaume D’Occam.Cyrille Michon - 1994 - Vrin.
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  38. Nominalisme la Th'eorie de la Signification D'Occam.Cyrille Michon - 1994
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  39.  4
    Rhythm as Aesthetic Issue.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter During the 1900s and the 1910s, rhythm became the subject of fierce debate between the German and Austrian schools of art history. Georg Vasold has made a useful presentation of this controversy. Beyond the academic and national competition, it first involved two opposite conceptions of aesthetics: the first based on corporal experience, mobile vision, and time; the second on optic perception, distant sight, and space. It also opposed two views on economic, social, - Esthétique – Nouvel article.
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  40.  7
    La Responsabilité Pour Ce Qui Est Inévitable.Cyrille Michon - 2018 - Acta Philosophica 27 (1):27-44.
    I argue that one can be responsible for a certain state of affairs, one has brought about, or one has let happen, only if one could have avoided it, by omitting or by performing a certain action. I limit my argument to the consequences of actions and omissions, and to the conditional ability of avoiding the consequences by an alternative behaviour. Even within those limits, the argument challenges the Causal Conception of Moral Responsibility and the strategy mounted by Frankfurt against (...)
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  41.  2
    Le rythme dans l'histoire de l'art à la Belle Époque.Pascal Michon - forthcoming - Rhuthmos.
    Ce texte a été présenté à l'Alliance française de Buenos Aires le 25 avril 2019 lors de la Conferencia Internacional sobre el Ritmo en el Arte 2019 organisée par Melisa Galarce, Gabriela D'Odorico, Leticia Miramontes, Silvia Pritz, et Aníbal Zorrilla. Au 19e siècle, on trouve depuis les années 1840 des historiens de l'art qui s'intéressent au rythme. Mais le nombre d'études utilisant ce concept a commencé à enfler à partir des années 1890, jusqu'à ce qu'il devienne une - XIXe siècle (...)
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  42.  12
    Maguy Marin – L'aujourd'hui encore aujourd'hui demain.Pascal Michon - forthcoming - Rhuthmos.
    Ce texte a déjà paru dans la revue Théâtre/public, octobre-décembre 2017, n° 226, p. 17-22. Nous remercions Olivier Neveux de nous avoir autorisé à le reproduire ici. Une partie des chorégraphies mentionnées ci-dessous est visible dans la section GALERIE DE DANSE. Socialement et individuellement, l'homme est un animal rythmique. Marcel Mauss Quelques chorégraphies de Maguy Marin. Quelques notes prises à la volée. MAY B Au début, une scansion d'ahans, de corps trottinant. La marche hébétée - Danse, théâtre et spectacle vivant (...)
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  43.  5
    Sobre los ritmos de los cuerpos.Pascal Michon - forthcoming - Rhuthmos.
    Este texto es extraído de P. Michon, Los ritmos de lo político, Democracia y capitalismo mundializado, Paris, Rhuthmos, 2015, p. 47-54. — Traducción de Leticia Miramontes. Ritmos de los cuerpos En una célebre conferencia, Mauss reveló que los cuerpos están sometidos a formas de movimiento y de reposo, maneras de moverse, de fluir, en una palabra a ritmos determinados socialmente a través de “técnicas del cuerpo”, definiendo lo que podemos llamar una corporeidad. Para presentar esta noción - Rythmes des corps.
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  44.  13
    A Rhythm Constellation in the 1970s and 1980s – Lefebvre, Foucault, Barthes, Serres, Morin, Deleuze & Guattari, and Meschonnic. [REVIEW]Pascal Michon - forthcoming - Rhuthmos.
    This presentation was made in the Seminar “Rhythmanalysis : Everything You Always Wanted to Know but Were Afraid to Ask” convened by Dr Paola Crespi and Dr Sunil Manghani at Goldsmiths College on april 25, 2017 Part 1 : On Lefebvre, Foucault, Barthes, Serres, Morin, Deleuze & Guattari IMG/mp3/-3.mp3 Part 2 : On Meschonnic IMG/mp3/-4.mp3 - Vers un nouveau paradigme scientifique? – Nouvel article.
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  45. Rhythm in Physiology – Peripatetic School's Problems.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter NB : This text is a section of larger work on rhythm in Antiquity. Rhythm in Physiology – Peripatetic School's Problems In the Προβλήματα – Problems, which is an Aristotelian or more probably pseudo-Aristotelian collection of questions and answers gradually assembled by members of the peripatetic school, the concept of rhythm mutates again. The gap between the Aristotelian sophisticated analyses developed in Rhetoric and Poetics and the gross definitions given in - Médecine – Nouvel article.
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  46.  4
    ¿Disciplina, Control o Ritmo?Pascal Michon - forthcoming - Rhuthmos.
    Agradezco sinceramente a Aníbal Zorrilla por su traducción al español – PM.: En Pourparlers, a principios de la década de 1990, Deleuze planteó la idea de que las sociedades contemporáneas no son, como las sociedades del siglo XIX y comienzos del siglo XX analizadas por Foucault, “sociedades disciplinarias”, sino “sociedades de control” que no funcionan “por confinamiento, sino por control continuo y comunicación instantánea”. 25 años más tarde, la especificidad política del mundo que ahora - Comment penser le pouvoir dans (...)
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  47.  3
    Rhythm as Aesthetic Commonplace.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter Between 1900 and 1914, rhythm became a commonplace in aesthetics and art history. In addition to Riegl's and Schmarsow's general studies which embraced large sections of Near-Eastern and Western history, it spread in numerous specialized fields devoted to more limited periods. The time had come for an application of the concepts which had just been invented. Since the Vienna school was weakened by the sudden death of Riegl in 1905, most of this new works however were - Esthétique (...)
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  48.  7
    Rhythm as Form of Economic Process.Pascal Michon - forthcoming - Rhuthmos.
    It seems that the use of the term rhythm in economics dates at the earliest from the beginning of the 20th century. Although Clément Juglar is often considered as the inventor in the 1860s of the notion of “economic rhythm,” this attribution seems actually rather incorrect and to result from an a posteriori projection. In 1856 and 1857, Juglar published two important essays: “Des crises commerciales en France de l'an VIII à 1855 – On Commercial Crises in France from 1800 (...)
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  49.  11
    Occam redivivus: Claude Panaccio, Les mots, les concepts et les choses , Paris-Montréal, Bellarmin-Vrin , 1992, 288 pages. [REVIEW]Cyrille Michon - 1994 - Philosophiques 21 (2):577-597.
  50.  3
    Rhythm as Form of Aesthetic Process – Architecture.Pascal Michon - forthcoming - Rhuthmos.
    Previous chapter In 1910, Hans Hermann Russack, one of August Schmarsow's students in Leipzig, published an essay entitled Der Begriff des Rhythmus bei den deutschen Kunsthistorikern des XIX. Jahrhunderts – The Concept of Rhythm in the German Art Historians of the 19th Century. This study was far from complete: it barely mentioned Aloïs Riegl and the competitors of the Viennese school; it referred only indirectly to Wilhelm Pinder and gave - Architecture – Nouvel article.
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