Results for 'Modernism'

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  1.  21
    Are Experts Representative of Non-Experts? Elective Modernism, Aspects of Representation, and the Argument From Inductive Risk.Jaana Eigi - 2020 - Perspectives on Science 28 (4):459-481.
    The approach to expert communities and political representation of non-experts in Harry Collins and Robert Evans’ elective modernism reflects the conviction that experts are not representative of ordinary citizens. I use an analysis of aspects of representation and the argument from inductive risk to argue that experts can be seen as representative of non-experts, when we understand representation as resemblance based on shared social perspectives and acknowledge the inevitable involvement of such perspectives in decisions under inductive risk. This, in (...)
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  2.  90
    Modernism, Christianity, and Business Ethics: A Worldview Perspective.David Kim, Dan Fisher & David McCalman - 2009 - Journal of Business Ethics 90 (1):115-121.
    Despite growing interest in examining the role of religion in business ethics, there is little consensus concerning the basis or standards of “good” or ethical behavior and the reasons behind them. This limits our ability to enhance ethical behavior in the workplace. We address this issue by examining worldviews as it relates to ethics research and practice. Our worldview forms the context within which we organize and build our understanding of reality. Given that much of our academic work as well (...)
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  3. Elective Modernism and the Politics of (Bio) Ethical Expertise.Nathan Emmerich - 2018 - In Hauke Riesch, Nathan Emmerich & Steven Wainwright (eds.), Philosophies and Sociologies of Bioethics. Dordrecht, Netherlands: pp. 23-40.
    In this essay I consider whether the political perspective of third wave science studies – ‘elective modernism’ – offers a suitable framework for understanding the policy-making contributions that (bio)ethical experts might make. The question arises as a consequence of the fact that I have taken inspiration from the third wave in order to develop an account of (bio)ethical expertise. I offer a précis of this work and a brief summary of elective modernism before considering their relation. The view (...)
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  4. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism.Matei Calinescu - 1987 - Duke University Press.
    _Five Faces of Modernity_ is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: _modernity_, _avant-garde_, _decadence_, _kitsch_, and _postmodernism_. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if (...)
     
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  5.  5
    Human Destructiveness in the Existing Practices of Late Modernism Violence: Positive and Negative Dimensions.O. V. Marchenko & L. V. Martseniuk - 2020 - Anthropological Measurements of Philosophical Research 17:41-54.
    Purpose. Research of the phenomenon of human destructiveness in the context of metaphysical images and violence practices of late Modernism. Theoretical basis. The problem is that the philosophical reflection of violence as objectified, realized destructiveness of man is usually contextual in nature and is on the periphery of understanding its external manifestations. Accordingly, anthropological crisis remains behind the scenes, as evidenced by the devaluation of the humanistic potential of modern culture. That is why one should turn the focus from (...)
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  6.  20
    Lacan: The Mind of the Modernist.Louis A. Sass - 2015 - Continental Philosophy Review 48 (4):409-443.
    This paper offers an intellectual portrait of the French psychoanalyst, Jacques Lacan, by considering his incorporation of perspectives associated with “modernism,” the artistic and intellectual avant-garde of the first half of the twentieth century. These perspectives are largely absent in other alternatives in psychology, psychiatry, and psychoanalysis. Emphasis is placed on Lacan’s affinities with phenomenology, a tradition he criticized and to which he is often seen as opposed. Two general issues are discussed. The first is Lacan’s unparalleled appreciation of (...)
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  7. Kristeva's Thérèse: Mysticism and Modernism.Carol Mastrangelo Bové - 2013 - Journal of French and Francophone Philosophy 21 (1):105-115.
    This essay focuses on Julia Kristeva’s recent volume Thérèse mon amour: Sainte Thérèse d’Avila (2008) , describing and placing this blend of novel, play, psychoanalytic cultural theory, and case history in the context of her work. I argue that the volume contributes to an understanding of religion’s impact—especially Catholic mysticism--on Western categories of women. I address in particular Thérèse ’s mysticism and modernist use of a feminine figure to subvert practices threatening the vitality of the psyche and of social relations. (...)
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  8.  16
    The Total Work of Art in European Modernism.David Roberts - 2011 - Cornell University Library.
    In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution.
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  9. Philosophy Beside Itself: On Deconstruction and Modernism.Stephen W. Melville & Donald Marshall - 1986 - Univ of Minnesota Press.
    _Philosophy Beside Itself _ was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The writings of French philosopher Jacques Derrida have been the single most powerful influence on critical theory and practice in the United States over the past decade. But with few exceptions American philosophers have taken little or no interest in Derrida's work, and the task of reception, (...)
     
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  10. Realism, Modernism and the Realistic Spirit: Diamond's Inheritance of Wittgenstein.Stephen Mulhall - 2012 - Nordic Wittgenstein Review 1 (1):7-33.
    This paper argues that Cora Diamond's interpretation of Wittgenstein's early and later work, and her specific attempts to apply it in religious and ethical contexts, show a willingness to sacrifice elements of Wittgenstein's signature concepts to the demands of what she calls his 'realistic spirit'. The paper also argues that this willingness relates her project to a certain understanding of modernism in the arts.
     
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  11. Contextualism: From Modernist Method to Post-Analytic Historicism?Mark Bevir - 2009 - Journal of the Philosophy of History 3 (3):211-224.
    This article provides a critical history of the Cambridge School of intellectual history. Laslett's work on Locke appeared to vindicate modernist historicism. Laslett shunned the broad narratives of romantic developmental historicists. He relied on bibliographies, unpublished manuscripts, and other evidence to establish atomized facts and thus textual interpretations. Pocock and Skinner's theories defended modernist historicism. They argued historians should situate texts in contexts and prove interpretations correct by using modernist methods to establish empirical facts. They attacked approaches that read authors (...)
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  12.  35
    The Modernist Project of Post-Humanism.Teodor Negru - 2009 - Cultura 6 (1):78-89.
    The idea this article relies on is that we should rethink cultural distance between modernism and post-modernism. We can no longer support the thesis of a radical break between the two cultural periods since many of the changes that have marked our contemporary world were initiated or at least announced in the modern period. Besides the cultural and epistemic factors, the socioeconomic conditions have also contributed to shape a new sensitivity and a new outlook. One of the major (...)
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  13.  35
    Realism, Modernism and the Realistic Spirit: Diamond's Inheritance of Wittgenstein, Early and Late.Stephen Mulhall - 2012 - Nordic Wittgenstein Review.
    This paper argues that Cora Diamond's interpretation of Wittgenstein's early and later work, and her specific attempts to apply it in religious and ethical contexts, show a willingness to sacrifice elements of Wittgenstein's signature concepts to the demands of what she calls his 'realistic spirit'. The paper also argues that this willingness relates her project to a certain understanding of modernism in the arts.
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  14.  21
    Modernism and “Aesthetic Experience”: Art, Aesthetics – and the Role of Modernism.Kyndrup Morten - 2016 - Nordic Journal of Aesthetics 25 (51).
    The role and influence of Modernism is the focus of this article. Modernism’s lasting and unforeseeable influence is due to its key importance to the development of the general conditions of art within modernity. Along with Modernism, the implications of the modern system of art became visible for real. Modernism produced the necessity of rethinking the distinction between “art” and “the aesthetic,” based on their original foundations in the 18th century, respectively – a call for a (...)
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  15.  22
    Moral Commitment of the Realistic, Modernist and Postmodern Novel.Joanna Klara Teske - 2013 - Roczniki Filozoficzne 61 (1):93-108.
    MORAL COMMITMENT OF THE REALISTIC, MODERNIST AND POSTMODERN NOVEL S u m m a r y The present paper discusses moral ideas expressed in the contemporary novel of the realistic, modernist and postmodern conventions. More precisely, it tries to define how the poetics of a given convention determines the novel’s ethical thought. It is argued that both the modernist and postmodern fiction, which are often perceived as amoral or relativist, are morally committed, though perhaps not as much as the realistic (...)
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  16.  20
    Matei Cãlinescu, Cinci Fete Ale Modernitãtii. Modernism, Avangardã, Decadenþã, Kitsch, Postmodernism. (Five Faces of Modernity. Modernism, Avant-Guard, Decadence, Kitsch, Postmodernism). [REVIEW]Marius Jucan - 2006 - Journal for the Study of Religions and Ideologies 5 (13):169-171.
    Matei Cãlinescu, Cinci fete ale modernitãtii. Modernism, avangardã, decadenþã, kitsch, postmodernism. (Five Faces of Modernity. Modernism, Avant-Guard, Decadence, Kitsch, Postmodernism) Collegium, Polirom, Iasi, 2005.
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  17.  6
    Different Human Images and Anthropological Colissions of Post-Modernism Epoсh: Biophilosophical Interpretation.S. К Коstyuchkov - 2018 - Anthropological Measurements of Philosophical Research 13:100-111.
    Purpose. The research is aimed at substantiation of the process of formation of various human images in the postmodernism era in the context of biophilosophy, taking into account the need to find an adequate response to historical challenges and the production of new value orientations reflecting succession of civilization development. Theoretical basis. The author in his theoretical constructs proceeds from the need of taking into account the biophilosophical aspect of postmodern man, as the one who, remaining a representative of the (...)
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  18.  42
    Untwisting the Serpent: Modernism in Music, Literature, and Other Arts.Daniel Albright - 2000 - University of Chicago Press.
    From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In Untwisting the Serpent, Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media--Igor Stravinsky's The Rite of Spring is a ballet, Gertrude Stein's Four Saints in Three Acts is an (...)
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  19.  19
    Phenomenology, Modernism, and Beyond.Carole Bourne-Taylor & Ariane Mildenberg (eds.) - 2010 - P. Lang.
    CAROLE BOURNE-TAYLOR AND ARIANE MILDENBERG Introduction: Phenomenology, Modernism and Beyond Etat Present It was at the Eleventh Virginia Woolf Conference ...
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  20.  18
    Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience.Jessica R. Feldman - 2002 - Cambridge University Press.
    In Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience Jessica Feldman sheds a pragmatist light on the relation between the Victorian age and Modernism by dislodging truistic notions of Modernism as an art of crisis, rupture, elitism and loss. She examines aesthetic sites of Victorian Modernism - including workrooms, parlours, friendships, and family relations as well as printed texts and paintings - as they develop through interminglings and continuities as well as gaps and breaks. Examining (...)
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  21.  28
    After Ontology Literary Theory and Modernist Poetics.William D. Melaney - 2001 - Albany: SUNY Press.
    This book identifies the uniquely postmodern elements in hermeneutics and deconstruction in order to reread many of the central texts in modernist literature. It is a comparative study that illuminates points of contact between the philosophical positions of Gadamer and Derrida, discussing Heidegger's influence on both Gadamer's ontological approaches to the work of art and Derrida's transformation approach to literary and philosophical texts. The poetry of Eliot, Pound and Yeats is examined within this framework, while the crucial example of Joyce (...)
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  22.  13
    Material Difference: Modernism and the Allegories of Discourse.William D. Melaney - 2012 - Rodopi.
    Material Difference: Modernism and the Allegories of Discourse argues that deconstruction can be employed in conjunction with the historically-oriented approach to cultural experience that is favored by Critical Theory. The two discourses that inform this comparative study situate Modernism between evolving traditions that begin with Hegel and Nietzsche, leading on to Adorno’s commitment to philosophical aesthetics and Derrida’s concern for writing . Interrelated discussions of eight major authors, working in four different languages, are presented to show how allegorical (...)
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  23. Living Wrong Life Rightly: Modernism, Ethics and the Political Imagination.Ben Ware - 2017 - London, UK: Palgrave.
    In this groundbreaking new study, Ben Ware carries out a bold reassessment of the relationship between modernism and ethics, arguing that modernist literature and philosophy offer more than simply a snapshot of the moral conflicts of the past: they provide a crucial point of reference for today’s emancipatory struggles. Modernism in this assessment is characterized not only by a concern with language and aesthetic creativity, but also by a preoccupation with the question of how to live. Investigating ethical (...)
     
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  24. Madness and Modernism : Insanity in the Light of Modern Art, Literature, and Thought.Louis A. Sass - 1992
     
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  25. Strategic Afro-Modernism, Dynamic Hybridity, and Bebop's Socio-Political Significance.Cynthia R. Nielsen - 2013 - In Mathieu Deflem (ed.), Music and Law: Sociology of Crime, Law and Deviance, Volume 18. Bingley, UK: Emerald Books. pp. 129-148.
    In this chapter, I argue that one can articulate a historically attuned and analytically rich model for understanding jazz in its various inflections. That is, on the one hand, such a model permits us to affirm jazz as a historically conditioned, dynamic hybridity. On the other hand, to acknowledge jazz’s open and multiple character in no way negates our ability to identify discernible features of various styles and aesthetic traditions. Additionally, my model affirms the sociopolitical, legal (Jim Crow and copyright (...)
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  26.  17
    Modernism and the Grounds of Law.Peter Fitzpatrick - 2001 - Cambridge University Press.
    Existing approaches to the relation of law and society have for a long time seen law as either autonomous or grounded in society. Drawing on untapped resources in social theory, Fitzpatrick finds law pivotally placed in and beyond modernity. Being itself of the modern, law takes impetus and identity from modern society and, through incorporating 'pre-modern' elements of savagery and the sacred, it comes to constitute that very society. When placing law in such a crucial position for modernity, Fitzpatrick ranges (...)
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  27.  19
    Exotic Spaces in German Modernism.Jennifer Anna Gosetti-Ferencei - 2011 - Oxford University Press.
    Jennifer Anna Gosetti-Ferencei demonstrates that the exotic, as reflected in major works of German literature and in the philosophy and art that inspires it,..
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  28. The Politics of Modernism Against the New Conformists.Raymond Williams & Tony Pinkney - 1989
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  29. Theorizing the Avant-Garde Modernism, Expressionism, and the Problem of Postmodernity.Richard Murphy - 1999
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  30.  60
    Law and Force: 20th Century Radical Legal Philosophy, Post-Modernism and the Foundations of Law.Matthias Mahlmann - 2003 - Res Publica 9 (1):19-37.
    The foundations of law have been the object ofintense philosophical scrutiny since antiquity.Most importantly, it has been asked whetherthere are really any foundations other thansheer force to be found once more comfortingillusions are abandoned. This paperinvestigates four influential theorists ofradical legal philosophy and postmodern thought who dealwith this problem in comparable ways despitetheir different theoretical outlooks. Themerits of these theories having been assessed,mentalism in ethics and law is introduced as apossible alternative to both the widespreadfoundationalism of the past and theanti-foundationalism (...)
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  31.  15
    The Dichotomy of Society and Urban Space Configuration in Producing the Semiotic Structure of the Modernism Urban Fabric.Mustafa Aziz Amen & Hourakhsh Ahmad Nia - 2018 - Semiotica 2018 (222):203-223.
    Journal Name: Semiotica Issue: Ahead of print.
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  32. Modernism and its Discontents: Philosophical Problems of Twentieth-Century Literary Theory.Bruce E. Fleming - 1995 - P. Lang.
     
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  33.  56
    William James: In the Maelstrom of American Modernism.Leslie A. Muray - 2010 - American Journal of Theology and Philosophy 31 (2):168-170.
    In this biography of William James, Robert D. Richardson claims that he seeks ". . . to understand his life through his work, not the other way around" (xiii). This he does not do. Rather, where Richardson does excel is in biographical narrative or in his own words, in the aim "to present James' life [rather] than to analyze or explain it" (xiii).Richardson covers fascinating biographical territory familiar to readers of this journal. He provides an excellent narrative description of James's (...)
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  34.  45
    Finn Fordham, I Do, I Undo, I Redo: The Textual Genesis of Modernist Selves in Hopkins, Yeats, Conrad, Forster, Joyce, and Woolf. [REVIEW]Anna Mudde - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (2):234-236.
  35. Legal Modernism.David Luban - 1994
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  36. Avant-Garde Florence From Modernism to Fascism.Walter L. Adamson - 1993
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  37.  49
    Review of David L. McMahan, the Making of Buddhist Modernism[REVIEW]Nathaniel David Rich - 2010 - Sophia 49 (1):157-160.
  38. The Matrix of Modernism Pound, Eliot, and Early Twentieth-Century Thought.Sanford Schwartz - 1985
     
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  39. Critic as Scientist the Modernist Poetics of Ezra Pound.Ian F. A. Bell - 1981
     
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  40.  1
    The Poetry of Bohdan-Ihor Antonych and Zuzanna Ginczanka in the Context of European Modernism.Khrystyna Semeryn - 2019 - Kyiv-Mohyla Humanities Journal 6:177-190.
    This article compares the poetry of two prominent modern writers: Polish-Jewish poetess Zuzanna Ginczanka, and Ukrainian Lemko poet Bohdan-Ihor Antonych. They are believed to have certain poetic, stylistic, thematic, and literary similarities. The main discourses of their poetic imaginum mundi are studied with the use of a simple formula that includes five components. Tracing the interplay of nature, childhood, religion, and civilization in the development of an image of a holistic personality in their poetry, I analyze their common and differing (...)
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  41. I Gränslandet: Nya Perspektiv På Film Och Modernism.Daniel Brodén & Kristoffer Noheden (eds.) - 2013 - Gidlund.
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  42. Cinci Fete Ale Modernitatii Modernism, Avangarda, Decadenta, Kitsch, Postmodernism.Matei Calinescu, Tatiana Patrulescu, Radu Turcanu & Mircea Martin - 1995
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  43. High Art Charles Baudelaire and the Origins of Modernist Painting.David Carrier - 1996
     
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  44. Music and Modernism, C. 1849-1950.Charlotte De Mille (ed.) - 2011 - Cambridge Scholars Press.
     
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  45. Rethinking Musical Modernism: Proceedings of the International Conference Held From October 11 to 13, 2007: Accepted at the Ii Meeting of the Department of Fine Arts and Music of 20 June 2008, on the Basis of the Reviews by Akademicians Dejan Despić and Dimitrije Stefanović / Editors Dejan Despić, Mileta Milin. [REVIEW]Dejan Despić & Melita Milin (eds.) - 2008 - Muzikološki Institut Sanu.
     
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  46.  18
    Modernism: The Creation of Nation States.Ahmet Ersoy, Maciej Górny & Vangelis Kechriotis (eds.) - 2010 - Central European Press.
    Notwithstanding the advantages of physical power, the struggle for survival among societies is not merely a matter of serial armed clashes but of the nation's spiritual resources that in the end always decide upon the victory.
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  47. Making Modernism Picasso and the Creation of the Market for Twentieth-Century Art.Michael C. Fitzgerald - 1996
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  48. Fascist Modernism: Aesthetics, Politics, and the Avant-Garde.Andrew Hewitt - 1993 - Stanford University Press.
    Using the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author explores the point of contact between a "progressive" aesthetic practice and a "reactionary" political ideology.
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  49. Russian Avant-Garde and Radical Modernism: An Introductory Reader.Denis G. Ioffe & Frederick H. White (eds.) - 2012 - Academic Studies Press.
    I. An introduction -- II. Russian futurism and the related currents -- III. Russian suprematism and constructivism -- IV. The OBERIU circle (Daniil Kharms and his associates) -- V. Russian experimental performance and theater -- VI. Avant-garde cinematography: Sergei Eisenstein and Dziga Vertov.
     
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  50. Modernism, Antimodernism and Postmodernism.David Lodge - 1977
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