Results for 'Subjectivity in literature'

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  1. The Philosophical Reflection of Man in Literature Selected Papers From Several Conferences Held by the International Society for Phenomenology and Literature in Cambridge, Massachusetts.Anna-Teresa Tymieniecka & International Society for Phenomenology and Literature - 1982
  2. Allegory Old and New in Literature, Fine Art, Music and Theatre and its Continuity in Culture.Marlies Kronegger, Anna-Teresa Tymieniecka, World Institute for Advanced Phenomenological Research and Learning, International Society for Phenomenology and Literature & International Phenomenology Congress - 1994
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  3.  42
    Lost and Found in Language: Two Perspectives on Subjectivity Hagi Kenaan.Two Perspectives On Subjectivity - forthcoming - In Claudia Welz & Karl Verstrynge (eds.), Despite Oneself: Subjectivity and its Secret in Kierkegaard and Levinas. Turnshare. pp. 31.
  4.  42
    Representation and Subjectivity in Modem Literature.M. E. Kronegger - 1981 - Semiotics:231-237.
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  5.  15
    Male Authors, Female Readers: Representation and Subjectivity in Middle English Devotional Literature.Anne Clark Bartlett.Sheila Delany - 1997 - Speculum 72 (4):1146-1147.
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    Women and National Socialism in Postwar German Literature: Gender, Memory, and Subjectivity. By Katherine Stone. Pp. 232, Rochester, NY, Camden House, 2017, $65.00. [REVIEW]Patrick Madigan - 2020 - Heythrop Journal 61 (3):580-581.
  7.  14
    Creating Roman Identity: Subjectivity and Self-Fashioning in Latin Literature The 1995 Berkeley Conference.Yasmin Syed - 1997 - Classical Antiquity 16 (1):5-7.
  8. The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida.John M. Burke - 1989 - Dissertation, The University of Edinburgh (United Kingdom)
    Available from UMI in association with The British Library. Requires signed TDF. ;This thesis proposes that the death of the author is neither a desirable, nor properly attainable goal of criticism, and that the concept of the author remained profoundly active even--and especially--as its disappearance was being articulated. ;As the phrase implies, the death of the author is seen to repeat the Nietzschean deicide. In Barthes, the idea of the author is explicitly connected to that of God, for Foucault and (...)
     
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  9. Subjectivity, Reflection and Freedom in Later Foucault.Sacha Golob - 2015 - International Journal of Philosophical Studies 23 (5):666-688.
    This paper proposes a new reading of the interaction between subjectivity, reflection and freedom within Foucault’s later work. I begin by introducing three approaches to subjectivity, locating these in relation both to Foucault’s texts and to the recent literature. I suggest that Foucault himself operates within what I call the ‘entanglement approach’, and, as such, he faces a potentially serious challenge, a challenge forcefully articulated by Han. Using Kant’s treatment of reflection as a point of comparison, I (...)
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  10. (Academia.Edu) LITERATURE I DO- THE ROMANTICS AND SUBJECTIVITY : SAMUEL TAYLOR COLERIDGE.Rituparna Ray Chaudhuri - 2015
    [ https://plus.google.com/108060242686103906748/posts/cwvdB6mK3J6 ] The phenomenal description on own thoughts regard me to describe Coleridge, along with William Wordsworth, was instrumental in initiating a poetic revolution in the early nineteenth century which is known as the Romantic Movement. Coleridge invokes the Divine Spirit that blows upon the wild Harp of Time. Time is like the stringed musical instrument on which the Spirit produces sweet harmonious melodies. Coleridge is perhaps best known for his haunting ballad Rime of Ancient Mariner, the dream-like Kubla (...)
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  11.  13
    ‘My Little Wild Fever-Struck Brother’: Human and Animal Subjectivity in Hélène Cixous’ Algeria.Helen Andersson - 2017 - International Journal of Philosophy and Theology 78 (4-5):456-468.
    This article examines the place of human and animal subjectivity in two autobiographically informed texts by Hélène Cixous. It takes her view on the word ‘human’ and the figure of Fips, the dog of the Cixous family, as a point of departure. By thinking through this figure, I argue, Cixous analyses the dehumanizing logic of colonialism and anti-Semitism in Algeria and develops her own response to such kinds of political evils, arguing for human relationality and animal corporeality. The article (...)
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  12.  11
    Taboo Teens and Ancient Adults: Overpopulation Motifs in Fictional Literature for Children and Young People.Jennifer Ford - 2016 - Oxford Literary Review 38 (1):27-46.
    Literature for children and young people is uniquely positioned in terms of intended readership and literary genres such as the young adult dystopian novel to scrutinise intergenerational and human fertility issues associated with overpopulation. However, fictional texts that explore overpopulation have a narrative form that is unstable and unreliable due to prevailing conventions of subjectivity and optimism in children's and young adult literature. Derrida's last interview, Learning to Live, is pertinent to an understanding of motifs of overpopulation (...)
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  13.  28
    Semiosis and ‘Meaning as Use’: The Indispensability and Insufficiency of Subjectivity in the Action of Signs.John Deely - 2015 - Sign Systems Studies 43 (1):7-28.
    Thematic development of semiotics proves to be a transformative event for intellectual culture, manifesting itself to begin with in its reshaping of the usage of many philosophical terms in their reflection of mainstream modern philosophy as its influence has sedimented down the level of ordinary language, i.e., today’s common speech. Central among these terms are subject and object as modern usage has established their sense, a sense which proves incompatible with the understanding of things that is emerging from the cenoscopic (...)
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  14.  33
    Humanistic Constructionism in the Analysis of Subjectivity.Vincenzo Cesareo - 2012 - World Futures 68 (4-5):248 - 257.
    A sociologist who has to confront him/herself with social change cannot avoid running into subjectivity, which is seen as a clear indicator of the most recent tendencies that are going through contemporary society. The demand for subjectivity, generically considered as self-consciousness and the need for self-fulfilment, is undoubtedly a distinguishing feature of our age. The central role this concept has gained within recent sociological literature, however, coincides with the rise of a postmodern sociology, which tends to put (...)
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  15.  8
    In Search of Subjectivity: A Reflection of a Teacher Educator in a Cross-Cultural Context.Cheu-jey Lee - 2014 - Educational Philosophy and Theory 46 (13):1427-1434.
    This paper explores the concept of subjectivity from the perspective of a nonnative-English-speaking teacher educator at a Midwestern university in the USA. It begins with a literature review on the role subjectivity plays in education. It argues that acknowledging the existence of subjectivity allows us to investigate its enabling and disabling potential in relation to our practice. Building on George Herbert Mead’s work, various forms of the teacher educator’s subjectivity are revealed and examined with regard (...)
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  16. New Directions in Philosophy and Literature.David Rudrum, Ridvan Askin & Frida Beckmann (eds.) - 2019 - Edinburgh: Edinburgh University Press.
    This forward-thinking, non-traditional reference work uniquely maps out how new developments in 21st century philosophy are entering into dialogue with the study of literature. Going beyond the familiar methods of analytic philosophy, and with a breadth greater than traditional literary theory, this collection looks at the profound consequences of the interaction between philosophy and literature for questions of ethics, politics, subjectivity, materiality, reality and the nature of the contemporary itself.
     
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  17. Seductions of Fate: Tragic Subjectivity, Ethics, Politics.Gabriela Basterra - 2004 - Palgrave-Macmillan.
    If the tragic interpretation of experience is still so current, despite its disastrous ethical consequences, it is because it shapes our subjectivity. Instead of contradicting the ideals of autonomy and freedom, a modern subjectivity based on self-victimization in effect enables them. By embracing subjection to an alienating other (the Law, Power) the autonomous subject protects its sameness from the disruption of real people. Seductions of Fate stages a dialogue between this tragic agent of political emancipation and the unconditional (...)
     
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  18.  6
    The Paradox of Transgressing Sexual Identities: Mapping the Micropolitics of Sexuality/Subjectivity in Ang Lee's Films.Che-Ming Yang - 2010 - Asian Culture and History 2 (1):P41.
    From a perspective of multiculturalism, this paper aims to analyze Ang Lee’s Wedding Banquet and Brokeback Mountain by elaborating on the issues of sex/gender/identity in the hope of exploring the process and problematics of cultural formations in the era of globalization characterized by multiculturalism. Based on Judith Buthler’s deconstructive/postmodernist view of sex/gender/identity, the first part of this essay evaluates simultaneously both the positive and negative aspects of these two films; whereas Deleuze’s literary aesthetics of minor literature offers me a (...)
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  19.  59
    That Which “Has No Name in Philosophy”: Merleau-Ponty and the Language of Literature.Daphna Erdinast-Vulcan - 2007 - Human Studies 30 (4):395-409.
    In this paper I address some related aspects of Merleau-Ponty’s unfinished texts, The Visible and the Invisible and The Prose of the World. The point of departure for my reading of these works is the sense of philosophical disillusionment which underlies and motivates them, and which, I argue, leads Merleau-Ponty towards an engagement with art in general and with literature in particular. I suggest that Merleau-Ponty’s emerging conception of ethics—premised on the paradox of a “universal singularity” and concerned with (...)
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  20.  30
    Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch.Griselda Pollock - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):114-144.
    This paper proposes a conversation between Charlotte Salomon and Edvard Munch that is premised on a reading of Charlotte Salomon’s monumental project of 784 paintings forming a single work Leben? oder Theater? as itself a reading of potentialities for painting, as a staging of subjectivity in the work of Edvard Munch, notably in his assembling paintings to form the Frieze of Life. Drawing on both Mieke Bal’s critical concept of “preposterous history” and my own project of “the virtual feminist (...)
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  21. The Strange Short Fiction of Joseph Conrad Writing, Culture, and Subjectivity.Daphna Erdinast-Vulcan - 1999
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  22. Exploring Worldviews in Literature: From William Wordsworth to Edward Albee.Laura Inez Deavenport Barge - 2009 - Abilene Christian University Press.
    Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.
     
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  23.  41
    The Importance of Subjectivity in Overcoming Ethnical Conflicts in Africa: A Philosophical Reflection.Thomas Kochalumchuvattil - 2010 - Cultura 7 (1):28-40.
    Africa’s widespread problems are well publicized and none receives more attention than that of periodic outbreaks of ethnic violence. Past events in Rwanda, and in the ongoing conflict in Darfur-Sudan, linger in the memory while the outbreak of postelection violence in Kenya is a more recent example of the seemingly endless capacity of Africa to generate ethnic unrest. The problems of Africa have become the subject of intense philosophical debate and reflection in an effort to find a just and sustainable (...)
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  24.  8
    Inwardness and Existence: Subjectivity in/and Hegel, Heidegger, Marx, and Freud (Review).David M. Thompson - 1992 - Philosophy and Literature 16 (2):390-391.
  25. Perspektive--Die Spaltung der Standpunkte: Zur Perspektive in Philosophie, Kunst Und Recht.Gertrud Koch (ed.) - 2010 - Wilhelm Fink.
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  26.  60
    Naked Subjectivity: Minimal Vs. Narrative Selves in Kierkegaard.Patrick Stokes - 2010 - Inquiry: An Interdisciplinary Journal of Philosophy 53 (4):356-382.
    In recent years a significant debate has arisen as to whether Kierkegaard offers a version of the “narrative approach” to issues of personal identity and self-constitution. In this paper I do not directly take sides in this debate, but consider instead the applicability of a recent development in the broader literature on narrative identity—the distinction between the temporally-extended “narrative self” and the non-extended “minimal self—to Kierkegaard's work. I argue that such a distinction is both necessary for making sense of (...)
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  27.  84
    Leaping Ahead of Heidegger: Subjectivity and Intersubjectivity in Being and Time.Mahon O’Brien - 2014 - International Journal of Philosophical Studies 22 (4):534-551.
    Heidegger?s accounts of Dasein?s dual nature as both individual and social in Being and Time have been a longstanding source of confusion and controversy in the literature. Many critics have been keen to identify contradictions between Heidegger?s positive account of the social nature of everyday Dasein and the putatively solipsistic account of authentic Dasein which comes later. This paper focuses on Heidegger?s brief attempts to sketch the outlines for the notion of something like authentic intersubjectivity. In doing so we (...)
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  28.  24
    Voiding Cinema: Subjectivity Beside Itself, or Unbecoming Cinema in Enter the Void.William Brown & David H. Fleming - 2015 - Film-Philosophy 19 (1):124-145.
    This essay examines Gaspar Noë's film, Enter the Void, in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and describe by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of (...)
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  29.  34
    Negativity and Subjectivity: A Study of the Function of Negation in Freud, Linguistics, Childpsychology and Hegel.Martin J. DeNys - 1980 - The Owl of Minerva 12 (1):8-10.
    This is a rich, impressive, and important work in philosophical anthropology. It is rich and impressive in view of the wide range of literature upon which the author draws, and the interdisciplinary competencies which he exhibits. It is important because of the central issue which the work focuses on and analyzes from its interdisciplinary perspective.
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  30.  14
    "Darkness, Waiting, Without Speaking": Fluidity, Subjectivity, and Utopian Space in Ingeborg Bachmann's Der Fall Franza.Pascale LaFountain - 2016 - Utopian Studies 27 (1):77-92.
    This analysis shows the common critique of representation suggested by the fluid metaphor in feminist theory and literature. The poetics of theory and the poetics of literature thus flow together into a metaphorical poetics of the fluid as a utopian form and space that subverts patriarchal language and textually undermines artificial divisions among the very genres of theory and literature that describe it.Ingeborg Bachmann’s fragmentary novel Der Fall Franza reconstructs the crisis and death of its eponymous young (...)
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  31. Narcissus Transformed: The Textual Subject in Psychoanalysis and Literature.Gray Kochhar-Lindgren - 1993 - Pennsylvania State University Press.
    In _Narcissus Transformed_, Gray Kochhar-Lindgren interprets Narcissus as thematizing the tragic situation of the postmodern subject. After showing the connections between Cartesian philosophy and narcissism, he proceeds to lay out the function of Narcissus as a poetic figure of discourse in the fields of psychoanalysis and modern fiction. He moves beyond the description of narcissism to an interpretation of the conditions necessary for Narcissus, the beautiful boy captivated by his own image, to become a different kind of subject. The topos (...)
     
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  32. English Renaissance Literature and Contemporary Theory: Sublime Objects of Theology.Paul Cefalu - 2007 - Palgrave-Macmillan.
    Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Žižek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The book argues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes presented directly (...)
     
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  33.  43
    Trauma and Truth: Representations of Madness in Chinese Literature.Birgit Linder - 2011 - Journal of Medical Humanities 32 (4):291-303.
    With only a few exceptions, the literary theme of madness has long been a domain of Western cultural studies. Much of Western writing represents madness as an inquiry into the deepest recesses of the mind, while the comparatively scarce Chinese tradition is generally defined by madness as a voice of social truth. This paper looks at five works of twentieth-century Chinese fiction that draw on socio-somatic aspects of madness to reflect upon social truths, suggesting that the inner voice of (...) is perhaps not the only true voice of the self. (shrink)
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  34.  23
    Modern Animals: From Subjects to Agents in Literary Studies.Susan McHugh - 2009 - Society and Animals 17 (4):363-367.
    Advancing theories of literature and animality requires both recognizing the failures of traditional humanist models that separate and elevate people over all "things" animal as well as identifying and developing alternative forms. Along with providing fresh readings and important insights about representative texts in the literary canon, two new books—Carrie Rohman's Stalking the Subject: Modernism and the Animal and Philip Armstrong's What Animals Mean in the Fiction of Modernity —illustrate how this challenge is being addressed. Strategically, Rohman works within (...)
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  35. Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture.Mary Sanders Pollock & Catherine Rainwater (eds.) - 2005 - Palgrave-Macmillan.
    Figuring Animals is a collection of fifteen essays concerning the representation of animals in literature, the visual arts, philosophy, and cultural practice. At the turn of the new century, it is helpful to reconsider our inherited understandings of the species, some of which are still useful to us. It is also important to look ahead to new understandings and new dialogue, which may contribute to the survival of us all. The contributors to this volume participate in this dialogue in (...)
     
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  36.  68
    Finding a Replacement for the Soul: Mind and Meaning in Literature and Philosophy.Brett Bourbon - 2004 - Harvard University Press.
    Approaching the study of literature as a unique form of the philosophy of language and mind--as a study of how we produce nonsense and imagine it as sense--this ...
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  37.  45
    Wagering on Transcendence: The Search for Meaning in Literature.Phyllis Carey (ed.) - 1997 - Sheed & Ward.
    Through essays, Mount Mary College professors from various disciplines analyze several pieces of literature from a variety of genres and authors to show how ...
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  38.  21
    Damned If You Do: Dilemmas of Action in Literature and Popular Culture.Margaret S. Hrezo & John M. Parrish (eds.) - 2010 - Lexington Books.
    These essays showcase the value of the narrative arts in investigating complex conflicts of value in moral and political life, and explore the philosophical problem of moral dilemmas as expressed in ancient drama, classic and contemporary ...
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  39.  22
    Reflecting Senses: Perception and Appearance in Literature, Culture, and the Arts.Walter Pape & Frederick Burwick (eds.) - 1995 - W. De Gruyter.
    Introduction In "search of instances where the American imagination demands the real thing, and, to attain it, must fabricate the absolute fake," Umberto ...
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  40.  61
    Dumb Beasts and Dead Philosophers: Humanity and the Humane in Ancient Philosophy and Literature.Catherine Osborne - 2007 - Oxford University Press.
    The book is about three things. First, how Ancient thinkers perceived humans as like or unlike other animals; second about the justification for taking a humane attitude towards natural things; and third about how moral claims count as true, and how they can be discovered or acquired. Was Aristotle was right to see continuity in the psychological functions of animal and human souls? The question cannot be settled without taking a moral stance. As we can either focus on continuity or (...)
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  41. The Politics of (M)Othering: Womanhood, Identity and Resistance in African Literature.Obioma Nnaemeka (ed.) - 1996 - Routledge.
    This collection is a study of African literature framed by the central, and multi-faceted, idea of 'mother' - motherland, mothertongue, motherwit, motherhood, mothering - looking at the paradoxical location of (m)other as both central and marginal. Whilst the volume stands as a sustained feminist analysis, it engages feminist theory itself by showing how issues in feminism are, in African literature, recast in different and complex ways.
     
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  42.  18
    Complex Pleasure: Forms of Feeling in German Literature.Stanley Corngold - 1998 - Stanford University Press.
    Complex Pleasure deals with questions of literary feeling in eight major German writers—Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German (...)
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  43. Beauty and Belief: Aesthetics and Religion in Victorian Literature.Hilary Fraser - 1986 - Cambridge University Press.
    This study is an important contribution to the intellectual history of Victorian England which examines the religio-aesthetic theories of some central writers of the time. Dr Fraser begins with a discussion of the aesthetic dimensions of Tractarian theology and then proceeds to the orthodox certainties of Hopkins' theory of inscape, Ruskin's and Arnold's moralistic criticism of literature and the visual arts, and Pater's and Wilde's faith in a religion of art. The author identifies significant cultural and historical conditions which (...)
     
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  44.  19
    Geography and the Production of Space in Nineteenth-Century American Literature.Hsuan L. Hsu - 2010 - Cambridge University Press.
    Machine generated contents note: Acknowledgments; Introduction: scales of identification; 1. Democratic expansionism, gothic geographies, and Charles Brockden Brown; 2. Urban apartments, global cities: the enlargement of private space in Poe and James; 3. Cultural orphans: domesticity, missionaries, and China from Stowe to Sui Sin Far; 4. 'The Checkered Globe': cosmopolitan despair in the American Pacific; 5. Literature and regional production; Epilogue: scales of resistance.
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  45.  96
    A Phenomenological Analysis of Anxiety as Experienced in Social Situations.Timothy J. Beck - 2013 - Journal of Phenomenological Psychology 44 (2):179-219.
    In this study, three individual descriptions of anxiety as experienced in social situations were analyzed so that a general structure representing social anxiety could potentially be obtained. The descriptions analyzed produced results that not only overlapped with already existing literature from various perspectives on the topic, but also highlighted certain key factors that have largely been unaccounted for by prior studies. By utilizing the Descriptive Phenomenological Method in Psychology , these factors were brought to light in more depth and (...)
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  46.  86
    Subjectivity and the Possibility of Change in the Novels of Marilynne Robinson.Justin Evans - 2014 - Renascence 66 (2):131-150.
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  47.  58
    Transcendental and Empirical Pressures in Human Subjectivity.Kenneth L. Schmitz - 1981 - Thought: Fordham University Quarterly 56 (3):272-286.
  48.  10
    The Crisis of Subjectivity: The Significance of Darstellung and Freedom in E. T. A. Hoffmann's "The Sandman".Elizabeth Purcell - 2016 - Philosophy and Literature 40 (1):44-58.
    In the latter part of the eigthteenth century, philosophers faced a problem with respect to moral freedom. They were concerned not only with an account of how one could be free in the Newtonian system of nature but also with how it might be possible to represent that freedom. The imagination provided an answer. The imagination, thought to have limitless potential through aesthetic experiences and judgments, provided the bridge between our abstract, intellectual understanding of the world and the conditions of (...)
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  49. Agents and Lives Moral Thinking in Literature.S. L. Goldberg - 1993
     
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  50. Philosophy in Literature: Shakespeare, Voltaire, Tolstoy & Proust.Morris Weitz - 1963 - Detroit: Wayne State University Press.
     
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