What would happen if one morning you wake up clumsy, as if your sense of touch were unreliable, arbitrarily on and off? And what would this clumsiness look like if we could transfer it to the moral sense? The article expounds an interesting analogy between the sense of touch, loosely construed, and the moral sense: just as a sort of consistency is necessary for the sense of touch to do its job, so it is for the moral sense to (...) play its part. Touch enables us to navigate the everyday world of coffee pots and staircases; our moral sensibility comes into play when we act or when we judge our actions and those of others, and plays a directive role in what we feel, how we feel it, and how we react to it. Taking the analogy further, I will suggest that inconsistency causes, in both cases, a certain clumsiness, and that clumsiness is linked to arbitrariness – like the person that helps others in dire need, but only does so on some rainy days. (shrink)

Excellent performance in sport involves specialized and refined skills within very narrow applications. Choking throws a wrench in the works of finely tuned performances. Functionally, and reduced to its simplest expression, choking is severe underperformance when engaging already mastered skills. Choking is a complex phenomenon with many intersecting facets: its dysfunctions result from the multifaceted interaction of cognitive and psychological processes, neurophysiological mechanisms, and phenomenological dynamics. This article develops a phenomenological model that, complementing empirical and theoretical research, helps understand and (...) redress choking. It aims at describing the experience of choking as experience, and to discuss strategies to palliate or prevent its onset at the pragmatic level at which athletes engage the phenomenon experientially. An overview of current empirical research and theoretical models highlights key ideas and points out contentious issues. The model describes the common structure of the choking experience. It identifies four core constitutive elements: A) disruptive proprioceptive and kinesthetic dynamics, B) a malfunctioning background or Jamesian fringe of consciousness, C) dislocated time dynamics, and D) emotional disturbances. The novelty of the remedy is that it is designed to cross disciplinary boundaries between phenomenology, historiography, and hermeneutics, and moreover connects theory to praxis as it looks at Japanese dō, practices of self-cultivation. It focuses on actual do-or-die situations, not putative ones such as important business deals or competing for a medal. To this effect, it examines medieval Japanese swordsmanship and training manuals and also engages risk sports, where death is indeed a real possibility. The manuals, which arise in the context of choke-inducing life or death duels, and risk sports, afford keen phenomenological observations and practical advice that prove invaluable for today’s sports world and beyond. (shrink)

Underperformance under stress is common in many activities such as the arts and academic performance, but examples are particularly evident in sport's "choking" effect—a failure to perform to levels already achieved when the person tries to be at his or her best. Rory McIlroy "disintegrated" at the 2011 U.S. Masters, while Greg Norman epically lost in 1996. On the other end of the spectrum, Mark Spitz and Michael Phelps thrived under media pressure to deliver record-breaking performances at the Olympics. The (...) first set of scenarios showcases athletes failing under pressure. The second presents superb performers who excel when "on the spot." As a way to supplement current psychological and cognitive theoretical research, Dr. Jesús Ilundáin-Agurruza discusses an alternative philosophical account to combat choking. It diagnoses the process and contrasts it with cases of superior performances analyzed under "skillful fluency." The solution is derived from Japanese do—arts of self-cultivation, such as the way of archery or the way of tea—which encourage an integration of body-mind and intellect-emotion that indirectly achieves skillful fluency and avoids choking. (shrink)

Excellent performance in sport involves specialized and refined skills within very narrow applications. Choking throws a wrench in the works of finely tuned performances. Functionally, and reduced to its simplest expression, choking is severe underperformance when engaging already mastered skills. Choking is a complex phenomenon with many intersecting facets: its dysfunctions result from the multifaceted interaction of cognitive and psychological processes, neurophysiological mechanisms, and phenomenological dynamics. This article develops a phenomenological model that, complementing empirical and theoretical research, helps understand and (...) redress choking. It aims at describing the experience of choking as experience, and to discuss strategies to palliate or prevent its onset at the pragmatic level at which athletes engage the phenomenon experientially. An overview of current empirical research and theoretical models highlights key ideas and points out contentious issues. The model describes the common structure of the choking experience. It identifies four core constitutive elements: A) disruptive proprioceptive and kinesthetic dynamics, B) a malfunctioning background or Jamesian fringe of consciousness, C) dislocated time dynamics, and D) emotional disturbances. The novelty of the remedy is that it is designed to cross disciplinary boundaries between phenomenology, historiography, and hermeneutics, and moreover connects theory to praxis as it looks at Japanese dō, practices of self-cultivation. It focuses on actual do-or-die situations, not putative ones such as important business deals or competing for a medal. To this effect, it examines medieval Japanese swordsmanship and training manuals and also engages risk sports, where death is indeed a real possibility. The manuals, which arise in the context of choke-inducing life or death duels, and risk sports, afford keen phenomenological observations and practical advice that prove invaluable for today’s sports world and beyond. (shrink)

Those of Collingwood's interpreters who insist that the science of being was abandoned in the later writings, tend to display also a marked dissatisfaction with the logic of question and answer, at least as it is presented in the Essay on Metaphysics. The most influential statement of this interpretation is undoubtedly Rex Martin's. It was initially published as an article in 1989 and was later institutionalized through its incorporation in his 'Editor's Introduction' to the Oxford University Press revised edition of (...) the Essay. I start from the assumption that Collingwood should be read as a hermeneutic philosopher. Having shown elsewhere what this means for Collingwood's conception of being and ontology, I will concentrate here to show that Collingwood's hermeneutics cannot be reconciled with an interpretation that finds no place for question and answer in his philosophy. The logic of question and answer is indispensable to the hermeneutics of Collingwood. I will argue that Martin's expunction of question and answer from Collingwood's philosophy rests on an a sense of meaning that is foreign both to hermeneutics and to Collingwood. (shrink)

The rise of quantum information theory has lent new relevance to experimental tests for non-classicality, particularly in controversial cases such as adiabatic quantum computing superconducting circuits. The Leggett-Garg inequality is a “Bell inequality in time” designed to indicate whether a single quantum system behaves in a macrorealistic fashion. Unfortunately, a violation of the inequality can only show that the system is either (i) non-macrorealistic or (ii) macrorealistic but subjected to a measurement technique that happens to disturb the system. The “ (...) class='Hi'>clumsiness” loophole (ii) provides reliable refuge for the stubborn macrorealist, who can invoke it to brand recent experimental and theoretical work on the Leggett-Garg test inconclusive. Here, we present a revised Leggett-Garg protocol that permits one to conclude that a system is either (i) non-macrorealistic or (ii) macrorealistic but with the property that two seemingly non-invasive measurements can somehow collude and strongly disturb the system. By providing an explicit check of the invasiveness of the measurements, the protocol replaces the clumsiness loophole with a significantly smaller “collusion” loophole. (shrink)

Attention-deficit/hyperactivity disorder (ADHD) is currently defined as a cognitive/behavioral developmental disorder where all clinical criteria are behavioral. Inattentiveness, overactivity, and impulsiveness are presently regarded as the main clinical symptoms. The dynamic developmental behavioral theory is based on the hypothesis that altered dopaminergic function plays a pivotal role by failing to modulate nondopaminergic (primarily glutamate and GABA) signal transmission appropriately. A hypofunctioning mesolimbic dopamine branch produces altered reinforcement of behavior and deficient extinction of previously reinforced behavior. This gives rise to delay (...) aversion, development of hyperactivity in novel situations, impulsiveness, deficient sustained attention, increased behavioral variability, and failure to “inhibit” responses (“disinhibition”). A hypofunctioning mesocortical dopamine branch will cause attention response deficiencies (deficient orienting responses, impaired saccadic eye movements, and poorer attention responses toward a target) and poor behavioral planning (poor executive functions). A hypofunctioning nigrostriatal dopamine branch will cause impaired modulation of motor functions and deficient nondeclarative habit learning and memory. These impairments will give rise to apparent developmental delay, clumsiness, neurological “soft signs,” and a “failure to inhibit” responses when quick reactions are required. Hypofunctioning dopamine branches represent the main individual predispositions in the present theory. The theory predicts that behavior and symptoms in ADHD result from the interplay between individual predispositions and the surroundings. The exact ADHD symptoms at a particular time in life will vary and be influenced by factors having positive or negative effects on symptom development. Altered or deficient learning and motor functions will produce special needs for optimal parenting and societal styles. Medication will to some degree normalize the underlying dopamine dysfunction and reduce the special needs of these children. The theory describes how individual predispositions interact with these conditions to produce behavioral, emotional, and cognitive effects that can turn into relatively stable behavioral patterns. Key Words: catecholamine; clumsiness; dopamine; hyperkinesis; hyperkinetic disorder; impulsivity; monoamine; neuromodulator; overactivity; pollutants; reinforcement; reward; verbally governed behavior; soft signs; variability. (shrink)

This chapter contains sections titled: Familial Responsibility to Hold Good and Bad Holding Clumsy Holding Acknowledgments References.

In this paper, we focus on some misconceptions about Critical Pragmatics, what it is, what it assumes and what it proposes. Doubtless, some of these misconceptions are due to clumsy writing on our part; perhaps others are due to inattentive reading. And some may be due to an effort to shield us from the apparent implausibility of what we said—and in fact meant. It does not matter much. We focus on those misunderstandings that most matter to us, either because, by (...) repetition, they have ended up being annoying, even if they are not, perhaps, that important; or because they are substantial enough to represent a distortion of the basic picture of Critical Pragmatics and its theoretical foundations, namely, Critical Referentialism—also known as the Reflexive-referential Theory—and, more generally, Perry’s fundamental views on meaning and content(s). (shrink)

Well over a century after its introduction, Frege's two-dimensional Begriffsschrift notation is still considered mainly a curiosity that stands out more for its clumsiness than anything else. This paper focuses mainly on the propositional fragment of the Begriffsschrift, because it embodies the characteristic features that distinguish it from other expressively equivalent notations. In the first part, I argue for the perspicuity and readability of the Begriffsschrift by discussing several idiosyncrasies of the notation, which allow an easy conversion of logically (...) equivalent formulas, and presenting the notation's close connection to syntax trees. In the second part, Frege's considerations regarding the design principles underlying the Begriffsschrift are presented. Frege was quite explicit about these in his replies to early criticisms and unfavorable comparisons with Boole's notation for propositional logic. This discussion reveals that the Begriffsschrift is in fact a well thought-out and carefully crafted notation that intentionally exploits the possibilities afforded by the two-dimensional medium of writing like none other. (shrink)

It is argued that the standard way that the criminal justice debate regarding the permissible extent of wrongful convictions is cast is fundamentally flawed. In particular, it is claimed that there is an inherent danger in focussing our attention in this debate on different ways of measuring the probabilistic likelihood of wrongful conviction and then evaluating whether these probabilities are unacceptably high. This is because such probabilistic measures are clumsy ways of capturing the level of risk involved, to the extent (...) that a defendant can be subject to an unacceptably high level of legal risk in this regard even where the relevant probabilities are very low. An alternative conception of legal risk – one that is primarily cast along modal rather than probabilistic lines – is set out which offers a much better way of framing the debate regarding what would be an acceptable level of wrongful conviction. It is further argued that with this modal conception of legal risk in play we can capture an important necessary condition that should be imposed on legal evidence, one that has application beyond the context of the criminal trial. (shrink)

Set in the idyllic countryside outside Athens, the Phraedrusis a dialogue between the philosopher Socrates and his friend Phaedrus, inspired by their reading of a clumsy speech by the writer Lysias on the nature of love. Their conversation develops into a wide-ranging discussion on such subjects as the pursuit of beauty, the immortality of the soul and the attainment of truth, and ends with an in-depth consideration of the principles of rhetoric. Probably a work of Plato's maturity, the Phaedrusrepresents a (...) high point in his achievement as a writer. This volume also contains two of his letters, which discuss his involvement in politics, in particular his role as adviser to Dionysius II of Syracuse, which are crucial documents for our understanding of Plato's life and career. (shrink)

The economics profession has become a favourite punching bag in the aftermath of the global financial crisis. Economists are widely reviled and their influence derided by the general public. Yet their services have never been in greater demand. To unravel the paradox, we need to understand both the strengths and weaknesses of economics. This book offers both a defence and critique of economics. Economists' way of thinking about social phenomena has great advantages. But the flexible, contextual nature of economics is (...) also its Achilles' heel in the hands of clumsy practitioners. (shrink)

The truth table method, natural deduction, and the truth tree method, the three validity proving methods standardly taught in an introductory logic course, are too clumsy for the battlefield of real-life. The “short truth table” test is handy at times, but it stumbles at many other times. In this paper, we set up a general method that can beat all the methods mentioned above in a contest of speed. Furthermore, the procedure can be step-by-step paraphrased in a natural language, so (...) that, unlike the other methods, a real-life logical problem can be analyzed and explained in a real-life language too. (shrink)

The syllogism has often been criticized. Yet the theory of the syllogism cannot be omitted from logic. Even if it were not for its historical significance, its nature as a chapter of class logic assigns to it a place in any presentation of logic.The usual exposition of the theory of the syllogism, however, whether given by the use of the familiar rules of the syllogism, or by the help of diagrams, appears clumsy and lacks the lucidity of modern chapters of (...) logic. The reason seems to be given in the inefficient notation, taken over from ancient and medieval logic. In the following I should like to present an improved notation, which combines some of the traditional features with modern ones, and which is based on the criticism of the syllogistic theory which I have given elsewhere. It will be seen that in the revised form the theory of the syllogism is apt to meet the standards of modern logic. (shrink)

i The 2005 decision by Judge John E. Jones in Kitzmiller v. Dover Area School District was celebrated by all red-blooded American liberals as a victory over the forces of darkness. The result was probably inevitable, in view of the reckless expression by some members of the Dover School Board of their desire to put religion into the classroom, and the clumsiness of their prescribed statement in trying to dissimulate that aim.1 But the conflicts aired in this trial—over the (...) status of evolutionary theory, the arguments for intelligent design, and the nature of science—reveal an intellectually unhealthy situation. The political urge to defend science education against the threats of religious orthodoxy, understandable though it is, has resulted in a counterorthodoxy, supported by bad arguments, and a tendency to overstate the legitimate scientific claims of evolutionary theory. Skeptics about the theory are seen as so dangerous, and so disreputably motivated, that they must be denied any shred of.. (shrink)

PREFACE: - BY his theory of relativity Albert Einstein has provoked a revolution of thought in physical science. The achievement consists essentially in this Einstein has succeeded in separating far more completely than hitherto the share of the observer and the share of external nature in the things we see happen. The perception of an object by an observer depends on his own situation and circumstances for example, distance will make it appear smaller and dimmer. We make allowance for this (...) almost unconsciously in interpreting what we see. But it now appears that the allowance made for the motion of the observer has hitherto been too crude a fact overlooked because in practice all observers share nearly the same motion, that of the earth. Physical space and time are found to be closely bound up with this motion of the observer and only an amorphous combination of the two is left inherent in the external world. When space and time are relegated to their proper source the observer the world of nature which remains appears strangely unfamiliar but it is in reality simplified, and the underlying unity of the principal phenomena is now clearly revealed. The deductions from this new outlook have, with one doubtful exception, been confirmed when tested by experiment. It is my aim to give an account of this work without intro ducing anything very technical in the way of mathematics, physics, or philosophy. The new view of space and time, so opposed to our habits of thought, must in any case demand unusual mental exercise. The results appear strange and the incongruity is not without a humorous side. For the first nine chapters the task is one of interpreting a clear-cut theory, accepted in all its essentials by a large and growing school of physicists although perhaps not everyone would accept the authors views of its meaning. Chapters x and xi deal with very recent advances, with regard to which opinion is more fluid. As for the last chapter, containing the authors specula tions on the meaning of nature, since it touches on the rudiments of a philosophical system, it is perhaps too sanguine to hope that it can ever be other than controversial. A non-mathematical presentation has necessary limitations and the reader who wishes to learn how certain exact result follow from Einsteins, or even Newtons, law of gravitation m bound to seek the reasons in a mathematical treatise. But thj limitation of range is perhaps less serious than the limitation of intrinsic truth. There is a relativity of truth, as there is a relativity of space. For is and IS-NOT though with Rule and Line And UP-AND-DOWK without, I could define, Alas It is not so simple. We abstract from the phenomena that which is peculiar to the position and motion of the observer but can we abstract that which is peculiar to the limited imagina tion of the human brain We think we can, but only in the symbolism of mathematics. As the language of a poet rings with a truth that eludes the clumsy explanations of his commentators, so the geometry of relativity in its perfect harmony expresses a truth of form and type in nature, which my bowdlerised version misses. But the mind is not content to leave scientific Truth in a dry husk of mathematical symbols, and demands that it shall be alloyed with familiar images. The mathematician, who handles x so lightly, may fairly be asked to state, not indeed the in scrutable meaning of a in nature, but the meaning which x conveys to him. Although primarily designed for readers without technical knowledge of the subject, it is hoped that the book may also appeal to those who have gone into the subject more deeply. A few notes have been added in the Appendix mainly to bridge the gap between this and more mathematical treatises, and to indicate the points of contact between the argument in the text and the parallel analytical investigation. It is impossible adequately to express my debt to con temporary literature and discussion... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Sick with PassionAlfred LouchOpera: Desire, Disease, Death, by Linda and Michael Hutcheon; xvi & 294 pp. Lincoln: University of Nebraska Press, 1996, $40.00.IDriving east from the Auvergne you may chance upon La Chaise-Dieu, a charming village where a very acceptable cafe confronts the fortress-like Abbatiale de St Robert across the village square. The church itself is an imposing monument to the ephemeral glory of the Avignon Pope Clement VI, (...) but its most extraordinary feature is a fresco in the aisle to the left of the choir. Called the Danse Macabre, it depicts death as a sequence of skeletons, each of which beckons, pleads with, consoles, or compels its many victims—young and old, rich and poor, exalted or mean—toward their inevitable end. At times the skeleton’s posture is sinister and threatening, at others, as with children, it seems to turn away, as if to shield them from its fearful aspect. The skeletons seem to catch the movement of a single dancer as they select one partner after another, taking the life of each in a graceful though ghastly movement.The fresco depicts the Black Death—art inspired by disease and contagion. But even if you were as innocent of history as the typical American tourists you would confront in the fresco the undeniable image of death, and the caprice of its visitation, a thought contrasting strangely with the enduring granite of the church. Your experience may be enriched by history and lead you to moralize on the contrast [End Page 155] between the pomp and grandeur of the papal builder and the fresco’s depiction of the vanity of human wishes. But it would be a jarring note if some know-it-all in the company of viewers were to lecture for all to hear on the transmission and symptoms of pasteurella pestis. That is another story, and an interesting one, but not here and now.And so it is, if not so abrasively, with a recent book by Linda and Michael Hutcheon on desire, disease, and death in opera. They hope to shed new light, by combining literary analysis and the medical theory of disease and contagion, on the themes and purposes of opera, or certain operas anyway. Somehow the passages on mycobacterium tuberculosis, treponema pallidum, and vibrio cholerae, together with graphic descriptions of the symptoms caused by these micro-organisms, and an accompanying photograph of syphilitic gummæ seem intrusive, just as talk about the etiology and the pathology of the plague strikes a discordant note as we look upon the Danse Macabre in wonder and fear. The Hutcheons, a husband and wife team who practice, respectively, medicine and literary criticism, tell the reader they are opera lovers. I hope their affection is not prompted only by infection.But why shouldn’t medicine and its history be relevant to literary, artistic, or musical creation? Think here of a question Wittgenstein asks in Zettel (paragraph 610): “Why should there not be a psychological regularity to which no physiological regularity corresponds? If this upsets our concept of causality then it is high time it was upset.” He did not mean to say that it would not be surprising if someone talked and acted and looked like a person but turned out to have an empty skull. But he did mean surely that talk about human projects and emotions is complete as it stands; what is going on in the neurons and what busy microbes are doing are other stories. Literature is about human projects, the skill or clumsiness with which they are pursued, the responses to success and failure, achievement and frustration. Opera, which, ever since someone had the idea of putting story to song, raided literary invention for its subject matter, is the same. Heroes and villains may of course be expected to be vulnerable to the various vicissitudes of life. Diseases may lay them low, as well as passing trains. But disease enters their stories to delay or frustrate or put period to their projects, not as new characters on the stage. If you read about the death of Ivan Illych and come away dissatisfied because Tolstoy failed to identify the... (shrink)

Why do Humean eyes matter? The subject of David Hume’s eyes and face leads us into some unexpected curiosities connected with events in his life and written works. We outline the scholars’ propensity to describe the face of their favourite philosopher and spread upon it their personal reading of his life and writings. We ask questions about portraits, their resemblance to the original as a standard of beauty. We survey eighteenth-century physiognomy, and the humourous paradox of the “fat philosopher,” both (...) clumsy and refined. We inquire into Hume’s use of physiognomy, his views on corpulence and his own vacant look. We observe the role of Ramsay’s portraits in the 1766 dispute between Rousseau and Hume. We outline the role the eyes play in the body of his written work. We finally recall that the picture which he deemed the “best likeness” has now disappeared. Yet, there remains something still engraved. (shrink)

Abstract In this paper I suggest a way that an already promising view on ethical art criticism can account for the value of mediocre artworks which endorse morally commendable perspectives. In order for the view I call prescriptive ethicism to deal with such cases of critical ambivalence, it must take account of the interaction between moral content and form in art. Such interaction is seen in the way the aesthetic features of an artwork partly determine its moral value, or success (...) in providing ethical insight. I argue that if a work lacks the kind of moral value which is determined by the interaction between form and content, then we have little reason to engage with that work. When a work expresses an otherwise commendable moral attitude in a clumsy or trite manner, while it is clearly compromised aesthetically, it is also compromised ethically. For such a work forfeits the ability to reveal new aspects of ethical life. (shrink)

L'image de Pascal est souvent brouillée par la légende et par les commentaires maladroits ou malveillants. Or, on n'a jamais fini de scruter la personnalité et l'œuvre de Pascal. Il suffit de changer de point de vue pour apercevoir du nouveau, pour préciser des significations, pour repérer des sources inattendues, et parfois pour écarter des idées reçues. Michel Le Guern, après L'Image dans l'œuvre de Pascal, Pascal et Descartes, Les Pensées de Pascal de l'anthropologie à la théologie, les éditions des (...) Pensées et des Provinciales en Folio, l'édition des Œuvres complètes dans la Bibliothèque de la Pléiade, puis Pascal et Arnauld, souhaitait présenter d'autres points de vue, qui ont nécessairement varié en soixante ans de lectures et de relectures, et qui sont complémentaires des travaux d'Henri Gouhier, de Jean Mesnard et de Philippe Sellier. / Our image of Blaise Pascal is frequently blurred by legend and by clumsy or malicious commentary, but his personality and works bear continued scrutiny. A change of perspective is all that is required to glimpse something new, to clarify some finer points, and to brush aside a few common preconceptions. / Michel Le Guern, né en 1937, est professeur honoraire de l'Université Lumière-Lyon 2. Il est ancien président de l'Académie des sciences, belles-lettres et arts de Lyon. (shrink)

A philosopher and political thinker describes a new political grammar free of modernist assumptions. In 2004 and 2005, Antonio Negri held ten workshops at the Collège International de Philosophie in Paris to formulate a new political grammar of the postmodern. Biopolitics, biopowers, control, the multitude, people, war, borders, dependency and interdependency, state, nation, the common, difference, resistance, subjective rights, revolution, freedom, democracy: these are just a few of the themes Negri addressed in these experimental laboratories. Postmodernity, Negri suggests, can be (...) described as a “porcelain factory”: a delicate and fragile construction that could be destroyed through one clumsy act. Looking across twentieth century history, Negri warns that our inability to anticipate future developments has already placed coming generations in serious jeopardy. Describing the years 1917-1968 as the “short century,” Negri suggests that by the end of it, all of the familiar markers of modernity had lost their relevance. Confronted with an intolerable reality, indignation and the revolutionary will to transform the world have both taken new forms and must be understood anew, free of modernist assumptions. In the impassioned debates recounted in this book, Antonio Negri attempts to describe the formation of an alternative political horizon and looks for a way to define the practices and modes of expression that democracy could take.Antonio Negri is a philosopher and essay writer. A political and social activist in the 1960s and 1970s in Italy, he taught political sciences for many years and has written numerous books on political philosophy including Marx beyond Marx, The Savage Anomaly, Insurgencies ; and in collaboration with Michael Hardt, Empire and Multitude. (shrink)

Much of our private and public ethical discourse occurs in the giving, receiving, or demanding of an apology, yet we suffer deep confusion regarding what an apology actually is. Most of us have never made explicit precisely what we expect from a full apology and therefore apologizing has become a vague and clumsy ritual. Full apologies can be morally and emotionally powerful, but, as with most valuable things, frauds masquerade as the genuine article. These semblances of apologies often deceive and (...) manipulate, and such duplicity is common between lovers, families, litigants, and nations. In response to this, I propose nine elements that an apology must satisfy in order to be considered categorical. I believe we have such a categorical apology in mind when we seek a full apology. The standards for a categorical apology are rigorous and precise, and I hope to disentangle the distinct elements of apologies. A categorical apology is a rare and burdensome act, and under certain circumstances full apologies may not be possible regardless of how badly we may desire them. While the leading social science accounts by Aaron Lazare and Nicolas Tavuchis aptly demonstrate how apologies lubricate reciprocally egoist relationships, such theories ultimately prove unsatisfying because apologies achieve their highest meaning as morally rich acts. Both Tavuchis and Lazare offer merely descriptive accounts when a prescriptive argument seems necessary. No philosopher, however, has ever devoted a monograph to the topic and only a handful of papers on apologies have appeared in philosophy journals. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Politické myšlení Davida Huma. Základní otázky, východiska a inspirace pro americké otce zakladatele by Adéla RádkováHynek JanoušekAdéla Rádková. Politické myšlení Davida Huma. Základní otázky, východiska a inspirace pro americké otce zakladatele [The Political Thought of David Hume. Basic Questions, Premises, and Inspiration for America’s Founding Fathers]. Prague: Togga, 2019. Pp. 201. Paperback. ISBN 978-80-7476-169-0, $10.00.The work of David Hume has never been a major focus of interest in (...) the Czech lands. Recently, however, a certain shift has been taking place. Hume’s Treatise has been translated into Czech for the first time, a new translation of the Dialogues Concerning Natural Religion has been published to replace the archaic nineteenth-century translation, and the archaic translation of the second Enquiry will soon be replaced by a new one as well. Texts are also being published that attempt to show the wider scope of Hume’s work. The book reviewed here is one of them. Adéla Rádková’s text is the first Czech book to introduce Hume as a political thinker to the Czech public. The book itself consists of two relatively separate parts, which seem to be different in content and intent. While the first part, along with the preface, summarizes Hume’s life and work and includes a brief introduction to the basic ideas of Hume’s moral and political philosophy, the second part contributes to the interpretation of the influence of Hume’s political philosophy on the American Founding Fathers, especially on James Madison.In the introduction, the book first presents a history of overall interpretations of Hume’s work, beginning with Thomas Edward Ritchie and Dugald Stewart, who, in agreement with their teacher Reid, saw Hume as a radical skeptic. A significant change comes with Norman Kemp Smith’s well-known interpretation, according to which the theory of moral sentiment forms the basis of Hume’s project, which Hume adapted to his conception of belief. Once we stress that the investigation of emotion- and passion-based human nature is to be based on the experiential method of observation, we arrive, according to Rádková, at the common element of the otherwise very different naturalistic interpretations of David Hume’s philosophy to which she herself subscribes.Two more recent interpretations of Hume’s philosophy are also mentioned, namely Paul Russell’s interpretation of Hume’s work in terms of his critique of religion, and James Harris’s view that the attempt to see Hume as a systematic philosopher who, in his works, pursues the project of the science of man announced in the Treatise, is a misunderstanding of the role of a man of letters in the eighteenth century.Rádková finds Russell’s interpretation interesting but hard to reconcile with some of Hume’s political essays and with his History of England, in which Hume advocates [End Page 181] a pragmatic politics that is so bound up with religious considerations that it is hard to defend the view that Hume was trying to push religion out of the public sphere.Harris’s point about Hume not being a systematic thinker and about Hume’s abandonment of the Treatise in his advertisement needs to be set in the context of Hume’s life. Hume published this advertisement only a year before his death, and he used it to discourage readers from reading the Treatise because he though the book was stylistically clumsy and unsatisfactory in certain respects. He does not mention abandoning his philosophical project. Harris’s assertion (viii) that Hume was a free intellectual who did not want to be intellectually constrained in the wide range of his research flies in the face of Hume’s willingness to be constrained at least twice—if only he had been given the professorship he sought first in Edinburgh (1745) and then in Glasgow (1751). Rádková also holds that Hume, in his later writings, does not abandon his intention to give an account of human nature with regard to the general principles of morals, politics, and criticism, which he announced in the Preface to... (shrink)

Brain-computer interfaces (BCIs) are an emerging and converging technology that translates the brain activity of its user into command signals for external devices, ranging from motorized wheelchairs, robotic hands, environmental control systems, and computer applications. In this paper I functionally decompose BCI systems and categorize BCI applications with similar functional properties into three categories, those with (1) motor, (2) virtual, and (3) linguistic applications. I then analyse the relationship between these distinct BCI applications and their users from an epistemological and (...) phenomenological perspective. Specifically, I analyse functional properties of BCIs in relation to the abilities (particularly motor behaviour and communication) of their human users, asking how they may or may not extend these abilities. This includes a phenomenological analysis of whether BCIs are experienced as transparent extensions. Contrary to some recent philosophical claims, I conclude that, although BCIs have the potential to become bodily as well as cognitive extensions for skilled users, at this stage they are not. And while the electrodes and signal processor may to a variable degree be transparent and incorporated, the BCI system as a whole is not. Contemporary BCIs are difficult to use. Most systems only work in highly controlled laboratory settings, require a high amount of training and concentration, have very limited control options, have low and variable information transfer rates, and effector motions are often slow, clumsy and sometimes unsuccessful. These drawbacks considerably limit their possibilities for transparency and incorporation into either the body schema or cognitive system which is essential for bodily and cognitive extension. Current BCIs can therefore only be seen as a weak or metaphorical extension of the human central nervous system. To increase their potential for cognitive extension, I give suggestions for improving the interface design of what I refer to as linguistic applications. (shrink)

We often find ourselves thinking of others as boring, nauseating, dim, dodgy, clumsy, or otherwise irritating or unpleasant. What’s the right thing to do when we have such thoughts? Some philosophers argue we ought to be civil and conceal them, lest others pick up on them and feel disrespected. Drawing on experimental psychology and classical Confucianism, I argue otherwise, suggesting that we ought to (literally) doubt such appraisals and be wary of their veracity.

It seems better to love virtue than vice, pleasure than pain, good than evil. Perhaps it's also better to love virtuous people than vicious people. But at the same time, it's repugnant to suggest that a mother should love her smarter, more athletic, better looking son than his dim, clumsy, ordinary brother. My task is to help sort out the conflicting intuitions about what we should love. In particular, I want to address a problem for the no-reasons view, the theory (...) that love cannot be rationally justified. Since it seems better to love good people rather than evil villains, it appears that there are indeed reasons for (or, at least, against) love. Is it coherent to talk this way and deny that love can be justified? I think so and will explain how. (shrink)

Republic IX 583c-585a presents something surprisingly unusual in ancient accounts of pleasure and pain: an argument in favour of the view that there are three relevant hedonic states: pleasure, pain, and an intermediate. The argument turns on the proposal that a person's evaluation of their current state may be misled by a comparison with a prior or subsequent state. The argument also refers to `pure' and anticipated pleasures. The brief remarks in the Republic may appear cursory or clumsy in comparison (...) with the Philebus , but this appearance is misleading. Rather, they are part of a neat dialectical argument against a potentially troubling set of opponents. Socrates' use of a topological analogy at 584d3-585a7 rounds off this section by clarifying and illustrating his position, preparing the ground for the final explanation of the pleasantness of the philosophical life at 585a-587c. (shrink)

The question “What is humour?” has exercised in varying degrees such philosophers as Aristotle, Hobbes, Hume, Kant, Schopenhauer and Bergson and has traditionally been regarded as a philosophical question. And surely it must still be regarded as a philosophical question at least in so far as it is treated as a conceptual one. Traditionally the question has been regarded as a search for the essence of humour, whereas nowadays it has become almost a reflex response among some philosophers to dismiss (...) the search for essences as misconceived. Humour, it will be said, is a family-resemblance concept: no one could hope to compile any short list of essential properties abstracted from all the many varieties of humour— human misfortune and clumsiness, obscenity, grotesqueness, veiled insult, nonsense, wordplay and puns, human misdemeanours and so on, as manifested in forms as varied as parody, satire, drama, clowning, music, farce and cartoons. Yet even if the search for the essence of humour seems at first sight unlikely to succeed, I do not see how we can be sure in advance of any conceptual investigation; and in any case we might do well to start with the old established theories purporting to give the essence of humour, for even if they are wrong they may be illuminatingly wrong and may help us to compile a list of typical characteristics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Kennedy Institute of Ethics Journal 11.3 (2001) 219-220 [Access article in PDF] Introduction In the last couple of decades,commodification has become almost a buzz-word in bioethics. As we become technically more adept at detaching elements of human bodies and making use of them for others, it seems as if more and more things-from motherhood to gametes to kidneys to our very DNA-can be borrowed, rented, bought, and sold. Other (...) technology allows us unprecedented influence over the characteristics of our offspring (unprecedented, that is, if we ignore the many cultures in which children were and are routinely discarded because they are the wrong sex, disabled, or the product of multiple births). It is common, for example, for writers to worry that the availability of pre-implantation genetic diagnosis will seduce parents into thinking of their children as commodities, to be ordered in much the same way as automobiles, with the inevitable concomitant that they will want to "return" children who do not measure up to their specifications.Unfortunately, a great deal of the talk about "commodification" has been clumsy and sloppy. The term has been used as a magic bullet, as if saying "But that's commodification!" is the same as having made an argument. In fact, commodification of human persons, human bodies, human labor, human relationships, is a complex matter. In many human dealings, commodified and noncommodified understandings of the same thing, or the same transaction, exist more or less comfortably together. Most Westerners condemn commercial sex, for example, while at the same time knowing that in most times and places in the world, marriage was and is thought of as primarily an economic relationship. The common use of "cheap" in post-World War II American slang to describe a teenage woman who is more sexually available than her peers perfectly captures the market rhetoric inherent in respectable American sexual mores.Given this complexity, it is not surprising that many writers in bioethics have gravitated to the work of Margaret Jane Radin. In her two books, Contested Commodities (Harvard University Press, 1996) and Reinterpreting Property (University of Chicago Press, 1993), and many articles, [End Page 219] Radin has taken on the problem of commodification without falling into either sentimentality or cynicism. She is a careful thinker and a careful (and demanding!) writer. We have long valued her work as we have sought to grapple with the many ways in which the problem of commodification arises in bioethics. In this issue of the Kennedy Institute of Ethics Journal, entitled "Who's Afraid of Commodification?," we have asked three colleagues to join us in reflecting on aspects of the problem of commodification in bioethics. We are especially delighted that Radin agreed to respond to our efforts in this direction.Lisa Sowle Cahill takes the discussion of commodification to a new level, as she focuses on global ethics, especially genetic research and the marketing and accessibility of pharmaceuticals. Dena S. Davis explores the debates over refusal of treatment and rational suicide and concludes that to put a value on particular pieces of one's lifespan does not necessarily lead to negative aspects of commodification. Ronald M. Green analyzes Radin's use of Kant. Suzanne Holland addresses commodification of body parts, from gametes to cadaveric tissue, and concludes with some specific recommendations. Thomas A. Shannon takes a fresh look at the problem of whether we should allow the sale of organs; he shares with Holland a special concern for the rhetoric of commodification. Finally, Margaret Jane Radin responds to the preceding essays, asking four "stubbornly difficult" questions, questions that show that the debate about commodification is only just begun. Dena S. Davis and Suzanne Holland... (shrink)

On a consequentialist account of virtue, a trait is virtuous if it has good consequences, vicious if it has bad. Clumsiness and dimness are therefore vices. Should I resent the clumsy and the dim?, says the consequentialist, counterintuitively - at any rate, Yes’ on an accuracy measure of resentment's virtue: resentment should be an accurate response to consequentialist vice, and these are vices. On a usefulness measure of resentment's virtue, the answer may be different: whether resentment is virtuous depends (...) on whether resentment itself is useful. Equally counterintuitive, this answer divorces resentment from assessment of vice. Consequentialism is thus mistaken not only about when resentment is virtuous, but about what resentment is. Moreover it alienates the philosopher, for whom accuracy applies, from the agent, for whom usefulness applies. But abandoning this double standard would mean giving up philosophy. (shrink)

Prior to the pandemic of 2020, global tourism accounted for over ten percent of global GDP, for a total of $9.6 trillion USD; one in every four jobs created that year, across the globe, was in the travel and tourism sector. And yet the figure of the international tourist is often regarded with an attitude ranging from bemusement to outright contempt so much so that a series of books exists to guide tourists on how to avoid looking or acting like (...) tourists. Why, though, is the figure of the tourist —especially the international tourist— so disreputable? Given the sheer number of such tourists (over 1.4 billion, in 2018 alone) it seems odd to think that there is something shameful or problematic about tourism as a practice. What accounts for our seeming disdain for the tourist, even as so many of us engage in tourism ourselves?There are, of course, many obvious answers to this question. The tourist —especially the international tourist— is often a figure of some wealth and privilege; that tourist is likely to be clumsy, at best, in his or her navigating of a foreign society; and he or she is often likely to be less careful in her caretaking of the physical and social spaces into which she travels, given the fact that she is as it were on vacation. These facts may be enough to engender some antipathy towards the tourist especially one who, as Jarvis Cocker noted thirty years ago, regards the local inhabitants as somehow amusing. Tourists are likely to be —as the British aphorism had it about American GIs— oversexed, overpaid, and over here. In this paper, though, I want to suggest a slightly different story for our ethical disquiet with the figure of the tourist. I will argue that the practice of international tourism raises two distinct sorts of ethical worries —both of which reflect the fact that international tourism requires a local industry in which cultural difference is curated and made consumable by the foreign tourist—. This fact may lead to ethical disquiet, I argue, because it can represent a site at which there is a maldistribution of the benefits and burdens of intercultural conversation; the local who works in the tourism industry must become adept at performing his or her culture for the outsider, while that outsider gains the benefits of intercultural conversation without bearing a similar burden of epistemic labor. A second reason for concern, however, stems from the ways in which this demand for epistemic labor can end up deforming and destabilizing local forms of citizenship and political agency. Those who spend their days performing a debased and simplified version of their cultural identity for outsiders may be, I believe, marked by that effort and their own ability to engage in political conversations with fellow local members may be made more difficult as a result. International tourism, in short, may be a site from which both distributive and political injustices might emerge. These concerns, I should note, may exacerbate already objectionable relationships reflecting colonial legacies of oppression; but they may exist even in the absence of any history of colonialism. The mere fact of a market in the curated experience of cultural difference may be enough to raise these worries; and international tourism, I believe, often involves exactly this form of market. (shrink)

"A tramp, a gentleman, a poet, a dreamer, a lonely fellow, always hopeful of romance and adventure." Charlie Chaplin Freud, in a letter to Max Schiller (25 Mar. 1931), writes of an occasion in which Charlie Chaplin came to Vienna. In his account, Freud cavalierly offers great insight into the person behind the actor, even though he has never met Chaplin. Just recently . . . Charlie Chaplin was in Vienna; I almost caught sight of him, but it was too (...) cold for him, and he left in a hurry. He is undoubtedly a great artist—although he always plays one and the same part, the weak, poor, helpless, clumsy boy for whom life turns out all right in the end. Now do you think he has to forget his own self in .. (shrink)

Huemer's text:The confusion of the MSS is well justified; something has gone very wrong here. Even if ‘horrendis... profundis’ could be plausibly construed, the repetition ‘horrendis... horrendi’ is impossibly clumsy, and it seems obvious that one or the other does not belong here. I suggest that the interloper is the ‘horrendis’ of line 286, which probably derives from a simple eye-skip to ‘;horrendi.sociis’ below. The likely corollary is that the correct reading at the end of the line is ‘profundi’, later (...) altered in an attempt to accommodate the intrusive ‘horrendis’. This approach would seem to be confirmed by the frequency of the clausula ‘stagna profundi’ in the Latin hexameter. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Bittersweet Score:A Father’s Account of His Family’s 20-Year Journey After a Pediatric Brain Tumor DiagnosisChristopher RileyI hadn’t seen him for 20 years, not since the day he drilled a hole in Peter’s head and left the stainless steel drill and bloody bit on the bedside table. He figured prominently in the story I often told of that day when he, a doctor in training, [End Page 3] informed (...) my wife Kathy and me that, “Wow,” our five-year-old son had “an impressive tumor” in his brain. He announced it with the admiration I reserve for a touchdown pass or stunning sunset. Since that day, he had become a venerable physician. Back then he was the resident who met us in the ER after our pediatrician told us that the MRI of Peter’s brain was “not normal,” that “there might be a growth.” As if there might not be. I imagined that Peter’s brain might simply have an unusual shape, or that the scan revealed some undiscovered fracture and the authorities only wanted to lock me up and all with my son would be well. The thrilled young doctor slew those hopes with an ice pick: “Wow, that’s an impressive tumor.” I said, “That’s the first time anyone has used the word tumor.” The doctor appeared mortified and started over.Now 20 years later we found ourselves at the same party and I felt a compulsion to introduce myself, remind him we’d met that day in 1993, and tell him what had become of Peter and his family in the decades since he’d made that mortifying mistake, one I hoped had become for him a defining moment. To my disappointment, he didn’t seem to remember.Peter was my red-haired boy. Fearless and whip smart, he told a stream of knock-knock jokes and performed dance routines choreographed by his 8-year-old sister Rachel. Six months of headaches, vomiting and clumsy falls led to discovery of the tumor. When I phoned my parents with the news, I couldn’t speak the words, words that felt as if they spelled my boy’s doom. My body refused to pronounce them.The war for Peter’s life began with surgery. I sat with Kathy in the surgical waiting area, fearing every minute that I would see the surgeon approaching with his shoulders slumped in mortal defeat. I learned during those hours that fear of your child’s death is a physical pain, a constriction in the chest, a suffocation. At the end of that wait, the surgeon told us the tumor was out and Peter had survived. The pathology indicated the tumor was a medulloblastoma. Without additional treatment, including radiation, it was certain to come back. Kathy’s knees buckled. Having just endured one life-and-death battle, we were plunged into another. To complicate matters, Peter wasn’t waking from surgery. Even after the anesthesia wore off, Peter remained groggy, unable to move or focus his eyes.Through the following days, Peter failed to rouse or speak. Sores formed at the back of his neck where his unswallowed saliva pooled. Neurologists doubted he knew us. His doctors hoped Peter would recover but it was possible he would remain as he was indefinitely. As I sat holding his useless hand, watching his useless body, I thought I’d never loved him as much as I did now.Peter’s doctors presented two treatment options. The first consisted of relatively high doses of daily radiation, the most effective known method for preventing the return of the cancer. But radiation wasn’t good for young brains. It “shaved IQ points,” they said in wild understatement. So they offered a second, experimental option, one that reduced radiation by a third and added months of chemotherapy. The doctors hoped this new regimen would be as effective as the old but cause less cognitive damage. They asked us to choose. It seemed impossible. We gathered the scant available data. We weighed the risks. We prayed. We took a leap. Without asking him, we made a decision for Peter we knew... (shrink)

The uneasiness caused by deberent loqui is reflected in the variant readings and the emendations put forward. Is there in fact a personal subject? To understand iuvenes is possible but clumsy, but if the tragic poets themselves are intended, then these great writers are strangely selfish. Petronius surely is talking about the proper language for good oratory , which depends on a healthy literary language in general. This rules outWilamowitz's too particular and Fuchs's uglier supplements: easier than deceret would be (...) deberet, paralleled almost exactly in Petronius’ contemporary, Seneca . Deberent and deberemus were doubtless due to a desire to provide a personal subject for the misunderstood impersonal verb. (shrink)

The uneasiness caused by deberent loqui is reflected in the variant readings and the emendations put forward. Is there in fact a personal subject? To understand iuvenes is possible but clumsy, but if the tragic poets themselves are intended, then these great writers are strangely selfish. Petronius surely is talking about the proper language for good oratory, which depends on a healthy literary language in general. This rules outWilamowitz's too particular and Fuchs's uglier supplements: easier than deceret would be deberet, (...) paralleled almost exactly in Petronius’ contemporary, Seneca. Deberent and deberemus were doubtless due to a desire to provide a personal subject for the misunderstood impersonal verb. (shrink)

First, there are some striking similarities in the history of reception of Fleck’s and Neurath’s ideas. Due to the style of their writings they were not or often not well welcome in their national philosophical communities, i.e., the Vienna Circle and the Lvov-Warsaw School. This is especially true in the case of Fleck. On the other hand, some prominent logical positivists, like Hempel, are to some extent guilty of making of Neurath a clumsy thinker whose ideas needed to be clear (...) by a more mature philosopher, i.e. Carnap. So their work was often considered as non-scientific. With a lack of response their theories were forgotten for many years, and even if not forgotten they were habitually ridiculed by critics. After a long period of seven thin years they have their renaissance. They are even quite popular. In the last 20 years a number of excellent books and papers on Neurath and Fleck have apperared. But one can hardly find a line of comparison. One might say that this is not surprising at all, as there is nothing to compare there. Neurath was a radical positivist while Fleck’s writing were aimed only against neopositivism. Accordingly, these are poles, and all we can say is that they are completely different. But even if Neurath was a follower of radical neopositivism that Fleck was fighting with, there are some common points in their programmes and I will try to show that even if they are in opposition, their paths intersected at certain points. (shrink)

Those who claim, whether with fear or with hope, that algorithmic governance can control politics or the whole political process or that artificial intelligence is capable of taking charge of or wrecking democracy, recognize that this is not yet possible with our current technological capabilities but that it could come about in the future if we had better quality data or more powerful computational tools. Those who fear or desire this algorithmic suppression of democracy assume that something similar will be (...) possible someday and that it is only a question of technological progress. If that were the case, no limits would be insurmountable on principle. I want to challenge that conception with a limit that is less normative than epistemological; there are things that artificial intelligence cannot do, because it is unable to do them, not because it should not do them, and this is particularly apparent in politics, which is a peculiar decision-making realm. Machines and people take decisions in a very different fashion. Human beings are particularly gifted at one type of situation and very clumsy in others. The part of politics that is, strictly speaking, political is where this contrast and our greatest aptitude are most apparent. If that is the case, as I believe, then the possibility that democracy will one day be taken over by artificial intelligence is, as a fear or as a desire, manifestly exaggerated. The corresponding counterpart to this is: if the fear that democracy could disappear at the hands of artificial intelligence is not realistic, then we should not expect exorbitant benefits from it either. For epistemic reasons that I will explain, it does not seem likely that artificial intelligence is capable of taking over political logic. (shrink)

This paper presents the results of the authors’ study of the philosophical heritage of the Ancient Chinese philosopher Pan Maoming, who played an essential role in the development of spiritual culture, as well as Philosophy and Science of Ancient Southern China. The authors carried out historiographical research of currently available ancient and modern sources, which contain data on the life and philosophical ideas of Pan Maoming; reconstructed the Pan Maoming’s intellectual biography; revealed the main features of his worldview. The authors (...) reconstructed the social, cultural, and philosophical context of the historical epoch in which Pan Maoming’s philosophical and scientific views arose and developed; clarified the philosopher’s historical role in the development of local culture in the Southern region of Ancient China.The article contains the author’s description and interpretation of the main philosophical ideas of Pan Maoming, the main amid which the authors consider the ethical concept of “peace and emptiness,” the concept of “clumsiness”; the idea of “monasticism for the happiness of the people.” The authors compared Pan Maoming’s philosophical ideas with Lao-tzu’s philosophical doctrine and came to the conclusion that Pan Maoming formed his own unique and original elaboration of Taoist philosophy, significantly developed its linguistic apparatus and worldview. The authors paid particular attention to the description and analysis of Pan Maoming’s cosmological views, which include the doctrine of “Inner alchemy”, the doctrine of “chaos, order and causality.” The authors concluded that Pan Maoming’s cosmological ideas significantly developed a way of understanding the Universe, the relationship between “inert” and “living” matter, the “world of nature” and the “world of human” in the Taoist philosophical culture. The authors also presented and substantiated their point of view that some philosophical and cosmological ideas of Pan Maoming have not only of historical value but can also be used for developing and enriching the local spiritual culture of Guangdong Province in the form of ethical and educational practices, as well as practices of strengthening cultural unity and identity. (shrink)

Much recent work in the study of popular culture has emphasized the extent to which it is not only a site of signifying practices, myths, meanings and identifications, but also an arena of intensities, of affective flows and corporeal state-changes. From this perspective, many areas of popular culture (from calisthenics to social dance to video gaming) can be seen as sites at which rich and complex—if sometimes dangerous—processes of embodied learning/teaching take place. By comparison, the world of formal education can (...) seem hopelessly clumsy in its inattention to such issues. From a personal perspective, I can attest that nothing surprises my students more than when I try to get them to think about the ergonomics of studying, or advise them that getting some exercise and cutting down on sugar will probably improve their work as much as further studying will, or when I advise graduate students that their mood and physical state will make as much difference to the quality of their lectures as will their level of formal preparation; and yet experience has convinced me of the accuracy of these assertions. I would aver that I have learned more about successful lecturing—in particular about the improvisational skill of ‘reading’ a room, and adjusting an affective–informational flow accordingly—from DJing in dance clubs than from any formal training in pedagogy that I have received. What conclusions could be drawn from these observations, and how do they relate to existing strands of pedagogic theory? These are the questions which this article will ultimately seek to address. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 436-443 [Access article in PDF] How Does Love Make the Ugly Beautiful? Amihud Gilead IT IS OBVIOUS TO SEE how greatly Gideon loves his wife, who is physically quite an ugly old lady. Nothing about her physical appearance or gait seems beautiful, at least to the extent of what meets your eye. Physically, she seems not to be considered beautiful at all. Still, Gideon (...) is quite sure that his beloved wife is the most beautiful woman in the entire world. He cannot fathom why other people do not realize that obvious truth: Mira is a real, fascinating, unique beauty. "But, dear Gideon," says one of his friends, "you cannot deny a very simple fact, Mira is a most beautiful person, and it is a great fortune to know her, all the more to know her intimately. Still, physically judging, she is not beautiful at all. It is an undeniable, objective fact." Gideon's answer does not fail in its directness: "Well, those who are blind to her physical, actual beauty, should discover it. Like the Michelangeloean sculptors, who must reveal and disclose the sculpture hidden in the marble, those people should expose and realize her physical, actual beauty." For Gideon, beauty, physical or mental, is an objective matter, which should be discovered, not invented. For him, beauty is not just in the eye of the beholder, but it lies there waiting to be uncovered and revealed to the world. For Gideon, those whose eyes meet Mira's ugliness are not ready or fit to remove the superfluity that covers her beauty, whether mental or physical. Removing all that is superfluous in the marble is necessary to give birth to the sculpture. Like a midwife, the artistic gaze gives birth, and this gaze is not just the property of customary artists, but also of lovers. To love means to reveal, to create or discover beauty. [End Page 436]I believe that William Butler Yeats put this in the most adequate words: "All changed, changed utterly: / A terrible beauty is born." The lover's gaze exposes such a beauty, even as regards the husband of the woman that the poet loved for so many years but in vain: "This other man I had dreamed / A drunken, vainglorious lout. / He had done most bitter wrong / To some who are near my heart, / Yet I number him in the song; / He, too, has been changed in his turn, / Transformed utterly: / A terrible beauty is born" ("Easter, 1916"). The artistic, poetic gaze redeems the "direct object" of his love, but also redeems what is so ugly, like the "drunken, vainglorious lout," about her. After all, her decision to maintain her miserable marriage instead of accepting the poet's love, is quite ugly or contemptuous, to say the least, in the eyes of the poet-lover. But this is the strength of his poetic, artistic revelation: to give birth even to the hidden beauty of that vainglorious lout who, unfortunately, happened to be her husband. All the more so, to reveal the real beauty of the loved woman, "the loveliest woman born" ("A Prayer for my Daughter"). Another gaze, by those who do not love her or were indifferent to her, could not realize her beauty at all, physically as well as mentally.Yet others believe that we can love somebody who is physically ugly, even the "ugliest woman born"—as a person she may be considered "the loveliest woman born." I would like to challenge this commonplace. In the eyes of the artist-lover she is physically beautiful, no matter how ugly or lacking in beauty she may be in the eyes of others looking at her indifferently, as though nothing has happened, there is nothing to stay with, and nothing has left its impression. Indeed, Gideon's love reveals that Mira is physically beautiful no less than mentally. Her gaze, gait, even clumsiness, all her physical "flaws," and other attributes are considered beautiful in his eyes as a lover-artist. To be more precise, all of her traits are so considered. The... (shrink)

This paper explores some aspects of the complex narrative strategies employed by Odysseus in his lying tale to Eumaios . Odysseus' fictional autobiography is an ethical parable, designed to commend and validate the very principles of hospitality that Eumaios most cherishes. In the tale, Zeus, god of guests, punishes those who violate hospitality and protects those who depend upon it, bringing the beggar ultimately to the worthy swineherd. In adopting the persona of the wandering immigrant or outsider , Odysseus makes (...) use of a conventional persona found, most significantly, in the "wisdom poetry" of Hesiod. He thereby displays mastery of a traditional mode of poetic narrative. Odysseus also makes the Cretan wanderer a hero of the Trojan War and devotes a considerable portion of his narrative to describing the beggar's "Iliadic" past. His portrait of the Cretan hero draws particularly upon the model of Achilles but is in fact a one-dimensional version of the standard Iliadic hero. Thus, in his account of the beggar's adventures, Odysseus directs a subtle critique at his Iliadic counterpart by setting up an implicit contrast between the Cretan's helplessness and Odysseus' own resourcefulness. Here, too, Odysseus displays a mastery of poetic traditions, inasmuch as his narrative is informed by the traditional, epic antithesis between might and intelligence . These conclusions help to explain two incidents in Book 14 in which Odysseus' behavior is a bit puzzling. Both Odysseus' reaction to the charge of Eumaios' guard dogs and his clumsy attempt to compose an ainos provide concrete illustrations of the "helplessness" of the Cretan beggar. Odysseus acts out the very role that he so masterfully portrays in his tale. (shrink)

The article examines the relationship between Aby Warburg and his library by analysing the media which is involved: first, the arrangement of the books according to the library’s principle of the ‘law of thse good neighbour’, which helps to order the books on the shelves. Second, the handling of the library is even more determined by Aby Warburg’s use of index cards and card indexes. Like his card index which is situated between him and the library, Aby Warburg himself is (...) in between two library paradigms: on the one hand, as a person of the nineteenth century, Warburg belongs to the supporters of the systematic shelving instead of cataloguing the book collection. On the other hand his work is based on swift associations and direct responses to research questions, the associations not only thought up by words, but also visually, manually to be re-arranged on the shelves, which turns out to be a rather clumsy practice. The motor and initiator of these new orders is the card index with its mobile elements, allowing quick connections between the entities and resulting in enormous processes of re-shuffling of whole shelves and systematic arrangements in the book collection. It is especially the combination of these usually incompatible paradigms that makes the Kulturwissenschaftliche Bibliothek Warburg such a unique institution and rich example of knowledge practices in the twentieth century. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 33.1 (2000) 94-96 [Access article in PDF] Book Review Rhetoric Reclaimed: Aristotle and the Liberal Arts Tradition Rhetoric Reclaimed: Aristotle and the Liberal Arts Tradition. Janet M. Atwill. London: Cornell University Press, 1998. Pp. xvi + 235. $35.00 hard cover. Much like Weimar, Germany, American civil society has been buffeted for a half-century by both the lunatic right, hiding behind the mask of religious freedom, and (...) the lunatic left, sporting "pomo" (postmodern) tribal colors in the garb of academic freedom. In an earlier age, both might be burned at the stake; today, they are granted tax-exempt status. Readers seeking contributions to the life of the mind find their harangues both unpleasant and unrewarding. This book is unfortunately no exception.Atwill's title is deceptive. Her work is only marginally about either Aristotle or his rhetoric. She is more concerned to "reclaim" the liberal arts held hostage by the received tradition of Athenian democratic ideals. Vide: At issue are the character of the social identities of gender, race, and class and the nature of the social ties by which we are bound.... (3) Challenges to the... humanist paradigm... became the subject of... debates over cultural diversity, political correctness, and revisionist literary canons and historical accounts. Just what is at stake... is the type of subjectivity produced by the paideia of a multicultural curriculum (that subjects values, views of reality, and relationships to cultural and political authority. (12-13) So we are in for another salvo of pomo evangelism, with the usual suspects trotted out (Stanley Fish, Jacques Derrida, Pierre Bourdieu, Gilles Deleuze, Michel Foucault, Julia Kristeva, and Edward Said) all with a view to rectifying the hegemonic white male biases of E. M. Cope, and rhetoric's four B's (Baldwin, Burnet, Burkhardt, and Hans Baron).Were Atwill offering a New Age update of Cope's commentary, her project might hold promise. Embers of such potential glow throughout the [End Page 94] book. Thus, her passing remarks on the relation of techne and theoria to Greek medicine (74-79) and to the cultural demands of what amounts to a plantation society (107-8) bear consideration. And her deconstruction of Cope's work as a managerial art grounded in associationist psychology (192-200) is especially insightful.Where the book disappoints is its clumsiness: it is simultaneously pedantic and superficial. On the first count, the author shows wide acquaintance with the standard commentaries on classical culture, but she seems often to be adrift in an ocean of secondary sources. For example, she is more likely to discuss Kennedy's treatment of Aristotle than Aristotle himself (58). And so it goes: Wright on Empedocles (90), Crane on Cicero (31), Woods on Cope (200). Indeed, it is difficult to tell from the book if the author's command of classical Greek extends much beyond Liddell and Scott.In addition to her overdependency on secondary sources, Atwill disregards historical contexts in pushing her quirky pomo readings to the fore. To cite only a few of these: For Plato, expertise is equivalent to function, and function determines one's place in the hierarchical order of the state. (30)... Physis (nature) or faculty equals function equals place in the social order. (141) [For Aristotle,] private property is the means of both self-expression and self-knowledge; knowledge of the self would be impossible without the procurement of private property. The subject and object distinction, usually made in the context of epistemology, is relocated at the center of the notion of private property. (184-85) If Protagoras, Isocrates, and Cicero were appointed deans... today, I doubt that they would institute a curriculum based on principles of radical democracy. (209) Perhaps Atwill would prefer to pick her dean from among Che, Mao, Pol Pot, or Lenin. While such eccentric inferences may fit the bill for cultural studies, they flunk the test of impartiality. This is a commodification of pedantry--recycling fragments of academic publications to advocate a partisan position. But advocacy resting on innuendo, resentment, and polite sneering can never meet the standards of serious scholarship... (shrink)

Philosophers have been quite often portrayed as farcical figures who claim to possess knowledge that is salient to all human beings yet are at the same time completely out of touch with this world, and, for that reason, clumsy, naïve, and basically of no use to anyone, including their own miserable selves. This image is not only quite common—it is also as old as philosophy itself. Just recall the familiar passage from Plato’s Theaetetus that has Thales fall into a well (...) because he is so busy gazing at the stars that he simply fails to pay any attention to the ground he treads on . “How can you expect to know about all the heavens, when you cannot even see what is just beneath your feet?”1—asks a Thracian .. (shrink)

In his Indigenous critique of the field of animal studies, Billy-Ray Belcourt (Driftpile Cree Nation) describes it as having an analytic blind spot when it comes to settler-colonialism, a blind spot that manifests through universalising claims and clumsy arguments about ‘shared’ oppressions, through assumptions that settler colonial political institutions can be a neutral part of the solution, and through a failure to engage with ‘Indigenous studies of other than human life’ (20). In the same article, he calls on decolonial projects (...) to do more to include animality within their purview, to include critiques of animal agriculture and to incorporate critiques of anthropocentrism as ‘a key logic of white supremacy’. Belcourt’s critique of both Animal studies and decolonial projects on the basis of an unequal but mutual marginalisation is an important starting point for research projects like ours that hope to bring Animal studies and Indigenous studies approaches into dialogue about the cultural impacts of introduced animals. Our approach sets out to be ‘triadic’, always involving at least three sides; Settler- Coloniser, Indigene and Animal. (shrink)

In his 1988 University Lecture in Religion at Arizona State University, Josef van Ess argued for a widespread concept of a “compact” God in early Islam. The notion is expressed by ṣamad in Sura 112.2, an enigmatic word, which “in the first half of the second Islamic century … was understood as meaning ‘massive, compact.’” There is Islamic evidence for this, van Ess argued: “The best testimony, however, comes from outside Islam: Theodore Abū Qurra, bishop of Ḥarrān in Upper Mesopotamia (...) , translated ṣamad into Greek as sphyropēktos, a quite unusual word meaning something like ‘hammered together, closely united.’ Nicetas of Byzantium later on used holosphyros instead, ‘entirely chased in metal.’” Those familiar with the negative reception of these Byzantine translations of ṣamad by several scholars will undoubtedly be surprised by van Ess's statement, which considers the translations as trustworthy testimony. When John Meyendorff had earlier wondered tentatively whether some Byzantine interpretations of Islamic doctrine, including God sphyropēktos or holosphyros, could “in fact come from some forms of popular Arab religion—distinct, of course, from orthodox Islam—which were known to the Byzantines,” his thought was called “provocative.” Scholars translate sphyropēktos as “beaten solid into a ball” or “solid ” and holosphyros as “of hammer-beaten metal” , “made of solid, hammer-beaten metal” , “impenetrable” , or “made of solid metal beaten to a spherical shape” . They are often inclined to assume that the Greek words represent “a clumsy translation” , “a blatant, derogatory mistranslation of the divine epithet ṣamad” , “the result of a biased attitude and wrong interpretation of the Qur՚anic proclamation of Allah” , or “one of the stock examples in Christian polemics against Islam” or that they were “probably originally chosen for polemical reasons, to claim that Muslims believe in a material, corporeal God” . Perhaps under the impression of these views, in his recent translation of Theodore Abū Qurrah, John C. Lamoreaux, instead of sphyropēktos, adopts a variant reading, steiropēktos , meaning “barren-built.”. (shrink)