La dimension immatérielle de notre réalité, grâce aux prothèses informatiques et médiatiques, est devenue de plus en plus étendue et puissante. Cet article suggère que la prétendue « dématérialisation » comporte le recel des conditions matérielles nécessaires à son propre essor. Il examine le rôle joué par la logistique dans ce processus de refoulement systématique de la jointure entre matériel et immatériel. Permettant que la marchandise puisse « apparaître » presque magiquement sur les rayons des magasins ou directement chez nous, (...) et que les déchets puissent « disparaître » tout aussi magiquement, l’organisation logistique actuelle repose sur un mix unique de transparence et d’opacisation. (shrink)

Les médias de communication numérique à distance et les créations logicielles de communication entre les individus qui ont émergé ces trente dernières années ont entrainé un développement sans précédent de nouvelles technologies de l’écrit et de l’écriture ainsi qu’une retextualisation des échanges concomitante à une dématérialisation du contexte. Or, la dématérialisation du contexte propre à ces environnements complexifie de manière exponentielle sa compréhension, multipliant les risques de malentendus, de décalages, d’incompréhension. Les personnes qui communiquent n’étant pas physiquement présentes l’une à (...) l’autre, leur rencontre s’effectue et se matérialise via un texte. La textualité devient dès lors un nouveau mode de rencontre, dont le texte est le lieu. Le fait que nous imaginions la communication comme si elle était instantanée développe une compréhension textuelle du message, dans l’instant où nous le lisons, qui est propre à la réception. Tous ces échanges reposent sur une faille identique : ils privent l’interaction des nombreuses possibilités de régulation que permet la présence et dont nous privent les écrans, alors que la communication ne repose que sur un pourcentage très faible de verbal. Je définis ainsi le décalage contextuel, qui s’insinue dans ce manque, comme étant d’abord un décalage énonciatif augmenté d’une constante et nécessaire recontextualisation. Après en avoir expliqué le processus, j’en illustre les manifestations à travers l’analyse d’un extrait de corpus, constitué par des réactions au texte la liberté d’importuner paru dans le Monde du 10 janvier 2018. (shrink)

Les médias de communication numérique à distance et les créations logicielles de communication entre les individus qui ont émergé ces trente dernières années ont entrainé un développement sans précédent de nouvelles technologies de l’écrit et de l’écriture ainsi qu’une retextualisation des échanges concomitante à une dématérialisation du contexte. Or, la dématérialisation du contexte propre à ces environnements complexifie de manière exponentielle sa compréhension, multipliant les risques de malentendus, de décalages, d’incompréhension. Les personnes qui communiquent n’étant pas physiquement présentes l’une à (...) l’autre, leur rencontre s’effectue et se matérialise _via_ un texte. La textualité devient dès lors un nouveau mode de rencontre, dont le texte est le lieu. Le fait que nous imaginions la communication comme si elle était instantanée développe une compréhension textuelle du message, dans l’instant où nous le lisons, qui est propre à la réception. Tous ces échanges reposent sur un... (shrink)

L’auteur, responsable des aspects informatiques et linguistiques du projet « Manuscrits de Stendhal en ligne », décrit le processus de constitution d’un corpus, au sens linguistique du terme, dans le cadre d’une collaboration fortement interdisciplinaire. Il montre dans quelle mesure ce type de collaboration permet de construire un ensemble documentaire répondant aux besoins des chercheurs en littérature tout en apportant un matériau langagier riche et inédit pour le linguiste. Subséquemment, ce n’est pas l’objet de l’étude qui définit le corpus à (...) construire, mais à l’inverse, c’est le corpus construit qui limite et contraint les observations, remettant ainsi en question la notion d’analyse de corpus. (shrink)

L’auteur, responsable des aspects informatiques et linguistiques du projet « Manuscrits de Stendhal en ligne », décrit le processus de constitution d’un corpus, au sens linguistique du terme, dans le cadre d’une collaboration fortement interdisciplinaire. Il montre dans quelle mesure ce type de collaboration permet de construire un ensemble documentaire répondant aux besoins des chercheurs en littérature tout en apportant un matériau langagier riche et inédit pour le linguiste. Subséquemment, ce n’est pas l’objet de l’étude qui définit le corpus à (...) construire, mais à l’inverse, c’est le corpus construit qui limite et contraint les observations, remettant ainsi en question la notion d’analyse de corpus. (shrink)

This article argues that there is a fundamental contradiction between a profit-oriented economic system and long-term environmental sustainability. The `solutions' that are proposed by mainstream environmental economists as well as their `ecological economy' colleagues do not solve the central problems, but serve to further highlight the difficulties of changing capitalism towards sustainability. In a profit-oriented economy, capital accumulation is a prime driving force, and non-growth for the economy at large tends to result in serious economic and social crises. On the (...) other hand, a de-coupling of economic growth from resource depletion and environmental degradation is possible only within certain sectors or product types and within relatively short time perspectives. The assumptions of mainstream economists about infinite economic growth (and infinite dematerialisation) represent a false ontology according to which the powers and mechanisms of the natural world are considered totally controllable by humans as if they were mere epiphenomena of the human world. On the other hand, the assumptions of certain ecological economists about the possibility of steady-state capitalism disregard the relation between capital and surplus value, which constitutes a strong mechanism driving the capitalist economy toward limitless growth. (shrink)

This article argues that there is a fundamental contradiction between a profit-oriented economic system and long-term environmental sustainability. The ‘solutions’ that are proposed by mainstream environmental economists as well as their ‘ecological economy’ colleagues do not solve the central problems, but serve to further highlight the difficulties of changing capitalism towards sustainability. In a profit-oriented economy, capital accumulation is a prime driving force, and non-growth for the economy at large tends to result in serious economic and social crises. On the (...) other hand, a de-coupling of economic growth from resource depletion and environmental degradation is possible only within certain sectors or product types and within relatively short time perspectives. The assumptions of mainstream economists about infinite economic growth (and infinite dematerialisation) represent a false ontology according to which the powers and mechanisms of the natural world are considered totally controllable by humans as if they were mere epiphenomena of the human world. On the other hand, the assumptions of certain ecological economists about the possibility of steady-state capitalism disregard the relation between capital and surplus value, which constitutes a strong mechanism driving the capitalist economy toward limitless growth. (shrink)

Cet article porte sur Frontex, l’Agence européenne pour la gestion de la coopération opérationnelle aux frontières extérieures des États membres de l’Union européenne et de l’espace Schengen, et plus précisément sur les nouveaux procédés utilisés afin de protéger les frontières extérieures de l’Union européenne. Ces procédés régis par de nouveaux médias technologiques amènent une dématérialisation des frontières extérieures et de nouveaux mécanismes d’exclusion.The subject of this article is Frontex, the European Agency for the Management of Operational Cooperation at the External (...) Borders of the Member States of the European Union and the Schengen area, and more specifically the new procedures applied to protect the European Union’s external borders. These procedures are managed through new technological media, which dematerialise external borders and bring in new mechanisms of exclusion. (shrink)

Les tendances à la dématérialisation observables dans le capitalisme à partir des années 1960, de l’économie politique (le travail immatériel) aux pratiques artistiques (l’art conceptuel), ont suscité des tentatives pour repenser le matérialisme. Elles s’articulent autour de la recherche d’un matérialisme capable de rendre compte des rapports symbiotiques entre les objets matériels et leurs idéalisations. Les courants récents du tournant matériel, le réalisme agentiel de Barad par exemple, pourraient être lus comme une réponse à ce défi. Pourtant, l’absence notable de (...) Marx dans ces théories crée un angle mort considérable. L’idéel (1962) du philosophe soviétique Evald Ilyenkov offre une perspective dialectique de ces problèmes en revenant à l’interprétation de Marx de ce concept en tant que forme de pratique sociale. En soulignant l’objectivité des formes idéelles contre leurs notions individualistes comme projections mentales, ou positivistes qui les réduisent à la structure neuronale du cerveau, Ilyenkov pose la nature irréductiblement sociale de la connaissance. Par une analyse des perceptions sensorielles, qui sont comprises comme possédant une histoire sociale, Ilyenkov ouvre la question de la convergence des paramètres idéels et matériels dans une société communiste. Le programme politique qui sous-tend son projet pourrait être défini comme une lutte pour des formes culturelles qui ne s’opposent pas au sujet comme étranger et hostile, mais devient sa fonction directe. (shrink)

Résumé Le processus de dématérialisation du processus productif laisse émerger la puissance d’un capital fixe qui se présente aujourd’hui immédiatement comme « capital vivant », comme travail vivant mobilisé dans un système de production de l’homme par l’homme. Le revenu garanti devient alors, sous la plume de Christian Marazzi, « biorevenu », un revenu pour garantir l’autonomie du vivant par rapport au mode de production historiquement déterminé.

Résumé Le processus de dématérialisation du processus productif laisse émerger la puissance d’un capital fixe qui se présente aujourd’hui immédiatement comme « capital vivant », comme travail vivant mobilisé dans un système de production de l’homme par l’homme. Le revenu garanti devient alors, sous la plume de Christian Marazzi, « biorevenu », un revenu pour garantir l’autonomie du vivant par rapport au mode de production historiquement déterminé.

Genebanking, the process of preserving genetic resources, is a central practice in the modern management of crop genetics, especially for the species used for food and agriculture. Closely interrelated networks of local, national and global actors are responsible for ex situ conservation. They all seek to make plant genetic resources accessible for all and now face new challenges arising from digitisation. Plant sciences are entering the postgenomic era, moving fast from initially providing a single reference genome for each species (genomics), (...) to harnessing the extent of diversity within crop species (pangenomics) and among their relatives (referred to as postgenomics). This paper describes the extent to which ex situ collections have already undergone a digital shift, or are planning to do so, and the potential impact of this postgenomic-induced dematerialisation on the global governance of plant genetic resources. In turn, digitising material (seed) collection changes the relationship between genebanks and genomic databases. Comprehensive genomic characterisation of genebank accessions is ongoing, and I argue here that these efforts may provide a unique opportunity for genebanks to further embrace the moral, ethical and ultimately political principles on which they were built. Repurposing genebanks as decentralised digital biocentres could help relocate capabilities and stewardship over genetic resources. Empowering local farmers by providing access, promoting the use and unlocking benefits from state-of-the-art tools of modern plant breeding may allow bridging the breeding divide. However, to accomplish such a paradigm shift, genebanks require a strong political mandate that must primarily originate from the access and benefit-sharing framework. Only so may the global challenges associated with the loss of biodiversity and food insecurity be addressed. (shrink)

Drawing on the work of Paul Virilio, this paper addresses changes in the architectural and legal topography of the urban landscape through an examination of regulatory patterns, which increasingly intensify governance through, and as, ‘control’. Such regulation is ambivalent in that it cuts across many traditionally discrete regimes of power melding them into new forms with new effects; as a consequence it is no longer sufficient to think in terms of such distinctions as private/public, civil/criminal, and so on. This paper (...) argues that a concern with patterns of enclosure and privatisation in our urban centres must now be placed within the context of changes in architectural practice and technology, which the authors term ‘open architecture’, and the embedding of governance through partnership, which give particular emphasis to the use of dematerialised and diffused modes of control. The paper utilises Virilio’s history and image of the fortress, which he tracks from a material form to a dematerialised form, to envisage these developments and to provide the foundation for an understanding of the importance of the development of practices of surveillance into, what the authors term, ‘total registration’ as a feature and function of governance through ‘control’. (shrink)

Architecture is about to enter its first magical phase: a time when buildings actively co-operate with their inhabitants; when objects know what they are, where they are, what is near them; when social and physical space lose their type coupling; when wall and partitions change with mood and task. As engineers and scientists explore how to digitse the world around us, the classical constraints of design, ruled so long by the physics of space, time, and materials, are starting to crumble. (...) Documents can be laid down in one place, automatically cloned, and a copy picked up in another. Meetings scheduled for 9am to 10am can be joined by latecomers at noon, who then participate in a captured form of the event and are ‘edited into’ the past. People on the West coast of the USA can participate, in a telepresent way, with their colleagues on the East coast, and hold a meeting against a virtual backdrop, such as a production line in their Taiwanese factory. Walls seem to dematerialise, remote objects can be touched virtually, shaped, passed through one another. Technology is moving inexorably so that being in one place at a time no longer need dominate how we work and play. Material boundaries are losing their meaning, and interface and information space are catch words that architects must master. (shrink)

In an era of digital revolution, artificial intelligence, big data and augmented reality, technology has shifted from being a tool of communication to a primary medium of experience and sociality. Some of the most basic human capacities are increasingly being outsourced to machines and we increasingly experience and interpret the world through digital interfaces, with machines becoming ever more ‘social’ beings. Social interaction and human perception are being reshaped in unprecedented ways. This book explores this technologisation of the social and (...) the attendant penetration of permanent liminality into those aspects of the lifeworld where individuals had previously sought some kind of stability and meaning. Through a historical and anthropological examination of this phenomenon, it problematises the underlying logic of limitless technological expansion and our increasing inability to imagine either ourselves or our world in other than technological terms. Drawing on a variety of concepts from political anthropology, including liminality, the trickster, imitation, schismogenesis, participation, and the void, it interrogates the contemporary technological revolution in a manner that will be of interest to sociologists, social and anthropological theorists and scholars of science and technology studies with interests in the digital transformation of social life. -/- Table of Contents -/- Introduction: The Technologisation of the Social: A 21st-Century Megamachine? Paul O’Connor -/- 1. Communication as Theatricalisation: Self-Presentation in the Digital Age Arpad Szakolczai -/- 2. Parasites of the Social: Digital Disruptions of the Labour Market Tom Boland -/- 3. Possessed by Technology: The Metastasis of Absence Agnes Horvath -/- 4. Technologisation of the Social: Symbiosis, Parasitism, or Predation? Daniel Gati -/- 5. J'accuse Zéro: The Technology of Zero and the Making of a Personal Void Ray Griffin -/- 6. Digital Affordances and the Liminal Stephen Turner -/- 7. The Smart Womb: Digital Technologies and the Maze of Trickster Politics Marius Ion Benta -/- 8. Brave New Industry? The Dark Side of Dematerialisation and Industry 4.0 Thomas S.J. Smith -/- 9. ‘What Have You Caught?’: Nannycams and Hidden Cameras as Normalised Surveillance of the Intimate Janos Mark Szakolczai -/- 10. Coercive Visibility: Discipline in the Digital Public Arena Paul O’Connor -/- Conclusion: Is There a Way Out of the Technologisation of the Social? Marius Ion Benta. (shrink)

En dépit de ses revendications fondamentales, l’art conceptuel se heurte aux limites d’une dématérialisation et d’une objectivité idéalisées. Moins concernés par la définition de l’art (et ses investigations) que par l’expérimentation du concept en tant que tel, Lee Lozano et Stanley Brouwn optimisent les enjeux et préceptes parfois contradictoires de l’art conceptuel par le biais d’une pratique divergente, aussi radicale que cohérente. Sujets de leur propre conceptualisation, tous deux gagent d’une existence absolue en faisant de la généralisation de l’identité et (...) de la disparition du champ de l’art les facteurs de leur application et de leur latence universelles. (shrink)

In this article I explore a central paradox of contemporary identity politics: why do we look for recognition from the very institutions we reject as oppressive? I argue that neoliberalism’s continued assault on the bases for collectivity has led to a suspicion that ‘the collective’ is an essentialising concept. The assault on the collective coupled with the neoliberal imperative to create an ‘authentic’ self has led to trauma and victimhood becoming the only bases on which people can unite. This manifests (...) discursively and theoretically in the primary trope of contemporary activism: ‘intersectionality’. Mobilising around this analytical concept has led to an analysis of oppression that, even as it claims to be systemic, is totally dematerialised and relentlessly individualised. Instead of building collective power, we are left with a politics of individual demand coming from a coalition of dispersed subject positions. (shrink)

Aesthetic debates within contemporary art have been tangential to the debates in environmental aesthetics since the 1960s. I argue that these disciplines, having evolved separately in response to the limitations of traditional aesthetics, may now usefully inform each other. Firstly, the dematerialisation of art as the focus of aesthetic experience may have environmentally useful consequences. Secondly, Gablik's 'connective aesthetics ', like Berleant's ' aesthetics of engagement', folds aesthetic experience into the social as a kind of environmental aesthetics. Thirdly, contemporary (...) art's flexible readings of ' framing ' can respond to 'frameless' natural environments, and finally, Kester's 'dialogical aesthetics ' may be enriched by Berleant's systematic account of ' contextual aesthetics '. (shrink)

In this article I explore a central paradox of contemporary identity politics: why do we look for recognition from the very institutions we reject as oppressive? I argue that neoliberalism’s continued assault on the bases for collectivity has led to a suspicion that ‘the collective’ is an essentialising concept. The assault on the collective coupled with the neoliberal imperative to create an ‘authentic’ self has led to trauma and victimhood becoming the only bases on which people can unite. This manifests (...) discursively and theoretically in the primary trope of contemporary activism: ‘intersectionality’. Mobilising around this analytical concept has led to an analysis of oppression that, even as it claims to be systemic, is totally dematerialised and relentlessly individualised. Instead of building collective power, we are left with a politics of individual demand coming from a coalition of dispersed subject positions. (shrink)

In _Fairfax Media Publications Pty Ltd v Voller_ (‘_Voller_’) the Australian High Court held that media companies maintaining Facebook comment pages could be liable for the defamatory posts of commenters on those sites. The decision focussed entirely on whether, by maintaining the Facebook page, the companies had ‘published’ the statements of commenters. Hearings on other aspects of the tort litigation continue. This paper considers the implications of the tort of defamation on public participation on political will formation where, as is (...) increasingly the case, the participation occurs virtually. Australian law has already tackled the law of defamation as a threat to freedom of political communication; _Voller_ continues the jurisprudence by considering whether hosting an online forum for debate amounts to publication. The more recent High Court judgment in _Google LLC v Defteros_ demonstrated the necessity of the law to align the ‘acts’ necessary to found legal action with the new environment of automated search engines. The troubled intersection of dematerialised practices of political and cultural discourse and jurisdictionally bound laws of defamation challenges participatory governance as tribes form and dissolve and shift between geographical interests. Defamation in Australia is a tort of strict liability; and, absenting applicable defences, any participation in communication is sufficient to make that participant a publisher and a party to the defamation. The online environment stretches words across geographical and jurisdictional boundaries, but it also stretches and contorts concepts of fault and responsibility. Participatory digital cultural practices integrating users in the creation of cultural heritage simultaneously draw participants into transgressions, both cultural and legal, which are amplified by the medium. Questions of collective guilt, ‘shades’ of moral responsibility and disproportionality between blameworthiness and legal liability challenge laws formulated for the printing press but now deployed in the online environment. In this way the digitized participatory environment presents deep challenges to law and legal systems, which are chained to geography. This paper considers the concept of innocent publication in the context of the digitized participatory environment and the way in which the virtual experience is dissolving concepts of geographically defined jurisdictions. (shrink)

Conçues pour des biens ayant une consistance matérielle, nombre d'infractions pénales ont été sollicitées ces dernières années pour s'appliquer à des biens immatériels tels qu'un numéro de carte bancaire, un projet de borne informatique, du temps de travail ou encore des données informatiques. Au-delà de la matière répressive, l'ambition de cet ouvrage est de se livrer à une étude plus générale de l'adaptation du droit au développement de l'immatériel pour déterminer jusqu'où l'on peut juridiquement aller dans sa prise en compte. (...) C'est un fait indéniable que l'immatériel prend une place de tout premier plan dans la société contemporaine. Le droit des siècles passés connaissait, certes, déjà l'incorporalité, mais nul doute que les potentialités actuelles ouvrent des perspectives nouvelles. L'ouvrage propose tout d'abord de préciser la notion d'immatériel en recourant à des approches non juridiques. Le point de vue du philosophe et celui du physicien peuvent fournir des clés pour percer un concept que le juriste pourra ensuite aborder de manière pragmatique. S'agissant de l'appréhension juridique de l'immatériel, deux mouvements peuvent être observés. D'une part, l'immatériel est un objet que le droit s'efforce d'intégrer ; d'autre part, il est un outil que le droit peut exploiter. Sur le premier point, il s'agit d'examiner comment le droit parvient à s'adapter à l'émergence de nouvelles formes d'objet et surtout d'identifier les limites qui ne pourront ou ne devront pas être dépassées. Même lorsque l'on s'intéresse à des matières qui ont été conçues pour régir l'immatériel, telle que la propriété intellectuelle, on observe en effet que tout objet ne peut être saisi et on devine alors que de telles limites doivent a fortiori exister lorsque l'on est en présence de branches du droit qui n'étaient originairement pas destinées à s'appliquer à de tels biens et qui ne peuvent y parvenir qu'au terme d'une adaptation. Sur le second aspect, il s'agit d'observer les perspectives qu'ouvre l'immatériel comme moyen d'accéder au droit et de mettre en relation les acteurs de la scène juridique. Là aussi, certains aspects ne sont pas totalement nouveaux et si la prolifération des contrats conclus par voie électronique ne constitue que le développement récent du phénomène ancien des contrats à distance, la dématérialisation des procédures et des échanges entre professionnels du droit va être relayée par un accès direct du justiciable aux services judiciaires qui est de nature à changer de manière significative le mode de relation au juge et à l'institution judiciaire. (shrink)

" L'argent est l'envers de toutes les images que le cinéma montre et monte à l'endroit " écrit Gilles Deleuze dans le deuxième volet de Cinéma. Le capital est toujours derrière le cinéma. Le Capital hante Cinéma du début à la fin. C'est donc une lecture marxiste du diptyque composé de L'Image-mouvement et L'Image-temps que propose Jun Fujita dans Ciné-capital. Comment fonctionne le mode de production ciné-capitaliste? Comment celui-ci fait-il produire de la plus-value aux images? Pourquoi et comment s'approprie-t-il le (...) travail même du spectateur? En quel sens peut-on soutenir qu'Eisenstein et Hitchcock ont anticipé l'arrivée de la New Economy des années 1990 (dématérialisation du travail et financiarisation de l'économie)? Quand et comment les images s'insurgent-elles contre l'exploitation ciné-capitaliste? Comment se mettent-elles à valoir pour elles-mêmes? Pourquoi le cinéma politique, depuis Straub et Huillet, a-t-il cessé de privilégier le tournage au bord de la mer? Qu'est-ce qui permet à Deleuze d'affirmer qu'Ozu est un cinéaste de gauche? Telles sont quelques-unes des questions abordées dans Ciné-capital. (shrink)

Architecture is about to enter its first magical phase: a time when buildings actively co-operate with their inhabitants; when objects know what they are, where they are, what is near them; when social and physical space lose their type coupling; when wall and partitions change with mood and task. As engineers and scientists explore how to digitse the world around us, the classical constraints of design, ruled so long by the physics of space, time, and materials, are starting to crumble. (...) Documents can be laid down in one place, automatically cloned, and a copy picked up in another. Meetings scheduled for 9am to 10am can be joined by latecomers at noon, who then participate in a captured form of the event and are ‘edited into’ the past. People on the West coast of the USA can participate, in a telepresent way, with their colleagues on the East coast, and hold a meeting against a virtual backdrop, such as a production line in their Taiwanese factory. Walls seem to dematerialise, remote objects can be touched virtually, shaped, passed through one another. Technology is moving inexorably so that being in one place at a time no longer need dominate how we work and play. Material boundaries are losing their meaning, and interface and information space are catch words that architects must master. -/- In this article I will discuss some of the theoretical ideas shaping our new conception of form, function, and interactivity. My view is that of a cognitive scientist interested in how cognition is distributed throughout our environment. Since the ground rules defining the structure of environments are changing, our very idea of how we are embedded in the world is changing. Architecture is at a new frontier. (shrink)

The reception of phenomenology in art criticism reached its apex in the mid-1960s in its application to Minimalism in the United States. The focus was on the embodied, direct perceptual experience of Minimalist sculpture, but in light of Conceptual art’s ‘dematerialised’ practices which developed as the decade progressed, the interest in phenomenology waned. This paper looks at the history of this reception and presents Merleau-Ponty’s late ontological work as a corrective to an inadequate understanding of phenomenology in critical discourses on (...) art at the time. It argues that the late Merleau-Ponty offers tools for an effective critique of early conceptualism’s idealism, as well as a basis on which the ‘dematerialised’ and dispersed ontology of the art work shared by both Conceptual and more recent Post-Conceptual practices can be investigated. (shrink)

In Phenomenology of Perception Merleau-Ponty tells us of how the phenomenon unfolds and its unfolding is never complete: there is no total view of being to be had. Being as phenomenon is, because of this, non-objective: it is disclosed, as Heidegger would put it, in proportion to its being concealed. Both Heidegger and Merleau-Ponty suggest, in their different ways, that this obscure counterpart to the disclosed world, forgotten in objective thought and instrumental rationality, is nonetheless shown, made visible, in art. (...) That is to say, paraphrasing Heidegger, that art shows the concealed as concealed. Conceptual art and its 'dematerialisation of the art object' that the art critic Lucy Lippard described during its early days, have not been readily associated with phenomenology, in part because conceptual art practices tended to be, as Lippard noted, 'non-visual'. Nonetheless, if one overlooks the apparent visual bias of Merleau-Ponty's treatment of art, then it becomes clear, as this paper set out to show, that Conceptual art's 'immaterial' or non-objective ontology is peculiarly congruent with the late Merleau-Ponty's account of the intertwining of the visible and the invisible. In particular this paper argued that the relevance to ecophenomonology of conceptual practices such as Richard Long's that consist in walking as medium and method, is not primarily in their thematising of nature or the body, but rather in their own ontological structure as open-ended and non-objective projects as opposed to their being directly perceptible objects. (shrink)

Résumé Les sculptures d’Alberto Giacometti révèlent une profonde ambiguïté dans leur caractère d’œuvre : à la pérennité et la solennité traditionnellement associées à l’œuvre d’art répond en effet une fragilité bouleversante qui expose parfois l’œuvre au risque de sa disparition. Comment donc comprendre les phénomènes de miniaturisation ou de dématérialisation dans ces sculptures? Dans un contexte historique de remise en question de la notion d’œuvre d’art, l’artiste entend tout à la fois faire œuvre et suggérer la menace de disparition qui (...) entoure toute vision. (shrink)

This paper focuses on Paul of Venice’s realist theory of direct knowledge. In the second half of the 13th century human knowledge was standardly viewed as a process of abstraction enabling the human intellect to grasp the essences of corporeal things, regardless of the matter in which they are embodied. This process was achieved thanks to the mediation of mental entities (species intelligibiles) representing the dematerialised objects in the intellect. By the late 13th and early 14th centuries, however, some authors (...) began to regard this account as unsatisfactory. These authors held that assuming the existence of mediating species (considered themselves as objects of knowledge) amounts to thinking that between ourselves and the world there is a barrier preventing us from acquiring knowledge of reality in itself. Paul of Venice is aware of the sceptical accusations made against the theory of species in the 13th and 14th centuries. Nevertheless, he is a firm advocate of the existence of species. He claims that knowledge, despite coming about through species, is not indirect. Quite the contrary: we have immediate access to reality, and the individual objects that constitute it, precisely because our senses (which are purely passive) receive impressions direct from outside, thanks to species. He points out that species are not object of knowledge. They are not known at all during the cognitive process, as they are a mere means (a mechanical means, so to say), not an image nor a representation of anything, and therefore they are no obstacle between ourselves and the world. Thus, we are able to know reality exactly as it is in itself and, under ordinary conditions, our perceptions are practically infallible and cannot produce false knowledge. (shrink)

Contemporary educational policies have recently prioritised the development of generic, core, and transferable skills. This essay reflects on this tendency in the context of the ‘algorithmic condition’ and those discourses that tend toward an image of education that privileges dematerialised skills, practices, and knowledge. It argues that this turn towards dematerialisation is resonant with shifts in a number of diff erent domains, including work, and explores some of the implications of this shift. Instead I suggest an approach to education (...) that understands it as turning towards the world, loving the world, and creating a common world. In order to understanding thinking and knowing as material practices, the concept of ‘material thinking’ is developed that refuses binaries of theory and practice, but that instead understands thinking, particularly in educational contexts, as material and a practice of thinking with something, and a turning towards the world. I draw upon the work of Susan Oyama, Elizabeth Grosz, Tim Ingold and Isabelle Stengers, and explore the example of Barbara McClintock’s research as a cytogeneticist researching maize. Here I am particularly interested in the importance of deep engagement with a subject matter in terms of developing the skilfulness that is associated with what I am calling ‘material thinking’. This allows us to think about education in a way that pays attention to the plurality of practices of material thinking that engage with the natural history of humankind, and the story of the world. (shrink)

La monnaie symbolise la valeur, le souverain, ou le Peuple, bref la Totalité. Mais quelle fonction a cette symbolisation? Au plus strict, la fonction symbolique de la monnaie c’est de quantifier. Or la quantification est déjà épaisse de nombreux problèmes philosophiques. Alors, le propos tentera ici de montrer une problématisation foucaldienne de la fonction symbolique de la monnaie, en termes de pouvoir-savoir. Car la considération de la fonction symbolique de la monnaie ouvre, au niveau théorique, le problème de l’articulation de (...) la valeur (intensive) à sa manifestation (extensive), et au niveau épistémologique, un problème d’objectivation de l’objectivation, un problème réflexif de valeur de vérité des jugements de valeurs (bulle spéculative). (shrink)

It is well known that when it comes to perception in the De anima, Aristotle uses affection-related vocabulary with extreme caution. This has given rise to a debate between interpreters who hold that in Aristotle’s account, the act of sense-perception nevertheless involves the physiological alteration of the sense organ (Richard Sorabji), and those think, with Myles Burnyeat, that for Aristotle, perception does not involve any material process, so that an Aristotelian physics of sense-perception is a “physics of forms alone”. The (...) present article suggests that the dematerialisation of Aristotle’s theory of perception, which has a long story from Alexander of Aphrodisias to Brentano, may be in fact traced back to Theophrastus’ exegesis of Aristotle’s relevant passages in the De anima in his Physics, as we can reconstruct it on the basis of Priscian’s Metaphrasis in Theophrastum and Simplicius’ commentary of Aristotle’s De Anima. The reconstruction also provides a scholastic-theoretical frame to Theophrastus’ critical exposition of ancient theories about sense perception in his De sensibus, whether or not the discussion originally belonged to Theophrastus’ Physics. (shrink)

Spanning nearly twenty years (1993-2012), the essays in Judith Butler’s Senses of the Subject investigate the processes of subject formation. Via an engagement with canonical philosophical figures like Descartes, Malebranche, Merleau-Ponty, Spinoza, Irigaray, Hegel, Kierkegaard, Sartre, and Fanon, Butler develops the thesis that a radical “susceptibility” or “impressionability” vis-à-vis social and linguistic powers is constitutive of the “I.” This claim, as I suggest in the review, has two implications. First, any attempt to account for this process of initial formation is (...) inherently paradoxical; it seeks to put into words a moment that is temporally and structurally prior to the emergence and development of the “I” and the ability to recount such an emergence. Second, the subject, and also the process of subject’s formation, is structurally and temporally open, incessantly relying upon that which is “external” to the subject for its emergence. This collection, which is exclusively devoted to Butler’s engagement with the philosophical tradition, is an invaluable contribution not only to the understanding of Butler’s philosophy and her relationship with the canon. It also opens the space for an investigation of Butler’s philosophical commitments to query why the body seems to dematerialize from her work, even, it seems, when she makes the materiality of the body an explicit focus of her inquiry.Sur une durée de presque vingt ans (1993-2012), les essais rassemblés dans Senses of the Subject de Judith Butler examinent les processus de la formation des sujets. À travers le débat avec des figures philosophiques canoniques telles que Descartes, Malebranche, Merleau-Ponty, Spinoza, Irigaray, Hegel, Kierkegaard, Sartre et Fanon, Butler développe la thèse qu’une « susceptibilité » ou « impressionnabilité » radicale par rapport aux pouvoirs sociaux et linguistiques est constitutive du « Moi ». Cette thèse, comme je le suggère dans ma recension, a deux implications. En premier lieu, toute tentative de rendre compte de ce processus de formation initiale est paradoxal ; elle consiste à mettre en mots un moment qui est temporellement et structurellement premier par rapport à l’émergence et au développement du « Moi » et donc à la capacité de rendre compte d’une telle émergence. En second lieu, le sujet, et donc aussi le processus de formation du sujet, est structurellement et temporellement ouvert, et repose continuellement sur ce qui est « externe » au sujet pour son émergence. Ce recueil, exclusivement consacré au débat de Butler avec la tradition philosophique, est une contribution incontournable, non seulement pour la compréhension de la philosophie de Butler et de sa relation avec le canon, mais encore parce qu’il ouvre un espace pour examiner pourquoi le corps semble dématérialisé dans son oeuvre, même lorsqu’elle fait de la matérialité du corps le centre de sa réflexion. Distribuiti lungo l’arco di quasi vent’anni (1993-2012), i saggi contenuti in Senses of the Subject di Judith Butler indagano il processo della formazione del soggetto. Attraverso un confronto con figure canoniche della filosofia come Cartesio, Malebranche, Merleau-Ponty, Spinoza, Irigaray, Hegel, Kierkegaard, Sartre e Fanon, Butler sviluppa la tesi che l’“Io” sia costituito da una radicale “suscettibilità” o “impressionabilità” rispetto ai poteri sociali e linguistici. Questa tesi, come suggerisco nella mia recensione, ha due implicazioni. In primo luogo, qualunque tentativo di rendere conto di questo processo di formazione iniziale è paradossale: si tratterebbe di un tentativo di esprimere attraverso le parole un momento che è temporalmente e strutturalmente precedente all’emergere e svilupparsi dell’“Io” e alla capacità di riportare e riferire questo stesso emergere. In secondo luogo, il soggetto, così come il processo della sua formazione, è strutturalmente e temporalmente aperto, e si affida incessantemente a ciò che è “esterno” al soggetto stesso nel suo emergere. La raccolta in questione, interamente dedicata al confronto di Butler con la tradizione filosofica, non soltanto rappresenta un contributo inestimabile per la comprensione della filosofia dell’autrice e della sua relazione con la tradizione; essa offre anche la possibilità di mettere a fuoco i termini dell’impegno filosofico di Butler, così da chiarire perché il corpo sembri smaterializzarsi dal suo lavoro anche laddove apparentemente l’autrice fa della materialità del corpo un nucleo centrale della propria indagine. (shrink)