In his texts, Józef Tischner referred to significant problems characteristic of the end of the communist regime and the first years of the liberal-democratic system in Poland. He tried to understand, among other things, the sources of Polish society’s disappointment with their regained political and economic freedom. This article discusses the late period of Tischner’s life and work, when his philosophy was heavily influenced by the ideas of Charles Taylor. On the one hand, the author analyzes Tischner’s attitude toward (...) the concept of ordinary life, while on the other, Tischner’s understanding of solidarity combined with the concept of the spirit of capitalism. The article shows numerous similarities and significant differences between the way of thinking of both philosophers. The former concern above all the consentaneous assessment of the disappearance of heroism in liberal-democratic societies, while the latter concern the discrepancies in the assessment of the possibility of fully implementing the idea of solidarity in these societies. (shrink)

A short reflective piece on the occasion of Charles Taylor's 85th birthday.

Metaethics tends to take for granted a bare Democritean world of atoms and the void, and then worry about how the human world that we all know can possibly be related to it or justified in its terms. I draw on Wittgenstein to show how completely upside-down this picture is, and make some moves towards turning it the right way up again. There may be a use for something like the bare-Democritean model in some of the sciences, but the picture (...) has no standing as the basic objective truth about the world; if anything has that standing, it is ordinary life. I conclude with some thoughts about how the notion of bare, “thin” perception of non-evaluative reality feeds a number of philosophical pathologies, such as behaviourism, and show how a “thicker”, more value-laden, understanding of our perceptions of the world can be therapeutic against them. (shrink)

What might we learn if the study of ethics focused less on hard cases and more on the practices of everyday life? In Everyday Ethics, Michael Lamb and Brian Williams gathered some of the world's leading scholars and practitioners of moral theology (including some Georgetown University Press authors) to explore that question in dialogue with anthropology and the social sciences. In a field largely begun by Michael Banner, contributors engage with and extend his ideas of ethics as it is (...) practiced in daily life. Crossing disciplinary boundaries, these scholars analyze the ethics of ordinary practices--from eating, learning, and loving the neighbor to borrowing and spending, using technology, and working in a flexible economy. Along the way, they consider the moral and methodological questions that emerge from this interdisciplinary dialogue and assess the implications for the future of moral theology. (shrink)

Aristotle is right to argue that the best life is a life of unimpeded activity, but I believe he went wrong in thinking that ordinary human life is, or must be, far removed from the best life. To establish this claim, I offer a historical explanation of what unimpeded activity involves. I use the class of art patrons in Renaissance Florence to show how mathematical skills acquired in everyday life can be applied to widely (...) differing tasks. As patrons extend their mathematical skills, their activities become more self-realizing and hence more continuous in Aristotle's sense. I argue that the activities of the Florentine patron class, to be sustained over time, require many of Aristotle's virtues. Examples like this show, I argue, that reasonably unimpeded activity is an important human good and that it is genuinely desirable to, and within the grasp of, ordinary people, even those who initially claim no interest in virtue. (shrink)

Aristotle is right to argue that the best life is a life of unimpeded activity, but I believe he went wrong in thinking that ordinary human life is, or must be, far removed from the best life. To establish this claim, I offer a historical explanation of what unimpeded activity involves. I use the class of art patrons in Renaissance Florence to show how mathematical skills acquired in everyday life can be applied to widely (...) differing tasks. As patrons extend their mathematical skills, their activities become more self-realizing and hence more continuous in Aristotle's sense. I argue that the activities of the Florentine patron class, to be sustained over time, require many of Aristotle's virtues. Examples like this show, I argue, that reasonably unimpeded activity is an important human good and that it is genuinely desirable to, and within the grasp of, ordinary people, even those who initially claim no interest in virtue. (shrink)

The Role Ethics of Epictetus: Stoicism in Ordinary Life offers an original interpretation of Epictetus’s ethics and how he bases his ethics on an appeal to our roles in life. Epictetus's role theory is a complete ethical theory, one that has been both misunderstood and under-appreciated in the literature.

This essay argues that Montaigne and Emerson share not only a literary style and a form of skepticism, but also a moral project, namely—to borrow a concept from Charles Taylor—the affirmation of ordinary life. Moreover, Montaigne and Emerson approach this project in fundamentally the same way: rather than offering readers discursive arguments, they attempt to reform readers’ imaginations. Finally, recognizing the poetic nature of their respective affirmations of ordinary life allows us to appreciate how their seemingly (...) dogmatic claims regarding human equality and the human good are compatible with their shared form of skepticism. (shrink)

As a speculative and abstract discipline, philosophy is traditionally considered to be in dialectical tension with physical experience and daily practice. In contrast to this conventional and idealistic perspective, and in line with aesthetics as embodied knowledge, this article attempts to show that not only do we constantly think via gestures, movements, and physical experiences but also that there is no need to disconnect a concept from practice. Passing from Wittgenstein’s idea of “form of life” to the pragmatist aesthetics (...) initiated by Dewey’s idea of “art as experience,” I propose an analysis of the philosophical framework of postmodern dance (Yvonne Rainer) and of Happenings (Allan Kaprow), in order to underline the theoretical and conceptual research that is already at work in the field of contemporary art practice, the latter being understood as a sensorial dimension intrinsically linked to ordinary life. My general argument is that gestures, which are an inescapable and vital part of everyday life, can be foregrounded by certain artistic practices without corrupting or theatricalizing their ordinariness. (shrink)

By understanding the sense in which Sextus thinks reason is deceptive we may clarify his attitude towards ordinary life. The deception, like that of the Siren's song, is practical rather than epistemic. It is not a matter of leading us to assent to false or unjustified conclusions but is rather a distraction from, or even corruption of, ordinary life.

According to David Lewis, the predicate ‘knows’ is context-sensitive in the sense that its truth conditions vary across conversational contexts, which stretch or compress the domain of error possibilities to be eliminated by the subject’s evidence. Our concern in this paper is to thematize, assess, and overcome within a neo-Lewisian contextualist project two important mismatches between our use of ‘know’ in ordinary life and the use of ‘know’ by ‘Lewisian’ ordinary speakers. The first mismatch is that Lewisian (...) contextualism still overgenerates the error possibilities which cannot be ignored in a given context, since it is oblivious to the distinction between ‘invented’ and ‘discovered’ possibilities. The second mismatch is a full-scale one: an adequate account of knowledge attribution is not exhausted by the subject’s negative capacity of pruning branches off the tree of counterpossibilities. We therefore introduce a new vector of value, which explains how ‘know’ comes in degrees: the satisfaction of ‘know better’ is made to depend on the capacity of imagining possibilities connected in a relevant way with the subject’s beliefs. (shrink)

Everyone says that lying is wrong. But when we say that lying is bad and hurtful and that we would never intentionally tell a lie, are we really deceiving anyone? In this wise and insightful book, David Nyberg exposes the tacit truth underneath our collective pretense and reveals that an occasional lie can be helpful, healthy, creative, and, in some situations, even downright moral. _The Varnished Truth_ takes us beyond philosophical speculation and clinical analysis to give us a sense of (...) what it really means to tell the truth. As Nyberg lays out the complexities involved in leading a morally decent life, he compels us to see the spectrum of alternatives to telling the truth and telling a clear-cut lie. (shrink)

The Varnished Truth gives us a careful, spirited, and fresh look at the multi-layered subject of deception and truth-telling in everyday life.

Schizophrenia involves significant disturbances to inter-subjective experience, the complex nature of which have become an increasingly important area for research in the philosophy of psychiatry. In “Schizophrenia as a Problem of Other Minds,”, Brighupati Singh offers a thought-provoking contribution to this trajectory by engaging Stanley Cavell’s idea of skepticism: the recognition that ordinary life is inherently fragile, and that the affective attunement between self and other is something that can be undone. Through detailed ethnographic and literary studies, primarily (...) undertaken in the Department of Psychiatry at the All India Institute of Medical Sciences in Delhi, Singh demonstrates how patients with... (shrink)

Drawing on recent theories and debates concerning the everydayness of non-artistic and even private aesthetic experiences, this article aims at differentiating new ways of dealing with revulsion at the intersection of negative and everyday aesthetics, as another manner of extending or transcending the scope of traditional art-oriented aesthetics. The paradigms that I will trace in the history of negative aesthetics are not mere occurrences of disgust or repulsiveness in art and in everyday life, but ways of addressing the repulsive (...) in relation to the culturally variable scope of art and aesthetics. Besides the classical paradigm that associates repugnant subjects with their pleasure-inducing imitations in art, and the transgressions of modern and contemporary art that increasingly shocked their audience, revulsion can also be regarded as a form of displeasure linked to the quotidian, yet aesthetically relevant forms of life. By virtue of this ordinary nature, which is not unfamiliar to other (non-Western) cultures, revulsion could be placed at the core of everyday aesthetics, since it confirms both the transition from contemplation to action in recent aesthetics, that is, the practical preoccupation with the aesthetic quality of living, and the broader redefinition of aesthetics in terms of sensory reactions. (shrink)

Name der Zeitschrift: Archiv für Geschichte der Philosophie Jahrgang: 98 Heft: 3 Seiten: 364-368.

Janina Bauman was a sociologist of everyday life. Her autobiographical texts, Winter in the Morning (1986), A Dream of Belonging (1988), and the synthetic volume Beyond These Walls (2006), manage a kind of personal poignancy combined with world-historic content and attention to the detail of everyday life that sets her work apart. This essay responds to these attributes and offers a contribution to her remembrance as a writer, an actor in and observer of everyday life in Warsaw (...) and Leeds across the 20th century. (shrink)

We invited five Cavell scholars to write on this topic. What follows is a vibrant exchange among Paola Marrati, Andrew Norris, Jörg Volbers, Cary Wolfe and Thomas Dumm addressing the question whether, in the contemporary political context, Cavell’s skepticism and his Emersonian perfectionism amount to a politics at all.

We occupy a fascinating moment in time when the trajectory of technological development is throwing into doubt the certainty of understandings of the boundary between the human and the technological. Perhaps one of the key contributions that industrial designers have made to humankind has been the way in which they have made the extraordinary potentiality of technology seem utterly ordinary: they call it the humanisation of technology (ICSID 2008). Designers, however, seem to be in something of an intellectual spin; (...) they have done little to mollify the projection of these times as extraordinary and without precedent in the trajectory of the human species. Rather than adding to the many who call for discontinuity, a speculative design scenario is presented taking impetus from the opportunity for designers to reconsider the essential principles that underpin their intellectual community. The scenarios explore how it will be necessary to find a means to analyse the human and the technological without seeking closure through outmoded forms of material and representational analysis. If designers can reveal borders and epistemic heterogeneity to be matters of conceptual and rhetorical convenience, then they might act upon a strategy that understands materiality to be tied to a new form of intellectual complexity in keeping with these times. In that way, it will become possible again for industrial designers to lead the discussion of humanity and technology in a single and productive conversation. (shrink)

Discusses the nature of power, describes its psychological and social aspects, and speculates about the relationship between power and freedom.

The desire for a meaningful life is ubiquitous, yet the ordinary concept of a meaningful life is poorly understood. Across six experiments (total N = 2,539), we investigated whether third-person attributions of meaning depend on the psychological states an agent experiences (feelings of interest, engagement, and fulfillment), or on the objective conditions of their life (e.g., their effects on others). Studies 1a–b found that laypeople think subjective and objective factors contribute independently to the meaningfulness of a (...) person’s life. Studies 2a–b found that positive mental states are thought to make a life more meaningful, even if derived from senseless activities (e.g., hand-copying the dictionary). Studies 3a–b found that agents engaged in morally bad activities are not thought to have meaningful lives, even if they feel fulfilled. In short, both an agents’ subjective mental states and objective impact on the world affect how meaningful their lives appear. (shrink)

A leading ethicist offers a theological guide to thinking Christianly about the ordinary nature of everyday life.

It is widely thought that we have good reason to try to be important. Being important or doing significant things is supposed to add value to our lives. In particular, it is supposed to make our lives exceptionally meaningful. This essay develops an alternative view. After exploring what importance is and how it might relate to meaning in life, a series of cases are presented to validate the perspective that being important adds no meaning to our lives. The meaningful (...) life does need valuable projects, activities, and relationships. But no added meaning is secured by those projects, activities, and relationships being especially significant. The extraordinary life has no more meaning than the ordinary life. (shrink)

Philosophers have hitherto only interpreted the world in various ways; the point is to change it.Karl marx’s distinction between interpreting the world and changing it points by extension to the state of contemporary philosophy and psychiatry. The 1990s resurgence of interdisciplinary work in this area was driven equally by phenomenological scholarship and by initiatives in analytic philosophy. The former reflected the focus in phenomenology on ‘what it is like’ to experience a given mental symptom with the aim of reconstructing the (...) life-worlds of people experiencing mental disorders, while the latter reflected directly or indirectly the influence of J. L. Austin and others from... (shrink)

This book explores the aesthetics of the objects and environments we encounter in daily life. Thomas Leddy stresses the close relationship between everyday aesthetics and the aesthetics of art, but places special emphasis on neglected aesthetic terms such as ‘neat,’ ‘messy,’ ‘pretty,’ ‘lovely,’ ‘cute,’ and ‘pleasant.’ The author advances a general theory of aesthetic experience that can account for our appreciation of art, nature, and the everyday.

Bringing together a genealogy of authors, concepts, and aesthetic case studies, this article aims to contribute to the discussion on ordinary aesthetics by focusing on the tensions that are intrinsic to walking as a fundamental embodied action in everyday urban life. These tensions concern the movement of walking itself and its relation to one’s surroundings, but it also concerns a certain complementarity between home (familiarity) and wandering. Experiencing space and thresholds that disrupt one’s relationship with home and the (...) everyday can be understood as part of a modern “anti-home” tendency that lies at the core of several artistic and aesthetic practices. On the other hand, the study of walking and its relationship with the ordinary has also been enhanced and complexified by the mediation of images and technologies of reproduction. Approaching the paradoxes and ambiguities of everydayness from the perspective of walking allows us to better understand the ordinary as an in-between concept composed of evidence and mystery, familiarity and strangeness. Walking itself, as an ordinary element of life, is an unstable stabilisation, an unconsciousness that may become awareness, an immersive action that knows interruptions, a way of repeating paths that can also lead to detours and discoveries. (shrink)

The author is in essential agreement with Tallis, that when we only deploy one mode of interpretation, ie the scientific mode, we lose the fundamental realities of human experience, including the experience of free will, on which, ironically, scientific practice depends. Tallis’s philosophical stance is compared to that of Owen Barfield and his work on free will is placed within the context of his other books. A sense of wonder is common to all of them.

The life of Joseph Dalton Hooker (1817-1911) provides an invaluable lens through which to view mid-Victorian science. A biographical approach makes it clear that some well-established narratives about this period need revising. For example, Hooker's career cannot be considered an example of the professionalisation of the sciences, given the doubtful respectability of being paid to do science and his reliance on unpaid collectors with pretensions to equal scientific and/or social status. Nor was Hooker's response to Darwin's theories either straightforward (...) or contradictory; it only makes sense as carefully crafted equivocation when seen in the context of his life and career. However, the importance of Hooker's life is ultimately its typicality; what was true of Hooker was true of many other Victorian men of science. (shrink)

When it was first published in French in 1980, The Ordinary Man of Cinema signaled a shift from the French film criticism of the 1960s to a new breed of film philosophy that disregarded the semiotics and post-structuralism of the preceding decades. Schefer describes the schizophrenic subjectivity the cinema offers us: the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory. The Ordinary Man of Cinema delineates the (...) phenomenology of movie-going and the fleeting, impalpable zone in which an individuals personal memory confronts the cinemas ideological images to create a new way of thinking. It is also a book replete with mummies and vampires, tyrants and prostitutes, murderers and freaksfigures that are fundamental to Schefers conception of the cinema, because the worlds that cinema traverses (our worlds, interior and exterior) are worlds of pain, unconscious desire, decay, repressed violence, and the endless mystery of the body. Fear and pleasure breed monsters, and such are what Schefers emblematic "ordinary man" seeks and encounters when engaging in the disordering of the ordinary that the movie theater offers him. Among other things, Schefer considers "The Gods" in 31 brief essays on film stills and "The Criminal Life" with reflections on spectatorship and autobiography. While Schefers book has long been standard reading in French film scholarship, until now it has been something of a missing link to the field (and more broadly, French theory) in English. It is one of the building blocks of more widely known and read translations of Gilles Deleuze (who cited this book as an influence on his own cinema books) and Jacques Rancière. (shrink)

Textures of the Ordinary shows how anthropology finds a companionship with philosophy in the exploration of everyday life. Based on two decades of ethnographic work among low-income urban families in India, Das shows how the notion of texture aligns ethnography with the anthropological tone in Wittgenstein and Cavell, as well as in literary texts. The book shows different routes of return to the everyday as it is corroded not only by catastrophic events but also by repetitive and routine (...) violence within everyday life itself. As an alternative to normative ethics, this book develops ordinary ethics as attentiveness to the other and as the ability of small acts of care to stand up to horrific violence. Textures of the Ordinary offers a model of thinking in which concepts and experience are shown to be mutually vulnerable. The book is an intellectually intimate invitation into the ordinary, that which is most simple yet most difficult to perceive in our lives. (shrink)

If genuine political activity can only be undertaken by citizens in the public sphere in a nation-state, what of stateless people today – asylum seekers and refugees cut adrift on the high seas? This is what is at stake in Hannah Arendt’s political theory of necessity. This article reconsiders Arendt’s notion of the Greek oikos as the sphere of necessity with the aim of challenging the idea that there is a condition of necessity or mere subsistence, where life is (...) reduced to satisfying basic biological needs. For Arendt, the Greek oikos is the model that provides the inspiration for her theory because necessity activities were kept quite separate from action in the polis. The ordinary and the undistinguished happen in the oikos and its equivalent, with the polis being reserved for extraordinary acts done for glory without any regard for life. The exclusionary nature of this theory of the polis as action has, at best, been treated with kid gloves by Arendt’s commentators. With reference to Heidegger on the polis and Agamben’s notion of oikonomia, I endeavour to show that the so-called ordinary is embedded in a way of life that is extraordinary and the key to grasping humanness. (shrink)

This article explores how the notion ofordinary aestheticscan stem, as well as the one ofordinary ethics, from thatrevolution of the ordinarystarted by Wittgenstein and further developed by philosophers like Cavell and Diamond. The idea ofordinary ethicsemphasizes the importance of everyday life and the particular details of our experiences. This concept can be extended to aesthetics, forming the basis of a modality of aesthetic appreciation that recognize values and importance in the details and nuances of everyday experience. One example of (...) suchordinary aestheticscan be found in thehaikupoetry of Bashō. Bashō’s poetry often focuses on the ordinary and mundane aspects of life, such as the changing of seasons, the sound of rain, or the sight of a bird in flight, but also on that lower world made of insects, rotten foliage, and excrements. Bashō conveys in poetry the core ofZenphilosophy, emphasizing the interconnectedness of all things and the value of living in the present moment. This approach to aesthetics offers an alternative to more traditional modes of aesthetic appreciation, which tend to prioritize grandeur, spectacle, and formal perfection. Ultimately, the concept of ordinary aesthetics invites us to find the intrinsic importance in the simple things that surround us and to cultivate a deeper appreciation for the richness of our everyday lives. (shrink)

In various publications, Stanley Cavell and Stanley Rosen have emphasized the philosophical importance of what they both call the ordinary. They both contrast their recovery of the ordinary with traditional philosophy, including the phenomenological philosophy of Edmund Husserl. In this paper, I address Rosen’s claims in particular. I argue that Rosen turns the real situation on its head. Contra Rosen, it is not the case that the employment of Husserl’s epoché distorts the authentic voice of the ordinary—a (...) voice that is clearly audible only from within everyday life. For (pace both Cavell and Rosen) there is no single voice of the ordinary: There are many such voices, not all of which are to be relied upon. Therefore, if we want to achieve an adequate grasp of ordinary experience, and Rosen does want this, we precisely need the epoché to curtail the misleading messages of certain other voices of the ordinary. Moreover, and somewhat surprisingly, this positive evaluation of the Husserlian epoché finds support in Heidegger’s writings from the twenties. I argue that Heidegger, too, believed that the epoché was an indispensable tool for the philosophical attempt to capture ordinary experience. (shrink)