Results for ' the arts'

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  1. The Aesthetic Discourse of the Arts Breaking the Barriers.Anna-Teresa Tymieniecka & Fine Arts Aesthetics American Society for Phenomenology - 2000 - Kluwer Academic.
     
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  2.  11
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what extent formal (...)
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  3.  69
    Lord Kelvin and the age-of-the-earth debate: a dramatization.Art Stinner & Jürgen Teichmann - 2003 - Science & Education 12 (2):213-228.
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  4.  48
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  5.  21
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  6.  29
    Going Far by Going Together: James M. Buchanan’s Economics of Shared Ethics.Art Carden, Gregory W. Caskey & Zachary B. Kessler - 2022 - Business Ethics Quarterly 32 (3):359-373.
    We explore themes in Nobel Prize–winning economist James M. Buchanan’s work and apply his Ethics and Economic Progress to problems facing individuals and firms. We focus on Buchanan’s analysis of the individual work ethic, his exhortations to “pay the preacher” of the “institutions of moral-ethical communication,” and his notion of law as “public capital.” We highlight several ways people with other-regarding preferences can contribute to social flourishing and some of the ways those who have “affected to trade for the public (...)
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  7.  8
    Throw your stuff off the plane: achieving accountability in business and life.Art Horn - 2017 - Toronto, Ontario: Dundurn.
    Helps individual readers to overcome procrastination and build self-esteem Reveals how to create a culture of accountability, and how to hold someone accountable Gives leaders a step-by-step process for helping team members become more self-responsible Explains commitment reluctance and how to encourage self-responsibility among team members Uncovers why we blame others and shows how to defeat a blame culture Provides an easy read with no consultant-speak In recent years, HORN Training and Consulting was awarded the distinguished Gold Medal by the (...)
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  8. Schools and the "hidden curriculum".Art Kleiner - 2006 - In Francis Martin Duffy (ed.), Power, Politics, and Ethics in School Districts: Dynamic Leadership for Systemic Change. Rowman & Littlefield Education.
     
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  9. The Pastoral Ideal in Martial, Book 10.Art L. Spisak - 2002 - Classical World: A Quarterly Journal on Antiquity 95 (2).
     
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  10.  37
    The Market's Benevolent Tendencies.Art Garden - 2005 - In Nicholas Capaldi (ed.), Business and Religion: A Clash of Civilizations? M & M Scrivener Press. pp. 55.
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  11.  6
    Developing the Clarity and Openness in Reporting: E3-based (CORE) Reference user manual for creation of clinical study reports in the era of clinical trial transparency.Art Gertel, Anna Shannon, Walther Seiler, Debbie Jordan, Tracy Farrow, Vivien Fagan, Graham Blakey, Aaron B. Bernstein & Samina Hamilton - 2016 - Research Integrity and Peer Review 1 (1).
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  12. The central problem of the aesthetics of nature.Art Criticism - forthcoming - Environmental Ethics: Divergence and Convergence.
     
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  13. The fayum portraits.Greco-Roman Art - 1996 - Minerva 7:57-8.
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  14.  1
    Relevant Science: Sts-Oriented Science Courses for All the Students.Art Hobson - 1996 - Bulletin of Science, Technology and Society 16 (1-2):13-15.
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  15.  25
    On Peirce's Denial of the Law of Contradiction.Art Skidmore - 1982 - Philosophical Topics 13 (9999):101-107.
  16.  66
    Isolation, Loneliness and the Falsification of Reality.Brad Art - 1992 - International Journal of Applied Philosophy 7 (1):31-36.
  17. Interpretation in Science and in the Arts.Art as Representation - 1993 - In George Levine (ed.), Realism and Representation. University of Wisconsin Press.
     
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  18. Autism, and Cognitive Style: Implications for the Evolution of Language.Upper Paleolithic Art - 2006 - Semiotica 162 (1):4.
     
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  19.  62
    Between assured destruction and nuclear victory: The case for the "mad-plus" posture.Robert J. Art - 1985 - Ethics 95 (3):497-516.
  20. Against the sociology of art.Aesthetic Versus Sociological & Explanations of Art Activities - 2002 - Philosophy of the Social Sciences 32 (2):206-218.
  21. Art and the Man.The Editor The Editor - 1949 - Pacific Philosophical Quarterly 30 (2):117.
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  22.  6
    Designing experiments informed by observational studies.Art B. Owen & Evan T. R. Rosenman - 2021 - Journal of Causal Inference 9 (1):147-171.
    The increasing availability of passively observed data has yielded a growing interest in “data fusion” methods, which involve merging data from observational and experimental sources to draw causal conclusions. Such methods often require a precarious tradeoff between the unknown bias in the observational dataset and the often-large variance in the experimental dataset. We propose an alternative approach, which avoids this tradeoff: rather than using observational data for inference, we use it to design a more efficient experiment. We consider the case (...)
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  23. Le tournant numérique de l'esthétique.Nicolas Thély - 2019 - [Montpellier]: Publie.net.
     
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  24.  2
    Understanding Texts.Art Graesser & Pam Tipping - 2017 - In William Bechtel & George Graham (eds.), A Companion to Cognitive Science. Oxford, UK: Blackwell. pp. 324–330.
    Adults spend most of their conscious life speaking, comprehending, writing, and reading discourse. It is entirely appropriate for cognitive science to investigate discourse especially as transmitted texts or printed media, such as books, newspapers, magazines, and computers. However, there is another reason why text understanding has been one of the prototypical areas of study in cognitive science: Interdisciplinary work is absolutely essential. As cognitive scientists have unraveled the puzzles of text comprehension, they have embraced the insights and methodologies from several (...)
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  25.  25
    Truth in Myth and Science.Art Stawinski - 2005 - Dialogue and Universalism 15 (1-2):71-78.
    We humans are a curious species. Of all the life forms that inhabit the earth, we alone strive to make sense of the world in which we find ourselves. For thousands of years we understood the world through stories. Our ancestors told stories of how the world began, how our people originated and came to be at this place, and how those people across the river or beyond the mountains came to be where they are. Some stories were of animals (...)
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  26.  80
    Stain removal: On race and ethics.Art Massara - 2007 - Philosophy and Social Criticism 33 (4):498-528.
    What role does race play in the moral judgment of character? None, ideally, philosophers insist, contending that the proper assessment of an action requires that we disregard any social values associated with the body performing it. What rightly comes under evaluation, they assert, is the neutral, abstract deed irrespective of the race of the agent. Only under these conditions, presumably, can we gauge true moral worth. Reading together Immanuel Kant and Frantz Fanon on ethics and race, I propose instead that (...)
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  27.  4
    A Grand Strategy for America.Robert J. Art - 2004 - Manas Publications.
    Discusses about selective engagement as the most desirable strategy for contemporary America, stating that it is the one that seeks to forestall dangers, not simply to react to them; that is politically viable; at home and abroad; and that protects US interests.
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  28.  14
    Pierre Bourdieu.Middlebrow Art - 1999 - In Jessica Evans & Stuart Hall (eds.), Visual Culture: The Reader. Sage Publications in Association with the Open University. pp. 162.
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  29. Relation of Religion to Art, The.The Editor The Editor - 1876 - Journal of Speculative Philosophy 10:204.
     
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  30.  11
    A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection.Pratapaditya Pal, Stephen Little & Art Institute of Chicago - 1997 - Thames & Hudson.
    One of the finest private collections of Indian, Himalayan and Southeast Asian art in America is owned by James and Marilynn Alsdorf. This catalogue provides an opportunity for individuals other than scholars and specialists to view the works of art.
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  31. Art as the Measure of Man.Bruno Bettelheim, Irwin Edman, George Dinsmore Stoddard & National Committee on Art Education - 1964 - [Published by] the Museum of Modern Art for the National Committee on Art Education; Distributed by Doubleday, Garden City, N. Y.
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  32. Chapter Ten Art Constructs as Generators of the Meaning of the Work of Art Viktor F. Petrenko and Olga N. Sapsoleva.Art Constructs as Generators - 2007 - In L. I͡A Dorfman, Colin Martindale & Vladimir Petrov (eds.), Aesthetics and Innovation. Cambridge Scholars Press.
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  33.  4
    The Problem of Meaning in Early Chinese Ritual Bronzes.Graham Hutt, Rosemary E. Scott, William Watson & Percival David Foundation of Chinese Art - 1971
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  34.  48
    The half-life of cognitive-affective states during complex learning.Sidney D'Mello & Art Graesser - 2011 - Cognition and Emotion 25 (7):1299-1308.
  35.  17
    Negotiating Rapture: The Power of Art to Transform Lives.Richard Francis, Homi K. Bhabha, Yve Alain Bois & Museum of Contemporary Art - 1996
    Bhabha, Georges Didi-Huberman, David Morgan and Lee Siegel, as well as a series of focused contributions by Yve-Alain Bois, Wendy Doniger, Kenneth Frampton, Martin E. Marty, John Hallmark Neff, Annemarie Schimmel, and Helen Tworkov consider how rapture resonate's both in a cultural context and within the experience of a single human being.
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  36.  11
    On the Passage of a Few People Through a Rather Brief Moment in Time: The Situationist International, 1957-1972.Centre Pompidou, Elisabeth Sussman, Peter Wollen, Institute of Contemporary Art, Greil Marcus, Musée National D'art Moderne, Mark Francis, Tom Levin, Mirella Bandini & Troels Anderson - 1989 - MIT Press (MA).
    These photographs, essays, drawings, and original texts document the rich agit-art legacy of the Situationist International, a group of European artists and writers who emerged from such avant-garde movements as COBRA, Lettrisme, and the Imaginary Bauhaus and from the breakup of surrealism to launch a strategy of art as cultural critique.
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  37.  67
    A software agent model of consciousness.Stan Franklin & Art Graesser - 1999 - Consciousness and Cognition 8 (3):285-301.
    Baars (1988, 1997) has proposed a psychological theory of consciousness, called global workspace theory. The present study describes a software agent implementation of that theory, called ''Conscious'' Mattie (CMattie). CMattie operates in a clerical domain from within a UNIX operating system, sending messages and interpreting messages in natural language that organize seminars at a university. CMattie fleshes out global workspace theory with a detailed computational model that integrates contemporary architectures in cognitive science and artificial intelligence. Baars (1997) lists the psychological (...)
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  38.  3
    Critical review of the TransCelerate Template for clinical study reports (CSRs) and publication of Version 2 of the CORE Reference (Clarity and Openness in Reporting: E3-based) Terminology Table. [REVIEW]Art Gertel, Walther Seiler, Debbie Jordan, Tracy Farrow, Vivien Fagan, Graham Blakey, Aaron B. Bernstein & Samina Hamilton - 2019 - Research Integrity and Peer Review 4 (1).
    BackgroundCORE (Clarity and Openness in Reporting: E3-based) Reference (released May 2016 by the European Medical Writers Association [EMWA] and the American Medical Writers Association [AMWA]) is a complete and authoritative open-access user’s guide to support the authoring of clinical study reports (CSRs) for current industry-standard-design interventional studies. CORE Reference is a content guidance resource and is not a CSR Template.TransCelerate Biopharma Inc., an alliance of biopharmaceutical companies, released a CSR Template in November 2018 and recognised CORE Reference as one of (...)
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  39.  17
    The ethnographer as a trader.Piret Koosa & Art Leete - 2006 - Sign Systems Studies 34 (2):387-401.
    Collecting ethnographic items for the Estonian National Museum has been linked to the practice of buying objects during fieldwork. Often we can find metaphors or expressions connected with trading in the Komi fieldwork diaries. Comparing ethnographers with merchants is a stereotypical way of describing the activities of Estonian researchers in the field. If ethnographers use, in their diaries, metaphors and expressions connected to trading, it may be just a spontaneous phrasing or inter-textual play of words. Inside the community of Estonian (...)
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  40.  13
    The ethnographer as a trader.Piret Koosa & Art Leete - 2006 - Sign Systems Studies 34 (2):387-401.
    Collecting ethnographic items for the Estonian National Museum has been linked to the practice of buying objects during fieldwork. Often we can find metaphors or expressions connected with trading in the Komi fieldwork diaries. Comparing ethnographers with merchants is a stereotypical way of describing the activities of Estonian researchers in the field. If ethnographers use, in their diaries, metaphors and expressions connected to trading, it may be just a spontaneous phrasing or inter-textual play of words. Inside the community of Estonian (...)
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  41.  4
    Szabályokon innen és túl: művészeti, művészetelméleti esszék és tanulmányok.Andrea Máthé - 2017 - Budapest: L'Harmattan.
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  42. The Russian Avant-Garde Book, 1910-1934.Margit Rowell, Deborah Wye & N. Museum of Modern Art York - 2002
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  43.  27
    Introduction: Footprints in the Snow.Don Metz & Art Stinner - 2005 - Science & Education 14 (3):5-6.
  44.  5
    Gardens and the Passion for the Infinite.Fine Arts Aesthetics International Society for Phenomenology & Anna-Teresa Tymieniecka - 2003 - Springer Verlag.
    This handsomely produced volume contains 22 contributions from international scholars, which were originally presented at the 2000 Conference of the International Society for Phenomenology, Fine Arts, & Aesthetics. The papers center around the theme of gardens and include a wide range of topics of interest to phenomenologists but also, perhaps, to gardeners with a philosophical bent. A sampling of topics: Leonardo's Annunciation Hortus Conclusus and its reflexive intent; hatha yoga--a phenomenological experience of nature; the Chinese attempt to miniaturize the (...)
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  45.  27
    Aluminum toxicity and behavior in the weanling Long-Evans rat.B. Michael Thorne, Art Cook, Tim Donohoe, Steve Lyon, Denis M. Medeiros & Chris Moutzoukis - 1987 - Bulletin of the Psychonomic Society 25 (2):129-132.
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  46. Jeremy Smith [Catalog of the Exhibition Held at] Fischer Fine Art Ltd., London, 6 February-9 March 1979 [and] Mira Godard Gallery, Toronto, 28 April-19 May 1979.Jeremy Smith & Ont Fischer Fine Art Limited - 1979 - [Fischer Fine Art Ltd.,].
     
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  47.  12
    Behavioral differences between killer and nonkiller rats.B. Michael Thorne, Art S. Patterson & Jeff S. Topping - 1975 - Bulletin of the Psychonomic Society 6 (2):152-154.
  48.  4
    The Analysis of Art.De Witt H. Parker & N. Metropolitan Museum of Art York - 1926 - Yale University Press H. Milford, Oxford University Press.
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  49.  7
    The Aesthetics of Enchantment in the Fine Arts.Marlies Kronegger, Anna-Teresa Tymieniecka & Fine Arts Aesthetics American Society for Phenomenology - 2000 - Springer Verlag.
    Published under the auspices of The World Institute for Advanced Phenomenological Research and Learning, 19 essays document the April 1998 international congress held at Harvard University. They ponder on such topics as the phenomenology of the experience of enchantment, Leonardo's enchantress, the ambiguous meaning of musical enchantment in Kant's Third Critique, art and the reenchantment of sensuous human activity, the creative voice, the allure of the Naza, Henri Matisse's early critical reception in New York, Zizek's sublimicist aesthetic of enchanted fantasy, (...)
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  50.  6
    Discourses on Painting and the Fine Arts, Delivered at the Royal Academy.Joshua Reynolds, Jones & Co & Royal Academy of Arts Britain) - 2023 - Legare Street Press.
    As the first President of the Royal Academy of Arts, Joshua Reynolds played a pivotal role in shaping the course of British art in the 18th century. In these discourses, Reynolds reflects on the nature of art, the role of the artist, and the importance of aesthetic education. With insightful commentary on the works of the Old Masters and a wealth of practical advice for aspiring artists, this volume is a must-read for anyone interested in the history of art (...)
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