Machine generated contents note: 1.Lost Spaces -- Sandy Island -- Leningrad -- Arne -- Old Mecca -- New Moore -- Time Landscape -- The Aralqum Desert -- 2.Hidden Geographies -- The Labyrinth -- Zheleznogorsk -- The Underground Cities of Cappadocia -- Fox Den -- North Cemetery, Manila -- North Sentinel Island -- 3.No Man's Lands -- Between Border Posts (Guinea and Senegal) -- Bir Tawil -- Nahuaterique -- Twayil Abu Jarwal -- Traffic Island -- 4.Dead Cities -- Wittenoom -- Kangbashi (...) -- Kijong-dong -- Aghdam -- Pripyat -- The Archaeological Park of Sicilian Incompletion -- 5.Spaces of Exception -- Camp Zeist -- Geneva Freeport -- Bright Light, 4 Mures Street, Bucharest -- International Airspace -- Gutterspace -- Bountiful -- Mount Athos -- Ranch of Sprouts: Brotas Quilombo -- FARC-controlled Colombia -- Hobyo -- 6.Enclaves and Breakaway Nations -- Baarle-Nassau and Baarle-Hertog -- Chitmahals -- Sealand -- United Kingdom of Lunda Tchokwe -- Gagauzia -- 7.Floating Islands --. (shrink)

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This article offers an analysis of the construction and deployment of the ideas of ‘the West’ and ‘tradition’ in the social commentary of Ashis Nandy. It argues that Nandy's ‘critical’ defence of tradition is framed and animated by occidentalism and renders tradition into a paradoxical space of redemption and innocence. The first part of the paper shows that Nandy's nativist narratives of loss and his suspicion of political ideologies place him both in and against post-colonial cultural politics. The second section (...) examines and illustrates the mutually defining nature of occidentalism and traditionalism. It is shown that Nandy's stereotypes of authentic Indian culture undermine the critical capabilities of his ‘critical traditionalism’. Part three explores Nandy's dilemmas further by reference to his attempts to align tradition with reflexivity. (shrink)

This article argues that British psychogeography is an arena of conflict between two important and unresolved strands within radicalism: the use of the past to critique industrial modernity and the suppression of nostalgia. The article begins by outlining the emergence of nostalgia as a site of dilemma and creativity within political radicalism. It is shown that as nostalgia became marginalized within mainstream radicalism it became available as a provocative resource for `counter-cultural' interventions. The article then turns to how the dilemma (...) of nostalgia is negotiated within two forms of contemporary British psychogeography, the travel narratives of Iain Sinclair and the activities of revolutionary psychogeographical groups. Within Sinclair's travel books the modern landscape becomes a site of creative purgatory, a necessary violence that simultaneously anchors the writer in modernism while establishing marginal histories and spaces as expressions of cultural and social loss. In revolutionary psychogeography nostalgia is also refused and deployed. However, this process is enacted in a different way and to different ends. The development of `magico-Marxism' encapsulates the novelty but also the folk-historical inclinations of this project. (shrink)

This text offers readers a short and highly accessible account of the ideas and concepts constituting geography. Drawing out the key themes that define the subject, What is Geography? demonstrates how and why these themes - like environment and geopolitics- are of fundamental importance. Including discussion of both the human and the natural realms, the text looks at key themes like environment, space, and place - as well as geography's methods and the history of the discipline. Introductory but not simplified, (...) What is Geography? will provide students with the ability to understand the history and context of the subject without any prior knowledge. Intended Audience: Designed as a key transitional text for students entering undergraduate courses, this book will be of interest to all readers interested in and intrigued by the "geographical imagination.". (shrink)