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Angela Curran [19]Andrew Curran [3]Angela F. Curran [1]
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Profile: Angela Curran (Carleton College)
  1.  73
    Brecht's Criticisms of Aristotle's Aesthetics of Tragedy.Angela Curran - 2001 - Journal of Aesthetics and Art Criticism 59 (2):167–184.
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  2.  38
    Medium-Involving Explanations and the Philosophy of Film.Angela Curran - 2012 - British Journal of Aesthetics 52 (2):191-195.
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  3.  35
    “Form as Norm: Aristotelian Essentialism as Ideology (Critique),”.Angela Curran - 2000 - Apeiron 33 (4):327-364..
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  4.  36
    Review: Cinema, Philosophy, Bergman: On Film as Philosophy by Livingston, Paisley. [REVIEW]Angela Curran - 2011 - Journal of Aesthetics and Art Criticism 69 (2):253-255.
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  5.  28
    Utilitarianism and Future Mistakes: Another Look.Angela Curran - 1995 - Philosophical Studies 78 (1):71 - 85.
  6.  17
    Brecht.Angela Curran - 2008 - In Paisley Livingston & Carl Plantinga (eds.), Routledge Companion to the Philosophy of Film. Routledge.
    This paper focuses on philosophical issues regarding Bertolt Brecht's engagement with film. Topics that are discussed include: Brecht's influence on filmmaking and film theory; the claim that Brecht held that mainstream films place viewers under the "illusion" that what they are watching on screen is real; Brecht's rejection of empathy; and the linkage of film form and socially critical content.
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  7. Feminism and the Narrative Structures of Aristotle’s Poetics.Angela Curran - 1998 - In Cynthia Freeland (ed.), Re-Reading the Canon: Feminist Readings on Aristotle. Pennsylvania State University Press.
  8.  17
    Review of Dan Flory, Philosophy, Black Film, Film Noir[REVIEW]Angela Curran - 2009 - Notre Dame Philosophical Reviews 2009 (3).
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  9.  10
    Gender.Angela Curran & Carol Donelan - 2008 - In Paisley Livingston & Carl Plantinga (eds.), Routledge Companion to the Philosophy of Film. Routledge.
    "Gender" is a term that refers to the behavioral, social and psychological traits typically associated with being male or female. This article examines some central issues in the study of gender in film, including the link between filmic conventions and social ideology; gender and the viewer's emotional response to film; and challenges by cognitivist philosophers of film to the claim that movies effect the viewer through mobilizing unconscious responses.
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  10.  9
    Aristotelian Reflections on Horror and Tragedy in an American Werewolf in London and the Sixth Sense.Angela Curran - 2003 - In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press. pp. 47--64.
    Can horror films be tragic? From an Aristotelian point of view, the answer would seem to be no. For it is hard to see how a film that places a monster at the center of the plot could evoke pity and fear in the audience. This paper argues that some films belong to both horror and tragedy, and so can be accommodated as tragedies according to Aristotle's framework in the Poetics.
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  11.  8
    Sovereign Virtue.Angela Curran - 1995 - International Studies in Philosophy 27 (2):143-144.
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  12.  2
    Rethinking Race History: The Role of the Albino in the French Enlightenment Life Sciences1.Andrew Curran - 2009 - History and Theory 48 (3):151-179.
    The scholarly quest to recover the construction of racial difference in the Enlightenment-era life sciences generally overlooks a singular fact: the vast majority of eighteenth-century thinkers who were engaged in theorizing the human were often far more preoccupied with preserving a belief in an essential human sameness than they were in creating categories of essential difference. This article charts the problem of a potential human sameness as it related to questions of category, biological processes, and the human and non-human through (...)
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  13. Aristotle.Angela Curran - 2012 - In Alessandro Giovannelli (ed.), Aesthetics: The Key Thinkers. pp. 21-33.
  14. Form as Norm: Aristotelian Essentialism as Ideology.Angela Curran - 2000 - Apeiron 33 (4):327-364.
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  15. Fictional Indeterminacy, Imagined Seeing, and Cinematic Narration.Angela Curran - 2016 - In Katherine Thomson-Jones (ed.), Current Controversies in the Philosophy of Film. Routledge. pp. 99-114.
    This paper focuses on the debate over two central claims regarding cinematic narration: the claim that there are implicit cinematic narrators and the thesis that when we watch movies, we imagine seeing the events and characters in the film fiction. I examine what a consideration of the indeterminate nature of fictional narration, that is, what is specified by the fiction about how we come to imagine the story events, can contribute to the debate on these issues. It is argued that (...)
     
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  16.  1
    Issues in Aristotelian Essentialism.Angela F. Curran - 1992 - Dissertation, University of Massachusetts Amherst
    Scholars agree that Aristotle held a view that has been called "Aristotelian Essentialism" , but disagree about what this thesis entails. I reconstruct as the view that there are certain individuals, namely substances, that have essences, and that essences are to be understood as "explanatorily basic" features of an individual--features of an individual substance that serve as part of a scientific explanation of the presence of other features of that individual, but are not themselves explained in this way. When Aristotle's (...)
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  17. Routledge Philosophy Guidebook to Aristotle and the Poetics.Angela Curran - 2015 - Routledge.
    Aristotle’s Poetics is the first philosophical account of an art form and is the foundational text in the history of aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle’s life and the background to the Poetics the ideas and text of the Poetics , including mimēsis ; poetic technē; the definition of tragedy; the elements of poetic composition; the Poetics’ recommendations for tragic (...)
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  18. Shadow of a Doubt: Secrets, Lies, and the Search for the Truth.Angela Curran - 2007 - In David Baggett & William Drummin (eds.), Hitchcock and Philosophy: Dial M for Metaphysic.
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  19. Sovereign Virtue: Aristotle on the Relation Between Virtue and Prosperity. [REVIEW]Angela Curran - 1995 - International Studies in Philosophy 27 (2):143-144.
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  20. The Philosophy of Film.Angela Curran (ed.) - 2005 - Wiley.
     
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  21.  43
    The Philosophy of Film: Introductory Text and Readings.Thomas E. Wartenberg & Angela Curran (eds.) - 2005 - Wiley-Blackwell.
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