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  1. A Common Sky: Philosophy and the Literary Imagination.A. D. Nuttall - 1976 - Mind 85 (338):312-315.
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  2.  5
    A Common Sky: Philosophy and the Literary Imagination.A. D. Nuttall - 1974 - [London]: University of California Press.
    This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
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  3. Hamlet: Conversations with the Dead'.A. D. Nuttall - 1989 - In Proceedings of the British Academy, Volume 74: 1988. pp. 53-69.
     
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    Realistic convention and conventional realism in Shakespeare.A. D. Nuttall - 1981 - History of European Ideas 1 (3):237-248.
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    William Empson and the Philosophy of Literary Criticism.A. D. Nuttall, Christopher Norris & William Empson - 1979 - Philosophical Quarterly 29 (117):380.
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    Book reviews. [REVIEW]A. D. Nuttall - 1979 - British Journal of Aesthetics 19 (4):375-377.
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    Book reviews. [REVIEW]A. D. Nuttall - 1988 - British Journal of Aesthetics 28 (2):375-377.
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    Book review: Why does tragedy give pleasure? [REVIEW]A. D. Nuttall - 1997 - Philosophy and Literature 21 (2).
  9.  2
    Francis Bacon. [REVIEW]A. D. Nuttall - 1968 - Philosophical Studies (Dublin) 17:314-315.
    Francis Bacon’s stock, high in the nineteenth century, has perceptibly declined in the twentieth; modern historians of ideas tend either to condemn him as a diabolical influence—the sleek middle-man who bartered the ancient ideal of objective knowledge for the banausic ideal of power—or else simply to dismiss him as negligible. Professor Rossi’s admirable book makes it impossible to rest in such easy assumptions. That Bacon followed the Renascence magicians in identifying knowledge and power is true, but the power he desired (...)
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    Francis Bacon. [REVIEW]A. D. Nuttall - 1968 - Philosophical Studies (Dublin) 17:314-315.
    Francis Bacon’s stock, high in the nineteenth century, has perceptibly declined in the twentieth; modern historians of ideas tend either to condemn him as a diabolical influence—the sleek middle-man who bartered the ancient ideal of objective knowledge for the banausic ideal of power—or else simply to dismiss him as negligible. Professor Rossi’s admirable book makes it impossible to rest in such easy assumptions. That Bacon followed the Renascence magicians in identifying knowledge and power is true, but the power he desired (...)
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  11. "The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century": Ernest B. Gilman. [REVIEW]A. D. Nuttall - 1979 - British Journal of Aesthetics 19 (4):375.
     
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  12. "The Psychology of Perspective and Renaissance Art": Michael Kubovy. [REVIEW]A. D. Nuttall - 1988 - British Journal of Aesthetics 28 (2):183.
     
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