24 found
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A. H. Hannay [23]A. Howard Hannay [1]
  1.  26
    III.—Primary and Secondary Qualities.A. H. Hannay - 1928 - Proceedings of the Aristotelian Society 29 (1):51-66.
  2.  25
    VI.—Is the Imagination Creative?A. H. Hannay - 1935 - Proceedings of the Aristotelian Society 36 (1):109-130.
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  3.  25
    XV.—Symposium: The Subject-Object Relation in the Historical Judgment.A. H. Hannay, H. Wildon Carr & T. P. Nunn - 1924 - Proceedings of the Aristotelian Society 25 (1):267-288.
  4.  18
    IV.—Is Art Subjective?A. H. Hannay - 1948 - Proceedings of the Aristotelian Society 48 (1):29-36.
  5.  28
    Seventh International Congress of Philosophy.A. H. Hannay - 1929 - The Monist 39 (4):639-639.
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  6.  15
    III.—Analysis of Wickedness.A. H. Hannay - 1944 - Proceedings of the Aristotelian Society 45 (1):59-70.
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  7.  12
    Artistic Form and the Unconscious.J. M. Thorburn, A. H. Hannay & P. Leon - 1934 - Aristotelian Society Supplementary Volume 13 (1):119-158.
  8.  12
    Action.A. H. Hannay - 1941 - Proceedings of the Aristotelian Society 42:141 - 150.
  9.  24
    The Concept of Art for Art's Sake.A. H. Hannay - 1954 - Philosophy 29 (108):44 - 53.
    THE cult of “art for art's sake,” which had a great vogue at the end of the last century, was, in pictorial art, set aside, or rather absorbed between the two wars by other cults of a similar nature, such as the cult of pure form, of plastic form, of cubism, and these in their turn have been pushed into the background by the sinister spectre of the unconscious. There are genuine problems behind these cults, and they are by no (...)
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  10.  7
    VII—Action.A. H. Hannay - 1942 - Proceedings of the Aristotelian Society 42 (1):141-150.
  11.  6
    Modern Philosophy.Radoslav A. Tsanoff, Guido de Ruggiero, A. Howard Hannay & R. G. Collingwood - 1922 - Philosophical Review 31 (1):96.
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  12.  6
    II.—The Realistic Basis of Contemporary Æsthetics.A. H. Hannay - 1932 - Proceedings of the Aristotelian Society 33 (1):29-46.
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  13.  3
    Symposium: Is Art a Form of Apprehension or a Form of Expression?John Macmurray, C. E. M. Joad & A. H. Hannay - 1925 - Aristotelian Society Supplementary Volume 5 (1):173 - 212.
  14.  11
    Is Art Subjective?A. H. Hannay - 1947 - Proceedings of the Aristotelian Society 48:29 - 36.
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  15.  4
    III.—Morality in Art.A. H. Hannay - 1931 - Proceedings of the Aristotelian Society 31 (1):37-54.
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  16.  6
    Morality in Art.A. H. Hannay - 1930 - Proceedings of the Aristotelian Society 31:37 - 54.
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  17. Is Art a Form of Apprehension or a Form of Expression?John Macmurray, C. E. M. Joad & A. H. Hannay - 1925 - Aristotelian Society Supplementary Volume 5:173-212.
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  18.  3
    VI.—Standards and Principles in Art.A. H. Hannay - 1921 - Proceedings of the Aristotelian Society 22 (1):105-122.
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  19.  3
    X.—Religion, Morality and Philosophy.A. H. Hannay - 1939 - Proceedings of the Aristotelian Society 40 (1):245-254.
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  20.  5
    Symposium: What Are the Distinctive Features of Arguments Used in Criticism of the Arts.A. H. Hannay, John Holloway & M. Macdonald - 1949 - Aristotelian Society Supplementary Volume 23 (1):165 - 194.
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  21.  1
    Institute Notes.J. A. Smith & A. H. Hannay - 1930 - Philosophy 5 (18):321-.
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  22. Symposium: Artistic Form and the Unconscious.A. H. Hannay & P. Leon - 1934 - Proceedings of the Aristotelian Society, Supplementary Volumes( 13:119-158.
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  23. Symposium: What Are the Distinctive Features of Arguments Used in Criticism of the Arts.A. H. Hannay, John Holloway & M. Macdonald - 1949 - Proceedings of the Aristotelian Society, Supplementary Volumes( 23:165-194.
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  24. Symposium: Is Art a Form of Apprehension or a Form of Expression?John Macmurray, C. E. M. Joad & A. H. Hannay - 1925 - Proceedings of the Aristotelian Society, Supplementary Volumes( 5:173-212.
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