Erich Fromm occupies a special place among the representatives of the Frankfurt School. Throughout nearly all of his creative life he systematically investigated the special problems of man from the standpoints of psychoanalysis, philosophical anthropology and social psychology. At the same time he is one of the most prominent advocates and "modifiers" of the psychoanalytic theory of Sigmund Freud. Fromm contributed a great deal, particularly in the period of his activity in the USA, to the conversion of this theory into (...) a sociological doctrine. While still in Germany he received his philosophical baptism in the setting of the Frankfurt School, where he became acquainted with the works of Karl Marx. (shrink)
Genomic research results and incidental findings with health implications for a research participant are of potential interest not only to the participant, but also to the participant's family. Yet investigators lack guidance on return of results to relatives, including after the participant's death. In this paper, a national working group offers consensus analysis and recommendations, including an ethical framework to guide investigators in managing this challenging issue, before and after the participant's death.
It is appropriate that this speech should be full of quotations from Roman drama. These offered the jurymen some compensation for their enforced absence from the theatrical performances of the Ludi Megalenses; on the very day when Cicero demolished Clodia's reputation in court, her brother Clodius, as curule aedile, was nearby presiding at the opening of the Ludi. Brother and sister both had a strong interest in the stage; in Pro Sestio 116 Clodius is described as ‘ipse ille maxime ludius, (...) non solum spectator sed actor et acroama, qui omnia sororis embolia novit’. In Pro Caelio 18 Cicero takes up Crassus' quotation of Ennius' Medea, ‘utinam ne in nemore Pelio …’ ends by calling Clodia ‘the Medea of the Palatine’. Clodius is made to address his sister in a trochaic septenarius, ‘quid clamorem exorsa verbis parvam rem magnam facis?’. A harsh parent is represented by a quotation from Caecilius, a gentle one by Micio from Terence's Adelphoe. Clodia herself is called ‘veteris et plurimarum fabularum poetriae’—this phrase should not be taken to mean that she had actually written plays—and in 65 the whole affair at the baths is likened to a mime with no satisfactory conclusion. (shrink)
When this work was first published in 1960, it immediately filled a void in Kantian scholarship. It was the first study entirely devoted to Kant's _Critique of Practical Reason_ and by far the most substantial commentary on it ever written. This landmark in Western philosophical literature remains an indispensable aid to a complete understanding of Kant's philosophy for students and scholars alike. This _Critique_ is the only writing in which Kant weaves his thoughts on practical reason into a unified argument. (...) Lewis White Beck offers a classic examination of this argument and expertly places it in the context of Kant's philosophy and of the moral philosophy of the eighteenth century. (shrink)
Мета. Проаналізувати в компаративному ключі філософські концепції людини, які запропоновані Людвіґом Вітґенштайном і Мартіном Гайдеґґером як основними представниками відповідно аналітичної і континентальної традиції філософування у ХХ столітті. Теоретичний базис дослідження визначений творчим доробком Вітґенштайна у сфері логічного і лінгвістичного аналізу, а також екзистенційними, герменевтичними і феноменологічними ідеями Гайдеґґера. Наукова новизна. На підставі аналізу філософських праць Вітґенштайна і Гайдеґґера реконструйовано вихідні принципи їхніх антропологічних концепцій в єдності трансцендентальних передумов, сутнісних основ і кореляцій до світу за умов техносфери. Продемонстровано, що попри відмінність (...) у трактуванні особливостей інтерпретації царини трансцендентального як позамовного і основних характеристик внутрішнього світу людини, обидва філософи наголошували на осмисленні людського буття через призму мови та на потребі антропологізації науки і техніки. Висновки. Вітґенштайн і Гайдеґґер висловили оригінальні міркування щодо природи людського буття, які цілковито відповідають базовим теоретико-методологічним принципам їхніх філософських концепцій. Перший з них акцентував увагу на тому, як мова віддзеркалює світ людини й слугує засобом вираження її знань та прагнень. Другий, навпаки, витлумачив світ як віддзеркалення мови, що виражає себе через людину. Як прихильник аналітичної методології й відповідно точності у формулюваннях, Вітґенштайн у процесі рефлексії щодо позамовного буття людини прийшов до концепту невимовного. А от в екзистенційному дискурсі Гайдеґґера, який сповнений метафор і неологізмів, буття людини обмежене концептом Ніщо. Як наслідок, зауважено, що онтологічний статус цінностей у Вітґенштайна є трансцендентальним щодо світу, а в Гайдеґґера – іманентним йому. Стверджено, що австрійський мислитель розвинув лінгво-психологічний підхід до вивчення людини через призму ментального, а німецький філософ осмислював людину в онтологічній площині через призму поняття самості. Продемонстровано, як обидва мислителі окреслювали виклики, що постають перед людиною у зв’язку з розвитком науки та техніки, й разом з тим наголошували на важливості обґрунтування їхніх антропологічних основ. (shrink)
As its subtitle indicates, Democracy’s Discontent is a study of the political philosophies that have guided America’s public life. The “search” Michael Sandel describes has, in his view, temporarily come to a disappointing resolution in America’s acceptance of a liberal “public philosophy” that “cannot secure the liberty it promises” and has left Americans “discontented” with their “loss of self-government and the erosion of community”. This theme is unlikely to surprise readers familiar with Sandel’s earlier work. What may surprise them is (...) how little of Sandel’s second book is devoted to his critique of liberal theory or to his defense of his favored “republican” alternative. Far less than 10 percent of the book is devoted to characterizing liberal and republican political philosophy and to argument concerning their relative theoretical virtues. The body of Democracy’s Discontent is a history of American Constitutional law and political/economic debate, from pre-Revolutionary times to the Clinton presidency, all designed to show that the republican vision that has animated so much of that history has been recently abandoned to our detriment, replaced by a liberal public philosophy whose dramatic failure in practice “recapitulates” its “poverty in theory”. Sandel’s history is lively and engaging, and many of his analyses are insightful and persuasive. But the looseness in his treatment of theory regularly infects the conclusions he draws from this history and undermines his efforts to show that American political practice indicts liberal political philosophy. (shrink)
In the course of his dispute with Conington on the comparative merits of Catullus and Horace, Munro taxed the Augustans with having made the lyric of the heart impossible in Latin by their virtual exclusion of diminutives from the language of poetry; and, whether that is the result or no, the general fact that diminutives are rare in the serious poetry of the Augustan age is well known. The details, however, are less easy to come by. Stolz and Stolz-Schmalz devote (...) a few unilluminating lines to the Stilistik of diminutives: otherwise the grammars and the treatises on diminutives known to me concern themselves only with forms and meanings. Except for a note by Professor Housman which, at 4. 927, sets out Manilius's diminutives, I know of no collections for any Augustan poet, and it is perhaps worth while therefore to state the facts. I have not indeed read through Augustan poetry for the purpose, but for some time past I have been in the habit of noting such diminutives as I have come across in the course of reading, and these lists I have now checked and amplified from the indexes to the authors concerned. My lists are probably not complete, but I hope they are sufficiently near it to present a true picture of the position. (shrink)
On p. 118 I said that the injunction of Pythagoras παρà θνσíαν μxs22EF xs22EFννχíζον, quoted by Goettling with a false reference, might be illuminating in its context but that I suspected it of being a figment. My suspicions were unfounded. The reference, as Mr. A. B. Cook has kindly pointed out to me, is Iambl. Protrept. 364 K.; but Iamblichus's explanation—that ‘nails’ stands for one's remoter kinsfolk, οíον xs22EFνεψιáδαι xs22EF πατραδxs22EFλφων γαμβρονοτιδεîς xs22EF τοιοντοí τινες, with whom one should renew relations (...) on festal days—does not seem very helpful. (shrink)
THE surviving century of epigrams by this tedious writer was edited with a commentary by J. Geffcken in 1896, and they were included in A. Veniero's Poeti de l'Antol. Pal. and A. Olivieri's Epigrammatisti Gr. d. Magna Grecia, but the inquirer who is not content with Geffcken's explanations or with his frequent silences will rarely find satisfaction in Veniero, and Olivieri's comments are almost exclusively translated from Geffcken. I have not a great deal to offer by way of supplement, but (...) as a preliminary it may be worth while to consider the five epigrams which have been held to throw light on the poet's date, and first A.P. 6. 334, on which the authorities rely with varying degrees of confidence for placing his birth in or before 315 B.C. (shrink)
The last epigrammatist named by Meleager as contributing to his Garland is Phanias, who, with Meleager's customary irrelevance, is said to be represented there by cornflowers. No inferences can be drawn from his place in the catalogue, which is neither chronological nor topographical in arrangement, and with one possible exception the epigrams give no hint of his home or date. In A.P. 6. 299.
A. Agreement of Participle Masculine takes precedence over feminine: e.g.In the first two examples the participle may be conceived of as agreeing with the nearer of the two subjects, since it is expressed in the masculine singular. Likewise,refers specifically to. But the third example, in which the participle is in the masculine plural, clearly demonstrates the usual preference for masculine.
I Begin with quotations from two authoritative works, both of which require modification in the light of the evidence which I have assembled concerning the language of the inscriptions of Attica of the period 323–146 B.C. These quotations are: LSJ s.v. B: ‘in early Attic inscriptions only is used …; without only once in cent, iv B.C., IG 22. 226. 42, after which it becomes gradually prevalent.’ This is very near the truth. Goodwin, Moods and Tenses, § 328: ‘ final (...) with the subjunctive appears first in Aeschylus, and remains in good use in Attic poetry and prose, being almost the only final expression found in the formal language of the Attic inscriptions.’ This, although absolutely correct in relation to the fifth and fourth centuries, is too sweeping for the period 299–146 B.C., and definitely misleading for the period after 146 B.C. (shrink)
The poem to which Callierges attached the title Hρακλσ ΛεοντοφῸνοσ from the narrative which occupies its last hundred lines falls into three sections, of which two have still, and all no doubt had originally, separate titles. In the first Herakles is found in conversation with a rustic who describes to him the estates of Augeias and accompanies him in search of that king. In the second the hero, in attendance on Augeias and his son Phyleus, inspects the royal flocks and (...) herds as they return at night to their folds and byres, and astonishes the spectators by the ease with which he repels the attack of a mighty bull. In the third Herakles and Phyleus are discovered on their way to the neighbouring town. Phyleus has heard from an Achaean stranger some account of the death of the Nemean lion, suspects that its slayer may have been his companion, and questions him. Herakles in reply tells the story. The poem exhibits the same conception of epic narrative as is seen in the authentic works of Theocritus. There is the eye for landscape and the attention to setting conspicuous in Id. 13 and in Part 2 of Id. 22: the keying down of the miraculous and heroic conspicuous in Id. 24: the easy command and constant memory of Homer which is in T. not confined to epic subjects. There is, too, at leaste point of contact with Callimachus. Part 1, as has been said, is occupied by a conversation between a friendly rustic and Herakles, who, we must suppose, is seeking Augeias in order to clean out his cattle-byres. We know next to nothing of what passed in the Hekale of Calhmachus between that heroine and Theseus on his way to deal with the bull of Marathon, and nothing of what passed in the Aetia between Molorchos and Herakles on his way to kill the lion of Nemea; but both Hekale and Molorchos were treated as poor countryfolk who befriend a hero bound on a heroic mission, and, whatever may have been the divergences of handling, the agreement between the two poets in this far from obvious method of attacking an epic theme is noteworthy. (shrink)
The poem to which Callierges attached the title Hρακλσ ΛεοντοφῸνοσ from the narrative which occupies its last hundred lines falls into three sections, of which two have still, and all no doubt had originally, separate titles. In the first Herakles is found in conversation with a rustic who describes to him the estates of Augeias and accompanies him in search of that king. In the second the hero, in attendance on Augeias and his son Phyleus, inspects the royal flocks and (...) herds as they return at night to their folds and byres, and astonishes the spectators by the ease with which he repels the attack of a mighty bull. In the third Herakles and Phyleus are discovered on their way to the neighbouring town. Phyleus has heard from an Achaean stranger some account of the death of the Nemean lion, suspects that its slayer may have been his companion, and questions him. Herakles in reply tells the story. The poem exhibits the same conception of epic narrative as is seen in the authentic works of Theocritus. There is the eye for landscape and the attention to setting conspicuous in Id. 13 and in Part 2 of Id. 22: the keying down of the miraculous and heroic conspicuous in Id. 24: the easy command and constant memory of Homer which is in T. not confined to epic subjects. There is, too, at leaste point of contact with Callimachus. Part 1, as has been said, is occupied by a conversation between a friendly rustic and Herakles, who, we must suppose, is seeking Augeias in order to clean out his cattle-byres. We know next to nothing of what passed in the Hekale of Calhmachus between that heroine and Theseus on his way to deal with the bull of Marathon, and nothing of what passed in the Aetia between Molorchos and Herakles on his way to kill the lion of Nemea; but both Hekale and Molorchos were treated as poor countryfolk who befriend a hero bound on a heroic mission, and, whatever may have been the divergences of handling, the agreement between the two poets in this far from obvious method of attacking an epic theme is noteworthy. (shrink)
When Erysichthon, son of Triopas, persisted in felling trees in a grove sacred to Demeter the goddess inflicted on him an insatiable appetite, the consequences of which are brilliantly recounted by Callimachus in his sixth Hymn. Among them is a vain appeal from Triopas to his father Poseidon either to cure or else to feed his grandson, who has devoured the mules, the heifer which his mother was rearing for sacrifice, the racehorse, and the charger.
The scholiasts supposed that it was Zeus, not Strife, who dwells γαíνσ Έν ŕίζησι, and Paley has punctuated the line accordingly. I do not in any case doubt that he is wrong, but if the Theogony is evidence, he can almost be proved so. In the Theogony the γης ŕίσα;ι are a kind of suburb of Tartarus, from which the author does not very clearly distinguish them. In his useful though somewhat desultory gazetteer of those districts he says that Styx (...) dwells there apart from the gods, and that Iris only comes down when there are oaths to be administered in Olympus. Clearly Zeus is not at home in such a place. Strife herself is not enumerated in the Theogony among the residents, but her family is. Whatever she may be elsewhere, both in the Works and Days and in the Theogony she is the daughter of Night; and in the Theogony not only Night but also her two sons Sleep and Death reside in the district. Strife may appropriately keep them company. (shrink)
Some day, it may be, a betterGreek scholar and more skilful emendator than I will summon to hisaid from among scientists familiar with the Levant a botanist, aherbalist, a herpetologist, and an entomologist, empanel forconsultations a small body of medical men who have practised in theNear East, and produce an annotated text and translation of Nicander;and when this has been done it will be possible to read him, notindeed with pleasure, but with a good deal less labour and vexationthan attend (...) the process at present. Meanwhile, those whose dutyobliges them to struggle through the Theriaca andAlexipharmaca with the aids now available stand in no need ofthe injunction not to forget him which the author has appended tothose two poems. (shrink)
Some years ago, when discussing Theocr. 22. 177 sqq., I suggested that Theocritus had been a little careless in envisaging the circumstances which he is describing, and had written as though a duel normally resulted in the deaths of both combatants. That still seems to me the probable explanation of the difficulty with which I was dealing, and, as I then said, the oversight with which I charged Theocritus is venial enough, for in fact two deaths result from the particular (...) duel which he is about to describe. He is concerned with the drama, not with the setting, and if the setting proves to be of cardboard, the play is after all the thing. (shrink)
One of the clearest phonological developments of the language of Attic inscriptions of the Hellenistic period down to the end of the second century B.C. is the change. I have studied this phenomenon with particular reference to the period 323–146 B.C., taking into account also the trends before 323 and after 146 B.C. down to the end of the pre- Christian era. The object of this article is to draw attention to the fact that in only one instance, the relative (...) pronoun, is there not a marked progressive increase in the frequency of at the expense of. (shrink)