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Alan H. Sommerstein [69]Alan Sommerstein [19]A. H. Sommerstein [17]A. Sommerstein [2]
  1.  17
    The Decree of Syrakosios.Alan H. Sommerstein - 1986 - Classical Quarterly 36 (01):101-.
    Our information about the Athenian politician Syrakosios is entirely derived from Ar. Birds 1297 and the scholia thereon. Syrakosios here figures among a long list of Athenians who are said to be nicknamed after various birds:δοκε δ κα ψήισμα τεθεικέναι μ κωμδεσθαι νομαστί τινα, ς Φρύνιχος ν Μονοτρόπ ησί [fr. 26 Kock]· “ψρ' χοι Συρακόσιον. πιανς γρ ατ κα μέγα τύχοι. είλετο γρ κωμδεν ος πεθύμουν.” διπικρότερον ατ προσέρονται, ς λάλ δ τν “ κίτταν” παρέθηκεν.
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  2.  17
    Aeschylus (B.) Deforge Une vie avec Eschyle. (Vérité des Mythes 35.) Pp. 304. Paris: Les Belles Lettres, 2010. Paper, €35. ISBN: 978-2-251-32458-6. [REVIEW]Alan H. Sommerstein - 2011 - The Classical Review 61 (2):380-381.
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  3.  10
    Eumenides.A. F. Garvie, Aeschylus & A. H. Sommerstein - 1991 - Journal of Hellenic Studies 111:219-220.
  4.  15
    Aristophanes And The Demon Poverty.A. H. Sommerstein - 1984 - Classical Quarterly 34 (02):314-.
    Aristophanes' last two surviving plays, Assemblywomen and Wealth, have long been regarded as something of an enigma. The changes in structure – the diminution in the role of the chorus, the disappearance of the parabasis, etc. –, as well as the shift of interest away from the immediacies of current politics towards broader social themes, can reasonably be interpreted as an early stage of the process that ultimately transformed Old Comedy into New, even if it is unlikely ever to be (...)
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  5.  17
    How to Avoid Being a Komodoumenos1.Alan H. Sommerstein - 1996 - Classical Quarterly 46 (02):327-.
    This paper is based on two separate, though partly overlapping, registers of male Athenian citizens known to have been in the public eye between theyears 432/1 and 405/4 B.C., inclusive. Register I comprises those who are known inthis period to have held important elective public office, or to have proposed andcarried resolutions in the Assembly; a total of 176 persons. These are singled out fromthe much wider range of ‘officials’, most of them chosen by lot, to be found in theprosopography (...)
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  6.  9
    How to Avoid Being a Komodoumenos.Alan Sommerstein - 1996 - Classical Quarterly 46 (2):327-356.
    This paper is based on two separate, though partly overlapping, registers of male Athenian citizens known to have been in the public eye between theyears 432/1 and 405/4 B.C., inclusive. Register I comprises those who are known inthis period to have held important elective public office, or to have proposed andcarried resolutions in the Assembly; a total of 176 persons. These are singled out fromthe much wider range of ‘officials’, most of them chosen by lot, to be found in theprosopography (...)
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  7.  21
    Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds.Alan H. Sommerstein & D. E. O'Regan - 1994 - Journal of Hellenic Studies 114:190-191.
  8.  17
    Aristophanes: Peace. Ed. And Comm. S.D. Olson. Oxford: Clarendon Press, 1998. Pp. Lxxiv + 330. £55. 0198140819.Alan H. Sommerstein & S. D. Olson - 2000 - Journal of Hellenic Studies 120:159-160.
  9.  18
    Aristophanes and the Events of 411.Alan H. Sommerstein - 1977 - Journal of Hellenic Studies 97:112-126.
  10.  14
    Aeschylus: Persians. [REVIEW]Alan H. Sommerstein & E. M. Hall - 1998 - Journal of Hellenic Studies 118:211-212.
  11.  16
    Political Comedy in Aristophanes.Alan H. Sommerstein & M. Heath - 1989 - Journal of Hellenic Studies 109:222-223.
  12.  17
    Notes on Aristophanes' Knights.A. H. Sommerstein - 1980 - Classical Quarterly 30 (01):46-.
    I do not think it is possible to show beyond reasonable doubt that the two slaves who open the play either must have been, or cannot have been, visually identifiable by portrait-masks or otherwise as Demosthenes and Nikias. I wish however to point out a piece of evidence that appears to have gone unnoticed.
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  13.  8
    Aristophanes: Myth, Ritual and Comedy.Alan H. Sommerstein & A. M. Bowie - 1994 - Journal of Hellenic Studies 114:188-189.
  14.  7
    Notes on Aristophes' Wasps.A. H. Sommerstein - 1977 - Classical Quarterly 27 (02):261-.
    An ambiguity in this passage apperas to have gone unnoticed. The ambiguity in line 27 is well known; and when Xanthias at once continues ‘But you tell me about yours’, many a listener might well not immediately realize that the noun to be supplied was from 25 rather than from 27, and might therefore momentarily suppose that Xanthias was saying ‘Tell me about your penis’; a supposition that would be temporarily confirmed when Sosias replied ‘It's a big one’. The reaction (...)
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  15.  11
    Once More the End of Sophocles' Oedipus Tyrannus.Alan H. Sommerstein - 2011 - Journal of Hellenic Studies 131:85-93.
    This article challenges the conclusion of Kovacs (2009) that Oedipus Tyrannus 1468-1523 is an interpolation, arguing that the evidence he brings is insufficient (except possibly in regard to 1500-02), that his proposal regarding Sophocles' original conclusion to the play is unsatisfactory and that in 1468-1523 several significant features of the play's opening scenes are repeated or reversed.
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  16.  10
    Thesmophoriazusae. [REVIEW]Nan V. Dunbar, Aristophanes & A. H. Sommerstein - 1996 - Journal of Hellenic Studies 116:196-197.
  17.  8
    The Grammar of Attic Inscriptions. 1. Phonology. [REVIEW]Alan H. Sommerstein & L. Threatte - 1982 - Journal of Hellenic Studies 102:256-258.
  18.  12
    Notes On Aristophanes' Acharnians.Alan H. Sommerstein - 1978 - Classical Quarterly 28 (02):383-.
    Dikaiopolis, having borrowed a beggar's disguise from Euripides, is about to return to the place where he has set the butcher's block over which he will make his defence of his private peace-treaty. He finds, however, that his is reluctant to take the plunge. ‘Forward now, my soul,’ he says to it, ‘here's [or ‘there's’] the . What does mean here? Plainly we are meant to think of a foot-race; but is the ‘line’ in question the starting line or the (...)
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  19.  7
    Again Klytaimestra's Weapon.A. H. Sommerstein - 1989 - Classical Quarterly 39 (02):296-.
    Malcolm Davies, CQ 37 , 65–75, has argued strongly for the view, almost universally discarded since Fraenkel's Agamemnon appeared, that Aeschylus envisaged Klytaimestra as killing her husband with an axe. He succeeds in establishing a strong probability that, among the various pre-Aeschylean versions of the story of Agamemnon's death, those which had him killed in his bath with the help of an entangling robe always made Klytaimestra use an axe, not a sword, to strike the fatal blows; and Sophocles and (...)
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  20.  5
    Review Article I: AristophanesCommedia E Partecipazione: La Pace di AristofaneAristophanes: Poet and DramatistAristophanes: LysistrataThe Mask of Comedy: Aristophanes and the Intertextual Parabasis. [REVIEW]A. M. Bowie, A. C. Cassio, R. M. Harriott, J. Henderson, T. K. Hubbard & A. H. Sommerstein - 1993 - Journal of Hellenic Studies 113:166-169.
  21.  18
    Lysistrata. The Acharnians. The Clouds. [REVIEW]Paul MacKendrick, Aristophanes & A. H. Sommerstein - 1974 - Journal of Hellenic Studies 94:185-186.
  22.  7
    Amфіmhtωp.Alan H. Sommerstein - 1987 - Classical Quarterly 37 (02):498-.
    The adjective μøιμτωρ occurs, so far as our evidence goes, twice in Greek literature: in Aeschylus' Herakleidai and in Euripides' Andromache . And the ancient authorities are unanimous that it means, in the words of P. T. Stevens, ‘sons of the same father by different mothers, i.e. half-brothers’.
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  23.  25
    Aeschylus, Agamemnon 126–30.Alan H. Sommerstein - 1971 - The Classical Review 21 (01):1-3.
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  24.  23
    Aristophanes: Birds. With Introduction and Commentary. N Dunbar.A. Sommerstein - 1998 - The Classical Review 48 (1):9-11.
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  25.  2
    Aristophanes, Frogs 1463–5.Alan H. Sommerstein - 1974 - Classical Quarterly 24 (01):24-.
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  26.  28
    Aristofane: Le Nuvole. [REVIEW]Alan H. Sommerstein - 1998 - The Classical Review 48 (1):172-173.
  27.  17
    Aristofane: La Pace. Introduzione, Traduzione E Note. [REVIEW]Alan H. Sommerstein - 2005 - The Classical Review 55 (1):355-355.
  28.  29
    Aves - N. Dunbar : Aristophanes: Birds. With Introduction and Commentary. Pp. Xvii + 782. Oxford: Clarendon Press, 1995. Cased, £65 . ISBN: 0-19-814934-4. [REVIEW]Alan H. Sommerstein - 1998 - The Classical Review 48 (1):9-11.
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  29.  13
    A New Edition of Aristophanes.A. H. Sommerstein - 1984 - The Classical Review 34 (02):177-.
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  30.  38
    A New Edition of Aristophanes Giuseppe Mastromarco: Commedie di Aristofane, I. (Classici Greci U.T.E.T., 8 (I).) Pp. 665; 6 Plates. Turin: Unione Tipografico–Editrice Torinese, 1983. L. 52,000. [REVIEW]A. H. Sommerstein - 1984 - The Classical Review 34 (02):177-178.
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  31.  21
    Attic Phonemes.Alan H. Sommerstein - 1977 - The Classical Review 27 (01):60-.
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  32.  34
    Attic Phonemes Sven-Tage Teodorsson: The Phonemic System of the Attic Dialect 400–340 B.C. (Studia Graeca Et Latina Gothoburgensia, XXXII.) Pp. 326. Lund: Acta Universitatis Gothoburgensis, 1974. Paper. [REVIEW]Alan H. Sommerstein - 1977 - The Classical Review 27 (01):60-62.
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  33.  28
    A Study of Ecclesiazusae Kenneth S. Rothwell Jr.: Politics and Persuasion in Aristophanes' Ecclesiazusae. (Mnemosyne Suppl. 111.) Pp. Xii + 118. Leiden, New York, Copenhagen and Cologne: Brill, 1990. Paper, Fl. 55. [REVIEW]Alan H. Sommerstein - 1991 - The Classical Review 41 (01):22-23.
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  34.  24
    Bernhard Zimmermann: Untersuchungen zur Form und dramatischen Technik der aristophanischen Komödien, Band 3: Metrische Analysen. (Beiträge zur klassischen Philologie, 178.) Pp. vii+112. Frankfurt am Main: Athenäum, 1987. DM 29.80. [REVIEW]Alan H. Sommerstein - 1987 - The Classical Review 37 (02):300-.
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  35.  12
    Bernhard Zimmermann: Untersuchungen zur Form und dramatischen Technik der aristophanischen Komödien, Band 3: Metrische Analysen. Pp. vii+112. Frankfurt am Main: Athenäum, 1987. DM 29.80. [REVIEW]Alan Sommerstein - 1987 - The Classical Review 37 (2):300-300.
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  36.  15
    Correction.Alan H. Sommerstein - 1991 - The Classical Review 41 (01):276-.
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  37.  24
    Carroll Moulton: Aristophanic poetry. (Hypomnemata, 68.) Pp. 152. Göttingen: Vandenhoeck & Ruprecht, 1981. Paper, DM. 34. [REVIEW]Alan H. Sommerstein - 1982 - The Classical Review 32 (02):274-275.
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  38.  20
    Drei Kapitel Zur Griechischen Metrik. [REVIEW]Alan H. Sommerstein - 1988 - The Classical Review 38 (1):166-167.
  39.  24
    D. R. Slavitt, P. Bovie, (Edd.): Aristophanes, 2: Wasps, Lysistrata, Frogs, The Sexual Congress . Pp. Xiv + 360. Philadelphia: University of Pennsylvania Press, 1999. Paper, £13.50. ISBN: 0-8122-1684-9. D. R. Slavitt, P. Bovie (Edd.): Aristophanes, 3: The Suits, Clouds, Birds . Pp. Xiv + 308. Philadelphia: University of Pennsylvania Press, 1999. Paper, £13.00. ISBN: 0-8122-1698-. [REVIEW]Alan H. Sommerstein - 2001 - The Classical Review 51 (01):158-.
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  40.  4
    D. R. Slavitt, P. Bovie, : Aristophanes, 2: Wasps, Lysistrata, Frogs, The Sexual Congress. Pp. Xiv + 360. Philadelphia: University of Pennsylvania Press, 1999. Paper, £13.50. ISBN: 0-8122-1684-9. - D. R. Slavitt, P. Bovie : Aristophanes, 3: The Suits, Clouds, Birds. Pp. Xiv + 308. Philadelphia: University of Pennsylvania Press, 1999. Paper, £13.00. ISBN: 0-8122-1698-9. [REVIEW]Alan H. Sommerstein - 2001 - The Classical Review 51 (1):158-159.
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  41.  17
    (D.K.) Roselli Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press. Pp. Xii + 288. $55. 9780292723948. [REVIEW]Alan H. Sommerstein - 2012 - Journal of Hellenic Studies 132:181-182.
  42.  16
    F. Conti Bizzarro: Poetica E Critica Letteraria Nei Frammenti Dei Poeti Comici Greci . Pp. 208. Naples: M. D'Auria, 1999. Cased, €41.32. ISBN: 88-7092-169-. [REVIEW]Alan H. Sommerstein - 2003 - The Classical Review 53 (01):250-.
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  43.  9
    F. Conti Bizzarro: Poetica E Critica Letteraria Nei Frammenti Dei Poeti Comici Greci. Pp. 208. Naples: M. D’Auria, 1999. Cased, €41.32. ISBN: 88-7092-169-7. [REVIEW]Alan Sommerstein - 2003 - The Classical Review 53 (1):250-251.
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  44.  4
    (F.) McHardy, (J.) Robson and (D.) Harvey Eds. Lost Dramas of Classical Athens. Greek Tragic Fragments. U. Of Exeter P., 2005. Pp. 248. £40. 0859897524. [REVIEW]Alan H. Sommerstein - 2006 - Journal of Hellenic Studies 126:157-158.
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  45.  27
    Greek Comedy and Ideology. [REVIEW]Alan Sommerstein - 1996 - The Classical Review 46 (1):165-166.
  46.  41
    G. Guidorizzi , D. Del Corno : Aristofane: Le Nuvole . Pp. lxi + 387. Milan: Fondazione Lorenzo Valla, Arnaldo Mondadori, 1996. L. 48,000. ISBN: 88-04-41024-8. [REVIEW]Alan H. Sommerstein - 1998 - The Classical Review 48 (1):172-173.
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  47.  25
    G. Paduano: Aristofane: La pace. Introduzione, traduzione e note. Pp. 170. Milan: Biblioteca Universale Rizzoli, 2002. Paper, €9. ISBN: 88-17-12756-6. [REVIEW]Alan H. Sommerstein - 2005 - The Classical Review 55 (1):355-355.
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  48. Hinc Omnis Pendet?: Old Comedy and Roman Satire.Alan Sommerstein - 2011 - Classical World: A Quarterly Journal on Antiquity 105 (1):25-38.
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  49.  25
    J. Henderson : Aristophanes Birds, Lysistrata, Women at the Thesmophoria. Pp. 618. Cambridge, MA and London: Harvard University Press, 2000. Cased, £12.95. ISBN: 0-674-99587-2. [REVIEW]Alan H. Sommerstein - 2002 - The Classical Review 52 (1):153-153.
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  50.  1
    Konnos' figleaf?Alan H. Sommerstein - 1983 - Classical Quarterly 33 (02):488-.
    In Aristophanes' Wasps , Bdelykleon tells his jury-mad father that because the allied states are aware that the ordinary Athenian juror is an exploited creature, deliberately kept poor by the demagogues in whose hands the real power lies, σ μν γονΤαι Κννου ψφον, Τοτοισι δ δωρоφоρоῡσιν. The scholia see that Κόννου ψφον must mean ‘something worthless’, but they add on the authority of Kallistratos and Euphronios that Ar. has altered the original phrase: ΚαλλĺστραΤος παροιμαν φησ “Κόννου θρον”, παρ՚ ν παίζει (...)
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