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A. W. Eaton
University of Illinois, Chicago
  1. Robust Immoralism.A. W. Eaton - 2012 - Journal of Aesthetics and Art Criticism 70 (3):281-292.
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  2. A Sensible Antiporn Feminism.A. W. Eaton - 2007 - Ethics 117 (4):674-715.
  3. Where Ethics and Aesthetics Meet: Titian's Rape of Europa.A. W. Eaton - 2003 - Hypatia 18 (4):159 - 188.
    Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically. This argument-that an artwork can be worse off qua work of art precisely because it is somehow ethically problematic-demonstrates that feminist concerns about art can play a legitimate role in art criticism and aesthetic appreciation.
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    Do Subaltern Artifacts Belong in Art Museums?Ivan Gaskell, A. W. Eaton, James O. Young & Conrad Brunk - 2009 - In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley.
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  5. Feminist Philosophy of Art.A. W. Eaton - 2008 - Philosophy Compass 3 (5):873-893.
    This article outlines the issues addressed by feminist philosophy of art, critically surveys major developments in the field, and concludes by considering directions in which the field is moving.
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    Reply to Carroll: The Artistic Value of a Particular Kind of Moral Flaw.A. W. Eaton - 2013 - Journal of Aesthetics and Art Criticism 71 (4):376-380.
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  7. A Reply to Critics.A. W. Eaton - 2008 - Symposia on Gender, Race, and Philosophy 4 (2):1--11.
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  8.  37
    Rough Heroes of the New Hollywood.A. W. Eaton - 2011 - Revue Internationale de Philosophie 258 (4):511-524.
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    Strange Tools Vs. Plain Tools?: Comments on Alva Noë.A. W. Eaton - 2017 - Philosophy and Phenomenological Research 94 (1):222-229.
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  10. Talk to Her.A. W. Eaton (ed.) - 2008 - Routledge.
    Pedro Almodóvar is one of the most renowned film directors of recent years. Talk to Her is one of the most discussed and controversial of all his films. Dealing principally with the issue of rape, it also offers profound insights into the nature of love and friendship whilst raising important philosophical and moral questions in unsettling and often paradoxical ways. This is the first book to explore and address the philosophical aspects of Almodóvar’s film. Opening with a helpful introduction by (...)
     
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