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  1.  27
    The Ontology of Landscapes.Adam Andrzejewski & Mateusz Salwa - 2020 - Rivista di Estetica 75:164-182.
    The paper aims at an analysis of the concept of landscape, offering an ontological approach. Our claim is that such a perspective is hardly ever assumed in philosophical aesthetics, even if theories of landscape appreciation are in fact based on tacit ontological assumptions. We argue that having an explicit ontology of landscapes is important, for aesthetic theories of their appreciation are often attacked in terms of the problems caused by their tacit ontologies. Therefore, we sketch an “Experience Ontology” that serves (...)
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  2.  36
    Authenticity Manifested: Street Art and Artification.Adam Andrzejewski - 2017 - Rivista di Estetica 64:167-184.
    The article aims to frame the issue of authenticity regarding street artworks. By introducing and analyzing the concept of artification, which refers to the situation when non-art is modified by art, I argue that street art manifests its authenticity through transforming the space around particular artworks. This transformation amounts to two facts: sanctioning certain practices which change our perception of the urban environment, and creating new aesthetic objects which are art-like.
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  3.  37
    What is wrong with failed art?Adam Andrzejewski & Alessandro Bertinetto - 2021 - Studi di Estetica 19.
    The aim of this paper is to argue that proper artistic failure may turn out to be artistically appreciated and even considered as artistically successful. A set of arguments is provided in order to overcome intentionalism, the widely accepted view according to which an artist’s intentions fix the artwork’s meaning. Instead, we propose and elaborate an alternative model: emergentism of artistic meaning and value. Emergentism explains how artistic failure can turn out to be artistically successful. That is, artworks may succeed (...)
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  4.  19
    Aesthetic Eating.Adam Andrzejewski - 2021 - Croatian Journal of Philosophy 21 (2):269-284.
    The aim of this paper is to sketch a framework for perceiving the act of consumption as an aesthetic phenomenon. I shall argue that, under some circumstances, it is possible to receive aesthetic satisfaction from the act of eating food, in which the object of one’s appreciation is, for the most part, considered separately from what is actually eaten. I propose to call such a process “aesthetic eating” and argue that due to its aesthetic autonomy it might be a potential (...)
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  5. (1 other version)Criteria of Identity and Procedures of Individuation.Adam Andrzejewski - 2009 - Filozofia Nauki 17 (4):23.
  6.  43
    (1 other version)Framing Artification.Adam Andrzejewski - 2015 - Estetika: The European Journal of Aesthetics 52 (2):131-151.
    The article seeks to explain what it means to say that an object has the status of being made art-like. I have reconstructed and analysed Ossi Naukkarinen and Yuriko Saito’s definition of artification and flagged up its methodological limitations. My conclusions serve as a starting point for describing the nature of artified objects, the way they are individuated, and how they persist. I consider the question of what can and what cannot be artified. Finally, I propose that artification be redefined (...)
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  7.  26
    How to frame edible art.Adam Andrzejewski - 2018 - Nordic Journal of Aesthetics 27 (55-56):82-97.
    The question of whether food is art depends primarily on the definition of art that we agree to accept. The article proposes a model that helps us to focus our mind on what could be, and how we should understand the art of food, if we accept, having applied a fairly liberal theory of art, that food can actually be art. It is argued that there are no methodological or factual constraints indicating that food could not, under some circumstances, be (...)
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  8.  6
    Introduction.Adam Andrzejewski - 2020 - Rivista di Estetica 73:5-9.
    This paper is an introduction for the special issue of “Rivista di estetica” devoted to the role of ontology in contemporary aesthetics and philosophy of art. It describes the most dominating trends within current ontological inquiry in aesthetics and philosophy of art as well as presents papers collected in the issue.
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  9. Ontologia dzieła sztuki a Karla Poppera koncepcja trzeciego świata.Adam Andrzejewski - 2014 - Przeglad Filozoficzny - Nowa Seria 92.
     
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  10.  6
    Presentation.Adam Andrzejewski - 2022 - Enrahonar: Quaderns de Filosofía 69:7-11.
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  11. Predictability, improvisation and the everyday.Adam Andrzejewski - 2023 - In Lisa Giombini & Adrián Kvokačka (eds.), Applying aesthetics to everyday life: methodologies, history and new directions. New York: Bloomsbury Academic.
     
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  12. Problem zmiany a identyczność numeryczna.Adam Andrzejewski - 2011 - Filozofia Nauki 19 (2).
    In the paper, classical assumptions of the problem of change are presented and analyzed. The author considers following assumptions which make theses about: (i) identity and persistence through time; (ii) a conceptual change; (iii) intrinsic properties; and (iv) the Leibniz's Law. In the light of the analyses, it is shown that the problem of change does not have substantial nature and therefore cannot be treated as legitimization of the theories of persistence. Finally, the author acknowledges a relationship between the rethought (...)
     
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  13.  24
    Theatrical Scripts.Adam Andrzejewski & Marta Zaręba - 2017 - Rivista di Estetica 65:177-194.
    We analyse the role of a theatrical script and its relation to the literary work and the theatrical performance. We put forward an Argument from Modality, which demonstrates structural and functional differences between literary works and theatrical scripts. Next, we answer some potential challenges to our argument. We demonstrate that the failure to realize the far-reaching consequences of a clear distinction between the literary work and the theatrical script is a source of confusion in the debate on the relata of (...)
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  14. Zjawisko artyfikacji jako inspiracja dla ontologii dzieł sztuki.Adam Andrzejewski - 2013 - Przeglad Filozoficzny - Nowa Seria 85 (1):63-75.
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