The ideal, my friend, is the lifebuoy. Let's say one is taking a swim, floundering around, trying as hard as possible not to sink. One might try to swim in a safe direction despite contrary currents; the essential thing is to use a classic stroke according to recognized swimming principles...Some eccentrics who try to swim faster in order to get there, come what may, splash all over everybody and always end by drowning, involving I don't know how many other poor (...) souls who might have been able to continue splashing around tranquilly enough- in the soup. (Jean Anouilh). (shrink)

For a world mired in catastrophe, nothing could be more urgent than the question of survival. In this theoretically and methodologically groundbreaking book, Adam Y. Stern calls for a critical reevaluation of survival as a contemporary regime of representation. In Survival, Stern asks what texts, what institutions, and what traditions have made survival a recognizable element of our current political vocabulary. The book begins by suggesting that the interpretive key lies in the discursive prominence of "Jewish survival." Yet the (...) Jewish example, he argues, is less a marker of Jewish history than an index of Christianity's impact on the modern, secular, political imagination. With this inversion, the book repositions Jewish survival as the supplemental effect and mask of a more capacious political theology of Christian survival. The argument proceeds by taking major moments in twentieth-century philosophy, theology, and political theory as occasions for collecting the scattered elements of survival's theological-political archive. Through readings of canonical texts by secular and Jewish thinkers—Hannah Arendt, Walter Benjamin, Franz Rosenzweig, and Sigmund Freud—Stern shows that survival belongs to a history of debates about the sovereignty and subjection of Christ's body. Interrogating survival as a rhetorical formation, the book intervenes in discussions about biopolitics, secularism, political theology, and the philosophy of religion. (shrink)

Recent military coups in West Africa have put the continent’s democratisation itself into question. In some places, for the moment, these coups appear to have popular backing. Nigeria, where radicalism is firmly rooted in democratic values and a human-rights framework, the radical grassroots opposition to the Buhari government’s creeping authoritarianism lies drenched in blood. The roots of this development go back to the history of Nigeria’s radicalism in the twentieth century. Much has appeared on the global 1968 recently, including that (...) of Africa. 1970s/1980s-style radicalism is reappearing today with Omoyele Sowore’s 2018 presidential candidacy, with the African Action Congress party, the #EndSARS protests and the tragic Lekki Toll Gate massacre (2020) in Nigeria. The shift towards radicalism is palpable with protest music such as Falz’s This is Nigeria, and Burna Boy’s Monsters you Made, both explicitly targeting neocolonialism and police brutality. Contrary to Achille Mbembe’s sweeping dismissal of African radicalism, the movement with very deep roots under study is meaningful once again, and is gathering momentum in West Africa’s giant polity. This article applies Walter Benjamin’s and also Nigerian radical thinkers’ conceptualisation of political, social and artistic radicalism, while it frames the Nigerian version via the movement’s history, in which marxisant theory and praxis, feminism, human rights and pro-democracy movements interact with emancipatory strands of Islam, Christianity, Igbo Judaism, and animism. In the context of Nigerian radicalism, even expressly pro-capitalist art theory performs a radical social function by stressing the African’s right to make universal statements (Olu Oguibe) in its de facto defiance of the neo-colony. As these different strands of protest meet, ethnic uprisings (amongst them IPOB) find ways to establish common cause with social radicalism, posing a composite threat to the prebendalist oligarchy that rules and oppresses the country via a militarised neoliberalism. (shrink)

This book examines Pater's deep engagement with Platonism throughout this career. Using the interdisciplinary critical tools of Pater's own educational milieu which combined literature, philosophy, and classics, The Platonism of Walter Pater repositions the importance Pater's contribution to literature and the history of ideas.

This article compares representations of war in Walter Flex’ The Wanderer between Two Worlds, Ernst Jünger’s Storm of Steel, and Erich Maria Remarque’s All Quiet on the Western Front. It shows the extent to which these representations are shaped by political and ideological convictions. The difference between the romantic idealism of Flex and Jünger’s “soldierly nationalism”,which he proposed as a model for the time to come, reflects a major shift during World War I itself. By contrast, neither past nor future (...) seem to be of any use in Remarque’s famous antiwar novel, in which the war generation surprisingly is described as having nothing else to live for beyond the present, i.e. beyond war. Finally, the article suggests how these different representations of war each, in their own way, contributed to the aesthetics and ideology of fascism. (shrink)

In the late eighteenth century, Adam Smith significantly shaped the modern world by claiming that when people individually pursue their own interests, they are together led towards achieving the common good. But can a population of selfish people achieve the economic common good in the absence of moral constraints on their behavior? If not, then what are the moral conditions of market interaction which lead to economically efficient outcomes of trade? Answers to these questions profoundly affect basic concepts and (...) principles of economic theory, legal theory, moral philosophy, political theory, and even judicial decisions at the appellate level. Walter Schultz illustrates the deficiencies of theories which purport to show that markets alone can provide the basis for efficiency. He demonstrates that efficient outcomes of market interaction cannot be achieved without moral normative constraints and then goes on to specify a set of normative conditions which make these positive outcomes possible. (shrink)

The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure of “the secret openness” or “open/public secrecy” as a remedy against the “mystery” of the Georgians. This idea can be seen as developed in Jacques Derrida’s understanding (...) of secrecy, which the author proceeds to analyze. The secrecy as a deconstructive rift in the public discourse, a split which tears it open, can be seen as opposed both to the undemocratic mystery and to the seeming openness of globalatinization. After considering the formal, political and religious aspects of secrecy, the author ends with showing how literature as such is the most powerful medium of Derridean secret. (shrink)

The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the future, the most important being the danger of the premature, cathartic discharge of the spectator’s anxiety in a sadistic/voyeuristic show. After discussion of the mechanisms of this (...) discharge, the author offers an analysis of a positive example, namely Michael Haneke’s Time of the Wolf. According to the analysis, Haneke manages to avoid the traps by constructing reflective images that make the spectators watch themselves as they are searching in vain for the cathartic images of the catastrophe. (shrink)

Walter Sinnott-Armstrong and Franklin G Miller recently argued that the wrongness of killing is best explained by the harm that comes to the victim, and that ‘total disability’ best explains the nature of this harm. Hence, killing patients who are already totally disabled is not wrong. I maintain that their notion of total disability is ambiguous and that they beg the question with respect to whether there are abilities left over that remain relevant for the goods of personhood and human (...) worth. If these goods remain, then something more is lost in death than in ‘total disability,’ and their explanation of what makes killing wrong comes up short. But if total disability is equivalent with death, then their argument is an interesting one. (shrink)

The paper is a modest attempt at a careful assessment of Werner Hamacher’s version of deconstruction as a reading strategy which centers upon the idea of the afformative caesura. In order to probe the potential and the possible limits of Hamacher’s strategy, the author presents a Hamacherian reading of one of Paul Celan’s poems, titled “Mauerspruch,” a poem brimming with references to Walter Benjamin’s work. In the first part of the paper the author shows the effectiveness of Hamacherian perspective. In (...) the second part, however, following suggestions of the poem itself, the author shows that the perspective should be extended in order to include two crucial categories: the category of the image and the category of memory. Thus, ultimately, the assessment of Werner Hamacher’s strategy results in a praise and a modest proposal of its amendment. (shrink)

The article argues that Beckett's Trilogy stages the effects of a lobotomy operation on a potentially politically subversive writer, and that the consequences of the operation can be traced in both the retreat of the narrator of the Trilogy into the mind and into comatose mental states and in the detail of the operation itself, based on the 'icepick' lobotomies performed by neurologist Walter Freeman in the late 1940s and early 1950s. To write about extreme psychiatric situations in the post-war (...) period is necessarily to invoke the political uses of psychosurgery with which this article engages. The article goes on to consider the figure of the brain-damaged mind as a Cold War trope in the references to botulism and the motif of the penetrated skull in The Unnamable. (shrink)

In Homo Sacer,1 Giorgio Agamben devotes a crucial “threshold” to an extremely compressed reading of Walter Benjamin's “Critique of Violence,”2 a threshold that provides the transition between his elaboration of the logic of sovereignty and his analysis of the concept of homo sacer or “bare life.” That Benjamin's essay should play such a crucial role in Agamben's text is unsurprising. First, Benjamin is arguably the most important authority for Agamben's intellectual project as a whole, rivaled only by Aristotle and Heidegger. (...) More specifically, Agamben's investigations in the eponymous second part of Homo Sacer are prompted by Benjamin's suggestion that it.. (shrink)

In this third and final part of this study, the contacts in thought between the glosses in a Budapest MS of the Pauline Epistles and the Liber de Fide are examined further. Attention is given to the developed use of the triad mens-uerbum-sapientia in order to express the notion that humankind, created as imago Dei, bears a “trinitarian” image of the Triune God. Application of this analogy, however, sets the author apart from other early Christian theologians, something that is especially (...) noteworthy when the Holy Spirit is identified as personified Divine Wisdom. The understanding of the meaning of human death is also examined, particularly given the importance of this topic for the Pelagian controversy. In the Liber de Fide there are two opposing and un-reconciled accounts of the consequences of Adam’s sin, a fact that clearly calls for a reassessment of our understanding of the unity of the Liber while also cautioning against an over-simplistic invocation of its evidence in studies of the history of Pelagianism. By way of a conclusion, attention is drawn to the lack of—not to mention the need for—a more thorough study of the language and background of the Liber de Fide. (shrink)

In a series of recent papers, Walter Sinnott-Armstrong has used findings in social psychology to put pressure on the claim that our moral beliefs can be non-inferentially justified. More specifically, he has suggested that insofar as our moral intuitions are subject to what psychologists call framing effects, this poses a real problem for moral intuitionism. In this paper, we are going to try to add more fuel to the empirical fire that Sinnott-Armstrong has placed under the feet of the intuitionist. (...) Along the way, we first provide an overview of what Sinnott-Armstrong calls the Master Argument against intuitionism. Then we examine some of the literature on framing effects—especially as it pertains to moral philosophy. Finally, we present the results of a new study which create yet another hurdle intuitionists must clear if they want to motivate their view. It appears that in addition to being influenced by framing effects, our moral intuitions are also influenced by an actor–observer bias as well—a bias whereby we hold other people to different moral standards than we would hold ourselves even if we were in the same situation. If we’re right, the burden is on the moral intuitionist to explain why we should have faith in our moral intuitions despite the gathering evidence concerning their seeming unreliability. And by our lights, this is something that simply cannot be done from the armchair. (shrink)

In ‘Dilemma for Appeals to the Moral Significance of Birth’, we argued that a dilemma is faced by those who believe that birth is the event at which infanticide is ruled out. Those who reject the moral permissibility of infanticide by appeal to the moral significance of birth must either accept the moral permissibility of a late-term abortion for a non-therapeutic reason or not. If they accept it, they need to account for the strong intuition that her decision is wrong (...) as well as deny the underlying normative principle that killing a viable fetus requires good reason, and not wanting to care for the child when the child could be easily placed for adoption is not a good enough reason to abort. If they reject the moral permissibility of the late-term abortion, they need to explain why her decision is wrong. Doing so, however, will undermine their own project of denying infanticide by appeal to birth. Walter Veit argues that the dilemma relies too much on intuition and does not live up to biological continuity. We explain why his criticisms are unconvincing. (shrink)

Adam Jentleson's book about the U.S. Senate, it's leaders, and mostly its Filibuster is reviewed.

An unusual aspect of Walter Benjamin's work is the provocative way he uses theology in tackling “theoretical” questions. While it is difficult to write about Benjamin without dealing with his relation to the Jewish tradition, in studies of his work surprisingly little attention is paid to theological questions. This is not to ignore the many accounts of Benjamin's interest in the Kabbala, his “theological” writings on language, or his messianic imagery. However, whereas for Benjamin theological concerns are central, this is (...) rarely true of his commentators. While some have confronted Benjamin's theology, until recently this has often been done by…. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 169-171 [Access article in PDF] Book Review The Passion for Happiness: Samuel Johnson and David Hume The Passion for Happiness: Samuel Johnson and David Hume, by Adam Potkay; 241 pp. Ithaca: Cornell University Press, 2000, $42.50. This book is a sustained attack on the widespread impression that Samuel Johnson and David Hume were antithetical characters, a notion largely nourished by that memorable moment (...) when Boswell brings up Hume "and other skeptical innovators" and Johnson replies, as we all remember, "Truth will not afford sufficient food to their vanity; so they have betaken themselves to error. Truth, sir, is a cow which will yield such people no more milk, and so they have gone to milk the bull." Professor Potkay feels that this image has radically distorted our perception of the truth.A large part of the problem, as Potkay sees it, is that the Johnson of the biography is not the same as the Johnson seen in his writings. Boswell, he claims, "superbly fashioned a Johnson after his own heart" (p. 29). Biography is beset with the misapprehensions we all have of another individual, but personal writing is equally subject to rhetorical posturing, selective memory, and other histrionics of the ego.Potkay makes a strong and interesting case for the proposition that Johnson and Hume were in accord as to their ideas of happiness. "Johnson and Hume set forth largely compatible visions of human happiness that, while rooted in Cicero, draw as well on modern authors..." (p. 5). In this view, happiness is intrinsically social, the inverse of Sartre's L'enfer, c'est les autres. We are estimable in our own eyes only if we are so in the eyes of others. The astronomer in Rasselas finally surmounts his delusion that he controls the weather only by leaving his solitude for the society of others. Hume declared that perfect solitude is the greatest punishment that we can suffer (p. 60). Hume and Johnson both agree that cities afford the greatest happiness through a multiplicity of agreeable consciousness--London for Johnson and Paris for Hume.Potkay argues that the chief ethic in the writings of both Hume and Johnson [End Page 169] "is the eclectic, Ciceronian brand of Stoicism Hume delineates in 'the Stoic', a sociable Stoicism whose end is 'the moderating of our passions, the enlightening of our reason'" (p. 77). The path to happiness lies in cultivating reason and moderating passion. However, unlike ethicists that downgrade the passions, Hume and Johnson see the passions as necessary and good. As against the whole duty of man, they think that pride is good, unless it causes pain to others. This is fresh news for those of us who have squirmed in Sunday school classes when pride was severely denounced and humility recommended--squirmed in spite of our reverence for Milton. Johnson and Hume viewed pride and the pleasure derived from praise as inspiring progress in trades, professions, arts, and science. It excites ingenuity. This is what we didn't dare say in Sunday school.Potkay searches indefatigably for parallels between the two men. We are told that they both rejected the hard determinism that some thinkers derived from Newtonian physics. In the midst of all this we have another discussion of tragedy, pity and fear, etc., the sort of thing that requires the reckless exuberance of youth in order to relish. Are we expected to feel astonished that here too we find them in accord? The parallels between the two men are pushed to the point that a reader might begin to suspect that there is a hidden half of the text that is being withheld, perhaps countervailing evidence. We begin to feel that lurking suspicion evoked by someone too zealously dedicated to a thesis.By the middle of the book, a reader is likely to be convinced that far from going forth to milk the bull, Hume was almost an intellectual twin of Johnson. At the same time, though, sepia thoughts begin to seep into the mind. We notice that these parallel thoughts... (shrink)

Essays on atheism by Kurt Baier, John Dewey, Paul Edwards, Antony Flew, Sigmund Freud, Erich Fromm, Sidney Hook, Walter Kaufmann, Corliss Lamont, Wallace I. Matson, H.J. McCloskey, Ernest Nagel, Kai Nielsen, Richard Robinson, Bertrand Russell, and Michael Scriven.

Memory, mother of the Muses by Zeus, has nurtured culture for nearly three millennia while her nemesis, forgetfulness, has been demonized as an agent of destruction. In the modern age, however, memory has grown increasingly burdensome, opening the way for a more positive assessment of forgetfulness. Nietzsche praises animals for an inability to remember that preserves their innocence and happiness, and Freud documents the discontents of a civilization that cannot forget. ;In tracing the recent development of these issues, the dissertation (...) focuses primarily on Walter Benjamin, Hans Blumenberg, and Thomas Pynchon. Benjamin and his anguished "angel of history" show the destructive psychological effects of trying to use human memory as a secular form of redemption. Blumenberg's philosophy of history makes it possible to trace memory's responsibility for redemption to the modern age's inflated notion of the subject. Blumenberg's work also emphasizes the importance of metaphor and narrative in mediating and creating historical understanding, and this aesthetic distance weakens memory's redemptive relation to the past. Pynchon's protagonists, too, find that their desire to make historical meaning fully present is overshadowed by their fear of such presence. By reconciling themselves to a profane aesthetic distance from the past, Blumenberg and Pynchon redeem themselves from the melancholy engendered by an overly ambitious memory. ;Thus the dissertation attempts to recover a more modest and less oppressive memory by understanding it as a way to distance rather than redeem past injustices. This reconception of the function of memory helps establish an equilibrium between the pensive memory of Benjamin's "angel of history" and the innocent oblivion of Nietzsche's animals. ;In addition to the three major figures named in the title, the dissertation devotes sections and excursuses to Friedrich Nietzsche, Sigmund Freud, Ernst Cassirer, Martin Heidegger, Virginia Woolf, Ernst Robert Curtius, Elie Wiesel, Primo Levi, Michel Foucault, and Thomas Kuhn. Translations of two essays by Blumenberg, "Pensiveness" and "Being--A MacGuffin," and a comprehensive Blumenberg bibliography are included as appendices. (shrink)

Professor Hannay’s biography on the famous Danish thinker is a welcome addition to those previously made available in English. Ever since Walter Lowrie’s monumental Kierkegaard was published several decades ago, those who read Søren Kierkegaard in English have had to sift through the historical details for themselves in order to distinguish among fact, fiction, and legend. Whereas the ghost of Lowrie’s Kierkegaard is virtually dead and gone, the Kierkegaard who took its place had a less sharply defined personality. This changes, (...) however, with Hannay’s new book. Hannay offers not a few of his own insights as he recreates the mind and personality of Kierkegaard, some of which are as interesting as they are speculative, but he offers the skeptical reader a host of sources by which to check his interpretation. (shrink)