19 found
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  1.  11
    Parodic Inconsistency: Some Problems in the Batrakhomyomakhia.Adrian Kelly - 2009 - Journal of Hellenic Studies 129:45-.
  2.  24
    ILIAD 22. I.J.F. De Jong Homer: Iliad Book XXII. Pp. X + 210. Cambridge: Cambridge University Press, 2012. Paper, £20.99, US$37.99 . ISBN: 978-0-521-70977-4. [REVIEW]Adrian Kelly - 2015 - The Classical Review 65 (1):7-8.
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  3.  29
    Kitts (M.) Sanctified Violence in Homeric Society. Oath-Making Rituals and Narratives in the Iliad. Pp. Xii + 244. Cambridge: Cambridge University Press, 2005. Cased, £45, US$75. ISBN: 0-521-85529-. [REVIEW]Adrian Kelly - 2006 - The Classical Review 56 (02):271-.
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  4.  16
    Rabel (R.J.) (Ed.) Approaches to Homer, Ancient and Modern. Pp. Xviii + 201. Swansea: The Classical Press of Wales, 2005. Cased. ISBN: 978-1-905125-04-. [REVIEW]Adrian Kelly - 2007 - The Classical Review 57 (01):1-.
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  5.  12
    G.D. Bird Multitextuality in the Homeric Iliad: The Witness of the Ptolemaic Papyri . Cambridge MA: Harvard University Press, 2010. Pp. Viii + 119. $19.95. 009780674053236. [REVIEW]Adrian Kelly - 2014 - Journal of Hellenic Studies 134:150-151.
  6.  12
    Neoanalysis and the "Nestorbedrängnis":: A Test Case.Adrian Kelly - 2006 - Hermes 134 (1):1-25.
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  7.  26
    Luther (A.) (Ed.) Geschichte Und Fiktion in der Homerischen Odyssee. (Zetemata 125.) Pp. 248. Munich: C.H. Beck, 2006. Paper, €58. ISBN: 978-3-406-54192-. [REVIEW]Adrian Kelly - 2008 - The Classical Review 58 (1):1-3.
  8.  15
    Listening to Many Voices: Athenian Tragedy as Popular Art.William Allan & Adrian Kelly - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 77.
    By analysing how the audience interpreted the many voices of tragic performance, this chapter suggests a new model for understanding tragedy’s relationship to the world of the watching community. Although the idea that the poet expresses his personal opinions through the chorus or his characters is now rightly seen as old-fashioned and naïve, it is still legitimate to ask how the poet uses his heroic characters and their voices to speak to his contemporary audience—using ‘speak to’ in the broadest sense, (...)
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  9.  13
    [Alpha][Psi][Omicron][Rho][Rho][Omicron][Omicron][Upsilon] [Omega][Kappa][Epsilon][Alpha][Nu][Omicron][Iota][Omicron]: A Babylonian Reminiscence?Adrian Kelly - 2007 - Classical Quarterly 57 (01):280-.
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  10.  21
    (A.) Dalby: Rediscovering Homer: Inside the Origins of the Epic. Pp. Xxiv + 266, Maps. New York and London: W.W. Norton, 2007. Paper, £9.99, US$15.95. ISBN: 978-0-393-33019-. [REVIEW]Adrian Kelly - 2010 - The Classical Review 60 (2):603-.
  11.  6
    The Ending of Iliad 7: A Response.Adrian Kelly - 2008 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 152 (1/2008).
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  12.  6
    Rinon Homer and the Dual Model of the Tragic. Ann Arbor: University of Michigan Press, 2008. Pp. Viii + 220. £46.95. 9780472116638. [REVIEW]Adrian Kelly - 2010 - Journal of Hellenic Studies 130:186-187.
  13.  2
    Vergados The Homeric Hymn to Hermes: Introduction, Text and Commentary . Berlin: De Gruyter, 2013. Pp. Xiii + 717. £129.95. 9783110259698. [REVIEW]Adrian Kelly - 2015 - Journal of Hellenic Studies 135:184-185.
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  14.  2
    Richardson N. Three Homeric Hymns: To Apollo, Hermes, and Aphrodite, Hymns 3, 4, and 5. Cambridge: Cambridge University Press, 2010. Pp. Xiii + 272; Maps. £55.99 (Hbk); £19.99 (Pbk). 9780521451581 (Hbk); 9780521457733 (Pbk). [REVIEW]Adrian Kelly - 2013 - Journal of Hellenic Studies 133:162-162.
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  15.  2
    Αψορροου Ωκεανοιο: A Babylonian Reminiscence?Adrian Kelly - 2007 - Classical Quarterly 57 (1):280-282.
  16.  1
    Apollonius and the End of the Aeneid.Adrian Kelly - 2014 - Classical Quarterly 64 (2):642-648.
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  17. Aψoρρooy ωkeanoιo: A babylonian reminiscence?Adrian Kelly - 2007 - Classical Quarterly 57 (1).
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  18. " of Apsu, the Stream of Oceanus": A Babylonian Reminiscence?Adrian Kelly - 2007 - Classical Quarterly 57 (1):280-282.
     
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  19. Some Problems in the "Batrakhomyomakhia": Parodic Inconsistency.Adrian Kelly - 2009 - Journal of Hellenic Studies 129:45-51.
    This article argues that several problems of character identification in the Batrakhomyomakhia should be considered not as matters of textual criticism, to be solved by emendation, excision or transposition, but as authentie features of the poem's parodie engagement with the text of Homer and its scholarship. This engagement comprises another reason for considering the Hellenistic period as the most likely terminus post quem for the poem.
     
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