Relating Narratives is a major new work by the philosopher and feminist thinker Adriana Cavarero. First published in Italian to widespread acclaim, Relating Narratives is a fascinating and challenging new account of the relationship between selfhood and narration. Drawing a diverse array of thinkers from both the philosophical and the literary tradition, from Sophocles and Homer to Hannah Arendt, Karen Blixen, Walter Benjamin and Borges, Adriana Cadarero's theory of the `narratable self' shows how narrative models in philosophy and literature can (...) open new ways of thinking about formation of human identities. By showing how each human being has a unique story that can be told about them, Adriana Cavarero inaugurates an important shift in thinking about subjectivity and identity which relies not upon categorical or discursive norms, but rather seeks to account for `who' each one of us uniquely is. (shrink)

The human voice does not deceive. The one who is speaking is inevitably revealed by the singular sound of her voice, no matter “what” she says. We take this fact for granted—for example, every time someone asks, over the telephone, “Who is speaking?” and receives as a reply the familiar utterance, “It’s me.” Starting from the given uniqueness of every voice, Cavarero rereads the history of philosophy through its peculiar evasion of this embodied uniqueness. She shows how this history—along with (...) the fields it comprehends, such as linguistics, musicology, political theory, and studies in orality—might be grasped as the “devocalization of Logos,” as the invariable privileging of semantike over phone, mind over body. Female figures—from the Sirens to the Muses, from Echo to opera singers—provide a crucial counterhistory, one in which the embodied voice triumphs over the immaterial semantic. Reconstructing this counterhistory, Cavarero proposes a “politics of the voice” wherein the ancient bond between Logos and politics is reconfigured, and wherein what matters is not the communicative content of a given discourse, but rather who is speaking. (shrink)

_Relating Narratives_ is a major new work by the philosopher and feminist thinker Adriana Cavarero. First published in Italian to widespread acclaim, _Relating Narratives_ is a fascinating and challenging new account of the relationship between selfhood and narration. Drawing a diverse array of thinkers from both the philosophical and the literary tradition, from Sophocles and Homer to Hannah Arendt, Karen Blixen, Walter Benjamin and Borges, Adriana Cadarero's theory of the `narratable self' shows how narrative models in philosophy and literature can (...) open new ways of thinking about formation of human identities. By showing how each human being has a unique story that can be told about them, Adriana Cavarero inaugurates an important shift in thinking about subjectivity and identity which relies not upon categorical or discursive norms, but rather seeks to account for `who' each one of us uniquely is. (shrink)

Words like 'terrorism' and 'war' are no longer capable of encompassing the scope of cntemporary violence. With this book, Cavarero effectively renders such terms obsolete. She introduces a new word, 'horrorism', to capture the experience of violence.

This pathbreaking work pursues two interwoven themes. Firstly, it engages in a deconstruction of Ancient philosopher's texts--mainly from Plato, but also from Homer and Parmenides--in order to free four Greek female figures from the patriarchal discourse which for centuries had imprisoned them in a particular role. Secondly, it attempts to construct a symbolic female order, reinterpreting these figures from a new perspective. Building on the theory of sexual difference, Cavarero shows that death is the central category on which the whole (...) edifice of traditional philosophy is based. By contrast, the category of birth provides the thread with which new concepts of feminist criticism can be woven together to establish a fresh way of thinking. Cavarero develops a philosophical narrative which, by re-interpreting each of the four figures of ancient thought, uncovers several images of the female desire for self-representation. Plato himself had not forseen that one day female subjectivity would assert its autonomy, plundering and throwing into confusion the patriarchal text in order to tell another story. (shrink)

Barnett Newman : Adam's line -- Kant and the newborn -- Virginia Woolf and the shadow of the "I" -- Plato erectus sed -- Men and trees -- We are not monkeys : on erect posture -- Hobbes and the macroanthropos -- Elias Canetti : upright before the dead -- Artemisia : the allegory of inclination -- Leonardo and maternal inclination -- Hannah Arendt : "a child has been born unto us" -- Schemata for a postural ethics -- Coda : (...) adieu to Lévinas. (shrink)

At the very beginning of the history of philosophy, with Plato, we are told the strange story of some men dwelling in a cave and looking at shadows. Immobilized by chains since childhood for all their lives, they are forced to sit on the cave's floor and are impeded from standing up. Hence, whoever they are and whatever they do, the label Homo erectus as a general category denoting the vertical posture of the human animal is decidedly unfit for their (...) position. The strange story, however, goes on and recounts how one of them, by managing to get rid of the chains, for the first time rises to his feet. The familiar feature of Homo erectus, intended not as an extinct hominid species but as the postural human standard .. (shrink)

What does a truly democratic experience of political action look like today? In this provocative new work, Adriana Cavarero weighs in on contemporary debates about the relationship between democracy, happiness, and dissent. Drawing upon Arendt's understanding of politics as a participatory experience, but also discussing texts by Émile Zola, Elias Canetti, Boris Pasternak, and Roland Barthes, along with engaging Judith Butler, Cavarero proposes a new view of democracy, based not on violence, but rather on the spontaneous experience of a plurality (...) of bodies coming together in public. Expanding upon the themes explored in previous works, Cavarero offers a timely intervention into current thinking about the nature of democracy, suggesting that its emergence thrives on the nonviolent creativity of a widespread, participatory, and relational power that is shared horizontally rather than vertically. From digital democracy to selfies to contemporary protest movements, Cavarero argues that we need to rethink our focus on individual happiness and turn toward rediscovering the joyful emotions of birth through plural interaction. Yes, let us be happy, she urges, but let us do so publicly, politically, together. (shrink)

Toward a Feminist Ethics of Nonviolence brings together three major feminist thinkers to discuss Cavarero's call for a postural ethics of nonviolence. The book consists of three longer essays by Cavarero, Judith Butler, and Bonnie Honig, followed by shorter responses by a range of scholars that widen the dialogue, drawing on post-Marxism, Italian feminism, and queer theory. Together, the authors contest the boundaries of their common project for a pluralistic, heterogeneous, but urgently feminist ethics of nonviolence."--Back cover.

In this essay, Cavarero thematically highlights the main issues of feminist thought, by criticizing the patriarchal system and its theoretical products—such as the concepts of complementarity of the sexes and of equality—through the lens of sexual difference. In doing so, she radically criticizes the so-called binary economy, namely the interpretative model on which the patriarchal system is based, in which the sole male sex is self-represented, establishing at the same time a representation of the female sex that is functional to (...) men. Accordingly, by criticizing both the traditional and the postmodern approach, she aims to rethink from a feminist point of view the question of the subject, of the identity, and of the self. In this respect, she advances an account of the self as relational, namely a self that is given only through its relationship with others, hence rejecting the abstract universality of the male subject of traditional metaphysics. Subsequently, Cavarero presents a notion of identity as an interplay of relations that makes it fluid and dynamic, and not as fixed and permanent, as per the metaphysical tradition that understands it as universal substance. In conclusion, she argues that the unicity of the self—and of each human being—can be grasped only through a narrative discourse that counterposes the philosophical investigations on the essence of an absolute and universal principle of reality, and emphasizes the singular and unrepeatable nature of the self. (shrink)