Results for 'Aesthetics, Indic'

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  1. Comparative Aesthetics.Kanti Chandra Pandey - 1959 - Varanasi, Chowkhamba Sanskrit Series Office.
    v. 1. Indian aesthetics.--v. 2. Western aesthetics.
     
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  2. Indian Aesthetics and Aesthetic Perspectives.Haradvārī Lāla Śarmā - 1990 - Mansi Prakashan.
     
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  3. The Indian Theory of Aesthetics: A Reappraisal.A. Ve Cuppiramaṇiyan̲ - 2005 - Rashtriya Sanskrit Sansthan.
     
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  4. Rasa, or, Knowledge of the Self: Essays on Indian Aesthetics and Selected Sanskrit Studies.René Daumal - 1982 - New Directions.
    To approach the Hindu poetic art -- On Indian music -- Concerning Uday Shankar -- The origin of the theatre of Bharata -- Oriental book reviews -- The hymn of man -- To the liquid -- Knowledge of the self -- Some Sanskrit texts on poetry.
     
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  5. Elements of Indian Aesthetics.S. N. Ghoshal - 1978 - Chaukhambha Orientalia.
    v. 1. Aesthetic beauty & bliss in Indian literature & philosophy -- v. 2. Two streams of Indian Art. pt. 1. History, thoughts, and canon of Indian iconography -- pt. 2. The Tāntrika iconography -- pt. 3. Indian gesturology -- pt. 4. Primitive arts, crafts, and ālpanā.
     
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  6. Art, Beauty, and Creativity: Indian and Western Aesthetics.Shyamala Gupta - 1999 - D.K. Printworld.
     
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  7. The Sensuous in Art: Reflections on Indian Aesthetics.Rekha Jhanji - 1989 - Indian Institute of Advanced Study in Association with Motilal Banarsidass, Delhi.
     
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  8. Studies in Indian Aesthetics and Criticism.K. Krishnamoorthy - 1979 - D.V.K. Murthy.
     
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  9. Some Thoughts on Indian Aesthetics and Literary Criticism.K. Krishnamoorthy - 1968 - Prasaranga, University of Mysore.
     
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  10. An Approach to the Indian Theory of Art and Aesthetics.Sneh Pandit - 1977
     
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  11. Aesthetics: Approaches, Concepts, and Problems.Sushil Kumar Saxena - 2010 - D.K. Printworld.
     
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  12. Avenues to Beauty: Eight Essays in Aesthetics.Sushil Kumar Saxena - 2009 - D.K. Printworld.
     
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  13. Nature of Indian Aesthetics, with Special Reference to Śilpa.Balram Srivastava - 1985 - Chaukhambha Orientalia.
     
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  14. The Concept of Imitation in Greek and Indian Aesthetics.Ananta Charana Sukla - 1977 - Rupa.
     
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  15. The Eight Darlings of Indian Aesthetics.A. M. Upadhyay - 2012 - Book Can Also Be Ordered From Motilal Banarsidass.
     
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  16. An Aspect of Indian Aesthetics: Sir George Stanley Endowment Lectures, 1955-56, Delivered in February, 1956.Jaya Chamaraja Wadiyar - 1956 - University of Madras.
     
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  17. Abhinavagupta on Indian Aesthetics.Y. S. Walimbe - 1980 - Ajanta Books International.
     
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  18. Ethics and Aesthetics: Essays in Indian Literature.Seema Malik & Seema Kashyap (eds.) - 2010 - Creative Books.
     
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  19. The Aesthetic Experience According to Abhinavagupta. Abhinavagupta - 1968 - Varanasi, Chowkhamba Sanskrit Series Office.
     
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  20. The Third Eye a Lecture on the Appreciation of Art.Mulk Raj Anand - 1963 - Published for the University of Punjab by D.C. Sharma.
     
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  21. A Modern Introduction to Indian Aesthetic Theory: The Development From Bharata to Jagannātha.Surendra Sheodas Barlingay - 2007 - D.K. Printworld.
     
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  22. Cila Kalai Āḷumaikaḷ, Paṭaippukaḷ.Veṅkaṭ Cāminātan̲ - 2004 - Cantiyā Patippakam.
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  23. Saundarya, the Perception and Practice of Beauty in India.Harsha V. Dehejia & Makarand R. Paranjape (eds.) - 2003 - Samvad India Foundation.
     
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  24. Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom.Ranjan K. Ghosh - 2006 - Black & White.
     
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  25. Art Experience.Mysore Hiriyanna - 1954 - Manohar.
     
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  26. Aesthetic Communication: The Indian Perspective.Rekha Jhanji - 1985 - Munshiram Manoharlal Publishers.
     
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  27. The Philosophy of Beauty.T. M. P. Mahadevan - 1969 - Bombay: Bharatiya Vidya Bhavan.
     
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  28. Śila Aura Saundarya: Bhārateśiyā Ke Sāmantīya Yuga Meṃ Bhakti Evaṃ Rīti Viyukta Mithuna.Rameśa Kuntala Megha - 2007 - Ādhāra Prakāśana.
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  29. Aesthetic Philosophy of Abhinavagupta.Kailāśa Pati Miśra - 2005 - Kala Prakashan.
  30. The Response to Poetry.G. B. Mohan - 1968 - [New Delhi]People's Pub. House.
     
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  31. Creative Stillness: Indian Perspectives on Art & Beauty.Vishwanath S. Naravane - 2000 - Distributors, Lokbharti.
     
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  32. The Philosophy of Aesthetic Pleasure.P. Panchapagesa Sastri - 1940 - Annamalai University.
     
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  33. Theory of Value.Roy W. Perrett (ed.) - 2001 - Garland.
     
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  34. Aesthetic Experience.P. V. [from old catalog] Rajamannar - 1961 - University of Madras.
     
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  35. The Indian Philosophy of Beauty.T. P. Ramachandran - 1979 - Dr. S. Radhakrishnan Institute for Advanced Study in Philosophy, University of Madras.
    pt. 1. Perspective -- pt. 2. Special concepts.
     
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  36. Studies in Kalapurnodayam [Literature and its Value in Life with Special Reference to Kalapurnodayam].G. V. Rama Krishna Rao - 1956 - Sahiti Kendram.
     
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  37. Beauty, Art, and Man: Studies in Recent Indian Theories of Art.Pabitrakumar Roy - 1990 - Indian Institute of Advanced Study in Association with Munshiram Manoharlal Publishers, New Delhi.
     
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  38. Indian Theory of Aesthetic.P. S. Sastri - 1989 - Bharatiya Vidya Prakashan.
     
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  39. Aesthetic Enjoyment; its Background in Philosophy and Medicine.Ramendra Kumar Sen - 1966 - [Calcutta]University of Calcutta.
     
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  40. Aesthetic Theories of India.Padma Sudhi - 1983 - Bhandarkar Oriental Research Institute.
     
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  41. Aesthetic Theories and Forms in Indian Tradition.Kapila Vatsyayan, D. P. Chattopadhyaya, Sharad Deshpande & Anand K. Anand (eds.) - 2008 - Munshiram Manoharlal Publishers.
     
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  42. The Transformation of Nature in Art.Ananda Kentish Coomaraswamy - 1934 - Sterling Publishers Pvt..
    The theory of art in Asia.--Meister Eckhart's view of art.--Reactions to art in India.--Aesthetic of the Śukranītsāra.--Paroksa.--Ábhása.--Origin and use of images in India.--Notes.--Sanskrit glossary.--List of Chinese characters.--Bibliography (p. [235]-245).
     
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  43.  36
    Experimental Philosophical Aesthetics as Public Philosophy.Aaron Meskin & Shen-yi Liao - forthcoming - In Sébastien Réhault & Florian Cova (eds.), Advances in Experimental Philosophy of Aesthetics. New York: Bloomsbury.
    Experimental philosophy offers an alternative mode of engagement for public philosophy, in which the public can play a participatory role. We organized two public events on the aesthetics of coffee that explored this alternative mode of engagement. The first event focuses on issues surrounding the communication of taste. The second event focuses on issues concerning ethical influences on taste. -/- In this paper, we report back on these two events which explored the possibility of doing experimental philosophical aesthetics as public (...)
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  44. Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'.Robin James - 2011 - In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.
    While feminist aestheticians have long interrogated gendered, raced, and classed hierarchies in the arts, feminist philosophers still don’t talk much about popular music. Even though Angela Davis and bell hooks have seriously engaged popular music, they are often situated on the margins of philosophy. It is my contention that feminist aesthetics has a lot to offer to the study of popular music, and the case of popular music points feminist aesthetics to some of its own limitations and unasked questions. This (...)
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  45.  73
    Aesthetics of the Natural Environment.Emily Brady - 2000 - University of Alabama Press.
    Emily Brady provides a systematic account of aesthetics in relation to the natural environment, offering a critical understanding of what aesthetic appreciation ...
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  46.  40
    Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard Shusterman - 1992 - Blackwell.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics.
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  47. Aesthetics—What? Why? And Wherefore?Kendall Walton - 2007 - Journal of Aesthetics and Art Criticism 65 (2):147–161.
    It is a very great honor to address my friends and colleagues as president of the American Society for Aesthetics, an organization that plays a unique role in a field that is, at once, a major traditional branch of philosophy and also central to disciplines often regarded as remote from philosophy, as well as depending crucially on their contributions.
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  48.  28
    Toward an Aesthetics of New-Media Environments.Eran Guter - 2016 - Proceedings of the European Society for Aesthetics.
    In this paper I suggest that, over and above the need to explore and understand the technological newness of computer art works, there is a need to address the aesthetic significance of the changes and effects that such technological newness brings about, considering the whole environmental transaction pertaining to new media, including what they can or do offer and what users do or can do with such offerings, and how this whole package is integrated into our living spaces and activities. (...)
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  49. Aesthetics and Ethics: Essays at the Intersection.Jerrold Levinson (ed.) - 1998 - Cambridge University Press.
    This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can (...)
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  50. Kantian Meta-Aesthetics and the Neglected Alternative.J. J. Tinguely - 2013 - British Journal of Aesthetics 53 (2):211-235.
    In this article, firstly, I begin by articulating four logically different positions Kant has been argued to hold concerning the nature and meaning of ‘aesthetic judgement’ so that, secondly, I may endorse the alternative that has been almost entirely neglected: that is, aesthetic judgement should be understood to be both ‘internalist’ in that the pleasure of taste is a constitutive element of the judgement itself (rather than its external effect or prior referent) and ‘objective’ insofar as the pleasure of taste (...)
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