Results for 'Aesthetics, Indic'

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  1. Aesthetics: Approaches, Concepts, and Problems.Sushil Kumar Saxena - 2010 - D.K. Printworld.
     
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  2. Nature of Indian Aesthetics, with Special Reference to Śilpa.Balram Srivastava - 1985 - Chaukhambha Orientalia.
     
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  3. An Aspect of Indian Aesthetics: Sir George Stanley Endowment Lectures, 1955-56, Delivered in February, 1956.Jaya Chamaraja Wadiyar - 1956 - University of Madras.
     
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  4. Abhinavagupta on Indian Aesthetics.Y. S. Walimbe - 1980 - Ajanta Books International.
     
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  5. Comparative Aesthetics.Kanti Chandra Pandey - 1959 - Varanasi, Chowkhamba Sanskrit Series Office.
    v. 1. Indian aesthetics.--v. 2. Western aesthetics.
     
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  6. Indian Aesthetics and Aesthetic Perspectives.Haradvārī Lāla Śarmā - 1990 - Mansi Prakashan.
     
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  7. The Eight Darlings of Indian Aesthetics.A. M. Upadhyay - 2012 - Book Can Also Be Ordered From Motilal Banarsidass.
     
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  8. The Indian Theory of Aesthetics: A Reappraisal.A. Ve Cuppiramaṇiyan̲ - 2005 - Rashtriya Sanskrit Sansthan.
     
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  9. Elements of Indian Aesthetics.S. N. Ghoshal - 1978 - Chaukhambha Orientalia.
    v. 1. Aesthetic beauty & bliss in Indian literature & philosophy -- v. 2. Two streams of Indian Art. pt. 1. History, thoughts, and canon of Indian iconography -- pt. 2. The Tāntrika iconography -- pt. 3. Indian gesturology -- pt. 4. Primitive arts, crafts, and ālpanā.
     
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  10. Studies in Indian Aesthetics and Criticism.K. Krishnamoorthy - 1979 - D.V.K. Murthy.
     
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  11. Some Thoughts on Indian Aesthetics and Literary Criticism.K. Krishnamoorthy - 1968 - Prasaranga, University of Mysore.
     
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  12. Avenues to Beauty: Eight Essays in Aesthetics.Sushil Kumar Saxena - 2009 - D.K. Printworld.
     
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  13. The Concept of Imitation in Greek and Indian Aesthetics.Ananta Charana Sukla - 1977 - Rupa.
    The author has made a detailed study, more detailed, he rightly claims, than hitherto attempted, of the concept of mimesis in aesthetic thought and has devoted equal space to Greek and Sanskrit writers... Wilamowitz, the doyen of modern classical scholars, describes mimesis as a 'fatal word' 'rapped out' by Plato. But the present author has demonstrated with great cogency that the word was not 'rapped out' by Plato at all, and that the concept and the word are both as old (...)
     
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  14. Rasa, or, Knowledge of the Self: Essays on Indian Aesthetics and Selected Sanskrit Studies.René Daumal - 1982 - New Directions.
    To approach the Hindu poetic art -- On Indian music -- Concerning Uday Shankar -- The origin of the theatre of Bharata -- Oriental book reviews -- The hymn of man -- To the liquid -- Knowledge of the self -- Some Sanskrit texts on poetry.
     
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  15. The Sensuous in Art: Reflections on Indian Aesthetics.Rekha Jhanji - 1989 - Indian Institute of Advanced Study in Association with Motilal Banarsidass, Delhi.
     
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  16. An Approach to the Indian Theory of Art and Aesthetics.Sneh Pandit - 1977
     
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  17. Ethics and Aesthetics: Essays in Indian Literature.Seema Malik & Seema Kashyap (eds.) - 2010 - Creative Books.
     
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  18. Art, Beauty, and Creativity: Indian and Western Aesthetics.Shyamala Gupta - 1999 - D.K. Printworld.
     
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  19. Aesthetic Experience.P. V. [from old catalog] Rajamannar - 1961 - University of Madras.
     
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  20. The Indian Philosophy of Beauty.T. P. Ramachandran - 1979 - Dr. S. Radhakrishnan Institute for Advanced Study in Philosophy, University of Madras.
    pt. 1. Perspective -- pt. 2. Special concepts.
     
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  21. Beauty, Art, and Man: Studies in Recent Indian Theories of Art.Pabitrakumar Roy - 1990 - Indian Institute of Advanced Study in Association with Munshiram Manoharlal Publishers, New Delhi.
     
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  22. Indian Theory of Aesthetic.P. S. Sastri - 1989 - Bharatiya Vidya Prakashan.
     
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  23. Aesthetic Enjoyment; its Background in Philosophy and Medicine.Ramendra Kumar Sen - 1966 - [Calcutta]University of Calcutta.
     
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  24. Aesthetic Theories of India.Padma Sudhi - 1983 - Bhandarkar Oriental Research Institute.
     
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  25. Aesthetic Theories and Forms in Indian Tradition.Kapila Vatsyayan, D. P. Chattopadhyaya, Sharad Deshpande & Anand K. Anand (eds.) - 2008 - Munshiram Manoharlal Publishers.
     
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  26. A Modern Introduction to Indian Aesthetic Theory: The Development From Bharata to Jagannātha.Surendra Sheodas Barlingay - 2007 - D.K. Printworld.
     
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  27. Cila Kalai Āḷumaikaḷ, Paṭaippukaḷ.Veṅkaṭ Cāminātan̲ - 2004 - Cantiyā Patippakam.
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  28. Saundarya, the Perception and Practice of Beauty in India.Harsha V. Dehejia & Makarand R. Paranjape (eds.) - 2003 - Samvad India Foundation.
     
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  29. Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom.Ranjan K. Ghosh - 2006 - Black & White.
     
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  30. Art Experience.Mysore Hiriyanna - 1954 - Manohar.
     
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  31. Aesthetic Communication: The Indian Perspective.Rekha Jhanji - 1985 - Munshiram Manoharlal Publishers.
     
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  32. Śila Aura Saundarya: Bhārateśiyā Ke Sāmantīya Yuga Meṃ Bhakti Evaṃ Rīti Viyukta Mithuna.Rameśa Kuntala Megha - 2007 - Ādhāra Prakāśana.
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  33. Creative Stillness: Indian Perspectives on Art & Beauty.Vishwanath S. Naravane - 2000 - Distributors, Lokbharti.
     
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  34. The Philosophy of Aesthetic Pleasure.P. Panchapagesa Sastri - 1940 - Annamalai University.
     
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  35. The Aesthetic Experience According to Abhinavagupta. Abhinavagupta - 1968 - Varanasi, Chowkhamba Sanskrit Series Office.
     
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  36. The Philosophy of Beauty.T. M. P. Mahadevan - 1969 - Bombay: Bharatiya Vidya Bhavan.
  37. Studies in Kalapurnodayam [Literature and its Value in Life with Special Reference to Kalapurnodayam].G. V. Rama Krishna Rao - 1956 - Sahiti Kendram.
     
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  38. Classical Indian Philosophy: An Introductory Text.J. N. Mohanty - 2000 - Rowman & Littlefield Publishers.
    Renowned philosopher J. N. Mohanty examines the range of Indian philosophy from the Sutra period through the 17th century Navya Nyaya. Instead of concentrating on the different systems, he focuses on the major concepts and problems dealt with in Indian philosophy. The book includes discussions of Indian ethics and social philosophy, as well as of Indian law and aesthetics.
     
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  39. The Third Eye a Lecture on the Appreciation of Art.Mulk Raj Anand - 1963 - Published for the University of Punjab by D.C. Sharma.
     
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  40. Aesthetic Philosophy of Abhinavagupta.Kailāśa Pati Miśra - 2005 - Kala Prakashan.
  41. The Response to Poetry.G. B. Mohan - 1968 - [New Delhi]People's Pub. House.
     
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  42. Theory of Value.Roy W. Perrett (ed.) - 2001 - Garland.
     
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  43. The Transformation of Nature in Art.Ananda Kentish Coomaraswamy - 1934 - Sterling Publishers Pvt..
    The theory of art in Asia.--Meister Eckhart's view of art.--Reactions to art in India.--Aesthetic of the Śukranītsāra.--Paroksa.--Ábhása.--Origin and use of images in India.--Notes.--Sanskrit glossary.--List of Chinese characters.--Bibliography (p. [235]-245).
     
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  44. Everyday Aesthetics.Yuriko Saito - 2001 - Philosophy and Literature 25 (1):87-95.
    Neglect of everyday aesthetics -- Significance of everyday aesthetics -- Aesthetics of distinctive characteristics and ambience -- Everyday aesthetic qualities and transience -- Moral-aesthetic judgments of artifacts.
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  45.  54
    Everyday Aesthetics.Y. Saito - 2010 - Oxford University Press.
    Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can (...)
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    Pragmatist Aesthetics: Living Beauty, Rethinking Art.Richard Shusterman - 1992 - Blackwell.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics.
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  47. The Aesthetics of Music.Roger Scruton - 1997 - Oxford University Press.
    What is music, what is its value, and what does it mean? In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy. The study begins with the metaphysics of sound. Scruton distinguishes sound from tone; analyzes rhythm, melody, and harmony; and explores the various dimensions of musical organization and musical meaning. Taking on various fashionable theories in the philosophy and theory of music, he presents a compelling case (...)
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  48. Aesthetics—What? Why? And Wherefore?Kendall Walton - 2007 - Journal of Aesthetics and Art Criticism 65 (2):147–161.
    It is a very great honor to address my friends and colleagues as president of the American Society for Aesthetics, an organization that plays a unique role in a field that is, at once, a major traditional branch of philosophy and also central to disciplines often regarded as remote from philosophy, as well as depending crucially on their contributions.
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  49. Aesthetics and its Discontents.Jacques Ranciere - 2009 - Polity.
    Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise (...)
     
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    Aesthetics of Nature, Constitutive Goods, and Environmental Conservation: A Defense of Moderate Formalist Aesthetics.Jennifer Welchman - 2018 - Journal of Aesthetics and Art Criticism 76 (4):419-428.
    Scientific cognitivists argue formalist aesthetics of nature are (i) inadequate for appreciating the full range of nature’s aesthetic values and (ii) too subjective to be useful for defending nature conservation. I argue that (i) is false because moderate formalists can appreciate nature for its performances, not merely objects and vistas. I argue (ii) is false because moderate formalists can argue that appreciation of beauty (including natural beauty) is a constitutive good of human flourishing, whose realization relies on access to a (...)
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