Results for 'Aesthetics, Medieval'

1000+ found
Order:
  1. Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music.C. Stephen Jaeger (ed.) - 2010 - Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  2. The Aesthetics of Discontent Politics and Reclusion in Medieval Japanese Literature.Michael F. Marra - 1991
     
    Export citation  
     
    My bibliography  
  3. A Portrait of the Artist: The Legends of Orpheus and Their Use in Medieval and Renaissance Aesthetics.Elizabeth A. Newby - 1987 - Garland.
     
    Export citation  
     
    My bibliography  
  4. Medieval Aesthetics.Joseph Margolis - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
    Export citation  
     
    My bibliography  
  5.  5
    History of Aesthetics. I: Ancient Aesthetics. II: Medieval Aesthetics.Wladyslaw Tatarkiewicz - 1972 - Journal of Aesthetics and Art Criticism 31 (1):129-130.
    Direct download  
     
    Export citation  
     
    My bibliography  
  6. Medieval Aesthetics.C. Barrett - 2005 - In Władysław Tatarkiewicz (ed.), History of Aesthetics. New York: Continuum.
     
    Export citation  
     
    My bibliography  
  7.  29
    Love, Violence, and the Aesthetics of Disgust: Śaivas and Jains in Medieval South India. [REVIEW]Anne E. Monius - 2004 - Journal of Indian Philosophy 32 (2/3):113-172.
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography   3 citations  
  8. Negati Affirmatio: A Foundation for Medieval Aesthetics From the Writings of John Scotus Eriugena.Werner Beierwaltes - 1977 - Dionysius 1:127-159.
     
    Export citation  
     
    My bibliography  
  9.  21
    Aesthetics Bychkov Aesthetic Revelation. Reading Ancient and Medieval Texts After Hans Urs von Balthasar. Pp. Xviii + 349. Washington, D.C.: The Catholic University of America Press, 2010. Cased, US$79.95. ISBN: 978-0-8132-1731-4. Bychkov, Sheppard Greek and Roman Aesthetics. Pp. Xlii + 249. Cambridge: Cambridge University Press, 2010. Paper, £17.99, US$30.99 . ISBN: 978-0-521-54792-5. [REVIEW]Stephen Halliwell - 2012 - The Classical Review 62 (2):428-431.
  10. Debra Hassig, Medieval Bestiaries: Text, Image, Ideology.(RES Monographs on Anthropology and Aesthetics.) Cambridge, Eng.: Cambridge University Press, 1995. Pp. Xx, 300 Plus 176 Black-and-White Figures. $90. [REVIEW]Willene B. Clark - 1999 - Speculum 74 (2):424-426.
     
    Export citation  
     
    My bibliography  
  11.  8
    Traditional Japanese Medieval Aesthetics: Comparative Studies.Antanas Andrija Uskas - 2005 - In Jurate Baranova (ed.), Contemporary Philosophical Discourse in Lithuania. Council for Research in Values and Philosophy. pp. 163.
    Direct download  
     
    Export citation  
     
    My bibliography  
  12.  6
    Elizabeth M. Tyler, Old English Poetics: The Aesthetics of the Familiar in Anglo-Saxon England. York: York Medieval Press, in Association with Boydell and Brewer and the Centre for Medieval Studies, University of York, 2006. Pp. Xvi, 194. $85. [REVIEW]Jana K. Schulman - 2008 - Speculum 83 (1):247-248.
  13.  3
    Tatarkiewicz' History of AestheticsHistory of Aesthetics. Vol. 1: Ancient Aesthetics.History of Aesthetics. Vol. 2: Medieval Aesthetics.History of Aesthetics. Vol. 3: Modern Aesthetics. [REVIEW]Monroe C. Beardsley, Wladyslaw Tatarkiewicz, Adam Czerniawski, Ann Czerniawski, Jean Harrell, R. M. Montgomery, Chester A. Kisiel, John F. Besemeres & D. Petsch - 1976 - Journal of the History of Ideas 37 (3):549.
  14.  5
    Medieval Jewish Aesthetics: Maimonides, Body, and Scripture in Profiat Duran.Kalman P. Bland - 1993 - Journal of the History of Ideas 54 (4):533-559.
  15.  2
    Mediaeval Art and Aesthetics in The Canterbury Tales.Przemysław Mroczkowski - 1958 - Speculum 33 (2):204-221.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  16.  2
    Review Of: Michele Marra, The Aesthetics of Discontent: Politics and Reclusion in Medieval Japanese Literature. [REVIEW]John Wallace - 1992 - Japanese Journal of Religious Studies 19 (1):85-90.
  17. History of Aesthetics. Vol 2: Medieval Aesthetics.C. Barrett - unknown
     
    Export citation  
     
    My bibliography  
  18. Negati-Affirmatio-World as Metaphor-Foundation of Medieval Latin Aesthetics by Johannes-Scotus-Eriguena.W. Beierwaltes - 1976 - Philosophisches Jahrbuch 83 (2):237-265.
     
    Export citation  
     
    My bibliography  
  19.  73
    The Aesthetics of Thomas Aquinas.Umberto Eco - 1988 - Harvard University Press.
    As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and ...
    Direct download  
     
    Export citation  
     
    My bibliography   3 citations  
  20.  6
    The Esthetics of the Middle Ages.Edgar de Bruyne - 1969 - New York: F. Ungar Pub. Co..
  21. The Aesthetics of Chaosmos the Middle Ages of James Joyce.Umberto Eco - 1982 - University of Tulsa.
    No categories
     
    Export citation  
     
    My bibliography   1 citation  
  22. Approaches to Nature in the Middle Ages: Papers of the Tenth Annual Conference of the Center for Medieval & Early Renaissance Studies.Lawrence D. Roberts (ed.) - 1982 - Center for Medieval & Early Renaissance Studies.
     
    Export citation  
     
    My bibliography  
  23.  46
    Art and Beauty in the Middle Ages.Umberto Eco - 1986 - Yale University Press.
    In this book, the Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   5 citations  
  24.  21
    Aesthetics: The Key Thinkers.Alessandro Giovannelli (ed.) - 2012 - Continuum.
    Offers a comprehensive historical overview of the field of aesthetics. Eighteen specially commissioned essays introduce and explore the contributions of those philosophers who have shaped the subject, from its origins in the work of the ancient Greeks to contemporary developments in the 21st Century. -/- The book reconstructs the history of aesthetics, clearly illustrating the most important attempts to address such crucial issues as the nature of aesthetic judgment, the status of art, and the place of the arts within society. (...)
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  25. Commentary on Plato's Symposium on Love.Marsilio Ficino & Sears Reynolds Jayne - 1985
     
    Export citation  
     
    My bibliography   2 citations  
  26.  4
    History as a Visual Art in the Twelfth-Century Renaissance.Karl F. Morrison - 1990 - Princeton University Press.
  27. A Középkor És Az Esztétika.Ákos Cseke - 2011 - Akadémiai Kiadó.
    Translate
     
     
    Export citation  
     
    My bibliography  
  28. O Sentido Do Belo No Século Xii: E Outros Estudos.José Acácio Aguiar de Castro - 2006 - Imprensa Nacional-Casa da Moeda.
    Translate
     
     
    Export citation  
     
    My bibliography  
  29. Arte E Bellezza Nell'estetica Medievale.Umberto Eco - 1997
    No categories
    Translate
     
     
    Export citation  
     
    My bibliography  
  30. Poetic Experience: An Introduction to Thomist Aesthetic.Thomas Gilby - 1934 - Folcroft Library Editions.
  31. Concordia Mundi: Platons Symposion Und Marsilio Ficinos Philosophie der Liebe.Maria-Christine Leitgeb - 2010 - Holzhausen.
  32. About Beauty a Thomistic Interpretation.Armand A. Maurer - 1983 - Center for Thomistic Studies.
     
    Export citation  
     
    My bibliography  
  33.  1
    Aesthetics and Music. [REVIEW]Andy Hamilton - 2009 - Analysis 69 (2):397-398.
    Aesthetics and Music is a rich and interesting study. Hamilton's approach is innovative. He interleaves chapters on the history of philosophical thought about music with more theoretical discussions of music, sound, rhythm and improvisation, but does not cover the work–performance relation, depiction or expression. He draws on an atypically broad range of examples, including avant-garde, medieval, non-Western and jazz. The assumptions are humanist: ‘I wish to argue for an aesthetic conception of music as an art … according to which (...)
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography   4 citations  
  34. Reflections on the "Wonderful Height and Size" of Gothic Great Churches and the Medieval Sublime.Paul Binski - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  35.  43
    Beyond Art and Beauty: In Search of the Object of Philosophical Aesthetics.Andreas Speer - 2000 - International Journal of Philosophical Studies 8 (1):73 – 88.
    This article deals with the ambigous situation of philosophical aesthetics, which now seems to have lost its proper object. Moreover, Arthur C. Danto has popularized talk of an end of art, in which he ties that end to the end of any aesthetic master narrative. Comparing modern and medieval approaches to art, this paper tries to reformulate the question of philosophical aesthetics, which has to be understood in a hermeneutical way. Taken in a heuristic manner 'art' and 'beauty' remain (...)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  36.  47
    Aesthetics and Music • by Andy Hamilton.Stephen Davies - 2009 - Analysis 69 (2):397-398.
    Aesthetics and Music is a rich and interesting study. Hamilton's approach is innovative. He interleaves chapters on the history of philosophical thought about music with more theoretical discussions of music, sound, rhythm and improvisation, but does not cover the work–performance relation, depiction or expression. He draws on an atypically broad range of examples, including avant-garde, medieval, non-Western and jazz. The assumptions are humanist: ‘I wish to argue for an aesthetic conception of music as an art … according to which (...)
    Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  37.  13
    Transcendence and the End of Modernist Aesthetics.Jack Dudley - 2013 - Renascence 65 (2):103-124.
    Taking into account Jones’s adoption of principles of modernist poetics—juxtaposition, allusion, and parataxis, all geared “to create newness”—this essay examines the theological ramifications for the poet’s breaking down, in his semi-autobiographical World War I poem, of modernist order and control. Jones unravels modernist aesthetics, conveying their inadequacy to the brutal realities of war. A space for religious belief appears through this process, but one not of heightened understanding; instead it is a via negativa, an unknowing, consonant with ideas from (...) mysticism but applied to the modern Waste Land. This pattern is borne out in Jones’s handling of the medieval trope of “misadventure,” his references to Eliot, his play on the word “line,” and his development of the concept of “parenthesis.”. (shrink)
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  38.  3
    II. The Aesthetics of the High Middle Ages.C. Barrett - 1971 - In History of Aesthetics. Vol 2: Medieval Aesthetics. De Gruyter. pp. 110-304.
    Direct download  
     
    Export citation  
     
    My bibliography  
  39.  2
    A. Eastern Aesthetics.C. Barrett - 1971 - In History of Aesthetics. Vol 2: Medieval Aesthetics. De Gruyter. pp. 1-47.
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  40. Magnificence in Miniature : The Case of Early Medieval Manuscripts.Adam S. Cohen - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  41. Fashioning Change: The Trope of Clothing in High- and Late-Medieval England.Andrea Denny-Brown - 2012 - Ohio State University Press.
    Medieval European culture was obsessed with clothing. In _Fashioning Change: The Trope of Clothing in High-and Late-Medieval England,_ Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing’s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as (...)
     
    Export citation  
     
    My bibliography  
  42. Listening to Magnificence in Medieval Paris.Emma Dilon - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  43. Richard of St. Victor and the Medieval Sublime.C. Stephen Jaeger - 2010 - In Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  44. Magnificent Architecture in Late Medieval Italy.Areli Marina - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  45. Opus Es Magnificum" : The Image of God and the Aesthetics of Grace.Martino Rossi Monti - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  46.  7
    In Praise of Blandness: Proceeding From Chinese Thought and Aesthetics.Paula M. Varsano (ed.) - 2007 - Zone Books.
    Already translated into six languages, Francois Jullien's In Praise of Blandness has become a classic. Appearing for the first time in English, this groundbreaking work of philosophy, anthropology, aesthetics, and sinology is certain to stir readers to think and experience what may at first seem impossible: the richness of a bland sound, a bland meaning, a bland painting, a bland poem. In presenting the value of blandness through as many concrete examples and original texts as possible, Jullien allows the undifferentiated (...)
    Direct download  
     
    Export citation  
     
    My bibliography  
  47. How Magnificent Was Medieval Art?Beth Williamson - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave-Macmillan.
     
    Export citation  
     
    My bibliography  
  48. Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer.Bruce W. Holsinger - 2001 - Stanford University Press.
    Ranging chronologically from the twelfth to the fifteenth century and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author (...)
     
    Export citation  
     
    My bibliography   1 citation  
  49. Belleza y Crueldad En la Edad Media.Bueno Domínguez & María Luisa - 2010 - Dilex.
    Translate
     
     
    Export citation  
     
    My bibliography  
  50.  14
    Perception and Action in Medieval Europe.Harald Kleinschmidt - 2005 - Boydell Press.
    Perception and action : the genesis of their separation as concepts -- The transformation of perception in the early eleventh century : dance historical records from the village of Kölbigk in East Saxony -- Impacts from the environment : the perception of odour, touch and taste -- Impacts on the environment : the rationality of action -- Aesthetics and ethics : their separation as concepts.
    Direct download  
     
    Export citation  
     
    My bibliography  
1 — 50 / 1000