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  1. \"Herbariu czystych zewnętrzności\": Siegfried Kracauer, Busby Berkeley, Sherrie Levine.Tomasz Majewski & Agnieszka Rejniak-Majewska - forthcoming - Estetyka I Krytyka 15 (15/16):64-87.
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  2. The (Post) Modern Politics of Ornament: Kracauer, Berkeley and Sherrie Levine.Tomasz Majewski & Agnieszka Rejniak-Majewska - 2007 - Art Inquiry. Recherches Sur les Arts 9:67-88.
     
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  3. Aesthetic Illusions of Freedom? Aesthetic Ideology and a Praise of Aesthetic Appearance.Agnieszka Rejniak-Majewska - 2009 - Art Inquiry. Recherches Sur les Arts 11:71-90.
     
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    Krytyka artystyczna dwudziestolecia międzywojennego. Między estetyką filozoficzną i sztuką nowoczesną.Agnieszka Rejniak-Majewska & Paweł Polit - 2020 - Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica 36:7-12.
    By the late 1920s in Europe new art directions were regarded as already completed phenomena, a part of “avant-garde tradition.” Such views were expressed by Jean Arp and El Lissitzky’s in their book Kuntismen, and by Amédée Ozenfant’s in Art. Bilan des arts modernes en France. Similar opinions were also voiced by Jan Brzękowski, a Polish poet and critic, who regarded this time as a period of “establishing certain values” rather than new breakthroughs. In this article I discuss Brzękowski’s strategies (...)
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  5. Pain: Passion, Compassion, Sensibility. Human Affairs Within a Museum Frame.Agnieszka Rejniak-Majewska - 2005 - Art Inquiry. Recherches Sur les Arts 7:241-260.
     
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  6. The Construction of Subjectivity in Theodor W. Adorno\'s Aesthetic Theory: Criticality, Reflection, Mimesis.Agnieszka Rejniak-Majewska - 2011 - Art Inquiry. Recherches Sur les Arts 13:35-52.
     
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