Il lavoro consiste in una particolare rilettura del testo cusaniano, nella quale si cerca di evidenziare, tra le altre fonti, soprattutto la presenza di Meister Eckhart. La “discesa” nel fondo dell'anima è presentata come il culmine teoretico di quel cammino di visione a cui e-duca l'aegnima dell'icona. Per queste ragioni l'articolo punta sull'influsso della mistica speculativa in campo teoretico e di quella dottrina che M. Eckhart chiama “Generazione del Logos nell'anima”. Tale trattazione apre poi il senso dell'ampia sezione dedicata alla (...) filosofia negativa e ai “nomi divini” del Deus Trinitas, stavolta sulla scia di Dionigi: Infinito, Non-Aliud e Padre. Centrale è la figura del Cristo, unica vera condizione di possibilità della visione “di” Dio in quanto unico mediatore tra il finito e l'infinito; in Cristo si realizza quella paradossale unione delle due nature ed offre così all'umanità la chiave tanto desiderata per avvicinare l'Infinito. (shrink)
The Non-aliud is a mature work of Nicholas of Cusa. It implies his full assimilation of the heritage of the Parmenides and of the neoplatonic tradition. The author asserts himself as a thinker of great originality and solid internal coherence, based on his refections on the One.
In this paper we intend to fill a gap in the study of medieval philosophy by providing a complete and stable text of the Preface to Aristotle’s De Praedicamentis by Albert the Great. Our intention is that this translation could be useful for scholars of Aristotle and its reception in the 13th century, and of the Colonian author himself. We also provide an initial discussion about the historical and philosophical contextualization as well as a philological discussion about the fundamental terms (...) of the fragment. We provide also a glossary that includes the fundamental concepts as well as their use in the text. En este artículo pretendemos llenar un vacío en el estudio dde la filosofía medieval aportando un texto completo y estable del Proemio al De Praedicamentis de Alberto Magno. Nuestra intención es que pueda servir como herramienta para estudiosos tanto de Aristóteles y su recepción en el Siglo XIII, como del propio autor Coloniense. Aportamos además una discusión inicial acerca de la contextualización histórica y filosófica así como una discusión filológica acerca de los términos fundamentales del fragmento. Ponemos también a disposición del lector un glosario que recoge los conceptos fundamentales así como su uso en el texto. (shrink)
In this article I propose to understand inertia in art as a “disposition to meaning”. I compare inertia in art with that of a face of a person recently deceased. To acquaintances, i.e. to family and friends, it holds a promise of memories (of the deceased); to all the others the corpse offers the possibility of a projection of meanings. Art is made of plain, or extra-ordinary stuff, which is turned into artistic material. The artist is to bring the inert (...) potency of stuff to artistic life, and to turn it into something that is expressive. If she is successful, then the work will offer its audience a concentrated, absorbing experience. Art is autonomous in that the aimed for experience is morally neutral. In the view of many contemporary artists, such experiences fail art’s deeper significance: absorbing experiences are, simply, too easy. If artists want to really move the audience (to emotion), or so they feel, they should also move the audience into action. Wanting to achieve this is not just difficult; it is a paradox. (shrink)
According to common sense cultural history is propelled by grand ideas. Contrary to this view a material history will be defended. Artists have always taken the lead in the exploration of new technologies that mediate human perception. The modern worldview has been instigated by the artistic domestication of the camera obscura and its successors: the photocamera and tv. These technologies produced the spectator who was enthroned by Descartes as the modern autonomous subject. Contemporary digital technologies call for the overthrow of (...) the obsolete paradigm of autonomy. Art paves the way for new subject-productions. (shrink)
Comparisons between international integration and integrative processes on lower social levels or in other social sectors have rather been neglected in the recent development of integration theory. However, they might have taught something more about the dynamics of integrative processes in general. International integration here, is compared with the creation and development of multi-purpose or all-purpose interest groups. Both are viewed as dynamic social processes of increasing interdependence and interaction, which start from the recognition that individual interests might better be (...) served by turning them info group-interests, through a process of successive compromises. Such social processes are accompanied by the creation of proper structures and by a shift of loyalty to the group or community-level. (shrink)
Denken we in beelden of in woorden? En welke rol speelt taal daarbij? In 'Rebussen, van duivels tot Bosch' worden deze vragen aan de orde gesteld vanuit een kunsthistorische benadering. Beeldtaal speelt een grote rol in ons denken. Het belang van het?lezen? - dus begrijpen - van afbeeldingen kan niet worden overschat. Al in de oudheid was men zich bewust van de zeggingskracht van beelden en van de rol die visuele voorstellingen spelen voor kennis, geheugen en herinnering. In de late (...) middeleeuwen en renaissance wordt de rebus, het spelen met woord en beeld, sterk gecultiveerd. Het vervangen van een geschreven woord door een afbeelding als synoniem is een eenvoudige stap. Complexer wordt het spel als klankovereenkomsten en betekenisassociaties worden ingezet, en al helemaal als ook meertaligheid een rol gaat spelen.0In dit boek spreekt onder meer een dertiende-eeuwse duivel rebustaal en wijst de Brugse schilder Jan Provoost in een geleerde rebus op de vergankelijkheid van het leven. Ook wordt duidelijk dat we betekenisvolle afbeeldingen, zoals het werk van Jheronimus Bosch, pas verantwoord uitleggen als we goed naar de historische context kijken. (shrink)
El propósito en este artículo es mostrar que, a pesar del juicio lapidario de algunos estudiosos de las últimas décadas respecto del interés filosófico del bizantino Miguel de Éfeso, es posible encontrar aspectos relevantes en sus lecturas e interpretaciones de Aristóteles. Argumentaré que el comentario de Miguel al _De motu animalium_ merece ser tratado seriamente. En la medida en que Miguel a veces emplea un modelo conceptual estoico para explicar Aristóteles, propone una idea nueva sobre cómo entender la teoría aristotélica (...) de la acción. Las interpretaciones del texto aristotélico por parte de Miguel no son meras repeticiones; en algunos pasajes se advierten desarrollos que van más allá de Aristóteles, aun cuando presuponen premisas aristotélicas bastante claras. (shrink)
El objetivo de este estudio se plantea, en términos de filosofía jurídica, la siguiente cuestión: ¿como debería reaccionar nuestro sistema judicial ante la presencia de otros sistemas regulativos obligatorios para grupos sociales distintos de la mayoria? Previamente el articulo erige un concepto viable de pluralismo cultural evitando los reduccionismos subyacentes: el reduccionismo que identifica pluralismo cultural con el impacto de corrientes migratorias en la unión europea; el reduccionismo que deriva del mantenimiento de la imposibilidad de existencia de derechos de grupo; (...) el reduccionismo que considera patológica la diversidad; el reduccionismo que equipara el pluralismo cultural con el pluralismo de valores; etc. Se llega así a la conclusión de que, en primer lugar, la cultura es conflicto, de juicio, y en segundo lugar, que la búsqueda de "una identidad cultural propia" es un proyecto sin pretensiones. La parte final de este análisis explicita el problema en la unión europea y enfrenta las relaciones entre pluralismo y relativismo desde el punto de vista de la teoría de los derechos humanos. (shrink)
As a continuation of previous studies about the reception of Rasā’il Ikhwān al-Ṣafā’ in al-Andalus, this paper argues that it was common among Andalusī scholars of the Middle Ages to credit the astronomer Maslama al-Majrīṭī not only with the authorship of Rutbat al-ḥakīm and Ghāyat al-ḥakīm – now both correctly ascribed to Maslama Ibn Qāsim al-Qurṭubī – but also with the entire encyclopaedic corpus of the Rasā’il. The first part of this article seeks to explain the series of successive confusions (...) by which these three works came to be identified as forming three steps of a philosophical ladder and how this trilogy then came to be attributed to the scientist al-Majrīṭī. The second part focuses on two biographical notes found on the title pages of two manuscripts of the as-yet-unedited Rutbat al-ḥakīm. In addition to providing supplementary evidence for the spread of this misconception among medieval scholars, these documents also offer valuable and sometimes unique information about the two Maslamas, their respective writings and entourages, as well as the widespread circulation of the Rasā’il across the Peninsula. The edition, translation and commentary of these two biographical notes are here provided for the first time. (shrink)
"Al-Farabi of Baghdad (c. 870-950) is the first major representative of the medieval Arabic Aristotelianism which came to influence the Christian West so profoundly. In the Islamic world his writings on logic set the pattern for the future and virtually created Islamic philosophy. He is also important as a witness to the study of Aristotle in late antiquity, demonstrating a knowledge of Galen and the exegetical tradition of Porphyry. This translation is based on a fresh study of the Arabic manuscripts. (...) An introduction and notes make this intriguing document accessible to all for whom it contains important matter.Classicists, historians of philosophy and logic, medievalists, Arabists, students of Islamic thought."--. (shrink)
El artículo viene a completar las anteriores investigaciones del autor sobre las fuentes de la antropología agustiniana. Entre éstas se ha subrayado el influjo del modelo antropológico de Antíoco de Ascalón, conocido a través de Varrón y Cicerón. Este ensayo rastrea las huellas del "De philosophia" de Varrón en los escritos de Agustín anteriores a "De ciuitate Dei", para evaluar la medida y el peso de esta presencia.
O autor, em uma abordagem do conjunto da obra de Rosenzweig à luz tanto dos grandes desafios filosóficos contemporâneos como da dialética entre distância e proximidade que sua específica posição possibilita, apresenta, desde a ideia geral de um pensamento que se rearticula em torno ao tema da paz, alguns dos elementos que permitem a concepção filosófica de um “pensamento pacífico”, ou “pensamento ético”, naquela obra e além dela, no sentido de uma “estética da paz”.
In this paper I will show some contributions from Averroes around some issues related to psychology and medicine. My intention is to establish some relations between the commentaries on De anima and the medical treatises. The itinerary is the following: a) I will show that, like Aristotle, Averroes conceives the soul as a set of biological capacities; b) De anima is a biological treatise, so there we can find some considerations that must be understood from a medical point of view, (...) specially, from the Arabic contributions on Anatomy. It is necessary, then, to point out the importance of the nerves and the brain to understand the narrow relation between the De anima and the Book of Medicine. We will find that Averroes does not understand the soul as a 'spiritual principle' but like something generated that makes possible several biological functions, from the vegetative and the sensitive to the intellectual ones. So, Averroes denies the Neoplatonic conception of the soul as something separated from the body. Averroes explains that the soul is the concretion of the biological process denominated "life". KEY WORDS – Averroes. Aristotle. De anima. Neoplatonism. Biology. Life. (shrink)
