1. " Why Should I Dance?": Choral Self-Referentiality in Greek Tragedy.Albert Henrichs - forthcoming - Arion 3 (1).
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    The tomb of Aias and the prospect of hero cult in Sophokles.Albert Henrichs - 1993 - Classical Antiquity 12 (2):165-180.
    Sophocles' Oedipus at Colonus has traditionally been regarded as the poet's primary tragedy involving hero cult; this essay explores the more subtle but no less ritually explicit hero cult of the Aias first outlined by Burian. The passage, as Burian saw, occurs when the young Eurysakes kneels at his father's body and Teukros conducts an unusual combination of rites: supplication, curse, offering of hair, and magic . One crucial direction to the child, kai phulasse , however, is here not understood (...)
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    Dancing in athens, dancing on Delos: Some patterns of choral projection in euripides.Albert Henrichs - 1996 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 140 (1):48-62.
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