This book presents a novel theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. It puts forward a new metaphysical conception of the nature of these This This book presents a novel theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. It puts forward a new metaphysical conception of the nature of these entities, according to which a fictional entity is a compound entity built up from (...) both a make-believe theoretical element and a set-theoretical element. The fictional entity is constructed by imagining the existence of an individual with certain properties and adding a set-theoretical element consisting of the set of properties corresponding to the properties of the imagined entity. Moreover, the book advances a new combined semantic and ontological defence of the existence of fictional entities. (shrink)

What is depiction? This is a venerable question that has received many different answers throughout the whole history of philosophy, especially in contemporary times. A Syncretistic Theory of Depiction elaborates a new account on this matter by providing a theory of depiction that tries to combine the merits of the previous theories while dropping their defects. It is argued that a picture is a representation in a pictorial or figurative mode, and its 'figurativity' is given by a special perception, perceiving-in, (...) whose nature is reconceived. Such a perception inter alia grasps some properties which the picture's vehicle has in common with what is perceived in it; by so doing, that perception provides the picture with a figurative content. In contrast, the picture's representational value, its subject or its pictorial content, is given by a conventionally or causally based selection out of that figurative content. (shrink)

In this paper, I want to argue for two main and related points. First, I want to defend Richard Wollheim’s well-known thesis that the twofold mental state of seeing-in is the distinctive pictorial experience that marks figurativity. Figurativity is what makes a representation pictorial, a depiction of its subject. Moreover, I want to show that insofar as it is a mark of figurativity, all seeing-in is inflected. That is to say, every mental state of seeing-in is such that the characterisation (...) of the properties by which a certain subject is seen in a given picture as having refers to the design properties of the picture’s vehicle, i.e., to the visible surface properties of that vehicle that are responsible for the fact that one such subject is seen in it, precisely taken in such a design role. Finally, I will try to show that seeing-in is qualified by inflection independently of whether it is conscious or unconscious seeing-in. (shrink)

In this paper, I want to deal with the problem of how to find an adequate context of interpretation for indexical sentences that enables one to account for the intuitive truth-conditional content which some apparently puzzling indexical sentences like “I am not here now” as well as other such sentences contextually have. In this respect, I will pursue a fictionalist line. This line allows for shifts in interpretation contexts and urges that such shifts are governed by pretense, which has to (...) be understood in terms of socially shared make-believe games. By appealing to pretense so conceived, I will show that the fictionalist perspective is halfway between an intentionalist perspective, according to which the above indexical sentences have to be interpreted in a shifted intended context, (this perspective is primarily defined by Predelli 1998, Analysis 58, 107; Mind and Language 13, 400) and a conventionalist perspective, according to which indexical reference shifts in accordance with a conventional setting. (For this perspective, cf. Corazza et al. 2002, Philosophical Studies 107, See also Corazza 2004, Reflecting the Mind: Indexicality and Quasi-Indexicality, Oxford University Press). Finally, I will claim that the fictionalist analysis of cases of non-ordinary uses of indexicals like “here” and “now” can be retained in face of a new alternative analysis of those cases in terms of an ‘unbound anaphora’ – theory (cf. Corazza 2004, Synthese 138, 145). (shrink)

Some people have stressed that there is a close analogy between meaning experiences, i.e., experiences as of understanding concerning linguistic expressions, and seeing-in experiences, i.e., pictorial experiences of discerning a certain item – what a certain picture presents, viz. the picture’s subject – in another item – the picture’s vehicle, the picture’s physical basis. Both can be seen as fusion experiences, in the minimal sense that they are experiential wholes made up of different aspects. Actually, two important similarities between such (...) experiences may lead one to think that they are experiences of the same type. In this paper, however, I will try to show that notwithstanding such similarities, these experiences are typologically different. For there are two dissimilarities between such experiences that are more relevant on this typological concern than their similarities. Indeed, unlike meaning experiences, seeing-in experiences are first of all recognitional experiences of a sort that makes them perceptual experiences as well. Moreover, again unlike meaning experiences, seeing-in experiences are fusion experiences in the substantial sense that the experiential whole is more than the sum of its experiential parts taken in isolation, for when such parts figure in that whole, they interact with each other. In a nutshell, unlike meaning experiences, seeing-in experiences are proper fusion experiences. (shrink)

According to Crane’s schematicity thesis (ST) about intentional objects, intentionalia have no particular metaphysical nature qua thought-of entities; moreover, the real metaphysical nature of intentionalia is various, insofar as it is settled independently of the fact that intentionalia are targets of one’s thought. As I will point out, ST has the ontological consequence that the intentionalia that really belong to the general inventory of what there is, the overall domain, are those that fall under a good metaphysical kind, i.e., a (...) kind such that its members figure (for independent reasons) in such an inventory. Negatively put, if there are no things of a certain metaphysical kind, thoughts about things of that kind are not really committed to such things. Pace Crane, however, this does not mean that the intentionalia that are really there are only those that exist. For existence, qua first-order property, is no metaphysical kind. Thus, there may really be intentionalia that do not exist, provided that they belong to good metaphysical kinds. (shrink)

In this paper, I will claim that fictional works apparently about utterly immigrant objects, i.e., real individuals imported in fiction from reality, are instead about fictional individuals that intentionally resemble those real individuals in a significant manner: fictional surrogates of such individuals. Since I also share the realists’ conviction that the remaining fictional works concern native characters, i.e., full-fledged fictional individuals that originate in fiction itself, I will here defend a hyperrealist position according to which fictional works only concern fictional (...) individuals. (shrink)

In this essay, I defend a Wollheimian account of a twofold picture perception. While I agree with Wollheim’s objectors that a picture involves three layers that qualify a picture in its complexity -- its vehicle, what is seen in it, and its subject --, I argue that the third layer does not involve perception, even indirectly: what is seen in a picture constrains its subject to be a subject of a certain kind, yet it does not force the latter to (...) be pictorially perceived, not even indirectly. So, even if a picture is three-layered, pictorial experience remains a twofold experience, as Wollheim claimed. Neither the proponents of threefoldness nor Wollheim himself, however, have convincingly explained how the experience really is a perceptual experience. My Wollheimian account thus aims to reconceive the pictorial experience in properly perceptual terms. (shrink)

In this paper, I want to show that the so-called intentionalist programme, according to which the qualitative aspects of the mental have to be brought back to its intentional features, is doomed to fail. For, pace Brentano, the property that constitutes the main part of such intentional features, i.e., intentionality, is not the mark of the mental, neither in the proper Brentanian sense, according to which intentionality is the both necessary and sufficient condition of the mental, nor in its ‘watered (...) down’ counterpart recently defended by Tim Crane, according to which intentionality is just the necessary condition of the mental. However, this does not mean that being mental is just a heterogenous category. For there may be another mark of the mental, i.e., consciousness, in the phenomenological sense of the property of being experienced. (shrink)

In this paper, I will present several interpretations of Brentano’s notion of the intentional inexistence of a mental state’s intentional object, i.e., what that state is about. I will moreover hold that, while all the interpretations from Section 1 to Section 4 are wrong, the penultimate interpretation that I focus in Section 5, the one according to which intentional inexistence amounts to the individuation of a mental state by means of its intentional object, is correct provided that it is nested (...) into the really right interpretation, the final one I give in Section 6. For it provides one of the merely necessary conditions of this latter interpretation. According to this final interpretation,intentional inexistence amounts to the constitution of a mental state by means of its intentional object. Finally, I will hold that both such interpretations preserve the idea, which strikes everyone as true, that an intentional object exists in the mental state aboutit pretty much as a pictorial character exists in the picture (qua interpreted entity) that depicts it. (shrink)

In a recent paper, Anthony Everett has mounted a very serious attack against realism with respect to fictional entities. According to Everett, ficta raise deep logico-ontological worries, for they violate some basic logical laws and are problematically indeterminate with respect to both their existence and identity. Since an antirealist account for sentences apparently committing us to ficta is available, no such committment is really needed. In this paper I will try to show, first, that the antirealist account Everett proposes for (...) those sentences is not convincing. Moreover, by relying on the Meinongians’ distinctions between i) predicative and propositional negation and ii) either modes of predication or kinds of property, I will argue that the logico-ontological problems Everett arises against ficta can be solved. Finally, I will try to show that both the ‘modes of predication’- and the ‘kinds of property’- distinctions (especially the first one) are not so problematic as Everett holds. (shrink)

In this paper, I will defend the claim that there are three existence properties: the second-order property of being instantiated, a substantive first-order property (or better a group of such properties) and a formal, hence universal, first-order property. I will first try to show what these properties are and why we need all of them for ontological purposes. Moreover, I will try to show why a Meinong-like option that positively endorses both the former and the latter first-order property is the (...) correct view in ontology. Finally, I will add some methodological remarks as to why this debate has to be articulated from the point of view of reality, i.e., by speaking of properties, rather than from the point of view of language, i.e., by speaking of predicates (for such properties). (shrink)

In this paper I argue for a syncretistic theory of depiction, which combines the merits of the main paradigms which have hitherto faced themselves on this issue, namely the perceptualist and semioticist approaches. The syncretistic theory indeed takes from the former its stress on experiential factors and from the latter its stress on conventional factors. But the theory is even more syncretistic than this, for the way it accounts for the experiential factor vindicates several claims defended by different perceptualist theories. (...) In a nutshell, according to the syncretistic theory a picture depicts its subject iff i) it is transformed into an entity-cum-meaning and ii) one has the twofold experience of seeing that subject in the picture qua noninterpreted entity, the image, just in case one consciously misrecognizes it in consciously seeing that image, for that subject resembles the image in some grouping properties (originally labelled Gestalt-qualities in psychology). By appealing to objective resemblance in grouping properties, the theory can vindicate what are nowadays taken to be the most neglected doctrines in the perceptualist camp: objective resemblance theories. By appealing, moreover, to conscious misrecognition, the theory not only squares with both the seeing-in and the recognition theories of depiction, but it also shows the grain of truth in illusion theories of depiction, since conscious misrecognition is a kind of perceptual illusion. (shrink)

Along with a well-honoured tradition, we will accept that intentionality is at least a property a thought holds necessarily, i.e., in all possible worlds that contain it; more specifically, a necessary relation, namely the relation of existential dependence of the thought on its intentional object. Yet we will first of all try to show that intentionality is more than that. For we will claim that intentionality is an essential property of the thought, namely a property whose predication to the thought (...) is true in virtue of the identity, or nature, of such a thought. More particularly, for us intentionality will again be a relation, yet a relation of ontological dependence of the thought on its intentional object; specifically, the relation for the thought of being constituted by its object. Moreover, we will try to show that if intentionality is such a constitutive relation for the thought that has it, certain metaphysical consequences ensue. First, an objectual thought, a thought whose content basically consists in its intentional object, is nothing but that object in a certain cogitative modality, or, which is the same, as playing a certain motivational role for the subject entertaining the thought itself (at a certain time). Second, if an objectual thought is nothing but an intentional object in a cogitative modality, such a thought, not only as a type, but also as a token, is an abstract entity. More specifically, an objectual thought-type, an abstract object par excellence, is indeed instantiated by objectual thought-tokens which are again abstract particulars, yet of a specific kind: namely, tropes of a relational sort depending for their existence on their bearers (and possibly also on their temporal location). (shrink)

As far as I can see, there are two basic ways of cashing out the claim that intentionality is ultimately phenomenal: an indirect one, according to which the intentional content of an experiential intentional mental state is determined by the phenomenal character that state already possesses, so that intentionality is so determined only indirectly; a direct one, which centers on the very property of intentionality itself and can further be construed in two manners: either that very property is determined by (...) the above phenomenal character, or it is a sui generis phenomenal property, thereby giving its own contribution to the overall phenomenal character of that state. Yet neither way sounds ultimately satisfying. For the indirect way may work only under the assumption that intentionality is monadic. Since the direct way explicitly endorses this assumption, the indirect way must give pride of place to it. Yet the direct way seems to be unsuccessful, in any of its forms. Thus, the phenomenal intentionality research program ought to give way to another research program concerning intentionality. (shrink)

: In Cognitive penetrability and the epistemic role of perception Athanasios Raftopoulos provides a new defense of the thesis that, unlike early vision, late vision is cognitively penetrable, in accordance with a new definition of cognitive penetrability that is centered on the ideas of direct influence of cognition upon perception and of the epistemic role of perception. This new definition allows him to maintain that late vision is a genuinely perceptive stage of the perceptual process. In this paper, I try (...) to discuss not only whether this new definition has plausible consequences that allow only late vision to be cognitively penetrable but also whether the claim that late vision is genuinely perceptual allows it to have the kind of hybrid content, half nonconceptual and half conceptual, that Raftopoulos now wants to ascribe to it. Keywords: Cognitive Penetrability, weak, strong, and superstrong; Early and Late Vision; Nonconceptual Content Penetralibità cognitiva e visione secondaria Riassunto: In Cognitive penetrability and the epistemic role of perception Athanasios Raftopoulos dà una nuova difesa della tesi secondo cui, a differenza della visione primaria, la visione secondaria è penetrabile cognitivamente, secondo una nuova definizione della nozione di penetrabilità cognitiva centrata sulle idee di influenza diretta della cognizione sulla percezione e di ruolo epistemico della percezione. Questa nuova definizione gli consente di sostenere che la visione secondaria è una fase genuinamente percettiva del processo percettivo. Nell’articolo, provo a discutere non solo se la nuova definizione ha conseguenze plausibili che consentono solo alla visione secondaria di essere penetrabile cognitivamente, ma anche se l’idea che la visione secondaria sia genuinamente percettiva consente ad essa di avere il contenuto ibrido, in parte nonconcettuale e in parte concettuale, che Raftopoulos vuole ora ascriverle. Parole chiave: Penetrabilità cognitiva debole, forte e superforte; Visione primaria e secondaria; Contenuto nonconcettuale. (shrink)

Creationism with respect to fictional entities, i.e., the position according to which ficta are creations of human practices, has recently become the most popular realist account of fictional entities. For it allows one to hold that there are fictional entities while simultaneously giving such entities a respectable metaphysical status, that of abstract artifacts. In this paper, I will draw what are the ontological and semantical consequences of this position, or at least of all its forms that are genuinely creationist. For (...) some people, these consequences will sound as plagues against the position; for some others, especially realists on ficta, they are welcome results. Although I hold that all forms of genuine creationism have these consequences, I will conclude by explaining why I take moderate creationism, according to which ficta are created by means of a reflexive stance on the make-believe practice grounding them, to be the best of these forms. (shrink)

In his (2001a) and in some related papers, Tim Crane has maintained that intentional objects are schematic entities, in the sense that, insofar as being an intentional object is not a genuine metaphysical category, qua objects of thought intentional objects have no particular nature. This approach to intentionalia is the metaphysical counterpart of the later Husserl's ontological approach to the same entities, according to which qua objects of thought intentionalia are indifferent to existence. But to buy a metaphysically deflationary approach (...) does not mean to buy an ontologically deflationary approach, according to which we have to accept all the intentional objects there apparently are. Being metaphysically deflationary on intentionalia rather means that from the ontological point of view one must really allow only for those intentionalia for which one is entitled to say that there are such things; typically, for which an ontological proof is available. From metaphysical schematism plus conditional, or partial, ontological committment to intentionalia, further interesting consequences follow. First, this theoretical combination allows one to deal with the ‘too-many entities’ problem (may one fail to accept an ontological proof for an entity of a given kind if she thinks that the entity we would have to be committed to is an entity of another kind?). Second, it allows one to deal with the ‘genuinely true report’ problem (how is it that if we exercise mindreading with respect to a somehow deluded person, we want our reports to come out as really, not merely fictionally, true?). (shrink)

In this paper I want to show that the idea supporters of traditional creationism (TC) defend, that success of a fictional character across different works has to be accounted for in terms of the persistence of (numerically) one and the same fictional entity, is incorrect. For the supposedly commonsensical data on which those supporters claim their ideas rely are rather controversial. Once they are properly interpreted, they can rather be accommodated by moderate creationism (MC), according to which fictional characters arise (...) out of a reflexive stance on a certain make-believe process. For MC, success of a fictional character across different works amounts to the fact that, first, different work-bound ficta are related with each other by means of a relation weaker than numerical identity, transfictional sameness, and second, that all those ficta are related by transfictional inclusion to a fictum that in some sense gather them all, the so-called general character. Since a general character is an abstract constructed entity, moreover, the more those particular ficta are generated, the more general fictional characters including all of them arise. (shrink)

In this paper, I will first of all claim that once one takes proper names as indexicals of a particular sort, indexinames for short, one may account for some tensions that affect our desiderata regarding the use of such names in sentences directly or indirectly involving fiction. According to my proposal, a proper name “N.N.” is an indexical whose character is roughly expressed by the description “the individual called ‘N.N.’ (in context)”, where this description means “the individual one’s interlocutor’s attention (...) is called to by means of ‘N.N.’ (in context)”. This character is a partial function that maps narrow contexts onto referents. Such contexts are enriched narrow contexts, for they also include an ‘acquisition’ parameter, i.e., a parameter filled by a naming practice constituted by a dubbing, which consists in calling via the name one’s interlocutor’s attention to something (if any), and usually also by a certain transmission chain. I will also claim that such a proposal works independently of one’s ontological stance on fictional entities, that is, independently of whether one believes either that there are or that there are no such entities. Moreover, I will claim that such a proposal is better than similar indexicalist proposals such as the one put forward by Tiedke (2011), Finally, I will try to show how this proposal can deal with some objections one may raise against an indexicalist treatment of proper names. (shrink)

In this paper I will Wrst contend that semantically based arguments in favour of or against problematic entitiesz—zlike those provided, respectively, in a realist Meinongian and in an antirealist Russellian campz—zare ultimately inconclusive. Indeed, only genuinely ontological arguments, speciWcally addressed to prove (or to reject) the existence of entities of a deWnite kind, suit the purpose. Thus, I will sketch an argument intended to show that there really are entities of an apparently speciWc kind, i.e. intentionalia, broadly conceived as things (...) that may actually exist as well as actually not exist. Finally, I will try to explain why that argument proves the existence of only some sorts of intentionalia, by showing how this is related to the fact that, as some have correctly maintained, inten- tionalia have no intrinsic nature. (shrink)

In this paper, I will first try to provide a new argument in favour of the contextualist position on the semantics/pragmatics divide. I will argue that many puns, notably multi-stable ones, cannot be dealt with in the non-contextualist way, i.e., as displaying a phenomenon that effectively involves wide context, the concrete situation of discourse, yet only in a pre-, or at least inter-, semantic sense. For, insofar as they involve ambiguous utterances rather than ambiguous sentences, these puns show that the (...) wide context affecting them has a semantic role: it provides many truth-conditions for a single utterance. Moreover, I will try to show that the contextualist can provide a unitary account of the general phenomenon of puns. On the one hand, this account explains multi-stable puns as well as those puns the non-contextualist claims to deal with successfully, i.e., the ones involving a speaker-induced removal of a well-grounded misunderstanding. On the other hand, it also explains zeugmatic puns, i.e., those involving an ‘impossible’ meaning. (shrink)

In this paper, we first want to defend the idea that reference intentionality is the relation of constitution holding between an intentional state, a thought, and the object it is about, its intentional object. As such, reference intentionality is for a thought an essential property, whose predication to that thought is true in virtue of the nature of such a thought. We will take this to be one of the main lessons of serious externalism, according to which the intentional object (...) occurs in the individuation conditions of the thought about it. Moreover, we want to draw some consequences of this idea. First, in conformity with serious externalism we will claim that an objectual thought is nothing but its intentional object in a cogitative modality, which is nothing but a certain motivational role for that object to play with respect to a subject. Second, we will claim that one such thought, both as a type and as a token, is an abstract particular, respectively a kind and a relational trope. (shrink)

Our lives are commonly involved with fictionality, an activity that adults share with children. After providing a brief reconstruction of the most important cognitive theories on pretence, we will argue that pretence has to do with metarepresentations, albeit in a rather weakened sense. In our view, pretending entails being aware that a certain representation does not fit in the very same representational model as another representation. This is a minimal metarepresentationalism, for normally metarepresentationalism on pretense claims that pretending is or (...) entails representing a representation qua representation, i.e. as conceptualised as a representation, in its very content. In the final section we will try to draw some consequences of our view as to the debate in cognitive science on mindreading. Given this minimal metarepresentationalism, the two main positions on mindreading, the ‘theory theory’ and the ‘simulation theory’, turn out to be closer than one would have originally supposed. (shrink)

In this paper, I want to hold, first, that a treatment of Frege cases in terms of a difference in cognitive phenomenology of the involved experiential mental states is not viable. Second, I will put forward another treatment of such cases that appeals to a difference in intentional objects metaphysically conceived not as exotica, but as schematic objects, that is, as objects that have no metaphysical nature qua objects of thought. This allows their nature to be settled independently of their (...) being thought of, in particular as concrete entities in the sense of entities that may be spatiotemporal occupiers. Yet third, as to Frege cases, cognitive phenomenology may return from the back door. For the realization that, if correct, solves any such case cannot but have a proprietary, though neither distinctive nor individuative, phenomenology. In my account, this is the realization that the different schematic intentional objects involved are none other than the same entity. (shrink)

There is definitely a family resemblance between what contemporary contextualism maintains in philosophy of language and some of the claims about meaning put forward by the later Wittgenstein. Yet the main contextualist thesis, namely that linguistic meaning undermines truth-conditions, was not defended by Wittgenstein. If a claim in this regard can be retrieved in Wittgenstein despite his manifest antitheoretical attitude, it is instead that truth-conditions trivially supervene on linguistic meaning. There is, however, another Wittgensteinian claim that truly has a contextualist (...) flavour, namely that linguistic meaning is itself wide-contextual. To be sure, this claim does not lead to the eliminativist/intentionalist conception of linguistic meaning that radical contextualists have recently developed. Rather, it goes together with a robust conception of linguistic meaning as intrinsically normative. Yet it may explain why Wittgenstein is taken to be a forerunner of contemporary contextualism. (shrink)

In this paper, I want to address once more the venerable problem of intentional identity, the problem of how different thoughts can be about the same thing even if this thing does not exist. First, I will try to show that antirealist approaches to this problem are doomed to fail. For they ultimately share a problematic assumption, namely that thinking about something involves identifying it. Second, I will claim that once one rejects this assumption and holds instead that thoughts are (...) constituted either by what they are about, their intentional objects, or by what determines their proposition-like intentional contents, one can address the problem of intentional identity in a different way. One can indeed provide a new solution to it that basically relies on two factors: a) what sort of metaphysical nature intentional objects effectively possess, once they are conceived as schematic objects à la Crane (2001, 2013); b) whether such objects really belong to the overall ontological inventory of what there is. According to this solution, two thoughts are about the same nonexistent intentional object iff i) that object satisfies the identity criterion for objects of that metaphysical kind and ii) objects of that kind belong to the overall ontological inventory of what there is, independently of whether they exist (in a suitable first-order sense of existence). As such, this solution is neither realist nor antirealist: only if condition ii) is satisfied, different thoughts can be about the same nonexistent intentionale; otherwise, they are simply constituted by the same intentional content (provided that this content is not equated with that intentionale). Third, armed with this solution, I will hold that one can find a suitable treatment of the specific and related problem of whether different people may mock-think about the same thing, even if there really is no such thing. Finally, I will try to show that this treatment can be also applied to the case in which different thoughts are, according to phenomenology, about the same intentionale and yet this intentionale is of a kind such that there really are no things of that kind. For in this case, such thoughts are about the same intentionale only fictionally. (shrink)

Insofar as the so-called new theory of reference has come to be acknowleged as the leading theoretical paradigm in semantic research, it has been widely accepted that proper names directly refer to their designation. In advancing some of the most convincing arguments in favour of this view of names, S. Kripke has however left somehow undecided what the role of context is in determining which is the direct referent for a name. According to one interpretation of his thought, context has (...) only an external task in allowing one to simultaneously select a name and a given referent for it. Although this interpretation is the most faithful to Kripke's own intentions, there is another possible interpretation of what he says, according to which context more significantly permits one to determine a given referent at a time for one and the same name1. This different interpretation of the role of context is not marginal for the purpose of semantics, since it generates two distinct theoretical conceptions of what a proper name is. According to the former, the 'idiosyncratic' conception, proper names are individuated (at least) by their form and bearer. According to the latter, the 'linguistic' conception, they are individuated by their morphology only: i.e., by their being (syntactically) unstructured strings of letters. The two conceptions prove to be substantially different when homonyms are called into play. Insofar as both the Greek philosopher and the famous shipowner are called "Aristotle", we have two distinct, albeit homonymous, names for the idiosyncratic conception but only one name (as applied to two distinct individuals) for the linguistic conception2. In what follows, I will first sketch one of the most recent attempts to support for the idiosyncratic view, namely the one which traces back to Kaplan [1990] theory of words, and recall its merits over its cognate idiosyncratic theories. I will then try to give an argument in favour of the linguistic conception, by pointing out how the latter.... (shrink)

In his recent book on the philosophy of mind, Tim Crane has maintained that intentional objects are to be conceived as schematic entities, having no particular intrinsic nature. I take this metaphysical thesis as fundamentally correct. Yet in this paper I want to cast some doubts on whether this thesis prevents intentionalia, especially nonexistent ones, from belonging to the general inventory of what there is, as Crane seems to think. If my doubts are grounded, Crane’s treatment of intentionalia may further (...) be freed from a certain tension that seems to affect it, namely the fact that he appeals to nonexistent intentionalia in order to individuate intentional states and at the same time he attempts at dispensing with them. (shrink)

In this paper I will claim that the different phenomenology of seeing-as experiences of ambiguous figures matches a difference in their intentional content. Such a content is non-conceptual when the relevant seeing-as experience is just an experience of organizational seeing-as. It is partially conceptual when the relevant seeing-as experience is an overall experience of seeing something as a picture that is identical with Wollheim’s seeing-in experience and is constituted by an experience of organizational seeing-as (its configurational fold) and by an (...) experience of knowingly illusory seeing-as (its recognitional fold). To my mind, Wittgenstein’s reflections on seeing-as have anticipated these claims. (shrink)

A theory of intentionality is outlined, in which the desideratum that the intentional be the same as the real object is argued for in terms of an anti-realist ontology. According to such an ontology, an ordinary object is in itself an object of discourse taken as intentional when posited phenomenologically and as possible when posited naturalistically, i.e. as not existing in some possible worlds but as existing in others. If the actual world is included among the latter, the object deserves (...) to be called "rear". Qua possible object, it answers to a principle of individuation which also works as a criterion of discrimination. According to such a principle, any possible object has a counterfactual individualising property which takes substance plus origin in a given spacetime as the object's essential properties, where it exists. It is, moreover, an object of discourse insofar as it generically depends, for its own being, on a singular term being publicly used to refer to it. (shrink)

In a very recent paper (2010), Dominic McIver Lopes has claimed that pictures perceptually ground demonstrative reference to depicted objects. If as I think Lopes is right, this has important consequences for the debate on the semantics/pragmatics divide. For one can exploit Lopes' claim in order to provide one more argument in favour of the well-known contextualist thesis that wide context has not only both a pre- and a post-semantic role, but also a semantic role – to put it in (...) Perry's (1997) terms. (shrink)

We maintain that no extant argument in favor of phenomenal external- ism is really convincing. PE is the thesis that the phenomenal properties of our experiences must be individuated widely insofar as they are constituted by worldly properties. We consider what we take to be the five best arguments for PE. We try to show that none of them really proves what it aims at proving. Unless better arguments in favor of phenomenal externalism show up in the debate, we see (...) no reason to relinquish an idea that seems intuitive and appeals to many cognitive sci- entists: that phenomenology is narrow, i.e., that phenomenal properties are intrinsic properties of our experiences. This idea grounds the opposite philosophical position, phenomenal internalism. (shrink)

In (1959), Carnap famously attacked Heidegger for having constructed an insane metaphysics based on a misconception of both the logical form and the semantics of ordinary language. In what follows, it will be argued that, once one appropriately (i.e., in a Russellian fashion) reads Heidegger’s famous sentence that should paradigmatically exemplify such a misconception, i.e., “the nothing nothings”, there is nothing either logically or semantically wrong with it. The real controversy as to how that sentence has to be evaluated—not as (...) to its meaning but as to its truth—lies at the metaphysico- ontological level. For in order for the sentence to be true one has to endorse an ontology of impossibilia and Leibniz’s principle of the identity of indiscernibles. (shrink)

On various occasions, Kendall Walton has put forward a theory of depiction based on the notion of make-believe: P depicts something only if in virtue of having a perception of P, one makes believe that that very experience is the perception of P’s subject. As a consequence, if an individual is not able to make believe, whatever they face in their perception does not count as a depiction for her. Yet there are many evidences from developmental psychology that show that (...) very little children still unable to make believe can grasp a picture’s figurative value. As a result, Walton’s theory of depiction seems to be inadequate from an empirical point of view. Moreover, it also appears to be inadequate from a conceptual point of view. Walton’s ambition is to account in pretence-theoretical terms of what the twofold experience of seeing-in, which Wollheim took to be a necessary condition of depiction, amounts to. Yet relying on make-believe, hence on imagination, does not account for the genuinely perceptual character of the “seeing-in” experience. No treatment of imagination in terms of visualization seems to achieve such a purpose. (shrink)

Queremos mostrar que ninguno de los argumentos conocidos a favor del externismo fenoménico es convincente. PE es la tesis de que las propiedades fenoménicas de nuestras experiencias se tienen que individuar en modo amplio en la medida en la que están constituidas por propiedades del mundo. Examinamos los que nos parecen los cinco mejores argumentos a favor de PE. Intentamos mostrar que ninguno de ellos puede establecer el resultado deseado. Mientras no aparezcan argumentos mejores en el debate, no tenemos razón (...) para renunciar a una idea que parece intuitiva y atractiva para muchos psicólogos cognitivos: que la fenomenología es estrecha, es decir, que las propiedades fenoménicas son propiedades intrínsecas de nuestras experiencias. Esta idea subyace a la posición filosófica opuesta, el internismo fenoménico. (shrink)

There are two interpretations of what it means for a singular term to be referentially direct, one truth-conditional and the other cognitive. It has been argued that on the former interpretation, both proper names and indexicals refer directly, whereas on the latter only proper names are directly referential. However, these interpretations in fact apply to the same singular terms. This paper argues that, if conceived in purely normative terms, the linguistic meaning of indexicals can no longer be held to make (...) these terms referentially indirect under the second interpretation. This result is then generalized to proper names, by ascribing them a normative meaning as well. (shrink)

In this paper, I want to show that a reasonable thesis on truth in fiction, Fictional Vichianism (FV)—according to which fictional truths are true because they are stipulated to be true—can be positively endorsed if one grounds Kripke’s justification for (FV), that traces back to the idea that names used in fiction never refer to concrete real individuals, into a creationist position on fictional entities that allows for a distinction between the pretending and the characterizing use of fiction-involving sentences. Thus, (...) sticking to (FV) provides a reason for a metaphysically moderate ontological realism on fictional entities. (shrink)

There is a list of desiderata that any good metaphysics of fictional entities should be able to fulfill. These desiderata are: 1) the nonexistence of fictional entities; 2) the causal inefficacy of suchentities;3)the incompleteness of such entities;4)the created character of such entities; 5) the actual possession by ficta of the narrated properties; 6) the unrevisable ascription to ficta of such properties; and 7) the necessary possession by ficta of such properties. (Im)possibilist metaphysics uncontroversially satisfy 1) and 2); Neo-Meinongian metaphysics satisfy (...) 1), 2), 3), 5), 6), and 7); artefactualist or creationist metaphysics uncontroversially satisfy 1), 2), 3), and 4). Another metaphysics is needed in order to satisfy all such desiderata. In this chapter Idevelop such a metaphysics, claiming that a Syncretistic metaphysics that combines Neo-Meinongianism with Artefactualism achieves this purpose. According to Syncretism, ficta are hybrid entities individuated in terms of both a certain makebelieve narrative process and the set of properties that one such narration mobilizes. Toward the end of the chapter I consider some possible criticisms to this approach: its non-intuitiveness; ficta’s unnecessary proliferation; and troubles with creationism of any sort. (shrink)

Although both belong to the domain of the nonexistent, there is an ontological distinction between ficta and possibilia. Ficta are a particular kind of abstract objects, namely constructed abstract objects which generically depend on authors for their subsistence. Moreover, they are essentially incomplete entities, in that they are correlates of finite sets of properties. - On the other hand, possibilia are concrete objects. Being a possible object is indeed being an entity that might have existed, that is, that might have (...) been involved in the causal order. Besides, as an object existent in this sense may legitimately be qualified as complete, the incompleteness which pertains to possible objects is contingent, in that it regards them only with respect to the possible worlds in which they do not exist. This ontological distinction has a semantic correlate: whereas names for possibilia are full-fledged directly referential terms, names for ficta are synonymous with de facto rigid descriptions of a complex sort. (shrink)

Notwithstanding Plato’s venerable opinion, many people nowadays claim either that mirrors are not pictures, or that, if they are such, they are just transparent pictures in Kendall Walton’s sense of a particular kind of picture. In this article, however, I want to argue that mirrors are bona fide pictures. For they are grasped via what, as I assume in the article, makes a picture a picture, that is, a representation with a figurative value, namely, a depiction; namely, a certain seeing-in (...) experience. This is the sui generis perceptual experience that Richard Wollheim originally appealed to. Once this experience is suitably reconceived, one can show how it successfully applies to mirrors as well, in order to prove that they are bona fide pictures. From an aesthetical point of view, this is an important result. For it shows that the class of pictures is broader than what people nowadays think and is closer to the original intuition sustaining Plato’s opinion. (shrink)

The paper attempts at yielding a language-independent argument in favour of fictional entities, that is, an argument providing genuinely ontological reasons in favour of such entities. According to this argument, ficta are indispensable insofar as they are involved in the identity conditions of semantically-based entities we ordinarily accept, i.e. fictional works. It will also be evaluated to what extent this argument is close to other arguments recently provided to the same purpose.