Results for 'Ale�� Erjavec'

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  1.  7
    Review of Postmodernism and the Postsocialist Condition: Politicized Art Under Late Socialism Edited by Ales Erjavec[REVIEW]Curtis Carter - unknown
  2.  22
    Review of Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements Edited by Aleš Erjavec.Curtis Carter - 2016 - Journal of Aesthetics and Art Criticism 74 (3): 314-316.
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  3.  21
    Aesthetics: Philosophy of Art or Philosophy of Culture?Ales Erjavec - 2001 - Filozofski Vestnik 22 (2):7-20.
    What often occurs in relation to contemporary culture are attempts to develop a philosophy which would be focused on culture which is gaining in importance and which would thus complement the extant philosophy of art. The author discusses two such attempts, namely those of Heinz Paetzold and Fredric Jameson. Nonetheless, in his view, in both cases the theories offered remain insufficient and in need of further development if they are to philosophically grasp the current changes in art and culture. (edited).
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  4.  14
    Erjavec Aleš, Ed. Aesthetic Revolutions and Twentieth‐Century Avant‐Garde Movements. Duke University Press, 2015, XVI + 322 Pp., 70 B&W Illus., $99.95 Cloth. [REVIEW]Curtis L. Carter - 2016 - Journal of Aesthetics and Art Criticism 74 (3):314-316.
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  5.  2
    The Pictorial Turn.Ales Erjavec - 2003 - Nordic Journal of Aesthetics 15 (27-28).
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  6.  14
    Modern Aesthetics on Trial: Revisiting a Century of Avant-Gardes.Aleš Erjavec & Oana Serban - 2017 - Annals of the University of Bucharest - Philosophy Series 66 (1).
    This interview is inspired the most important working-hypothesis presented in the volume Aesthetic Revolutions and the Twentieth-Century Avant-Garde Movements, edited by Aleš Erjavec, that questions the legitimacy of the distinction between aesthetic and artistic avant-gardes, supported by the relationship of each concept with the modern revolutionary politics. The relevance of this contrast for determining modernity both in its ideological shape and its continuity, in the terms of postmodernity will be criticized in our discussion with professor Erjavec, reflecting on (...)
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  7.  17
    Art and Aesthetics: From Modern to Contemporary.Aleš Erjavec - 2012 - Diogenes 59 (1-2):148-157.
  8. Artistic Autonomy and Heteronomy.Ales Erjavec - 2012 - Filozofski Vestnik 33 (3):9 - +.
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  9. Adorno and Heidegger in-/Outside Postmodern Culture.Ales Erjavec - 2003 - Dialogue and Universalism 13 (11-12):67-82.
     
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  10. Adorno and/with Heidegger: From Modernism to Postmodernism (in Slovenian).Ales Erjavec - 2002 - Filozofski Vestnik 23 (1):123-136.
    In the 20th century Adorno and Heidegger put forth two different sets of arguments for the paramount importance of art. While the former offered a philosophy of modernist art and interpreted it as a negativity within the means-end rationality of everyday bourgeois existence, the latter praised poetry and art for being a rare modern instance of the disclosure of truth. Within a century exemplified by master narratives promoting collective agendas, they both denigrated the social function of art, thereby promoting the (...)
     
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  11. Art and Politics (Herbert Marcuse).Ales Erjavec - 2008 - Filozofski Vestnik 29 (1):77 - +.
     
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  12.  8
    Art Beyond Aesthetics. Or, The Consequences of Promiscuity.Ales Erjavec - 2001 - Nordic Journal of Aesthetics 13 (23).
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  13.  44
    Art, Cognition, Knowledge, and Diagnostics.Ales Erjavec - 1993 - Nordic Journal of Aesthetics 6 (10).
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  14.  17
    Art et esthétique : du moderne au contemporain.Aleš Erjavec & Nicole G. Albert - 2011 - Diogène 233 (1):211.
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  15. ADORNO IN HEIDEGGER/ADORNO S HEIDEGGERJEM Od modernizma do postmodernizma.Aleš Erjavec - forthcoming - Filozofski Vestnik.
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  16. Aesthetic Revolution: Schlegel, Malraux, and Ranciere with Schiller.Ales Erjavec - 2012 - Filozofski Vestnik 33 (1):77 - +.
  17.  1
    Cultural Identity in the Second World.Aleš Erjavec - 1997 - Dialogue and Universalism 7 (3):207-215.
    In the author's opinion the current resurgence of national issues could be interpreted as an attempt of Second World countries to counter the effects of oncoming late capitalism. Under such conditions national culture is often perceived as a bastion of national identity. The insurmountable problem encountered by these national cultures attempting to play such a role, is that under the present conditions of global late capitalism national culture as well, if it wishes to achieve recognition, is forced to accept the (...)
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  18. Estetika in Politika Modernizma.Aleš Erjavec - 2009 - Studentska Založba.
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  19.  23
    Global Aesthetics and the Laai Aie.Ales Erjavec - 2002 - Nordic Journal of Aesthetics 14 (25-26).
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  20. Locations, Relocations, Displacements and Reinterpretations.Ales Erjavec - 2006 - Filozofski Vestnik 27 (3):67 - +.
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  21. M. Merleau-Ponty: Eye, Body, and Postmodernism.Aleš Erjavec - 1998 - Filozofia 53 (3):181-191.
     
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  22. Postmodernism, Postsocialism and Beyond.Aleš Erjavec - 2008 - Cambridge Scholars Press.
    The book focuses on three interrelated issues: the relationship between modernism and postmodernism; visuality and visual culture; and the relation between the East (former European socialist countries) and the West as regards aesthetics, globalization, culture, and the mechanisms of the presentation and representation of contemporary visual art. In the first part the author reflects upon some of the less noticed issues of modernism and its dominant theoretical narratives regarding art: its privileging of truth and its obfuscation of some segments of (...)
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  23. Sublimno in Aura.Aleš Erjavec - 1993 - Filozofski Vestnik 14 (1):9-19.
  24.  6
    The Perception of Science in Modernist and Post-Modernist Artistic Practice.Ales Erjavec - 1996 - Poznan Studies in the Philosophy of the Sciences and the Humanities 47:469-478.
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  25. The Revival of Aesthetics: In a Few Words.Aleš Erjavec - 2004 - Filozofski Vestnik 25 (2).
    The immediate reason for choosing the theme of this international issue of Filozofski vestnik was the forthcoming XVII International Congress of Aesthetics (Ankara, July 2007). The other motive was to discern some of the issues in contemporary aesthetics.
     
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  26. Understanding, Compassion and the Pleasure of Recognition: Representational and Conceptual Art.Aleš Erjavec - 2003 - Acta Philosophica Fennica 72:137-150.
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  27. Why Form?Aleš Erjavec - 1991 - Filozofski Vestnik 12 (1):41-48.
     
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  28.  2
    Zakaj Arhitektura V Postmoderni Dobi?Aleš Erjavec - 1990 - Filozofski Vestnik 11 (1).
    Avtor obravnava razliko med postmodernizmom in modernizmom in to predvsem na primeru arhitekture. Ugotavlja, da se estetska in umetnostna tradicija romantike nadaljuje z modernizmom avantgard tega stoletja, ki so, še posebej v arhitekturi, izpostavljale funkcijo in vnaprejšnjo določitev pomena stvaritev. S postmodernizmom se situacija spremeni: dela, med njimi tudi arhitekturna, omogočajo pluralnost funkcij in pomenov ter dopuščajo uporabniku neprimerno več ustvarjalne svobode kot pa modernizem. Pomembno vlogo dobi vizualnost in vizualna umetnost, ki je pomembna ne le sama po sebi, marveč (...)
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  29.  9
    Filozofski Vestnik: The Revival of Aesthetics Edited by Erjavec, Aleš.Dan Vaillancourt - 2008 - Journal of Aesthetics and Art Criticism 66 (2):214–217.
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  30.  2
    Philosophy: National and International.Aless Erjavec - 1997 - Metaphilosophy 28 (4):329-345.
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  31.  39
    Lens Development and Crystallin Gene Expression: Many Roles for Pax‐6.Ale? Cvekl & Joram Piatigorsky - 1996 - Bioessays 18 (8):621-630.
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  32.  3
    Production Process of Unlabeled Advertorials in the Slovenian Press.Karmen Erjavec & Melita Poler Kovačič - 2010 - Communications 35 (4):375-395.
    The objective of this paper is to present the research on how unlabeled advertorials are produced and interpreted by their key producers. The study uses ethnographic methods and reveals that advertorials are produced by news producers or agency practitioners and advertisers either independently or collectively. The production was based on paying for various expenses or services and making threats. Reasons for production were different within particular groups of producers. Responsibility belongs to all actors analyzed, but also to other media and (...)
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  33.  6
    Admitting Hospital Patients: A Qualitative Study of an Everyday Nursing Task.Aled Jones - 2007 - Nursing Inquiry 14 (3):212-223.
  34.  29
    Peer Influence: Neural Mechanisms Underlying in-Group Conformity.Mirre Stallen, Ale Smidts & Alan G. Sanfey - 2013 - Frontiers in Human Neuroscience 7.
  35.  56
    Edmund Husserl and Edith Stein: The Question of the Human Subject.Angela Ales Bello - 2008 - American Catholic Philosophical Quarterly 82 (1):143-159.
    The goal of this article is to analyze the way in which Edith Stein describes the human subject throughout her research, including her phenomenological phaseand the period of her Christian philosophy. In order to do this, I trace essential moments in Husserl’s philosophy, showing both Stein’s reliance upon Husserl andher originality. Both thinkers believe that an analysis of the human being can be carried out by examining consciousness and its lived experiences. Through suchan examination Stein arrives at the same conclusion (...)
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  36.  60
    The Study of the Soul Between Psychology and Phenomenology at Edith Stein.Angela Ales Bello - 2007 - Cultura 4 (2):90-108.
    In the study of the soul between psychology and phenomenology in Edith Stein works it becomes clearer that it is only phenomenology that really comes to gripswith the question of psychic causality by correlating the two moments and it is therefore only phenomenology that can respond to Hume’s objections while yetremaining on his selfsame terrain. It is very important to distinguish between psychology and phenomenology and also to clarify the relationship between psyche and consciousness; there is thus reproposed the distinction (...)
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  37.  55
    Edmund Husserl and Edith Stein: The Question of the Human Subject.Angela Ales Bello - 2008 - American Catholic Philosophical Quarterly 82 (1):143-159.
    The goal of this article is to analyze the way in which Edith Stein describes the human subject throughout her research, including her phenomenological phaseand the period of her Christian philosophy. In order to do this, I trace essential moments in Husserl’s philosophy, showing both Stein’s reliance upon Husserl andher originality. Both thinkers believe that an analysis of the human being can be carried out by examining consciousness and its lived experiences. Through suchan examination Stein arrives at the same conclusion (...)
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  38.  28
    Logica e etica nelle lezioni di Husserl a Gottinga.Angela Ales Bello - 1989 - Idee 12:67-72.
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  39.  8
    Beyond the Myth of “Self-Domination”.Aleš Vrbata - 2014 - Human Affairs 24 (1):136-147.
    This paper deals with the theoretical concepts of image and imagery as used by the foremost imaginal psychologists. Attributing primary epistemological status to image and imagery, imaginal psychology school developed a new theory of image and imagery, questioning the older thesis on the derivative and secondary epistemological status of the image. Using Jung’s concept of the autonomous psyche of an essentially archetypal nature, Hillman started to question Jung’s concept of the Self as a central archetype symbolizing a sort of disguised (...)
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  40. Management Through Spiritual Self-Help Discourse in Post-Socialist Slovenia.Zala Volčič & Karmen Erjavec - 2009 - Discourse and Communication 3 (2):123-143.
    From the 1990s, during and after the post-communist transitions in Eastern Europe, different self-help texts advancing spiritual or personal well-being continue to be a highly popular discourse in Slovenia. In this article we examine the appropriation of self-help discourse in one of Slovenia's most influential management magazines, Manager. On the basis of a critical discourse analysis of Manager's articles, we argue that the magazine predominantly uses spiritual self-help vocabulary and accordingly transforms definitions of basic business vocabulary. It offers a spiritual (...)
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  41.  26
    Angelo Ales Bello, Edith Stein o Dell'armonia: Esistenza, Pensiero, Fede. [REVIEW]Patrizia Manganaro & Antonio Calcagno - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (1):224-231.
  42. Lumi Ale Diversităţii Religioase.Anca Manolescu - 2002 - Dilema 479:12.
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  43.  17
    Ale, Beer, and Brewsters in England: Women's Work in a Changing World, 1300–1600.Ben R. McRee - 1999 - Speculum 74 (1):120-122.
  44. Likertovo Škálování.Aleš Rod - 2012 - E-Logos 19 (1):1-13.
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  45.  6
    Ale Reipe's "Indian Philosophy Since Independence". [REVIEW]Walter Ruben - 1981 - Philosophy and Phenomenological Research 42 (2):303.
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  46.  17
    Aspecte ale raportului dintre filosofie si esoterism în intepretarea lui Moshe Idel/ Aspects of the Relation between Philosophy and Esotericism in Moshe Idel's Perspective.Sandu Frunza - 2005 - Journal for the Study of Religions and Ideologies 4 (10):102-115.
    This text deals with Moshe Idel’s perspective on the connections between Maimonide’s philosophy and Abulafia’s esoteric thought. Idel analyses their thinking under the aspect of their appearance, inter-relation, and inner dynamics. Idel’s analysis reveals that Maimonide’s attempt to issue an esoteric book, one that would give back to Judaism a lost esoteric science, gave a particular impulse to the development of Jewish mysticism, and especially to the ecstatic Kabbalah. Maimonide attempted to transform philosophy into a mystic instrument of understanding the (...)
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  47. Simboluri ale stiintei sacre.René Guenon - forthcoming - Humanitas.
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  48.  44
    Angela Ales Bello, The Divine in Husserl and Other Explorations. [REVIEW]Jeff Mitscherling - 2010 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 14 (2):191-196.
  49. Orfizm? Ale o co chodzi?Krzysztof Bielawski - 2011 - Kronos - metafizyka, kultura, religia 4 (19).
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  50.  5
    Premise Ale Interdisciplinaritatii.Marcel Bodea - 2001 - Journal for the Study of Religions and Ideologies 1 (1):53-61.
    This essay formulates some premises of interdisciplinarity. The ideas are critically and generally expressed but the references content, presented in the paper, are thematically precise (they are generally of speciality). These references also support the dowbts re- garding this issue, that are critically expressed in the pa- per. The interdisciplinarity is a real fact (a reality) but even a neutral and optimistic analysis of it should start in a critic spirit. The interdisciplinarity is not a miraculous solution to all the (...)
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