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  1. The Odd One In: On Comedy.Alenka Zupancic - 2008 - MIT Press.
    Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupancic [haceks over both cs] considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity. Comedy by its nature is difficult to pin down with concepts and (...)
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  2.  57
    Ethics of the Real: Kant, Lacan.Alenka Zupančič - 2000 - Verso.
    This book is concerned with doing exactly the opposite. Kant, thank God, is not our contemporary; he stands against the grain of our times.
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  3.  93
    The Shortest Shadow: Nietzsche's Philosophy of the Two.Alenka Zupancic & Steven Michels - 2004 - Essays in Philosophy 5 (2):1-5.
    Series Foreword vii Introduction: The Event “Nietzsche” 2 I Nietzsche the Metapsychologist 30 “God Is Dead” 34 The Ascetic Ideal 46 Nihilism . . . 62 . . . as a “Crisis of Sublimation”? 72 II Noon 86 Troubles with Truth 90 From Nothingness Incorporated . . . 124 . . . via Double Affirmation . . . 132 . . . to Nothingness as Minimal Difference 150 Addendum: On Love as Comedy 164 Notes 183.
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  4.  18
    Ethics and Tragedy in Lacan.Alenka Zupancic - 2003 - In Jean-Michel Rabaté (ed.), The Cambridge Companion to Lacan. Cambridge University Press. pp. 173--90.
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  5. Reversals of Nothing: The Case of the Sneezing Corpse.Alenka Zupančič - 2005 - Filozofski Vestnik 26 (2):173 - +.
    There exists a strange proximity between the seemingly opposed genres of comedy and the uncanny. In attempting to establish what constitutes their common ground and what distinguishes them, the paper examines the status and the functioning of "nothing" in one and in the other, as well the way "nothing" relates to the question of the real. It puts forward the thesis according to which the uncanny relies on the realism of desire, with its logic of constitutive lack (as transcendent nothing), (...)
     
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  6. Repetition (Deleuze, Lacan).Alenka Zupancic - 2007 - Filozofski Vestnik 28 (1):57 - +.
  7.  14
    Biopolitics, Sexuality and the Unconscious.Alenka Zupančič - 2016 - Paragraph 39 (1):49-64.
    This article deals with the way in which Michel Foucault first introduced the notion of ‘biopolitics’ through the referential frame of sexuality and psychoanalysis. It focuses on the concept that is utterly and conspicuously missing from Foucault's account, in The History of Sexuality, of the psychoanalytic take on sexuality — namely, the unconscious. It argues that this omission has important and far-reaching consequences for the concept of biopolitics as such.
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  8.  31
    On Repetition.Alenka Zupančič - 2007 - SATS 8 (1):27-44.
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  9. Sexuality and Ontology.Alenka Zupancic - 2008 - Filozofski Vestnik 29 (1):59 - +.
     
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  10.  26
    The Logic of the Sublime.Alenka Zupančič - 1992 - American Journal of Semiotics 9 (2/3):51 - 68.
  11.  19
    The Sexual and Ontology.Alenka Zupancic - 2014 - Filozofija I Društvo 25 (1):183-192.
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  12.  6
    Ideologija kot ideologija »Očitnega«.Alenka Zupančič - 1994 - Filozofski Vestnik 15 (1).
    Avtorica se v svojem prispevku loteva hkrati najšibkejše in najmočnejše točke ideologije, sklicevanja na »očitno«, »evidentno«, pri čemer »očitno« vselej zastira mesto, kjer je ideologija najbolj ranljiva — na kar je v svoji analizi delovanja ideologije opozoril že Althusser. Althusser ideologijo sicer poskuša misliti kot diskurz, toda njegova teorija ideologije vseskozi niha med dvema točkama, med ireduktibilnostjo ideologije in idejo »epistemološkega reza«, skratka, med tem, kar je in med tem, kar ni več ideologija. Na tej točki, kjer se Althusser znajde (...)
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  13.  4
    Kant: status tretje Kritike.Alenka Zupančič - 1990 - Filozofski Vestnik 11 (1).
    Tekst razčlenjuje specifiko mesta, na katerega je sam Kant postavil tretjo Kritiko in opozarja na nekatere paradokse, ki iz takšne umestitve izhajajo. V prvem delu je Kritika razsodnosti obtav-navana kot notranja meja na eni strani teoretične in na drugi strani praktične filozofije. V drugem delu gre za razčlembo specifičnega diskurza, ki ga Kant vpelje z govorom v modusu »als ob«. Tretji del pa izpostavlja nekatere paradokse Kantove teorije lepega.
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  14.  7
    On Repetition.Alenka Zupančič - 2007 - SATS 8 (1).
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  15. Introduction.Alenka Zupančič - 2009 - Filozofski Vestnik 30 (2).
     
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  16.  2
    Kant in »Pravica Do Laži«.Alenka Zupančič - 1993 - Filozofski Vestnik 14 (1).
    Tekst ponuja interpretacijo kontra verze Kant—Constant. Kontroverze, ki jo je začel Constant v svojem spisu iz leta 1797, Des Reacton politiques, Kant pa seje nanjo odzval s kratkim tekstom "O domnevni pravici lagati iz človekoljubja", ki nosi isto letnico. Vprašanje "pravice do laži" zadeva tako problematiko prava kot problematiko etike, in v zadevnem tekstu se ga avtorica loteva z obeh perspektiv.
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  17. An Appendix: Comedy and Love.Alenka Zupancic - 2012 - Filozofia 67 (8).
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  18. Beauty as a Four-Fold Paradox.Alenka Zupančič - 1991 - Filozofski Vestnik 12 (1):127-138.
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  19. L'éthique du Réel: Kant Avec Lacan.Alenka Zupančič - 2009 - Nous.
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  20. La logique de l'apparence.Alenka Zupancic - 1994 - Filozofski Vestnik 15 (2):81-95.
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