8 found
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  1.  72
    Language Games and Musical Understanding.Alessandro Arbo - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):187-200.
    Wittgenstein has often explored language games that have to do with musical objects of different sizes (phrases, themes, formal sections or entire works). These games can refer to a technical language or to common parlance and correspond to different targets. One of these coincides with the intention to suggest a way of conceiving musical understanding. His model takes the form of the invitation to "hear (something) as (something)": typically, to hear a musical passage as an introduction or as a conclusion (...)
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  2. Some Remarks on “Hearing-as” and its Role in the Aesthetics of Music.Alessandro Arbo - 2009 - Topoi 28 (2):97-107.
    Starting from the context in which Wittgenstein thinks of the concepts of “seeing-as” and “hearing-as”, the basic relation is clarified between the question of representation, musical understanding, and the theory of musical expressiveness. The points of views of Wollheim, Scruton, Levinson, and Ridley are discussed, in a re-consideration of the notions of hearing and understanding within Wittgenstein’s “last philosophy”.
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  3.  13
    Foreword.Alessandro Arbo & Fabrizio Desideri - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):3-4.
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  4.  11
    The musical work in cyberspace: some ontological and aesthetic implications.Alessandro Arbo - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):5-27.
    The article examines some of the consequences of the migration of musical works in cyberspace, particularly with regard to their ways of being and the ways in which we listen to them. Streaming is interpreted as the last stage in the expansion of a phenomenon that arose with the advent of phonography, namely, the ubiquity and availability of the works. A new development consists in the production of musical units in modular terms: works can consist of independent parts, which can (...)
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  5.  2
    Che cos’è un “oggetto musicale”?Alessandro Arbo - 2012 - Rivista di Estetica 50:9-27.
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  6.  2
    Gli uccelli cantano davvero?Alessandro Arbo - 1998 - Rivista di Estetica 38 (8):113-126.
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  7. Lo spazio sonoro.Alessandro Arbo - 2000 - Rivista di Estetica 40 (13):59-85.
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  8. Minima musicalia (dodici note per Paolo Bozzi).Alessandro Arbo - 2003 - Rivista di Estetica 43 (24):12-17.
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