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Alessandro Bertinetto [47]Alessandro Giovanni Bertinetto [1]
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Alessandro Bertinetto
University of Turin
  1.  29
    We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices?Georg W. Bertram & Alessandro Bertinetto - 2020 - Open Philosophy 3 (1):202-221.
    The article presents the conceptual groundwork for an understanding of the essentially improvisational dimension of human rationality. It aims to clarify how we should think about important concepts pertinent to central aspects of human practices, namely, the concepts of improvisation, normativity, habit, and freedom. In order to understand the sense in which human practices are essentially improvisational, it is first necessary to criticize misconceptions about improvisation as lack of preparation and creatio ex nihilo. Second, it is necessary to solve the (...)
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  2. Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology.Alessandro Bertinetto - 2012 - Teorema: International Journal of Philosophy 31 (3):105-126.
    This paper explores the ontology of musical improvisation (MI). MI, as process in which creative and performing activities are one and the same generative occurrence, is contrasted with the most widespread conceptual resource used in inquiries about music ontology of the Western tradition: the type/token duality (TtD). TtD, which is used for explaining the relationship between musical works (MWs) and performances, does not fit for MI. Nonetheless MI can be ontologically related to MWs. A MW can ensue from MI and (...)
     
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  3.  4
    ‘Mind the Gap’. L'improvvisazione Come Azione Intenzionale.Alessandro Bertinetto - 2015 - Itinera 10.
    In this paper I aim at discussing the following questions: is improvisation an intentional action? If it is an intentional action, in what sense is improvisation intentional? Can improvisation contribute to the understanding of intentional action? I will argue that improvisation is not a bizarre case of action or a weakened action, but an intentional action in the proper sense. Moreover, improvisation exemplifies key features of intentional action as such.
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  4.  1
    Il Pensiero Dei Suoni: Temi di Filosofia Della Musica.Alessandro Bertinetto - 2012 - B. Mondadori.
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  5.  36
    Bild. Fichte Und der "Iconic Turn".Alessandro Bertinetto - 2012 - Fichte-Studien 36:269-284.
  6.  56
    Die transzendentale Argumentation in der Transzendentalen Logik Fichtes.Alessandro Bertinetto - 2007 - Fichte-Studien 31:255-265.
  7.  45
    Genèse et récursivité: la déduction des catégories dans la Doctrine de la Science 1805 de J.G. Fichte.Alessandro Bertinetto - 2007 - Révue de Métaphisique Et de Morale 3 (4):521-553.
  8.  16
    Genèse Et Récursivité : La Déduction des Catégories Dans la Doctrine de la Science de 1805de J. G. Fichte.Alessandro Bertinetto - 2007 - Revue de Métaphysique et de Morale 56 (4):521.
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  9. .Alessandro Bertinetto & Christoph Binkelmann (eds.) - 2010 - Peter Lang.
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  10. A Apresentação Genética Das Imagens Como Possibilidade Do Conhecimento – Uma Introdução À Teoria Das Imagens Na Obra Tardia De Fichte: A genetic presentation of images as possibility of knowledge – an introduction to Images Theory on Fichte’s late work.Alessandro Bertinetto - 2009 - Controvérsia 5 (3).
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  11. Arte como desrealización.Alessandro Bertinetto - 2006 - Daimon: Revista Internacional de Filosofía 39:175-185.
    The paper recognizes the failure of contemporary non-aesthetic theories of art and aims at recovering the phenomenological notion of derealization – which re-emerges in A. Dantoʼs idea of the ʻbracketting effectʼ of art –, in order to explain art and art-experience. The main point is that art makes us free from the ʻreal worldʼ through an act of derealization that leads to the establishment of possible or fictional worlds different from the one we live in. Artworks are primarly imaginary, unreal (...)
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  12.  5
    Anerkennung der Kunst – Anerkennung durch Kunst.Alessandro Bertinetto - 2007 - In Christoph Asmuth (ed.), Transzendentalphilosophie Und Person: Leiblichkeit - Interpersonalität - Anerkennung. Transcript Verlag. pp. 337-350.
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  13.  10
    A Ontologia Performativa de Fichte.Alessandro Bertinetto - 2015 - Revista de Filosofia Aurora 27 (42):801.
    Que contribuição a filosofia de Fichte pode dar à ontologia? Fichte posicionou-se claramente contra a ontologia enquanto descrição dos entes, isto é, contra a ontologia descritiva. A doutrina da ciência desenvolve pois uma ontologia prescritiva que pode ser entendida como um tipo de “ontologia performativa”.
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  14.  2
    Bild. Fichte und der »Iconic Turn«.Alessandro Bertinetto - 2012 - Fichte-Studien 36:269-284.
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  15.  18
    »Die Absolute Kraft des Bildens« Image Et Conscience de Soi Dans la Doctrine de la Science de Fichte.Alessandro Bertinetto - 2014 - Fichte-Studien 41:45-71.
  16.  10
    Das Bild als Durch-Einheit.Alessandro Bertinetto - 2016 - Fichte-Studien 42:67-76.
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  17.  10
    Die Expressivität von Musik und ihre ethische Prägnanz.Alessandro Bertinetto - 2012 - Deutsche Zeitschrift für Philosophie 60 (2):310-316.
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  18.  34
    Die Grundbeziehung von »Leben« und »Sehen« in der ersten Transzendentalen Logik Fichtes.Alessandro Bertinetto - 2003 - Fichte-Studien 20:203-213.
    Die erste, noch unveröffentlichte, Vorlesung über die Transzendentale Logik wurde von Fichte in Berlin während des SS 1812 gelesen.
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  19.  6
    Die Grundbeziehung von »Leben« und »Sehen« in der ersten Transzendentalen Logik Fichtes.Alessandro Bertinetto - 2003 - Fichte-Studien 20:203-213.
    Die erste, noch unveröffentlichte, Vorlesung über die Transzendentale Logik wurde von Fichte in Berlin während des SS 1812 gelesen.
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  20.  2
    Die transzendentale Argumentation in der Transzendentalen Logik Fichtes.Alessandro Bertinetto - 2007 - Fichte-Studien 31:255-265.
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  21.  12
    Fichte nell'attuale storiografia filosofica in Italia.Alessandro Bertinetto - forthcoming - Rivista di Storia Della Filosofia.
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  22.  23
    Federico Vercellone. Morfologie Del Moderno. Saggi di Ermeneutica Dell'immagine.[The Morphology of the Modern]. Torino: Trauben, 2002. [REVIEW]Alessandro Bertinetto - 2009 - Analecta Hermeneutica 1:351-352.
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  23.  2
    Improvisation and Ontology of Art.Alessandro Bertinetto - 2020 - Rivista di Estetica 73:10-29.
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  24.  3
    Kant’s Concept of Power of Judgment and the Logic of Artistic Improvisation.Alessandro Bertinetto & Stefano Marino - 2020 - In Stefano Marino & Pietro Terzi (eds.), Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century: A Companion to its Main Interpretations. De Gruyter. pp. 315-338.
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  25. Le critiche di fichte alla naturphilosophie negli anni dell'insegnamento all'UniversitÀ di Berlino (1810-1814).Alessandro Bertinetto - 2004 - Filosofia 55 (1):1-32.
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  26.  9
    L'art Et le Désir de Dieu: Une Enquête Philosophique, by Roger Pouivet, Rennes, France: Presses Universitaires de Rennes, 2017, 219 Pp. ISBN 978‐2‐7535‐5386‐6; ISSN 1761‐8304pb €20. [REVIEW]Alessandro Bertinetto - 2018 - European Journal of Philosophy 26 (2):901-905.
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  27.  19
    L´ultimo Fichte.Alessandro Bertinetto - 2006 - Fichte-Studien 26:172-177.
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  28.  7
    L´ultimo Fichte: Il sistema della Dottrina della scienza negli anni 1810-1814. [REVIEW]Alessandro Bertinetto - 2006 - Fichte-Studien 26:172-177.
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  29.  11
    La funzione logica dell'immagine nel pensiero trascendentale di Fichte.Alessandro Bertinetto - 2014 - Rivista di Storia Della Filosofia 69 (4):685-700.
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  30.  24
    Logik, Metaphysik, Wissenschaftslehre.Alessandro Bertinetto - 2009 - Fichte-Studien 34:343-357.
  31.  9
    Logik, Metaphysik, Wissenschaftslehre: Die Institutiones omnis philosophiae J.G. Fichtes.Alessandro Bertinetto - 2009 - Fichte-Studien 34:343-357.
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  32.  5
    Logik, Metaphysik, Wissenschaftslehre: Die Institutiones omnis philosophiae J.G. Fichtes.Alessandro Bertinetto - 2009 - Fichte-Studien 34:343-357.
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  33. L'appercezione Trascendentale Nell'ultimo Sistema Berlinese di Fichte.Alessandro Bertinetto - 2012 - Annuario Filosofico 28:325-340.
    In this paper I investigate the developments of the notion of “transcendental apperception” in Fichte’s writings of the period 1811-1813. I pay particular attention at the second lessons on transcendental Logic, as well as at the lessons on the WL 1812 and 1813 and at the diarium 1813. I follow and closely examine the philosophical work Fichte does regarding the concept of apperception, which is at the core of Kant’s transcendental deduction in the Critique of pure reason. Claiming that Kant’s (...)
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  34.  9
    "La vida es el absoluto". Materiali sulla relazione fra la Lebenslehre di Fichte e il raciovitalismo di Ortega. / Material sobre la relacion entre el Lebenslehre de Fichte y el raciovitalismo de Ortega / “Life is the Absolute“: Material on the Relationship Between Fichte's Concept of Lebenslehre and Ortega’s Concept of Raciovitalism.Alessandro Bertinetto - 2002 - Rivista di Storia Della Filosofia 57 (3):469-488.
  35. Mauro Carbone: Una deformazione senza precedenti. Marcel Proust e le idee sensibili. [REVIEW]Alessandro Bertinetto - 2006 - Daimon: Revista Internacional de Filosofía 39:197-199.
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  36.  33
    Negative Darstellung. Das Erhabene Bei Kant Und Hegel.Alessandro Bertinetto - 2006 - Internationales Jahrbuch des Deutschen Idealismus / International Yearbook of German Idealism 4:124-151.
  37. Performing the Unexpected Improvisation and Artistic Creativity.Alessandro Bertinetto - 2012 - Daimon: Revista Internacional de Filosofía 57:117-135.
    In this paper I suggest that we look to improvisation in order to understand artistic creativity. Indeed, instead of being anti-artistic in nature, due to its supposed unpreparedness, inaccuracy, and repetitive monotony, improvisation in art exemplifies and 'fuels' artistic creativity as such. I elucidate the relationship between improvisation and artistic creativity in four steps. I discuss the concept of creativity in general (I) and in reference to art (II). Then I focus on the properties and the phenomenology of improvisation (III). (...)
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  38.  2
    Sistema E Libertà. Razionalità E Improvvisazione Tra Filosofia, Arte E Pratiche Umane. Introduzione.Alessandro Bertinetto, Marco Ivaldo & Alessandro Sbordoni - 2015 - Itinera 10.
    Why "System and Freedom"? Why "Rationality and Improvisation"? These are the two questions that are at the origin of the conference "System and freedom. Rationality and improvisation between philosophy, art and human practices". The conference, held on 28-31 January 2015 in the premises of the University of Turin and organized by the Center for Philosophical-religious Studies Luigi Pareyson, thanks to funding from the Piedmont Region, and with the sponsorship of the Interuniversity Center of Morphology Francesco Moiso, had a large audience (...)
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  39. The Criticism of Fichte in Natural Philosophy in the Years of Education as the University of Berlin (1810-1814).Alessandro Bertinetto - 2004 - Filosofia 55 (1):1-32.
     
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  40. The Routledge Handbook of Philosophy and Improvisation in The Arts.Alessandro Bertinetto & Marcello Ruta (eds.) - forthcoming
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  41.  1
    Valore E Autonomia Dell’Improvvisazione. Tra Arti E Pratiche.Alessandro Bertinetto - 2016 - Kaiak. A Philosophical Journey 3 (6).
    In this paper I will accept Georg Bertram’s criticism against what he calls the “autonomist paradigm” in philosophy of art and I will follow his theoretical suggestion: a coherent, informed, and accomplished philosophy of art should consider not only the specific nature of art, but also its value for the human practices and as one of the human practices. However, I will show the connection between human practices and art in a different, although related, way. Instead of beginning from a (...)
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  42.  30
    «Wäre ihm dies klar geworden, so wäre seine Ktk. W.L. geworden«.Alessandro Bertinetto - 2009 - Fichte-Studien 33:145-164.
  43.  16
    «Wäre ihm dies klar geworden, so wäre seine Ktk. W.L. geworden«.Alessandro Bertinetto - 2009 - Fichte-Studien 33:145-164.
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  44.  8
    «Wäre ihm dies klar geworden, so wäre seine Ktk. W.L. geworden«. [REVIEW]Alessandro Bertinetto - 2009 - Fichte-Studien 33:145-164.
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  45. Johann Gottlieb fichte alla luce della recente storiografia.Matteo Vincenzo D'alfonso, Marco Ivaldo, Faustino Fabbianelli, Erich Fuchs, Gaetano Rametta & Alessandro Bertinetto - 2002 - Rivista di Storia Della Filosofia 57 (3):381-511.
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  46. Logica transcendantale, I : L'essenza dell'empiria.Johann Gottlieb Fichte, D'alessandro Bertinetto & Alessandro Bertinetto - 2002 - Revue Philosophique de la France Et de l'Etranger 192 (4):500-502.
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  47.  99
    Riccardo Martinelli: I Filosofi E la Musica. [REVIEW]Alessandro Bertinetto - 2014 - Philosophischer Literaturanzeiger 67 (4):395-402.