Recognized as one of the earliest Jewish neo-Platonist writers, Isaac ben Solomon Israeli influenced Muslim, Jewish, and Christian scholars through the Middle Ages. A native of Egypt who wrote in Arabic, Israeli explored definitions of such terms as imagination, sense-perception, desire, love, creation, and “coming-to-be” in his writings. This classic volume contains English translations of Israeli’s philosophical writings, including the _Book of Definitions_, the _Book of Substances,_ and the _Book on Spirit and Soul_. Additionally, _Isaac Israeli_ features a biographical sketch (...) of the philosopher and extensive notes and comments on the texts, as well as a survey and appraisal of his philosophy. Restored to print for the first time in decades, _Isaac Israeli _will be essential reading for students and scholars of medieval philosophy and Jewish studies. (shrink)

The twelve studies here are arranged in three distinct groups – Arabic and Judaeo-Arabic philosophy, Jewish mysticism, and modern philosophy. One theme that appears in various forms and from different angles in the first two sections is that of ‘Images of the Divine’. It figures not only in the account of mystical imagery but also in the discussion of the ‘Know thyself’ motif, and is closely allied to the subject-matter of the studies dealing with man’s ascent to the vision of (...) God and his ultimate felicity. In the third section three thinkers are discussed: the English Deist, William Wollaston, who is shown to be steeped in the medieval Jewish traditions of philosophy and mysticism; Moses Mendelssohn, the philosopher of eighteenth-century Enlightenment, whose thesis asserting Spinoza’s influence on Leibniz’s doctrine of the pre-established Harmony is investigated critically; and Franz Rosenzweig, the most brilliant religious philosopher in twentieth-century Jewry, whose notion of History is analysed. Originally published in 1969, this is an important work of Jewish philosophy. (shrink)

A selection of the work of an outstanding Jewish scholar which stretches across the entire spectrum of Jewish creativity from the Hellenistic to the modern period.

There are two ways in which Symbol and Myth are related to each other. Firstly, a certain class of symbols represents the remnant of myths. Such figures as, e.g. the Dragon, Leviathan, etc., which we find in Biblical literature, are not used in the full sense of the underlying mythological conception, but in a metaphorical sense. They are chosen by the author because of their mythical associations, but not in their mythical meaning. Ametaphor of this kind is, as H. J. (...) D. Astley put it, “broken-down mythology.” There are a great many symbols both in poetry and mysticism which must be understood as the relics of mythical thought. We owe a great deal to ethnology for having thrown light on this relation. The microcosm-macrocosm symbolism, for instance, becomes more intelligible if we consider that in primitive mythology the world emerged from the body of primordial man. The gifts to the dead appear in later forms of sacrificial cults as purely symbolical, but there is no doubt that originally they were intended for the real use of the dead. In these and in numerous other cases the symbol has only a reduced value as compared with the original-myth from which it is borrowed. It is not self-evident, but relies on the mythical conception, without, however, taking it seriously. It is “merely” a symbol, and has no truth of its own. (shrink)

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

The twelve studies here are arranged in three distinct groups – Arabic and Judaeo-Arabic philosophy, Jewish mysticism, and modern philosophy. One theme that appears in various forms and from different angles in the first two sections is that of ‘Images of the Divine’. It figures not only in the account of mystical imagery but also in the discussion of the ‘Know thyself’ motif, and is closely allied to the subject-matter of the studies dealing with man’s ascent to the vision of (...) God and his ultimate felicity. In the third section three thinkers are discussed: the English Deist, William Wollaston, who is shown to be steeped in the medieval Jewish traditions of philosophy and mysticism; Moses Mendelssohn, the philosopher of eighteenth-century Enlightenment, whose thesis asserting Spinoza’s influence on Leibniz’s doctrine of the pre-established Harmony is investigated critically; and Franz Rosenzweig, the most brilliant religious philosopher in twentieth-century Jewry, whose notion of History is analysed. Originally published in 1969, this is an important work of Jewish philosophy. (shrink)