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  1.  8
    Vision and Verse in William BlakeThe Crowns of Apollo: Swinburne's Principles of Literary Art.Hazard Adams, Alicia Ostriker & Robert L. Peters - 1966 - Journal of Aesthetics and Art Criticism 25 (1):107.
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  2.  7
    Baby Carriages.Alicia Ostriker - 2004 - Feminist Studies 30 (3):704.
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  3.  11
    Dancing at the Devil's Party: Some Notes on Politics and Poetry.Alicia Ostriker - 1987 - Critical Inquiry 13 (3):579-596.
    My education in political poetry begins with William Blake’s remark about John Milton in The Marriage of Heaven and Hell: “The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil’s party without knowing it.”1 The statement is usually taken as a charming misreading of Milton or as some sort of hyperbole. We find it lumped with other readings which (...)
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  4.  7
    In the Twenty-Fifth Year of Marriage, It Goes On.Alicia Ostriker - 1985 - Feminist Studies 11 (2):307.
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  5.  14
    Reflection on Jewish Identity: Entering the Tents.Alicia Ostriker - 1989 - Feminist Studies 15 (3):541.
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  6.  1
    The Runner.Alicia Ostriker - 1981 - Feminist Studies 7 (2):185.
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  7.  9
    The Speech of the Creature.Alicia Ostriker - 2004 - Feminist Studies 30 (3):702.
  8. The War of Men and Women.Alicia Ostriker - 1985 - Feminist Studies 11 (2):310.
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