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Allan Casebier [16]Allan Frank Casebier [1]
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Allan Casebier
University of Miami
  1. Film and Phenomenology: Toward a Realist Theory of Cinematic Representation.Allan Casebier - 1991 - Cambridge University Press.
    In Film and Phenomenology, Allan Casebier develops a theory of representation first indicated in the writings of the father of phenomenology, Edmund Husserl, and then applies it to the case of cinematic representation. This work provides one of the clearest expositions of Husserl's highly influential but often obscure thought. It also demonstrates the power of phenomenology to illuminate the experience of the art form unique to the twentieth-century cinema. Film and Phenomenology is intended as an antidote to all hitherto existing (...)
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  2.  7
    Speaking of Art.Allan Casebier - 1974 - Journal of Aesthetics and Art Criticism 33 (1):95-96.
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  3.  16
    The Ethical Dimension of Television News Broadcasting.Allan Casebier - 1985 - Journal of Social Philosophy 16 (3):3-12.
  4.  9
    Abraham Kaplan 1918-1993.Allan Casebier & Irving Copi - 1994 - Proceedings and Addresses of the American Philosophical Association 67 (4):137 - 140.
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  5.  44
    A Presentational Model for Aesthetic Verdicts.Allan Casebier - 1984 - British Journal of Aesthetics 24 (2):113-118.
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  6.  2
    A Phenomenology of Television Experience.Allan Casebier - 1997 - Film and Philosophy 4:27-37.
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  7.  6
    Cineliteracy: Film Among the Arts. [REVIEW]Allan Casebier - 1980 - Journal of Aesthetic Education 14 (3):125.
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  8.  19
    Film Appreciation.Allan Casebier - 1977 - Journal of Aesthetics and Art Criticism 35 (4):496-497.
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  9.  9
    Husserl's Ambitions for a Phenomenology of the Arts.Allan Casebier - 2014 - Glimpse 15:1-5.
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  10. J. Dudley Andrew, Concepts in Film Theory.Allan Casebier - 1985 - Journal of Aesthetics and Art Criticism 44 (1):83-84.
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  11. Phenomenology.Allan Casebier - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 3--485.
  12.  2
    Resenha de 'Introduction to phenomenology' (Dermot Moran).Allan Casebier - 2000 - Manuscrito 23 (2):373-377.
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  13.  2
    Response to Carroll.Allan Casebier - 2002 - Film and Philosophy 5:108-109.
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  14.  8
    The Alleged Special Logic for Aesthetic Terms.Allan Casebier - 1973 - Journal of Aesthetics and Art Criticism 31 (3):357-364.
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  15. The Concept of Aesthetic Distance.Allan Casebier - 1971 - Pacific Philosophical Quarterly 52 (1):70.
     
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  16.  53
    Transcendence, Transparency, and Transaction: Husserl's Middle Road to Cinematic Representation. [REVIEW]Allan Casebier - 1988 - Husserl Studies 5 (2):127-141.