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  1.  13
    Rapid Timing of Musical Aesthetic Judgments.Amy M. Belfi, Anna Kasdan, Jess Rowland, Edward A. Vessel, G. Gabrielle Starr & David Poeppel - 2018 - Journal of Experimental Psychology: General 147 (10):1531-1543.
  2.  7
    Aesthetic Judgments of Live and Recorded Music: Effects of Congruence Between Musical Artist and Piece.Amy M. Belfi, David W. Samson, Jonathan Crane & Nicholas L. Schmidt - 2021 - Frontiers in Psychology 12.
    The COVID-19 pandemic has brought the live music industry to an abrupt halt; subsequently, musicians are looking for ways to replicate the live concert experience virtually. The present study sought to investigate differences in aesthetic judgments of a live concert vs. a recorded concert, and whether these responses vary based on congruence between musical artist and piece. Participants made continuous ratings of their felt pleasure either during a live concert or while viewing an audiovisual recorded version of the same joint (...)
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  3. Investigating the Role of Involuntary Retrieval in Music-Evoked Autobiographical Memories.Amy M. Belfi, Elena Bai, Ava Stroud, Raelynn Twohy & Janelle N. Beadle - 2022 - Consciousness and Cognition 100:103305.
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  4. Social Bonding and Music: Evidence From Lesions to the Ventromedial Prefrontal Cortex.Amy M. Belfi - 2021 - Behavioral and Brain Sciences 44.
    The music and social bonding hypothesis suggests that damage to brain regions in the proposed neurobiological model, including the ventromedial prefrontal cortex, would disrupt the social and emotional effects of music. This commentary evaluates prior research in persons with vmPFC damage in light of the predictions put forth by the MSB hypothesis.
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