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Ana Serrano [4]Ana Sofía Hernández Serrano [2]Ana Díaz Serrano [1]
  1.  44
    Cardiovascular medicine at face value: a qualitative pilot study on clinical axiology.Adalberto de Hoyos, Rodrigo Nava-Diosdado, Jorge Mendez, Sergio Ricco, Ana Serrano, C. Flores Cisneros, Carlos Macías-Ojeda, Héctor Cisneros, P. G. Barbara & B. J. Gilbert - 2012 - Philosophy, Ethics, and Humanities in Medicine 7:14.
    IntroductionCardiology is characterized by its state-of-the-art biomedical technology and the predominance of Evidence-Based Medicine. This predominance makes it difficult for healthcare professionals to deal with the ethical dilemmas that emerge in this subspecialty. This paper is a first endeavor to empirically investigate the axiological foundations of the healthcare professionals in a cardiology hospital. Our pilot study selected, as the target population, cardiology personnel not only because of their difficult ethical deliberations but also because of the stringent conditions in which they (...)
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  2.  65
    Cardiovascular medicine at face value: a qualitative pilot study on clinical axiology.Adalberto de Hoyos, Rodrigo Nava-Diosdado, Jorge Mendez, Sergio Ricco, Ana Serrano, Carmen Flores Cisneros, Carlos Macías-Ojeda, Héctor Cisneros, David Bialostozky, Nelly Altamirano-Bustamante & Myriam Altamirano-Bustamante - 2013 - Philosophy, Ethics, and Humanities in Medicine 8:3.
    Cardiology is characterized by its state-of-the-art biomedical technology and the predominance of Evidence-Based Medicine. This predominance makes it difficult for healthcare professionals to deal with the ethical dilemmas that emerge in this subspecialty. This paper is a first endeavor to empirically investigate the axiological foundations of the healthcare professionals in a cardiology hospital. Our pilot study selected, as the target population, cardiology personnel not only because of their difficult ethical deliberations but also because of the stringent conditions in which they (...)
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  3.  8
    Cardiovascular medicine at face value: a qualitative pilot study on clinical axiology.Myriam M. Altamirano-Bustamante, Nelly Altamirano-Bustamante, David Bialostozky, Héctor Cisneros, Carlos Macías-Ojeda, Carmen Flores Cisneros, Ana Serrano, Sergio Ricco, Jorge Mendez, Rodrigo Nava-Diosdado & Adalberto de Hoyos - 2013 - Philosophy, Ethics, and Humanities in Medicine 8 (1).
    IntroductionCardiology is characterized by its state-of-the-art biomedical technology and the predominance of Evidence-Based Medicine. This predominance makes it difficult for healthcare professionals to deal with the ethical dilemmas that emerge in this subspecialty. This paper is a first endeavor to empirically investigate the axiological foundations of the healthcare professionals in a cardiology hospital. Our pilot study selected, as the target population, cardiology personnel not only because of their difficult ethical deliberations but also because of the stringent conditions in which they (...)
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  4.  6
    El objeto común en el arte.Ana Sofía Hernández Serrano - 2016 - Luxiérnaga - Revista de Estudiantes de Filosofía 6 (11):11.
    Cuando se piensa en arte, lo primero que se nos viene a la mente es una expresión de la actividad humana mediante la cual se manifiesta una visión personal sobre lo real o imaginado, es decir, el artista imita, expresa y crea, ya sea copiando lo que hay a su alrededor o fantaseando con lo que no hay. Pero, ¿será ésta una definición concreta? Al preguntar a varias personas qué es lo que consideran como arte, muchas contestarán que es eso (...)
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    Símbolo y representación en el objeto común como arte.Ana Sofía Hernández Serrano - 2017 - Luxiérnaga - Revista de Estudiantes de Filosofía 7 (13):8.
    En la Antigüedad se consideró el arte como mímesis, es decir, como imitación. Platón fue quien añadió a este concepto una nueva definición que caracterizaba a un tipo concreto de arte y distinguió el arte que produce objetos del que simplemente los representa. Decía que el arte imita a la naturaleza, que era un espejo de la realidad, de la naturaleza. Inclusive desde su misma teoría de las ideas, el arte no era más que copia de la copia y, por (...)
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