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  1.  38
    Three Problematic Aspects of Analytical Aesthetics.Anders Pettersson - 2008 - Nordic Journal of Aesthetics 19 (35).
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  2.  1
    Types of Interpretation in the Aesthetic Disciplines.Staffan Carlshamre & Anders Pettersson - 2003 - Mcgill-Queen's University Press.
    Types of Interpretation in the Aesthetic Disciplines begins from the observation that interpretation, even the special kind represented by interpretation of the arts, is not a homogeneous activity. The many different types of such interpretation vary with respect to objectives and criteria of adequacy and attempts to explain art interpretation in terms of a single, unified logic are therefore bound to fail. Five Swedish scholars and theorists from different disciplines - literary studies, philosophy, and art history - discuss the multiplicity (...)
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  3.  19
    The Concept of Literary Application: Readers' Analogies From Text to Life.Anders Pettersson - 2012 - Palgrave-Macmillan.
    1. The application of literature to life -- 2. Examples of application -- 3. Application and the act of reading -- 4. Literature and cognitive enrichment -- 5. Transportation and empathy -- 6. Simulation and identification -- 7. The aesthetic approach to literature -- 8. Conceptions of the text -- 9. Literary practice -- 10. The concepts of literature -- 11. Questions of norms and values -- 12. A final look at application.
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  4.  16
    A Theory of Literary Discourse.Anders Pettersson - 1992 - Journal of Aesthetics and Art Criticism 50 (2):169-171.
  5.  47
    The Ontology of Literary Works.Anders Pettersson - 1984 - Theoria 50 (1):36-51.
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  6.  35
    From Text to Literature: New Analytic and Pragmatic Approaches.Stein Haugom Olsen & Anders Pettersson (eds.) - 2005 - Palgrave Macmillan.
    The articles in this collection focus attention on the concept of literature and on the relationship between this concept and the concepts of a literary work and a literary text. Adopting an analytic approach, the articles attempt to clarify how these concepts govern our thinking about the phenomenon of literature in various ways, exploring the issues which arise when these concepts are employed as theoretical instruments for describing and analyzing the phenomenon of literature.
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  7.  13
    Introduction.Stein Haugom Olsen & Anders Pettersson - 2005 - In From Text to Literature. London, U.K.: Palgrave Macmillan.
    In the course of the nineteenth century the study of literature was professionalized. There was a concerted attempt to make the study of literature an academic pursuit, ‘a particular branch of learning or science’, to turn it into ‘literary studies’ or, as it was called in German, Literaturwissenschaft. 1 This attempt was ultimately successful in the sense that literary studies became a recognized and established discipline within the new Humboldtian kind of university. However, this success brought troubles of its own. (...)
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  8. Analogitänkande och litteraturens kognitiva betydelse.Anders Pettersson - 2008 - Filosofisk Tidskrift 3.
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  9.  16
    Analogizing: The Literary Relevance of Holyoak and Thagard's Mental Leaps.Anders Pettersson - 2006 - Nordic Journal of Aesthetics 18 (33-34).
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  10. Basic Kinds of Literary and Artistic Interpretation.Anders Pettersson - 2002 - In Dag Prawitz (ed.), Meaning and Interpretation: Conference Held in Stockholm, September 24-26, 1998. Kungl. Vitterhets, Historie Och Antikvitets Akademien. pp. 55--199.
     
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  11.  21
    Definitions of "Art" and Their Intended Import.Anders Pettersson - 2001 - Nordic Journal of Aesthetics 13 (23).
  12.  25
    How Literature Changes the Way We Think.Anders Pettersson - forthcoming - Notre Dame Philosophical Reviews.
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  13.  28
    Litteraturteorins Betydelse För Litteraturvetenskapen.Anders Pettersson - 1996 - Nordic Journal of Aesthetics 9 (15).
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  14.  41
    Litteraturens Och Litteraturvetenskapens Särart.Anders Pettersson - 1995 - Nordic Journal of Aesthetics 8 (14).
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  15.  21
    Language, Truth, and Literature: A Defence of Literary Humanism by Richard Gaskin. Oxford: Oxford University Press, 2013, 376 Pp. ISBN 978-0-19-965790-2. [REVIEW]Anders Pettersson - 2016 - European Journal of Philosophy 24 (3):725-729.
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  16. Notes on Contributors.Anders Pettersson - 2011 - Diogenes 58 (1-2):175-177.
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  17.  25
    On Walton's and Currie's Analyses of Literary Fiction.Anders Pettersson - 1993 - Philosophy and Literature 17 (1):84-97.
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  18.  12
    Présentation.Anders Pettersson & Adama Samassékou - 2010 - Diogène 229 (1/2):3.
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  19.  30
    PF Strawson and Stephen Davies on the Ontology of Art.Anders Pettersson - 2009 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 16 (4):615-631.
    P.F. Strawson’s Individuals contains a condensed version of an ontology of art. According to this ontology, musical and literary compositions are similar to types. They are abstract entities, instantiated in the performances of the piece of music or the copies of the literary work. Musical and literary compositions are “well-entrenched”, Strawson says – we cannot eliminate these abstractions, or perhaps we have no need to do so. Strawson’s ontology of art forms an integral part of what he calls his “descriptive (...)
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  20. Verbal Art a Philosophy of Literature and Literary Experience.Anders Pettersson - 2000 - Mcgill-Queen's University Press.
    Anders Pettersson presents a comprehensive account of the foundations of literature, grounded in an original analysis of the interactions between author and reader. Drawing on post-Gricean pragmatics and Nicholas Wolterstorff's notion of presentationality, Pettersson develops the idea of the verbal text and conveys an integrated and nuanced understanding of literary experience, its conditions, and the values it affords. In the second part of Verbal Art he systematically examines the cognitive, affective, and formal aspects of the literary work and explores their (...)
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  21. Introduction.Adama Samassékou & Anders Pettersson - 2011 - Diogenes 58 (1-2):3-4.
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