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  1. Andrea Mecacci, "Kitsch y Neokitsch" - Traducción de Facundo Bey.Andrea Mecacci & Facundo Bey - 2018 - Boletín de Estética 44:7-32.
    El kitsch no es solo una categoría que ha definido una de las posibles gramáticas estéticas de la modernidad, sino también una dimensión antropológica que ha tenido diferentes configuraciones en el curso de los procesos históricos. El ensayo ofrece una mirada histórico-crítica sobre las transformaciones que condujeron desde el kitsch de principios del siglo XX hasta el neokitsch contemporáneo: desde la génesis del kitsch hasta su afirmación como una de las manifestaciones más tangibles de la cultura de masas. Integrándose con (...)
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  2.  14
    Foreword.Roberto Diodato & Andrea Mecacci - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (2):3-5.
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  3.  2
    Foreword.Laura Gilli & Andrea Mecacci - 2020 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 13 (1):3-5.
    Bauspiel: ein Schiff by Alma Siedhoff-Buscher is one of the most important toys of the twentieth century, designed and built in 1923 when the designer was part of the Bauhaus Woodcarving Workshop. Having become an icon of an entire era, a symbol of a design utopia, Siedhoff-Buscher’s Bauspiel remains an object that makes us wonder not only for the fascination it emanates, its perennial aesthetic relevance that still legitimates its production and marketing up until nowadays, but for the strength of (...)
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  4.  14
    La Sparizione Del Design. Parte II: Less is Less.Lorenzo Marras & Andrea Mecacci - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):153-175.
    The evolution of Interaction Design could be read as a radicalization of the dogma of modern functionalism, Less is More, and a "rediscovery" of certain theories of Minimal Art. This radicalization is reflected in the same evolution that has taken place since the early Nineties within the Human-Computer Interaction, with the gradual replacement of User Experience as a major category of interaction design. Designing the interactive experience becomes more important than Usability. But if the experience becomes the specific object of (...)
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  5.  19
    La Sparizione Del Design. Parte III: More is Less.Lorenzo Marras & Andrea Mecacci - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):177-199.
    Computing has become ubiquitous and organic. The “new” human ecosystem is increasingly composed of "intelligent" objects. Since the Nineties there has been a constant application of the practice of disappearance of everyday objects. The daily experience changes, since the objects we use, in their disappearance and imperceptibility, do not divide us from the Life-World. At the same time, the designer is called to rewrite and amplify human experience, and design reflects a different conception of the aesthetic, which must be intended (...)
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  6.  31
    Aesthetics of Fake. An Overview.Andrea Mecacci - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (2):59-69.
    The word «fake» and its several synonyms touch on a number of ontological and mimetic issues that since Plato have led directly to contemporary debates. In the present survey we will try to outline a «grammar of fake» through three points: a) the issue of pseudos in Plato and its impact on contemporaneity; b) the notion of hyperreality as absolute fake; c) the dimension of operative fake, grasped in its postmodern enucleation.
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  7. Estetica applicata.Andrea Mecacci - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay has the aim to analyze the brief history of applied aesthetics from the arts and crafts theories to the everyday aestheticization of postmodernism: the key role of form and function, the problem of ornament, the social implications of commodities, the object value system, objects as simulacra. Is it possible to go beyond these categories? Are they conceptual or just historical categories?
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  8.  16
    Eating an Onion. Notes on Marina Abramović.Andrea Mecacci - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):107-114.
    The Onion is a 1995 video performance by Marina Abramović. The essay aims at analyzing some central themes of the artist’s path, taking this work as reference text. First of all, by including the artist in the process of dissolution of beauty marking the art of the Twentieth century and regarding performance art as one of the outcomes of this process inaugurated by the avant-gardes. Secondly, by showing the link between the political dimension and an existential reflection focused on the (...)
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  9. Editoriale–Hölderlin: la cesura del vivente.Andrea Mecacci & Mariagrazia Portera - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (1).
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  10. Editoriale–Sulla narrazione.Andrea Mecacci & Massimo Baldi - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (2).
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  11. “In der bleiernen Zeit”. La poesia in un'epoca postaffermativa.Andrea Mecacci - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (1).
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  12.  7
    Il pop è amare le cose.Andrea Mecacci - 2015 - Rivista di Estetica:115-121.
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  13. La morte dell'arte e l'ascesa della merce design. Una narrazione contemporanea.Andrea Mecacci - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (2).
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  14.  19
    La Sparizione Del Design. Parte I: Less is More.Andrea Mecacci & Lorenzo Marras - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):141-151.
    Since the late Eighties, technological change and transition from analog to digital, led to a challenging of the classical categories of modernist design. With the development of Human Computer Interaction and its impact on theories of Functionalist Design, it has begun a process of interrogation – initially in a cognitive sense and then in the more properly aesthetic sense – which, through theories and practices increasingly dependent on computerization , brings modernist theories about functionality to shift their interest on Usability (...)
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  15.  11
    Nel taglio del mondo. Approssimazione alla poesia di Ernst Meister.Andrea Mecacci - 2001 - Iride: Filosofia e Discussione Pubblica 14 (1):139-156.
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