18 found
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  1.  9
    Questione di carattere. Empatia, espressione, analogia.Andrea Pinotti - 2011 - Rivista di Estetica 48:133-151.
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  2.  3
    Empathy or Empathies? Uncertainties in the Interdisciplinary Discussion.Andrea Pinotti & Massimo Salgaro - 2019 - Gestalt Theory 41 (2):141-158.
    Summary The term empathy has become a linguistic commonplace in everyday communication as well as in interdisciplinary research. The results of the research questions, raised in the last hundred years, coming from different areas, such as aesthetics, psychology, neurosciences and literary theory, lack in fact a clear concept of empathy. Not surprisingly, a recent paper has identified up to 43 distinct definitions of empathy in academic publications. By reconstructing the main research lines on empathy, our paper highlights the reasons for (...)
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  3.  72
    Stimmung and Einfühlung: Hydraulic Model and Analogic Model in the Theories of Empathy.Andrea Pinotti - 1998 - Axiomathes 9 (1-2):253-264.
    This synthetic survey of the models on which theEinflihlungstheorie is based has showed the deficiency of a pattern and the oscillation of a distinction.The hydraulic model, which following a radical subjectivism is specified as a projection or transfer of pathemic contents from the subject into the object, experiences a crisis if confronted with the rights of the object, which claims to be empathized in this way or in that way. Such a claim induces to recognize a character proper to the (...)
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  4.  43
    Le touchable et l’untouchable.Andrea Pinotti - 2001 - Chiasmi International 3:79-79.
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  5.  39
    Il Toccabile e l’intoccabile.Andrea Pinotti - 2001 - Chiasmi International 3:63-78.
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  6. Allegoria: fu vera gloria?Andrea Pinotti - 2010 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  7. Editoriale - Per il verso giusto: destra/sinistra, alto/basso, davanti/dietro nell'immagine.Alice Barale & Andrea Pinotti - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (2).
    Things are not the same when, even remaining the same, they are placed on the right or on the left, above or below, in front or behind. In the concrete space of our daily experience, in the space of myths and religions, we are not confronted with a neutral, homogeneous, infinite and isotropic spatiality, indifferent to directions. On the contrary, the possibility of a meaningful movement in space, rooted in my own body and in its praxis (as Kant shows in (...)
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  8.  31
    The Touchable and the Untouchable (Abstract).Andrea Pinotti - 2001 - Chiasmi International 3:78-79.
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  9. Guardare o toccare? Un'incertezza herderiana.Andrea Pinotti - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
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  10. Empatia: un termine equivoco e molto equivocato.Andrea Pinotti - 2002 - Discipline Filosofiche 12 (2):63-83.
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  11.  14
    Neuroestetica, estetica psicologica, estetica fenomenologica: le ragioni di un dialogo.Andrea Pinotti - 2008 - Rivista di Estetica 37:147-168.
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  12.  11
    Sindrome Cinese. Benjamin E la Soglia Auratica Dell’Immagine.Andrea Pinotti - 2013 - Rivista di Estetica 52:161-180.
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  13.  31
    Phenomenological Aesthetics: A Bibliographic Survey. [REVIEW]Andrea Pinotti - 1998 - Axiomathes 9 (1-2):265-270.
  14. Ontica e simbolica del colore. La prospettiva di hedwig conrad-martius.Andrea Pinotti - 2010 - Rivista di Estetica 43:193-211.
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  15.  8
    La sfida del Batavo monocolo: Aby Warburg, Fritz Saxl, Carl Neumann sul Claudius Civilis di Rembrandt.Andrea Pinotti - 2005 - Rivista di Storia Della Filosofia 3.
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  16.  2
    Chi Ha Paura Dello Pseudomorfo?Andrea Pinotti - 2016 - Rivista di Estetica 62:81-98.
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  17. China Syndrome. Benjamin and the Auratic Threshold of Image.Andrea Pinotti - 2013 - Rivista di Estetica 52:161-180.
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  18. Art History and Visual Studies in Europe: Transnational Discourses and National Frameworks.Matthew Rampley, Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte Schoell-Glass & C. J. M. Zijlmans (eds.) - 2012 - Brill.
    This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
     
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