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Andrea van Doorn [3]Andrea J. van Doorn [2]
  1. Light Direction From Shad (Ow) Ed Random Gaussian Surfaces.Jan J. Koenderink, Andrea J. van Doorn & Sylvia C. Pont - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 1405-1420.
     
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    Measures of Prägnanz?Baingio Pinna, Andrea van Doorn & Jan Koenderink - 2018 - Gestalt Theory 40 (1):7-28.
    Summary Prägnanz was suggested by Max Wertheimer in the 1920s as subsuming all “Laws of Gestalt” as they apply to visual awareness. Thus, it assumes a prominent position in any account of Gestalt phenomena. From a phenomenological perspective, some visual stimuli evidently “have more Prägnanz” than others, so Prägnanz seems to be an intensive quality. Here, we investigate the intricacies that need to be faced on the way to a definition of formal scales. Such measures naturally depend both upon the (...)
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    Ecological Optics and the Creative Eye.Jan J. Koenderink, Andrea J. Van Doorn, Larry Arend & Heiko Hecht - 2002 - In Dieter Heyer & Rainer Mausfeld (eds.), Perception and the Physical World. Wiley.
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    Plerosis and Atomic Gestalts.Baingio Pinna, Andrea van Doorn & Jan Koenderink - 2017 - Gestalt Theory 39 (1):30-53.
    Summary Franz Brentano, 1838–1917, introduced the intriguing concept of “plerosis” in order to account for aspects of the continuum that were “explained” by formal mathematics in ways that he considered absurd from the perspective of intuition, especially visual awareness and imagery. In doing this, he pointed in directions later developed by the Dutch mathematician Luitzen Brouwer. Brentano’s notion of plerosis involves distinct though coincident points, which one might call “atomic entities with parts”. This notion fits the modern concepts of “receptive (...)
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    Picasso in the Mind’s Eye of the Beholder: Three-Dimensional Filling-in of Ambiguous Line Drawings.Jan Koenderink, Andrea van Doorn & Johan Wagemans - 2012 - Cognition 125 (3):394-412.