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Andreea Smaranda Aldea
Kent State University
  1. Husserl’s Struggle with Mental Images: Imaging and Imagining Reconsidered.Andreea Smaranda Aldea - 2013 - Continental Philosophy Review 46 (3):371-394.
    Husserl’s extensive analyses of image consciousness (Bildbewusstsein) and of the imagination (Phantasie) offer insightful and detailed structural explications. However, despite this careful work, Husserl’s discussions fail to overcome the need to rely on a most problematic concept: mental images. The epistemological conundrums triggered by the conceptual framework of mental images are well known—we have only to remember the questions regarding knowledge acquisition that plagued British empiricism. Beyond these problems, however, a plethora of important questions arise from claiming that mental images (...)
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  2.  41
    History, Critique, and Freedom: The Historical a Priori in Husserl and Foucault.Andreea Smaranda Aldea & Amy Allen - 2016 - Continental Philosophy Review 49 (1):1-11.
  3. Transcendental Phenomenology as Radical Immanent Critique – Subversions and Matrices of Intelligibility.Andreea Smaranda Aldea - forthcoming - In Colin McQuillan & María del Rosario Acosta (ed.), Critique in German Philosophy. Stony Brook, NY, USA:
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  4.  23
    Making Sense of Husserl’s Notion of Teleology: Normativity, Reason, Progress and Phenomenology as ‘Critique From Within’.Andreea Smaranda Aldea - 2017 - Hegel Bulletin 38 (1):104-128.
  5.  42
    Husserl’s Break From Brentano Reconsidered: Abstraction and the Structure of Consciousness.Andreea Smaranda Aldea - 2014 - Axiomathes 24 (3):395-426.
    The paper contends that abstraction lies at the core of the philosophical and methodological rupture that occurred between Husserl and his mentor Franz Brentano. To accomplish this, it explores the notion of abstraction at work in these two thinkers’ methodological discussions through their respective claims regarding the structure of consciousness, and shows that how Husserl and Brentano analyze the structure of consciousness conditions and strictly delineates the nature and reach of their methods of inquiry. The paper pays close attention to (...)
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  6. History, Critique, and Freedom: The Historical A Priori in Husserl and Foucault.Andreea Smaranda Aldea & Amy R. Allen - 2016 - Springer, Continental Philosophy Review.
  7.  31
    Imagination and Its Critical Dimension – Lived Possibilities and An Other Kind of Otherwise.Andreea Smaranda Aldea - 2019 - New Yearbook for Phenomenology and Phenomenological Philosophy 2 (XVII):ch. 14.
    Following Husserl’s analyses of perception and imagination, the paper introduces two basic modes of intelligibility – the normalizing and the imagining – and argues that they are deeply intertwined, despite radical qualitative differences between them. What sets these two modes apart are their distinctive teleological orientations. To show this, the paper looks closely at the ways in which we experience difference in these respective modes. This discussion requires, however, that we challenge Husserl’s own framework for analyzing the imagination, which emerges (...)
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  8. Imagination in Phenomenology: Variations and Modalities.Andreea Smaranda Aldea & Julia Jansen - forthcoming - Springer, Husserl Studies.
  9.  7
    Modality Matters: Imagination as Consciousness of Possibilities and Husserl’s Transcendental-Historical Eidetics.Andreea Smaranda Aldea - 2020 - Husserl Studies 36 (3):303-318.
    The paper contends that transcendental phenomenology is a form of radical immanent critique able to explicate the necessary structures of meaning-constitution as well as evaluate our present situation through the historically traditionalized layers of concrete, lived experience. In order to make this case, the paper examines the critical dimension of phenomenology through the lens of one of its core conditions for possibility: the imagination. Building on—yet also departing from—Husserl’s own analyses, the paper contends that the imagination is both self- and (...)
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  10. Phantasie and Phenomenological Inquiry - Thinking with Edmund Husserl.Andreea Smaranda Aldea - 2012 - Dissertation,
    This dissertation explores and argues for the import of the imagination (Phantasie) in Edmund Husserl's phenomenological method of inquiry. It contends that Husserl's extensive analyses of the imagination influenced how he came to conceive the phenomenological method throughout the main stages of his philosophical career. The work clarifies Husserl's complex method of investigation by considering the role of the imagination in his main methodological apparatuses: the phenomenological, eidetic, and transcendental reductions, and eidetic variation - all of which remained ambiguous despite (...)
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  11.  24
    Spinoza's Imagination in Advance.Andreea Smaranda Aldea - forthcoming - Idealistic Studies.
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  12.  4
    Spinoza's Imagination: Rethinking Passivity.Andreea Smaranda Aldea - 2015 - Idealistic Studies 45 (1):21-39.
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  13.  11
    We Have Only Just Begun: On the Reach of the Imagination and the Depths of Conscious Life.Andreea Smaranda Aldea & Julia Jansen - 2020 - Husserl Studies 36 (3):205-211.
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