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Andrew Benjamin [100]Andrew E. Benjamin [17]
  1.  9
    The Problem of Authority in Arendt and Aristotle in Advance.Andrew Benjamin - forthcoming - Philosophy Today.
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  2.  4
    The Problem of Authority in Arendt and Aristotle.Andrew Benjamin - 2016 - Philosophy Today 60 (2):253-276.
    The aim of the paper is to examine the limits of Aristotle’s and Arendt’s contributions to a philosophical anthropology. By focusing on the concept of ‘potentiality’—and thus the ‘good life’ as a potentiality awaiting actualization—the limit emerges from the way Aristotle understands ‘life.’ His discussion of slavery is pivotal in this regard.
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  3.  7
    Barring Fear.Andrew Benjamin - 2016 - Epoché: A Journal for the History of Philosophy 20 (2):307-326.
    The aim of the paper is to investigate the role of allegory in Philo and spe­cifically in his text On the Migration of Abraham. This involves the twofold move of arguing that even though Philo remains a Platonist and that his language is Platonic in orientation what occurs is a transformation of seeing, which is an immediate activity, into reading, which is always mediate. The second elements stems from this insistence on mediation. It results in freeing allegory from the hold (...)
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  4.  14
    Gesture and Expression : Interrupting Lament's Repetition Walter Benjamin and Sophocles’ Electra.Andrew Benjamin - 2017 - In .
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  5.  21
    Virtue in Being: Towards an Ethics of the Unconditioned.Andrew Benjamin - unknown
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  6. Reviews : Rodolphe Gasché, The Tain of the Mirror: Derrida and the Philosophy of Reflection, London: Harvard University Press, 1986, £22.25, Viii × 348 Pp. John Sallis, Spacings - Of Reason and Imagination: In Texts of Kant, Fichte, Hegel, London: University of Chicago Press, 1987, £19.95, Paper £8.75, Xvi + 177 Pp. [REVIEW]Andrew Benjamin - 1988 - History of the Human Sciences 1 (2):283-287.
  7.  3
    Oikonomia, Incarnation and Immediacy: The Figure of the Jew in St John of Damascus.Andrew Benjamin - forthcoming - International Journal of Philosophical Studies:1-16.
    This paper investigates the role of oikonomia in the writings of St John of Damascus and how that role is integral to the construction of the figure of the Jew.
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  8.  48
    Architecture and Technology: A Discontinuous Relation. [REVIEW]Andrew Benjamin - 2013 - Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides the basis (...)
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  9.  43
    Architectural Philosophy: Repetition, Function, Alterity.Andrew E. Benjamin - 2000 - Athlone Press.
    Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...
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  10.  53
    Towards an Affective Structure of Subjectivity. Notes on Kant's an Answer to the Question: What is the Enlightenment?Andrew Benjamin - unknown
  11.  55
    Perception, Judgment and Individuation: Towards a Metaphysics of Particularity.Andrew Benjamin - 2007 - International Journal of Philosophical Studies 15 (4):481 – 500.
    The aim of this paper is to develop a new theory of particularity. In so doing it redefines the concepts 'perception' and 'judgment'. The redefinition occurs once perception is understood as recognition. The move to recognition entails the centrality of repetition. Recognition, it is argued, is a form of repetition. Allowing for repetition necessitates changing the way the relationship between universals and particulars is understood. This is developed via an engagement with Hume and Plato. The article concludes with the outline (...)
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  12.  5
    Place, Commonality and Judgment. Continental Philosophy and the Ancient Greeks.Andrew Benjamin - unknown
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  13.  19
    Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV.Andrew Benjamin - 2003 - Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield a (...)
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  14.  2
    Style and Time: Essays on the Politics of Appearance.Andrew E. Benjamin - 2006 - Northwestern University Press.
  15. The Figural and the Literal Problems of Language in the History of Science and Philosophy, 1630-1800.Andrew E. Benjamin, J. R. R. Christie & G. N. Cantor - 1987
     
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  16.  27
    Endles Touching: Herder and Scuplture.Andrew Benjamin - 2011 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 4 (1).
  17.  14
    Disclosing Spaces: On Painting.Andrew Benjamin - unknown
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  18.  49
    Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World.Andrew Benjamin - 2012 - Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  19. Walter Benjamin's Philosophy: Destruction and Experience.Andrew E. Benjamin & Peter Osborne (eds.) - 2000 - Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  20.  20
    The Absolute as Translatability: Working Through Walter Benjamin on Language.Andrew Benjamin - unknown
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  21.  48
    On the Image of Painting.Andrew Benjamin - 2011 - Research in Phenomenology 41 (2):181-205.
    Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of this paper (...)
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  22.  42
    Colouring Philosophy: Appel, Lyotard and Art's Work.Andrew Benjamin - 2010 - Critical Horizons 11 (3):379-395.
    Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this (...)
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  23.  8
    And Color?: Sallis on Art's Coloring.Andrew Benjamin - unknown
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  24.  52
    What If the Other Were an Animal? Hegel on Jews, Animals and Disease.Andrew Benjamin - 2007 - Critical Horizons 8 (1):61-77.
    The question of the other appears to be a uniquely human concern. Engagement with the nature of alterity and the quality of the other are philosophical projects that commence with an assumed anthropocentrism. This anthropocentrism will be pursued by way of Hegel's discussion of "disease" in his Philosophy of Nature. Disease is implicitly bound up with race, racial identity and animality, and provides an opening to the question: what if the other were an animal? Any answer to this question should (...)
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  25. Porosity at the Edge : Working Through Walter Benjamin's "Naples".Andrew Benjamin - 2010 - In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
     
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  26.  50
    Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference.Andrew E. Benjamin - 1991 - Routledge.
    Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use of mirrors, (...)
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  27.  13
    Art's Work: Derrida and Artaud and Atlan.Andrew Benjamin - unknown
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  28.  18
    Benjamin and the Baroque: Posing the Question of Historical Time.Andrew Benjamin - unknown
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  29.  16
    Another Naming, a Living Animal: Blanchot's Community.Andrew Benjamin - 2008 - Substance 37 (3):207-227.
  30.  6
    Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.Andrew Benjamin - unknown
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  31.  15
    Walter Benjamin's Critical Romanticism: An Introduction.Beatrice Hanssen & Andrew Benjamin - unknown
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  32.  10
    To Touch: Herder and Sculpture.Andrew Benjamin - unknown
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  33.  10
    Benjamin's Modernity.Andrew Benjamin - unknown
  34.  12
    Notes on the Line.Andrew Benjamin - unknown
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  35.  11
    Le paradoxe de la moralité : Un entretien avec Emanuel Levinas.Emmanuel Levinas, Peter Hughes, Alison Ainley, Andrew Benjamin & Tamra Wright - 2011 - Philosophie 112 (4):12.
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  36.  11
    The Place of the Ethical.Andrew Benjamin - 1988 - Irish Philosophical Journal 5 (1/2):31-45.
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  37.  10
    Spacing as the Shared: Heraclitus, Pindar, Agamben.Andrew Benjamin - 2005 - In Andrew Norris (ed.), Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Duke University Press.
  38.  10
    BADER Ralf M. And John MEADOWCROFT (Eds): The Cambridge.Andrew Benjamin, Of Jews, David Boucher, Andrew Vincent, British Idealism, G. de Callatay, B. Halflants & N. El-Bizri - 2012 - British Journal for the History of Philosophy 20 (1):213-216.
  39.  10
    Democracy and the University: Notes on Fichte's 'Some Lectures Concerning the Scholar's Vocation'/[La Democratie Et l'universiteNotes Sur les 'Vorlesungen Uber Die Bestimmung des Gelehrten' de Fichte].Andrew Benjamin - unknown
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  40.  10
    Trauma Within the Walls: Notes Towards a Philosophy of the City.Andrew Benjamin - unknown
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  41.  21
    Lines and Colours.Andrew benjamin - 2003 - Angelaki 8 (1):27 – 41.
  42.  14
    Matter and Movement's Presence: Notes on Heidegger, Francesco Mosca, and Bernini.Andrew Benjamin - 2012 - Research in Phenomenology 42 (3):343-373.
    Abstract The role of actual works of art with philosophical writing is often reduced to the status of example or illustration. As such the materiality of art work is rarely discussed let alone deployed as the basis of philosophical reflection. In this paper works by Francesco Mosca, and Bernini are used to question Heidegger's writings on sculpture. What such an approach opens up is the possibility that art may set the measure for philosophy.
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  43.  9
    What, in Truth, is Photography? Noted After Kracauer.Andrew Benjamin - unknown
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  44.  5
    Abjection, Melancholia, and Love: The Work of Julia Kristeva.John Fletcher, Andrew Benjamin & Julia Kristeva - 1992 - Journal of Aesthetics and Art Criticism 50 (3):270-271.
  45.  6
    Writing on Proust Today: Notes on Mauro Carbone’s An Unprecedented Deformation.Andrew Benjamin - 2014 - Research in Phenomenology 44 (3):421-431.
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  46.  6
    Hermeneutics and Judaic Thought.Andrew Benjamin - unknown
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  47.  15
    Informed Faces.Andrew Benjamin, Mark Howard & Christopher Townsend - 2011 - Angelaki 16 (1):1 - 3.
    Angelaki, Volume 16, Issue 1, Page 1-3, 01Mar2011.
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  48.  7
    Recovering Holiness and the Place of Others: Notes on Vayikra 19:34.Andrew Benjamin - unknown
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  49.  5
    Notes on the Surfacing of Walls: NOX, Kiesler, Semper.Andrew Benjamin - unknown
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  50.  5
    The Matter of a Materialist Philosophy of Art: Bataille's Manet.Andrew Benjamin - unknown
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1 — 50 / 117