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Andrew Benjamin [115]Andrew E. Benjamin [15]
  1.  20
    Towards a Relational Ontology: Philosophy’s Other Possibility.Andrew Benjamin - 2015 - State University of New York Press.
    _An original philosophical account of relational ontology drawing on the work of Descartes, Kant, Fichte, Hegel, and Heidegger._.
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  2.  27
    Virtue in Being: Towards an Ethics of the Unconditioned.Andrew Benjamin - unknown
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  3.  17
    The Problem of Authority in Arendt and Aristotle.Andrew Benjamin - 2016 - Philosophy Today 60 (2):253-276.
    The aim of the paper is to examine the limits of Aristotle’s and Arendt’s contributions to a philosophical anthropology. By focusing on the concept of ‘potentiality’—and thus the ‘good life’ as a potentiality awaiting actualization—the limit emerges from the way Aristotle understands ‘life.’ His discussion of slavery is pivotal in this regard.
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  4.  7
    The Predicament of Life.Andrew Benjamin - 2017 - Epoché: A Journal for the History of Philosophy 22 (1):67-78.
    Of the many elements within Schmidt’s work that warrant discussion the attempt to differentiate the ethical from the conceptual is one of the most significant. That it is in part grounded in a reading of Kant makes it even more important. The aim of this essay is to question the way this differentiation is established and then justified. Part of the argument is to show the limits within Schmidt’s way of addressing what is central to any philosophical anthropology namely a (...)
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  5.  8
    Doubt and Indifference : Threshold Conditions Within the Work of Art.Andrew Benjamin - forthcoming - Aisthesis. Pratiche, Linguaggi E Saperi Dell'estetico 12 (1).
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  6.  23
    Redressing the Metaphysics of Nudity : Notes on Seneca, Arendt, and Dignity.Andrew Benjamin - unknown
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  7.  10
    Barring Fear.Andrew Benjamin - 2016 - Epoché: A Journal for the History of Philosophy 20 (2):307-326.
    The aim of the paper is to investigate the role of allegory in Philo and spe­cifically in his text On the Migration of Abraham. This involves the twofold move of arguing that even though Philo remains a Platonist and that his language is Platonic in orientation what occurs is a transformation of seeing, which is an immediate activity, into reading, which is always mediate. The second elements stems from this insistence on mediation. It results in freeing allegory from the hold (...)
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  8.  15
    The Problem of Authority in Arendt and Aristotle in Advance.Andrew Benjamin - forthcoming - Philosophy Today.
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  9.  9
    Place, Commonality and Judgment. Continental Philosophy and the Ancient Greeks.Andrew Benjamin - unknown
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  10.  47
    Gesture and Expression: Interrupting Lament's Repetition: Walter Benjamin and Sophocles' Electra.Andrew Benjamin - 2017 - In .
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  11.  10
    Oikonomia, Incarnation and Immediacy: The Figure of the Jew in St John of Damascus.Andrew Benjamin - 2017 - International Journal of Philosophical Studies 25 (3):407-422.
    This paper investigates the role of oikonomia in the writings of St John of Damascus and how that role is integral to the construction of the figure of the Jew.
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  12.  6
    Reading, Seeing and the Logic of Abandonment : Rembrant's 'Self Portrait as the Apostle Paul'.Andrew Benjamin - 2017 - In Antonio Cimino, George Henry van Kooten & Gert Jan van der Heiden (eds.), Saint Paul and Philosophy: The Consonance of Ancient and Modern Thought. De Gruyter. pp. 21-46.
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  13.  17
    Art's Philosophical Work.Andrew Benjamin - 2015 - Rowman & Littlefield International.
    World-leading philosopher Andrew Benjamin presents a radically new materialist philosophy of art and a rethinking of the history of art in that context.
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  14. Disclosing Spaces: On Painting.Andrew Benjamin - unknown
     
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  15. Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World.Andrew Benjamin - 2011 - Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  16. Translation and the Nature of Philosophy (Routledge Revivals): A New Theory of Words.Andrew Benjamin - 2014 - Routledge.
    This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meaning has lost authority, but remains a problem. The fact of translation (...)
     
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  17.  36
    The Plural Event: Descartes, Hegel, Heidegger.Andrew Benjamin - 1993 - Routledge.
    Benjamin provides new and important readings of key canonical texts in the history of philosophy in his sustained philosophical reworking of ontology. Amongst texts included are Hegel's _Difference Essay_ and the _Shorter Logic_ and Heidegger's _Time and Being_ and _The Question of Being_. The effective presence of ontology, defined as `an original difference', will be familiar to readers of his earlier writings. This book represents his most thorough and original contribution to contemporary philosophy to date.
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  18. Reviews : Rodolphe Gasché, The Tain of the Mirror: Derrida and the Philosophy of Reflection, London: Harvard University Press, 1986, £22.25, Viii × 348 Pp. John Sallis, Spacings - Of Reason and Imagination: In Texts of Kant, Fichte, Hegel, London: University of Chicago Press, 1987, £19.95, Paper £8.75, Xvi + 177 Pp. [REVIEW]Andrew Benjamin - 1988 - History of the Human Sciences 1 (2):283-287.
  19.  54
    Abjection, Melancholia, and Love: The Work of Julia Kristeva.John Fletcher, Andrew Benjamin & Julia Kristeva - 1992 - Journal of Aesthetics and Art Criticism 50 (3):270-271.
  20. Style and Time: Essays on the Politics of Appearance.Andrew E. Benjamin - 2006 - Northwestern University Press.
  21.  67
    Architecture and Technology: A Discontinuous Relation. [REVIEW]Andrew Benjamin - 2013 - Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides the basis (...)
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  22. Benjamin's Modernity.Andrew Benjamin - unknown
  23.  7
    Of Jews and Animals.Andrew Benjamin - unknown
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  24.  24
    Le paradoxe de la moralité : Un entretien avec Emanuel Levinas.Emmanuel Levinas, Peter Hughes, Alison Ainley, Andrew Benjamin & Tamra Wright - 2012 - Philosophie 112 (1):12-22.
    Le visage est-il un phénomène simple ou complexe? Serait-il juste de le définir comme cet aspect de l’être humain qui dépasse tout effort de compréhension et de totalisation, ou bien y a-t-il d’autres caractéristiques de ce phénomène qu’il faut inclure dans toute définition ou description du visage? Le visage est un événement fondamental. Parmi les multiples manières d’approcher l’être, de se rapporter...
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  25.  49
    Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.Andrew Benjamin - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):21-40.
    The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves decisive. (...)
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  26.  6
    Hermeneutics and Judaic Thought.Andrew Benjamin - unknown
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  27.  19
    In an Unbounded Way.Andrew Benjamin - 2019 - Research in Phenomenology 49 (1):9-30.
    The project of this paper is present a specific engagement with Kant’s account of genius in the Critique of the Power of Judgment. Genius is a theory of production. Moreover, once genius is linked to production the philosophical moves way from the centrality of both the given and the subject and thus towards the produced. Such a possibility locates Kant’s engagement with genius at the threshold between aesthetics and a philosophy of art. The latter only emerges when centrality is attributed (...)
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  28.  57
    Colouring Philosophy: Appel, Lyotard and Art's Work.Andrew Benjamin - 2010 - Critical Horizons 11 (3):379-395.
    Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this (...)
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  29.  53
    Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV.Andrew Benjamin - 2003 - Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield a (...)
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  30. The Lyotard Reader.Andrew Benjamin (ed.) - 1991 - Wiley-Blackwell.
    Jean-Francois Lyotard was one of the founding members of the College Internationale de philosophie. Ha has taught at Vincennes, Saint Denis and is currently Professor of Philosophy at the University of California at Irvine. Several of his books have appeared in English, notable The Postmodern Condition, Just Gaming and The Dirrerend. The Lyotard Reader is a collection of Jean-Francois Lyotard's most important and significant papers to date. While they are all written from within philosophy, they seek to address subjects as (...)
     
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  31. The Absolute as Translatability: Working Through Walter Benjamin on Language.Andrew Benjamin - unknown
     
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  32.  58
    Architectural Philosophy: Repetition, Function, Alterity.Andrew E. Benjamin - 2000 - Athlone Press.
    Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...
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  33.  69
    Perception, Judgment and Individuation: Towards a Metaphysics of Particularity.Andrew Benjamin - 2007 - International Journal of Philosophical Studies 15 (4):481 – 500.
    The aim of this paper is to develop a new theory of particularity. In so doing it redefines the concepts 'perception' and 'judgment'. The redefinition occurs once perception is understood as recognition. The move to recognition entails the centrality of repetition. Recognition, it is argued, is a form of repetition. Allowing for repetition necessitates changing the way the relationship between universals and particulars is understood. This is developed via an engagement with Hume and Plato. The article concludes with the outline (...)
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  34.  25
    Informed Faces.Andrew Benjamin, Mark Howard & Christopher Townsend - 2011 - Angelaki 16 (1):1 - 3.
    Angelaki, Volume 16, Issue 1, Page 1-3, 01Mar2011.
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  35. Towards an Affective Structure of Subjectivity. Notes on Kant's an Answer to the Question: What is the Enlightenment?Andrew Benjamin - unknown
  36.  8
    Doubt and Indifference: Threshold Conditions Within the Work of Art.Andrew Benjamin - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):123-133.
    The project of this paper is part of a larger attempt to develop a philosophy of art. Integral to that project is the distinction between aesthetics and a philosophy of art. It is always possible to consider affect as an end in itself if what is at stake involves a series of psychological claims. Equally, it is possible to engage with such claims philosophically. However, there is no clear connection between either possibility and a philosophy of art. In the latter (...)
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  37.  22
    Another Naming, a Living Animal: Blanchot's Community.Andrew Benjamin - 2008 - Substance 37 (3):207-227.
  38. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 1993 - Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  39.  64
    Art, Mimesis and the Avant-Garde: Aspects of a Philosophy of Difference.Andrew Benjamin - 1991 - Routledge.
    Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use of mirrors, (...)
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  40. Art, Mimesis and the Avant-Garde: Aspects of a Philosophy of Difference.Andrew Benjamin - 1991 - Routledge.
    First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
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  41. Walter Benjamin's Critical Romanticism: An Introduction.Beatrice Hanssen & Andrew Benjamin - unknown
     
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  42. Spacing as the Shared: Heraclitus, Pindar, Agamben.Andrew Benjamin - 2005 - In Andrew Norris (ed.), Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Duke University Press.
  43. The Figural and the Literal Problems of Language in the History of Science and Philosophy, 1630-1800.Andrew E. Benjamin, J. R. R. Christie & G. N. Cantor - 1987
  44.  59
    Matter and Movement’s Presence: Notes on Heidegger, Francesco Mosca, and Bernini.Andrew Benjamin - 2012 - Research in Phenomenology 42 (3):343-373.
    Abstract The role of actual works of art with philosophical writing is often reduced to the status of example or illustration. As such the materiality of art work is rarely discussed let alone deployed as the basis of philosophical reflection. In this paper works by Francesco Mosca, and Bernini are used to question Heidegger's writings on sculpture. What such an approach opens up is the possibility that art may set the measure for philosophy.
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  45.  3
    Listening to God and the Founding of the Law: Notes on Exodus 32.19–20.Andrew Benjamin - forthcoming - Journal of the British Society for Phenomenology:1-17.
    ABSTRACTThe aim of this paper is to contribute to the development of a political theology that take both God and law as central. Rather than operate abstractly, the paper works closely on passages...
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  46. Deconstruction.Andrew Benjamin - unknown
  47.  33
    Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.Andrew Benjamin - unknown
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  48. Benjamin and the Baroque: Posing the Question of Historical Time.Andrew Benjamin - unknown
     
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  49.  61
    On the Image of Painting.Andrew Benjamin - 2011 - Research in Phenomenology 41 (2):181-205.
    Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of this paper (...)
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  50.  4
    Who Were the Faithful?Andrew Benjamin - 2019 - Theoria 66 (159):52-70.
    The aim of this paper, which more generally is a contribution to political theology, is to show in what way the conception of peace in Nicholas of Cusa’s De Pace Fidei is dependent upon a specific philosophical anthropology. Within it any link between human being and law is replaced by the subject of faith. Central to the argument is demonstrating the ways in which this anthropological position is necessarily interarticulated with the larger metaphysical positions that are advanced across a range (...)
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